In a time when personal attention in medical care may seem like a relic of the past, Dr. Rock Helms sees his new practice – Helms Healthcare – as reconnecting the patient and the doctor and employing modern advances to enhance the whole experience.
An exam room
The longtime Pell City family medicine physician opened Helms Healthcare in nearby Vincent in late-March, offering “a concierge-type practice for everybody,” he said. “When you call, you get a human. When you want to be seen, you can be seen right away. We prefer appointments, but it’s not a mandate.”
The aim is to make it easier for patients to have “easy access to their doctor or nurse practitioner for medication refills, questions about test results or a question about referrals to a specialist,” Helms explained. “Typically, there are too many barriers to achieve that. I want to break those barriers down.”
Dr. Helms envisions a practice where the doctor-patient relationship is at the core, reminiscent of the times when doctors knew their patients personally and were deeply invested in their well-being. It gives the doctor a more comprehensive understanding of the patient’s health history and needs.
Pell City is set to become a premier dining destination as Darden Restaurants, a global leader in full-service dining, officially broke ground on a new Olive Garden and LongHorn Steakhouse on May 18, 2025.
This highly anticipated project, valued at over $6 million, is the result of a dynamic partnership between Darden Restaurants, I-20 Development, the City of Pell City, and the St. Clair County Commission. The spirit of collaboration was present at today’s groundbreaking ceremony, held on the development site located at the intersection of US Highway 231 and Hazelwood Drive, adjacent to the I-20 West ramp.
“This is a ‘we thing,’ not a ‘me thing,’” said Bill Ellison, President of I-20 Development, who spearheaded the project. “It’s been a total team effort, and I want to compliment the City and County for their commitment and cooperation. As long as we can keep these relationships in place, there are limitless possibilities for what comes next.”
The new restaurants are projected to generate a combined $10 million in annual sales for Pell City, significantly boosting the local economy. Moreover, they will create numerous job opportunities for area residents and enrich the city’s dining scene with diverse culinary options, attracting visitors from across the region.
St. Clair EDC Executive Director Don Smith outlines path of success
Darden Restaurants, renowned for its commitment to exceptional dining experiences, operates over 2,100 locations worldwide. In Alabama alone, the company employs more than 3,300 team members across its 38 existing locations.
“It’s a tremendous feeling to know that these businesses that have so many choices on where to locate choose make their investment in our community,” said Bill Pruitt, Mayor of Pell City. They recognize that this is a special place to be. We’re grateful for the work of Bill Ellison and for the County Commission’s partnership, and we’re honored to welcome Olive Garden and LongHorn into the Pell City family.”
The Pell City restaurants will uphold Darden’s high standards, offering the beloved menus and inviting atmospheres that have made Olive Garden and LongHorn Steakhouse favorites. Guests can look forward to indulging in Olive Garden’s signature pasta dishes, soups, salads, and breadsticks, or savoring LongHorn Steakhouse’s expertly grilled steaks, sides, and appetizers. Both locations will also feature full-service bars and delectable desserts.
“This entire project is exciting,” St. Clair County Commission Chairman Stan Batemon said. “Bill Ellison saw a vision over here, and myself and the other Commissioners are grateful for his and the City’s work in bringing these restaurants to St. Clair County.”
The Pell City locations are expected to open in 2026.
Pell City Breaks Ground on Olive Garden, LongHorn Steakhouse
Pell City is set to become a premier dining destination as Darden Restaurants, a global leader in full-service dining, officially broke ground on a new Olive Garden and LongHorn Steakhouse on May 18, 2025.
This highly anticipated project, valued at over $6 million, is the result of a dynamic partnership between Darden Restaurants, I-20 Development, the City of Pell City, and the St. Clair County Commission. The spirit of collaboration was present at today’s groundbreaking ceremony, held on the development site located at the intersection of US Highway 231 and Hazelwood Drive, adjacent to the I-20 West ramp.
“This is a ‘we thing,’ not a ‘me thing,’” said Bill Ellison, President of I-20 Development, who spearheaded the project. “It’s been a total team effort, and I want to compliment the City and County for their commitment and cooperation. As long as we can keep these relationships in place, there are limitless possibilities for what comes next.”
