Springville Community Theater

Still getting rave reviews after 47 years

Story by Paul South
Submitted photos

For 47 years, the story of the Springville Community Theater has been stagecraft by “the seat of the pants,” according to founder June Mack.

Think a line from something like one of the classic Mickey Rooney-Judy Garland movies: “Hey gang, let’s put on a show.”

Everybody contributes. Everybody performs.

SCT is a small volunteer army of amateur actors, singers, dancers, set builders and ticket takers. The company has few rules: Check your ego at the stage door, no divas allowed and get ready to have fun and work hard.

That’s been the story of the theater troupe since Mack started it in 1976 after graduating from Hollins College, and her summer job fell through.

Oklahoma

Archie Jones, a neighbor at a nearby farm, suggested that Mack put on a show in Springville. She spent a month writing a children’s fantasy, filled with song, dance and dialogue.

“I put the word out that I needed help to put this thing on, and about 20 people – lifelong friends of all ages – stepped in to be a part of it. We had a blast,” Mack says.

The next year saw another original production that drew 70 cast and crew, including The Shake, Rattle and Roll Senior Citizens Band from Odenville.

 “I didn›t exactly know what to do with them so I created a scene with a birthday party so the band (about 25 senior citizens) became the entertainment at the party in the play. They were a real hit.”

Since those initial offerings, Mack, with degrees from Florida State and Harvard, has directed the SCT in a mix of original works and Broadway classics, like Oklahoma!, South Pacific, Beauty and the Beast and Peter Pan.

Mack describes the growing troupe with a single word – brave.

“They’re not afraid to take a risk. Especially if it’s funny or unusual – something that would delight a crowd,” Mack says. “When you describe something to them that you’re thinking of them doing, and it could be embarrassing or even dangerous, they get a glint in their eye like ‘bring it on.’” 

Risks, it seems, are part of life on the stage, from New York to community playhouses. But in Springville, the theater has no set script for success.

“No formula, just trying to see if we can do it,” Mack says. “It’s not that we decided we’re going renegade and not have a safety net. We just don’t have a net, or we’d definitely use it. We’ve done things that we knew could turn out catastrophic, but we just had to try — and it always turned out.”

Peter Pan wire work

For example, “we did an outdoor performance of Annie Get Your Gun at Homestead Hollow. One of our leads, Madison Forman, decided at age 80 that he’d like to try acting. He was great. To do this show, we braved mosquitoes, record temperatures and humidity plus horses, lots of kids, gunshots, fireworks and longhorn steers. Plus, we moved the audience from scene to scene instead of changing the scenery, which meant relocating sound, lights and orchestra as we moved to the settings around Homestead Hollow. Just had to try it.”

One of the foundations at Springville Community Theater is that everyone who auditions is cast. Locals from ages 4 to 85 have basked in the applause of joyful audiences. “It’s amazing what people can do when you tell them they can,” Mack says. 

“We’ve had 100 (exactly) people audition for several of our shows, and since we cast every person, that meant a cast of… yep, 100. We’re not trying to grow a theater program. We just want to do fun, creative things in front of our families and friends.

“Recently, we gathered old cast and crew lists to create a spreadsheet of everyone who had worked on our shows, and the number was 970 in 47 years. We were amazed because it’s a small town.”

Mack says that having a community theater isn’t really the important thing – it could be any kind of project that involves a lot of people working together.“The fact that it was theater just means there are a lot of different types of jobs for different kinds of people. So, it’s a very practical device for a community project. And then you present it to the community, and you’ve got participation on every level.” 

The seeds for what would become Springville Community Theater were planted in the 1970s at Springville United Methodist Church, where Mack, her mother and siblings created and performed church programs along with other members of the congregation. “It was the time of the hit musical, Godspell, and youth programs everywhere were experimenting with drama, music and movement. I was fortunate to work with a lot of really talented people, and this was the norm all over Springville — not just at the Methodist Church.  It’s still true today. It’s a very unusual place.” 

What do they think are the secrets behind keeping it going for almost five decades?

In the beginning – for about 10 years – we did a show every year. Now, with the size of our shows, the volunteer staff and crew need a longer break. Spacing the shows is our remedy for burn out. We go off and live our lives, and when we get the itch to do a show, we bring that life energy back to the next play.” 