The new restaurants are projected to generate a combined $10 million in annual sales for Pell City, significantly boosting the local economy. Moreover, they will create numerous job opportunities for area residents and enrich the city’s dining scene with diverse culinary options, attracting visitors from across the region.
Darden Restaurants, renowned for its commitment to exceptional dining experiences, operates over 2,100 locations worldwide. In Alabama alone, the company employs more than 3,300 team members across its 38 existing locations.
“It’s a tremendous feeling to know that these businesses that have so many choices on where to locate choose make their investment in our community,” said Bill Pruitt, Mayor of Pell City. They recognize that this is a special place to be. We’re grateful for the work of Bill Ellison and for the County Commission’s partnership, and we’re honored to welcome Olive Garden and LongHorn into the Pell City family.”
The Pell City restaurants will uphold Darden’s high standards, offering the beloved menus and inviting atmospheres that have made Olive Garden and LongHorn Steakhouse favorites. Guests can look forward to indulging in Olive Garden’s signature pasta dishes, soups, salads, and breadsticks, or savoring LongHorn Steakhouse’s expertly grilled steaks, sides, and appetizers. Both locations will also feature full-service bars and delectable desserts.
“This entire project is exciting,” St. Clair County Commission Chairman Stan Batemon said. “Bill Ellison saw a vision over here, and myself and the other Commissioners are grateful for his and the City’s work in bringing these restaurants to St. Clair County.”
The Pell City locations are expected to open in 2026.
It’s hard to imagine that Big Canoe Creek Nature Preserve is celebrating its first birthday already. It was more than a decade in the making, and it sometimes seemed that opening day would never arrive.
But it did. On Feb. 3, 2024, 731 people streamed in, and the crowds haven’t stopped. Over 400 attended the grand opening, ribbon cutting ceremony the day before. And the numbers since that time have not only climbed, they show no signs of slowing.
Ribbon cutting, opening ceremony a year ago draws huge crowd
In the first year of operation, 13,000 people, an average of 1,100 a month, have visited the preserve – 422 acres of nature nestled in the city of Springville, whose population is just a little over 5,000, according to the latest census.
Its hiking, biking, birding and horseback riding trails wind their way beneath towering canopies of hardwoods, pine and maple trees with colorful palettes of flowers and diverse native plants marking the paths as if guiding the way.
A meandering creek, pristine as it flows through the heart of it all, is the ideal centerpiece – home to aquatic species – some not found anywhere else.
As Big Canoe Creek Nature Preserve Manager Doug Morrison says, it’s the perfect place to “get your nature on.”
Early days
On an unseasonably warm day in late February, Morrison sits on the porch of the preserve office – a tiny wooden building, almost cabin-like in its appearance. He reminisces as he motions to the trails, bioswale and parking, surrounded by dense woods forming a picturesque backdrop.
Much of what you see was absent the year before. Trails were being built. A bioswale was being created to remove pollutants from stormwater runoff and let it settle in the soil to decompose rather than polluting the preserve below.
Entrance roads and parking lots were constructed. Signs erected. Benches were strategically placed throughout as a welcome respites along a hike or a placid place just to enjoy the scenery.
Activity was at a fevered pitch as work was tireless in its efforts to open. It had been long awaited to fulfill a longtime dream by Morrison and others.
For a decade or so, they waged a passionate campaign to have the land preserved and protected so that generations from now, the preserve can still be experienced and enjoyed. Forever Wild Land Trust bought the acreage and set wheels in motion to do just that – preserve it forever.
These days
These days you’ll find Morrison and company planning, visioning, working toward improvements to the experience and enhancing its awareness and education programs to take it to the next level.
Lucy Cleaver has joined the team as education coordinator. Jake Tucker is maintenance technician. With Morrison, the trio keeps the preserve running on a daily basis.
Entertainment at first birthday celebration cookout
Education has long been a central focus of the preserve. It is key to its future to facilitate not only an understanding of the importance of nature, but a passion for preserving it.
Cleaver enters the picture with an impressive resume with a bachelor’s degree in Agriscience Education and a master’s in Natural Resource Management from Auburn University. She taught high school Agriscience classes before joining the Park and Rec Department of the City of Springville.
Already, she has the education calendar full of activities.
On March 8, it held its second Youth Turkey Calling Expo, getting youngsters up and out on a Saturday morning at the preserve to learn all about wild turkeys. They learned how to make turkey calls and all about turkey hunting and the outdoors. The free event had a multitude of sponsors and the value of items given away to the kids totaled over $5,000.
On March 10, Jones Valley teaching farm interns and students went for a hike at the preserve and learned all about its features.
April 5 will see the preserve partnering with Alabama Cooperative Extension for a native tree workshop. June 7 is set for an invasive species seminar, and Sept. 26-27, it will be the site of Forest Her, a workshop for women on how to read deeds, bank documents and wills and how to manage land. It is a joint effort with the U.S. Soil Conservation Service for Women in Agriculture, necessitated by a growing number of women inheriting the family farm and needing such guidance.
She is networking with educators in the Alabama Environmental Association to help develop more programs.
Rounding out the year, Creek Jam, the popular outdoor music festival at Homestead Hollow to benefit the preserve, is set to return Oct. 25.
Future plans
While the early chapters of this success story have already been written for the preserve, officials have no intention of stopping there. Innovation, accessibility and more education are its guides.
Immediate plans call for making a section of the lower trail more accessible by paving a 1-mile section to allow wheelchairs. This will be made possible as the result of funding from grants secured by the Big Canoe Creek Preserve Partners, announcements forthcoming.
Tucker is working on a ram pump, which employs a set of valves working together to provide pressure enough to move 14,000 gallons of water from a spring through 350 feet of line up an 80-foot elevation without electricity.
Morrison discovered the ram pump idea from Randy Moody, a friend who had previously lived on the property in a rental house. “I asked him, how did you get water because I knew no water lines were run up here,” Morrison said.
Moody explained that the remnants of an old spring house had a gathering reservoir that fed into a pipe and there used to be a ram pump there. Morrison had never heard of a ram pump before, but he and Tucker researched. Tucker found a ram pump kit online and installed it.
“Jake can do anything I throw at him,” Morrison said. As long as the water collected into the pipe flows downhill, a ram pump inserted inline on the pipe could gather and push water uphill. For every 1 foot of fall on the pipe, it could push 7 feet uphill.
The end result? “We collect water through the pipe, the ram pump pushes it uphill, and we can collect it in a reservoir. Right now, we have a small 250-gallon tote, but plans are for a much bigger reservoir to collect the water and send the overflow back to the stream, thus providing water for irrigation and possibly flushing future toilets.”
Eventually, this off the grid creation will become an education model.
Meanwhile, pollinator gardens planted in the fall will be in full swing in spring and summer.
They are hopeful that an open-air pavilion with restrooms is on the horizon, made possible by a $400,000 grant from the Alabama Department of Economic and Community Affairs as part of its Recreational Trails Program. It was written by Mike McCown with assistance from Morrison and Candice Hill, director of St. Clair County’s new grant resource center.
There, they will be able to hold education and other events, and restroom facilities will now be available.
Why they do what they do
“This watershed is very, very special,” Morrison said as he talks of the protected species there, especially the Canoe Creek Clubshell Mussel, which had nearly become extinct. In 2022, they were placed on the endangered species list.
He points to the ecological potential for the future and a 2013 project on the creek.
Students from Jones Valley Teaching Farm schooled in features of preserve
In November 2013, The Nature Conservancy, U.S. Fish & Wildlife Service, river conservationists, The Friends of Big Canoe Creek, Coosa Riverkeeper and the Geological Survey of Alabama, DCNR and Alabama Power united to remove Goodwin’s Mill Dam. The former grist mill dam was built in the 1880s, and it was abandoned in the 1940s. At the time above the dam site, 15 different fish species, but no mussels, were found. Below it, twice that as more than 30 species of fish, were found, signaling that the dam had been obstructing the free flow of the fish.