She explains it like this: “The stage really isn’t our lives — it comes out of our lives. We just pretend it’s about the show (these characters, their stories), but it’s really about community, about our stories as we do this other thing called a show.” 

From the beginning, she adds, it was a teaching group. “We teach anyone to act, build, paint, run a box office, operate lighting and sound equipment, make costumes, find the right props, be a stagehand. Since nobody gets paid, anyone can volunteer to do anything. We’re sort of the “no rules” theater troupe.”

As for its staying power, she notes, “Incredibly talented people just keep showing up for sets, art, props, costumes, sound and lights. We couldn’t afford these people if we were paying them. But they’ll work for free because the creative atmosphere is super, and they are so appreciated – it just feels good to be a part of these shows.

“It’s incredibly hard work, but these people know that hard work and long hours come with quality art, and they pour themselves into it, teaching others along the way. That continuity of expertise sprinkled through all of the committees has been key to our ability to handle the hundreds of people who head our way now for every show.”

Mack points to other keys to their success. “We have no overhead because we don’t own a building or have a payroll, and this makes it possible for us to have a lot of freedom to do shows when we want to and take risks – risks that come with doing really big shows and a lot of crazy stunts.

“We keep ticket prices as low as we can to make the shows accessible to everyone. We just want to break even – we’re not interested in socking away any money. With donations from the City of Springville, St. Clair County and a few special friends, we’re able to mount extravagant shows with very low ticket prices.

They keep the spotlight trained where it should be, she says. “With less focus on money and sustaining a large organization, we’re able to keep our main goal in sight: process is more important than product. The cool part is that, by focusing on the process, the quality of the product is always amazing.

“We focus on the experience of the people who work on the shows. We want everyone to be proud of themselves, and this expands to the pride and love their families and friends feel for them when they see them on the stage. It’s a beautiful thing.”

Mack taught at UAB from 2001 to 2019, where she led the university’s film program. Before that, she taught at Ohio University, The Ringling School of Art and Design and at Florida State.

For the former college faculty member, Springville Community Theater teaches a powerful lesson. “Doing something that’s fun and wanting to give back to friends, family and community really works out in the long run.”

And after 47 years, how does Mack see the future Springville Community Theater? “More of the same, only, it’s never the same.”

One day of love and music

Lovestock Festival Promotes Unity and Love

Story by Roxann Edsall
Photos by Mackenzie Free

In August of 1969, there was a music festival of some note, held on a dairy farm a few hours outside of New York City. Attended by over 400,000 people, that music festival, known as Woodstock, was promoted with the slogan, “Three Days of Peace and Music.” The country was in the middle of turbulent times, and organizers thought music could bring some inner peace to festival goers.

Fast-forward 54 years to a farm in the heart of Pell City, Alabama. Hundreds of people have gathered to enjoy a free music festival. The festival is called Lovestock, a nod to the intent of the historic 1969 music mega-festival. As you walk from the parking area toward the stage, you enjoy the serene beauty of this farm, with its expansive views of gently sloping green hills and fields.

As you approach the stage, you hear the master of ceremonies tell the crowd that today there are no races, no black, no white, just love. “Today,” the voice explains, “will be all about the collective experiences of cultural and ethnic backgrounds and their expressions of love in music.” Throughout the day, the shared joy and community among the participants creates a truly palpable sense of love and unity.

Spectators fill the fields in front of the stage

During breaks in the music, squeals of joy can be heard from the children’s inflatables play area. Groups of festival goers wander about to visit the food truck and vendor area as they wait to hear their favorite group sing. Unlike the rainy, muddy conditions that characterized the Woodstock festival site, the weather on this October day is sunny and warm, with a breeze that hints of the changing seasons.

Individuals and bands from five states share the stage at various times throughout this day-long music festival. The 17 acts will later be edited into four shows for Alabama Gospel Roots, a popular television show which airs on Saturday nights at 8 p.m. on Alabama Public TV (APT).

Al Lewis has been playing saxophone for 64 years. He’s playing with two different bands on this day. “I was around at the time of Woodstock,” he says. “Lovestock is different and so much better. No alcohol, no chemicals, just totally Christian love.” He joins the band, Lite Brigade, in the morning set and Healed by the Blood in the closing act of the day.