“The fish passage was hindered by the dam. Fish have a symbiotic relationship with mussels. You see the female mussel releases glochidia (mussel larvae if you will) that latch onto the fishes’ gills. They feed off the blood of the fish for a few weeks, then drop off. And that’s where their life journey begins,” Morrison explained. Ten years later, they found mussels there, Canoe Creek Clubshells at that. Once the fish passage was unobstructed, the mussels were returning, and their role as a natural water filter will be vital to keeping the creek pristine.
After USFWS folks discovered the Clubshell there in 2023, they worked with Paul Johnson and Michael Buntin at Alabama Aquatic Center in Marion where they raise mussels. They released over 120 Clubshells and about the same number of Coosa Mocassinshell mussels in early 2024 into Big Canoe Creek, Morrison said, and they have high hopes for what it means for the future.
Through the preserve and the environmental and conservation work being done, “We want to teach people more about our watershed, how important the critters are that live here and how to take better care of our waterways so these special critters can exist. We must do what we can to prevent further extinctions,” Morrison said.
“All of God’s creatures have a right to exist to live a full life. We can tune in more to nature, explore more and discover more. Who knows what is still undiscovered? Bottom line, we all need to ‘get our nature on’, and maybe your existence will be rewarded tenfold.”
Dirk Walker’s artwork has found homes all over the world. His paintings hang in houses, churches, businesses, corporate headquarters and sports stadiums. They grace walls all over the country and faraway places like Germany, Denmark, Australia, and the United Kingdom.
It all started with his own bare walls.
“I wanted to buy art for our home,” said Walker, who lived in Birmingham at the time. His search took him to the Loretta Goodwin Gallery, and by the time he left, Walker, who worked in banking at the time, couldn’t shake the feeling that he was meant to be an artist.
“I don’t know why I thought I could do it, but something appealed to me about trying to learn how to paint,” said Walker, who has had a studio in downtown Pell City for 11 years.
Fans of his work are awfully glad he did. Walker’s paintings, both oils and watercolors, are known for their bold colors, rich texture and loose brushstrokes. His subject matters are varied: he has collections ranging from landscapes and city scenes to his spiritual series. He also paints sporting and hunting scenes, art focusing on the growing bourbon culture, and whimsical subjects like Santa Claus.
“The variety of things I like to do just keeps me fresh in all of them,” he said. “I’m not doing the same thing all the time – that would drive me bonkers. A lot of people can’t say they love what they do, but I get a lot of gratification from it. Once I get in to doing a painting, everything else just sort of goes away.”
Finding purpose
There were signs early on that Walker had the makings to be a great artist. Growing up in Birmingham, he watched his father dabble in watercolor, and his own high school work caught the attention of his art teacher. She encouraged him to pursue it, but his interest and talent lay dormant for years.
After graduating from Vestavia Hills High School, Walker earned a degree in industrial design at Auburn University and that helped provide a foundation in drawing and perspective. “I did a little design work right out of college, but I had the opportunity to go with the bank, and it was a better option for raising a family at the time,” he said.
Debbie and Dirk Walker in the Pell City studio
After the visit to the gallery, however, Walker decided to give in to the pull. His first painting was a still life. “It was horrible, looking back on it now,” he said with a laugh.
Still, he took it to back to the gallery to be framed, and Loretta Goodwin, who would become a dear friend and mentor, saw something he didn’t. She asked him who had painted the piece. “I said, ‘I did,’ and she said, ‘Can you do it again?’”
It took him about two years to create something he wanted to show her. “It was the most nerve-wracking experience,” said Walker, who started painting with oils. “I circled the block two or three times because I wanted to throw up I was so nervous.”
The first few times he showed Goodwin his work, she told him, “You’re not quite there, keep trying,” Walker remembered. “I’d tuck tail and go back home and stay at it. Eventually, I got to the point where she thought she could do something with it.”