Rev. Dr. Renita Allen-Dixon is a popular gospel recording artist from Tallahassee, Florida, and has just finished her set on stage. She agrees with Lewis about the festival and its location. “You can feel life and the presence of God here,” she adds. “It’s an opportunity for God to bring serenity and peace and for faith to be renewed.”

The idea for Lovestock began two years ago as the brainchild of four men working on various projects in the entertainment industry in Alabama. George W. Stewart, host of the Alabama Gospel Roots television show pitched to his friend, Charlie Beavers, the idea of putting on an outdoor music festival. Beavers, a Birmingham attorney and frequent guest musician on the gospel show, agreed to help, and the idea took flight. Beavers suggested including Rodney Burrow, a friend he had worked with previously on a charity music event. Michael Sutton, who manages Iron City Collective, a pop-up worship event group which produces worship events at places like Railroad Park in downtown Birmingham, rounded out the group. 

APT had been taping Alabama Gospel Roots at venues all around the state since the COVID pandemic shut down their studio in Montgomery. As they continued to talk about it, the plan began to take shape as a Christian Woodstock equivalent, with back-to-back groups playing throughout the day, but without the negative connotations and volatility that became associated with the iconic ‘60s festival.

Lovestock organizers added to their event promotion the tagline, “What the World Needs Now Is Love,” a reference to a popular 1965 song recorded by Jackie DeShannon. “That’s truly what the world needs now,” said Stewart.  “There’s a lot of hurt in the world today. We’re going to show a pure expression of love for each other and love for God. We hope people leave empowered to share this example of unity with the world.”

Organizers booked Lovestock at Rodney Burrow’s 123-acre farm. Its green, rolling hills and water features project a decidedly golf course feel, with good reason. Burrow purchased the land from the estate of Charles Carter, owner of Carter Golf Company, a world-renowned company that built many famous golf courses, including the Robert Trent Jones courses in Alabama.

“Carter used his company equipment and sculpted it, I’m told, from basically swampland to the tranquil and beautiful hills and lush greenways that it is now,” tells Burrow.

Burrow had been looking for land to buy outside of Birmingham in 2012 when the property became available. He recalls the story of how he knew it was the right land for him. “A friend came out with me to look at the land. He got down on one knee and scooped up some dirt in his hand, let it sift through his fingers and told me that one day I would be able to call this land my own,” says Burrow, choking back tears.

“I came back a few days later and promised God that if he gave me this property, I would give it back to him.” Thirty days later, Burrow closed on the property, which he now calls Willow Tree Ranch.

His journey to fulfill that promise includes offering sections of the property for use for events like Lovestock and for use in his work with area youth and families. “When I bought it, I really didn’t know what that would look like. What began as a youth camp idea has expanded into something far beyond my expectations,” adds Burrow. 

He has plans to develop the land further and build a conference center with lodging, and fishing and recreation areas, along with barns with horses for guests to ride.

Burrow introduces one of his volunteers at the festival. Joseph Carrion smiles as he tells his story of gratitude and the reason he is happy to help. He had been serving two life sentences plus 13 years at Donaldson Correctional Facility as a repeat offender convicted on a charge of drug possession.

After participating in a prison ministry event called Kairos in 2003, he turned his life around. Charlie Beavers was working with that ministry on that April weekend at Donaldson. “I asked him if God could really save me,” said Carrion.

“A year later, I was released on parole. The next year, Charlie and some others went with me to Montgomery to receive a full pardon. Helping with these kinds of events helps me to give back for the gift of love and salvation I didn’t deserve.”

Breaking down barriers and offering life-changing love is what has fueled the efforts of all who worked on this music festival.  “Lovestock crosses all boundaries,” says Stewart. “It’s a collective of cultural and ethnic backgrounds and their expressions of love in music. It’s unfacilitated peace through all walks of life.”

Plans are already underway for Lovestock 2024.

Salute to service

Museum of Pell City’s special focus on veterans

Story and photos by
Carol Pappas

In its first community outreach program since opening in March, Museum of Pell City presented Salute to Service Nov. 2, hosting a crowd of over 80 veterans and community and governmental leaders.