Goodwin was a tremendous influence on Walker. “She loved the arts, she loved local artists, and she did so much to promote the arts in Birmingham. We formed a deep friendship where we talked as much about the business of art as we did the painting process. It instilled in me a love of both.”
She wasn’t his only influence. Hungry to learn, Walker sought guidance and inspiration from Alabama artists John Lonergan, who taught art at Pell City High School for 25 years, and Tom Black, who grew up in Gadsden and lived in Pell City before moving to Arizona. “I would go up to Tom’s studio and just watch him mix color and see what he’d do. I was too nervous to paint around anyone,” he said.
Walker later met and took workshops from David Leffel and Sherrie McGraw, both artists who taught at the Art Students League of New York. His early style was similar to those who had influenced him – “very much the Old Masters, very much the old Renaissance look,” Walker said. “It was the play of shadows and light, light flowing over objects.”
Still working at the bank while pursuing his art, Walker didn’t have the luxury of painting outside during the day and taking advantage of the natural light. “At night, I’d go down to my studio and set up a still life so I could control the light,” he said.
Walker’s work soon grew a following, and in addition to the Loretta Goodwin Gallery, his art has been featured in eight galleries across the country. When his job went away after a bank merger, Walker bought Goodwin’s gallery, which he owned for 20 years before becoming a full-time artist.
Changing times
Walker, who now lives in Cropwell with Debbie, his wife of eight years, has said that painting “is a lifelong struggle, but one that is well worth the journey.” He said he loves the fact that he continues to grow and change as an artist.
“It’s something you never completely learn,” he said. “I think that’s one of the big appeals for me. Forty years later, I’m still learning and experimenting and making mistakes.”
The artist’s spiritual series stems from his personal faith
In fact, Walker said his willingness to continue to explore techniques and subjects and experiment with color has been a big part of his success. “So many artists just kind of get stuck and they wonder why their art isn’t being accepted the way it was maybe years earlier,” he said. “I learned how to watch what people responded to, and through the years, it impacted how my style changed.”
Walker’s portfolio soon expanded to iconic landmarks. His work includes Alabama landmarks like Sloss Furnaces, the Alabama Theatre, Vulcan, the Pell City Depot and the Mobile Bay Lighthouse. He eventually added scenes from Atlanta, as well as places like the Lincoln Memorial, the Brooklyn Bridge and the Eiffel Tower.
“I started off painting very tight, very traditional, and then I wanted to go a little more abstract, a little more impressionistic,” he said, adding that one of the first steps was adding nondescript figures to some of his landmark paintings. “Through the years, I kept pushing in that vein.”
Walker started experimenting with sporting and hunting scenes after his son, Geoffrey, who works in the sporting goods industry, showed his artwork to Kevin and Kathleen Kelly, owners of Kevin’s Fine Outdoor Gear & Apparel. Based in Thomasville, Geogia, it is one of several retailers who represent his work.
“They asked if I ever did hunting scenes, and Geoffrey said, ‘I don’t know; I’ll check,’” Walker said. “He called me that night and said, ‘Dad, I think you need to try doing some hunting scenes.’”
Walker took his son’s advice, and the collection has been wildly popular, thanks in part to his abstract realism style. “I think my style was a really fresh approach,” he said. “Most of the wildlife art you see is very tight, very realistic, very static. Mine was loose and colorful, and I think it caught people at the right time. There’s been a tremendous response to it. It’s just kind of blown my world up.”
Walker, who lived on Logan Martin Lake for years before he and Debbie moved to their gentleman’s farm in Cropwell, has fond memories of fishing and hunting growing up and eventually fishing with his own kids. “We’ve got so many great memories of being on the water,” he said. “That’s one of the really neat things about that genre of work. People connect to it on an emotional level. They want a painting of a dog like they had, or they hunted with their kids. It evokes a lot of memories.”
About four years ago, Kelly approached Walker about doing limited edition prints of some of his paintings. He was reluctant at first, but he realized that people who couldn’t or wouldn’t invest in original art might spend $300 or $400 on a print.