The event included lunch, speaker, a state senate resolution, a special presentation to veterans, a new military service exhibit and premier of a short film produced by the museum.

A section of the expanded Salute to Service exhibits at the museum

“We chose this as our very first community outreach program for a reason – veterans form the very foundation of all of our communities across our country,” Museum President Carol Pappas said in opening remarks. “Their history is what our history is built upon, and we truly thank them for their service.”

Salute to Service hosted a group of veterans and staff from Col. Robert L. Howard State Veterans Home as special guests, and veterans throughout the audience were recognized for their service. The museum presented each with a special memento – a commemorative challenge coin thanking them for their service.

The museum presented its coin with a specially designed card saying: “Historically, military commanders presented challenge coins to members of their units in recognition of special achievements. Today, we respectfully present it to you for the ultimate achievement – your service and sacrifice in defense of our country, our freedoms and our way of life.”

Museum First Vice President Deanna Lawley directed the day’s program, noting her own roots in a military family. “Veterans are men and women who have put others before self to guarantee the security of our community and country. The sacrifices were also made by your families who often had an empty chair at the head of the table. I know this because for the first 15 years of my life, I watched my mother move four daughters from the dust blown plains of Ft. Sill Field Artillery School, Oklahoma, to Newnan, Georgia, where family took us in as Daddy was deployed to join Patton’s 3rd Army.”

She detailed the family’s moves during her father’s service after World War II – Panama Canal and Boston. Then, he was called to Korea. When the war ended, she and her sisters thought he would be home soon, but duty called again. “He remained to negotiate prisoner of war exchanges and saw the harsh sacrifices made by those who had been captured.”

He was home for a time, then orders sent him with family in tow to Verona, Italy, where he’d work to establish SETAF relationships and find a home for us on the Italian economy,” she said, noting that she went to school in a converted shoe factory with a potbelly stove for heat.

“Military families learned to be resilient and independent. I don’t know the length of service each of you gave, but I know it involved many sacrifices from you and your loved ones. My father will always be my hero, Col. Neil Nolen of Alexander City, Alabama, just as you surely are to your family.  Freedom is never free, and we thank each veteran here today for all you gave.”

Salute to Service Program

“This event was made possible through the efforts of so many,” Pappas said, noting the work of the board of directors, the museum docents and volunteers. Union State Bank sponsored the lunch. Pell City Flower and Gifts donated centerpieces for each table. Metro Bank, through a five-year financial commitment, is making special programs like this and traveling exhibits possible.

“Col. Robert L. Howard Veterans Home and Director Hiliary Hardwick were instrumental in the success of this event, loaning many of the artifacts, uniforms and photographs we have on display, greatly expanding the exhibit we were able to create. Jeremy Gossett, who designed the museum, created our new exhibit, which triples the size of the military portion of the museum’s “For Their Service” displays.

“Jeremy’s talent in bringing this together in such a special way shows the pride in which we all take in saluting our veterans and their sacrifice,” Pappas said.

Docent Annette Manning presents veteran Jay Jenkins with challenge coin

“We thank Dr. Marty Olliff, professor, author and historian for his presentation on Alabama’s role in World War I,” she added. “His talk reminds us of how our own story fits into the bigger picture of Alabama and U.S. history.”

The living history studio where oral histories are videoed was turned into a screening room for the event and throughout the rest of the year, where they are showing the museum produced-film, War and Remembrance. The video features local veterans and others from the state veterans home, who represent World War II, Korea and Vietnam, who share their own experiences of conflict.

“This is a powerfully moving video, helping us better understand the sacrifices of war,” Pappas said. The video is the first in a series of such videos made possible through grants from Alabama Humanities Alliance and the Greater Pell City Rotary Community Foundation.

She commended videographers Ed Tyler and David Smith, volunteers who filmed these interviews, and Larry Krantz, who put it all together as video editor. “They did a tremendous job in bringing the battlefield home to us so that we have an even deeper appreciation for our veterans.”

State Sen. Lance Bell presented a resolution proclaiming the month of November as Veterans Month at the Museum, underscoring that “Veterans have earned and deserve such recognition and deep gratitude for their service and sacrifice.”