They began offering a line of collector’s closed edition prints, and “we get orders almost every day,” he said. Debbie handles that side of the business, and “it has really broadened our exposure,” Walker said. “Now I get calls to do commissions from all over the country and from other countries, as well.”
Higher calling
Another series that has been personal for Walker is his spiritual collection, which includes depictions of Jesus’ baptism, the Last Supper, the feeding of the 5,000, and the crucifixion. The series was born of his own personal faith and struggles.
Raised in the church, Walker said “if the doors were open, we were there.” As an adult, he went through a period where he floundered a bit, but “something was calling me back to the church.” Not long after he returned, he felt ta strong desire to paint scenes from the Bible.
“Being a person of faith, I think everyone is given gifts on some level, whether it’s music, art, writing, whatever,” he said. “This is something that’s He’s given me, and it’s a way for me to kind of give back and witness a little about my faith. I try to portray something in a way that might cause someone to want to sit and think, and if it also helps someone else find the Lord or deal with issues, that’s a blessing for both parties.”
Walker spent a lot of time on his spiritual art the past two years after being commissioned by Vestavia Hills Methodist Church to paint a series of scenes portraying the life of Christ according to the Gospel of John. Baptist Health also commissioned artwork for all of its hospitals in Alabama.
He also was commissioned to do several large pieces, including a portrayal of Christ in the Garden of Gethsemane, for collectors in Australia and Germany. The connection was largely the result of his online presence.
“Without the internet, that never would have happened,” he said. “It’s kind of a God thing. He’s using this voice of mine to reach people literally around the globe. It really makes me very humble and proud.”
A new medium
While he has painted with oils for most of his career, Walker was moved to study a new medium about six years ago when he introduced his bourbon series. “Bourbon is such a collectible thing right now, and they’re a lot of fun to do,” he said of the paintings. “Watercolor is sort of the perfect medium for that subject.”
Walker said he strives to create the same kind of look as his oil paintings – the boldness of color, for example – so his approach is a little different than that of traditional watercolorists. While most watercolors tend to have a lot of transparency, he often uses gouache, which is similar to watercolor, but more opaque. The result is paintings with more dimension and vibrancy. “My technique is a little different in that regard,” he said.
The challenge is part of the allure. “Watercolor is a hard medium,” he said. “I enjoy it equally as much as oil, but I’m still kind of learning as I go.”
Walker, his own toughest critic, has a stack of watercolors in his studio that he has discarded. “You’re never completely satisfied no matter how good a painting might turn out,” he said. “I can go back and look at a painting I did yesterday or 10 years ago and see things I wish I’d done differently. Even to this day I’m frustrated by why one painting works and one doesn’t.”
Finding balance
At 70, Walker has no plans to stop painting. “Debbie and I work really hard at this, and I’m up in the studio almost every day,” he said. “I enjoy it, though, and it’s something I hope I can do for years to come.”
Vintage Pell City train depot, an original painting Walker donated to Museum of Pell City as a fundraiser
They do make time for other pursuits, however. Debbie, who traveled the world in her younger years is trying her best to help Walker catch the travel bug, and being with family will always be a priority for both of them.
Their combined family is a big one. Walker has four children, Debbie has two, and there are nine grandchildren and three great-grandchildren with another on the way. One of his greatest joys has been creating scenes that mean something to them and will be around for generations.
“I’m so proud that my kids have been able to see me develop, although they give me grief about it,” he said. “If they ever think my ego is out of check, they bring me back down to earth. But it’s so cool because they’ve all told me, ‘Dad, you want to give us something for Christmas, give us a piece of your art.’ That, as a parent, is awesome.”
Chances are, there are a lot more Christmas gifts in their future. Walker, who said he can’t see ever retiring, will never get too far from his red Craftsman tool cabinet that holds brushes and paint and other tools of his trade.