The exhibit and film are featured through the end of the year. The museum is open Thursdays and Fridays, 10 a.m. to 4 p.m. and Saturdays, 10 a.m. to 2 p.m. but will be closed for holidays Dec. 22 and 23.

Any veteran visiting will receive the special challenge coin and card as a special gift from the museum. Admission is always free.

Modern Manufacturing Program takes shape

Honda steps up with SUV for workforce development program at Eden Tech

Story and photos
by Graham Hadley

Once again, St. Clair County is leading the way for the rest of Alabama when it comes to workforce development programs in public education – and Honda Manufacturing is already stepping in to help.

The John Pope Eden Career Technical Center in Ashville, working with the St. Clair Economic Development Council, is taking a lead role in the Modern Manufacturing Program, a partnership between the Alabama Works initiative and local school systems, as the state continues its efforts to boost the number of qualified manufacturing professionals.

The program at is already well on its way to being another workforce development success story for the region. Now, Honda Manufacturing of Alabama has joined those efforts, donating a Honda Pilot SUV and more to MMP at Eden in late October.

“At the Honda Alabama Auto Plant we are excited about the opportunity that the Modern Manufacturing Program can provide for students and industry alike,” said Michael Gaines, division leader at Honda Alabama.

Handing over the keys

“Modern Manufacturing will provide the necessary skills for entry level manufacturing positions in our company, as well as other manufacturing companies in our region. Almost all industries in our area are experiencing manpower shortages, and this program will give students the basic skills they need before entering the workforce, helping to increase their career options, and hiring potential, while also helping local employers to fill open positions with individuals already advanced in work-based skills.”

Bob Johnson, who helms the program at Eden and a former HMA employee, expressed his gratitude to his former employer for its generosity. “The MMP program at Eden Career Technical Center is very thankful to Honda. This donation will contribute to ensuring that every student is prepared to meet future opportunities beyond high school.”

Students and guests attend the MMP presentation at Eden

And that generosity goes beyond just the Pilot. “Honda has contributed parts, materials and money and worked with the St. Clair County Board of Education to make this happen,” he said.

Jason Roberts, director of Industry and Workforce Development at St. Clair EDC, was credited with playing a key role in bringing everyone together. He said the partnership is essential to the success of the MMP program and was quick to point out that across the state, all of the major manufacturers, especially the big automotive companies – Honda, Mercedes, Toyota-Mazda and Hyundai – are stepping in to make sure the skillsets they need are being taught.

The donation is a first for Eden and for schools in the region, said Kristen Holder, executive director for Central Six AlabamaWorks. She, along with other officials, like Alabama School Board Member Marie Manning, EDC Director Don Smith and St. Clair Superintendent Justin Burns, attended the event.

“This is such an opportunity for our students,” Burns said. “I knew it would be a good opportunity when you partner with companies like Honda or Unipres, and Eden Career Tech is the perfect next step in the workforce development process. … I know this is just the beginning. Thank you for giving us the opportunity.”

Mariott TownePlace groundbreaking

Visitors staying in Pell City for so many different reasons will have another quality lodging option. Shivaay Hospitality LLC owners, Darshen Patel and Vishal Patel, broke ground on their newest Marriott TownePlace Suites at 265 Vaughan Lane today in front of a crowd of supporters Wednesday morning.

“We have been looking at the growing Pell City market for the right location and believe this is the perfect fit for our guests,” said co-owner Darshen Patel.

“Our 89-room hotel will be the first Marriott brand in St. Clair County and is located within view of Premiere Cinema’s movie theater, national brand eateries, and numerous retailers. Our guests can choose to visit those businesses or enjoy their entire stay without leaving our hotel,” added co-owner Vishal Patel.

All the rooms will have kitchenettes, and the hotel will have a bar in the lobby, free Wi-Fi, complimentary hot breakfast and a firepit and pool outside. 

“Pell City is always supportive of new investment, but this new hotel will give more people a chance to see and visit all the great things we are accomplishing here. It will also help support the numerous manufacturers we have by providing another place for their executives and team members from out of state a comfortable stay while on business in town,” said Bill Pruitt, mayor of Pell City.

“Planning, constructing and opening a new $12 million hotel is not an easy task. I want to thank Mayor Bill Pruitt, the City Council and City Manager Brian Muenger for being so supportive during this process. I believe they will be very happy with the location,” explained Darshen Patel.

Stan Batemon, chairman of the St. Clair County Commission, echoed his support, “As our county continues to market tourism events in and around our community it is important to have a variety of well-known hotel brands to offer. I believe the word is getting out on what our community offers, and these gentlemen have made a great decision in investing in St. Clair County. We look forward to continuing to support them.” 

The new hotel is expected to open in the beginning of 2025 and is expected to have 20 employees.

Union State Bank celebrates 120 years

A legacy stretching
back more than a century

Story and photos
by Carol Pappas
Submitted photos

When Emily Norris heads to work each day, it’s like returning to a home she never left. She grew up coming to Union State Bank, where her mother worked as a teller.  She held her first job there at age 15. In college, she worked there around her class schedule.

As Union State celebrates its 120th anniversary, Norris is now a vice president and represents a new generation at Union State, continuing the legacy of St. Clair County’s oldest community bank.

“It’s like family,” she said. “My great-great grandparents banked with Union State Bank as far back as the early 1920s, and my mother has worked here for the bank for 40 years, so it means a great deal to carry on the legacy here at Union State Bank.

“Union State hired me when I was in high school. I was able to come to work after I finished my classes for the day.”

After high school at Gadsden State Community College, she continued her work at the bank until graduation magna cum laude with a Business Marketing Degree. She went on to graduate from Alabama Banking School located at the University of South Alabama. “I feel as though I gained so much insight about the banking industry during those years,” she said. After working in the banking field at another institution in Birmingham for a few years, she returned ‘home’ – to Pell City and Union State Bank.

“I have so many fond memories of growing up and coming to this bank as a kid. I have enjoyed learning from and working for Mr. Reed,” she said, referring to Reed Alexander, the bank’s CEO. “I am thankful for the potential he saw in me as a teenager, investing in that potential and allowing me to grow as a banker through the years.

“It has just always been like a family here,” she added, citing a group of encouraging mentors over the years – Wayne Adams, David Jackson, Dorothy Golden and Chuck Truitt. But she credits her mother as her most valued teacher. “She has always instilled a good work ethic and to always have a passion to do my best at whatever I’m doing.”

She has apparently learned her mother’s lessons well, now serving in leadership at the bank she worked in as a teen.

And the bank’s deeply rooted history in the community makes her role even more special, she said. “It is an honor to work for a bank that has such a long history here in Pell City. I love working, living and serving in the community where I was raised. Knowing that you are investing back into your community makes you feel good about what you are doing and the lives you touch through it.”

Union State: A storied History

The year was 1903 when a group of businessmen, led by J. Fall Roberson Sr., joined forces to form a bank to serve future businesses and citizens of Pell City and St. Clair County. It formed under the name of Bank of St. Clair County and today, it is the county’s oldest successful bank – Union State Bank..

Sumter Cogswell, credited with founding Pell City, served as president with directors McLane Tilton, E.J. Mintz, Arthur Draper, J. Fall Roberson of Cropwell, J.H. Moore of Coal City, Frank Lothrop of Riverside, and Lafayette Cooke, the entrepreneur who built the Cook Springs Hotel and for whom Cook Springs is named.

In 1910, the bank received a charter to establish itself as a national bank and changed its name to First National Bank of Pell City.

The original bank was located on the corner of Cogswell Avenue and 20th Street and was built at a cost of $20,000. It was later demolished. The name changed again in 1918 to Union State Bank, and it operates under that name today.

A driving force in the bank’s success was Gloria V. Roberson, who served as chairman and CEO of the bank from 1964 until her death in 1999.

The family would continue in her footsteps. Her nephews, Reed and Rex Alexander, have been at the helm continuing the leadership. Reed Alexander is CEO and board chairman; Rex Alexander is president; Reed Alexander Jr., vice president, lender; David Alexander, vice president, lender; Chris Alexander, vice president, brokerage manager and Drew Alexander, president, Union State Insurance.

A dedicated corporate citizen, Union State has been involved in a number of civic endeavors, most notably providing “seed money” to help create the Pell City Schools Educational Foundation in 1992 and endowing the first “Chair of the Foundation,” which represented a gift of $10,000. The chair was dedicated in 1994.