“I once read, ‘Art is a delicate balance between the visual concept and each artist’s technique,’” Walker has said. “After years of chasing that artistic balance, it is the anticipation of the struggle that keeps me coming back to the canvas.” l
Ashville architectural wonder made entirely from antique windows
Story by Roxann Edsall Photos by Mandy Baughn
Deep in the countryside, hidden in a hillside forest, there is a glass house. Entirely made of antique windows, the space is bright and airy, looking a bit like a tiny conservatory. Ashville’s The Valley Glasshouse is a simple space, just 32 feet by 12 feet, but has an interesting ability to change its look throughout the day as the sun creates shadows and plays with the colors inside the building.
For artists and photographers, this place is a dream come true. More specifically, for chiaroscurists, those who appreciate the interplay of light and shadow, the building is must-see.
As a professional photography venue, though, the room’s appeal is more than just about the light and shadows. Reflection and nature itself play into the appeal. The ability to capture clients in nature, while being protected from the unpredictability of weather, makes it a unique place to work, according to professional photographer Brittany Hackleman.
A swing adds to the whimsical nature of the surroundings
“I really like to do outdoor shoots, in grass, fields and creeks,” explains Hackleman. “But if it rains, you can’t do it. With The Valley Glasshouse, it’s still doable because you’re protected by a roof and walls, but you still get the outdoors in the shots.”
Shortly after the venue opened, she brought another photographer friend out, used her as the model and shot some photos, posted them, and within 20 minutes had filled two session days and has a waitlist.
Owners Dana and Sammy Pike began building the glass house in May of 2024, finishing it in December. It took them nine months to transform the property that once housed an old woodshed. They demolished the shed, taking it down to just the six steel beams that once supported it. From there, they began the rebuilding process.
A treasure hunting trip to neighboring Georgia yielded 72 antique windows, 71 of which were used in the final building. They are from several different older homes, so they’re not all the same size. “It was my husband’s job to put the puzzle together,” says Dana. “He made it all work.”
“Yes, it was a challenge,” admits Sammy. “We separated the windows into their sizes. Then I measured the gaps between each of the pillars. I took each window size and each gap size and sketched it out on paper.”
With those measurements sketched on paper, Sammy knew how much wood trim he would have to add to make the wall sections fit in the gaps between the pillars. The roof was a challenge as well, since it required erecting a 16-foot beam, which he put up by himself. “Yes, that required a lot of propping and pulling,” he admits. Then he covered that with opaque polycarbonate panels, the material used for greenhouses.
The couple grew up in St. Clair County just three miles from each other. Sammy’s family lived on the property next door to Dana and Sammy’s current home when he was growing up. The two met at church and have now been married 34 years. “Dana has wanted to do this glass house pretty much our whole marriage,” said Sammy.
It took a visit to another glass house on her parents’ 50th wedding anniversary to get things rolling. “I wanted to gift them a photo shoot for their anniversary. There is a glass house in Boaz that is also a photography studio, so we thought that might be fun to use,” said Dana. “After that, we decided we could build one on our own property.” A few months later, the plan was in place and, when the weather warmed up, they got started.
The play of light and shadow make it a photographer’s dream
“My grandmother was the keeper of all the family photos from way back,” recalls Dana. “Those photos were (and are) treasures. She was so excited about the project but never got to see it finished.” Her grandmother passed away in October at the age of 92, and to honor her, they are planning to add a memorial garden on the property. “I just want people to come here to capture their own memories,” adds Dana.
The Pikes love antiques and have some unique décor that can be used by photographers. They have a storage shed nearby to house props and furniture that will be changed out seasonally. Photographers are also encouraged to bring additional props as needed. The venue also has lighting options inside and out for evening sessions.
But you know what they say about people who build glass houses? You might think that they should not throw stones. While that is true, the answer according to the late humorist Art Buchwald, is simply “they have to wash their windows all the time.”
For the Pikes, with 71 windows to wash, it’s a family affair. “Our grandkids have participated in the window washing fun,” admits Dana, laughing. “And we are very careful mowing grass these days.”
While The Valley Glasshouse is only offered as a photography venue currently, the Pikes have had several inquiries about hosting parties and events on the property. They are considering offering special event space in the future. It is, indeed, a special place and only a stone’s throw away in north St. Clair County.or their contributions to racing. If these museums close up, the cars end up in private collections and no one will see them anymore.”
