Fall on the Farm

Pumpkins and peanuts and handcrafts, oh my!

Story by Elaine Hobson Miller
Photos by Richard Rybka

The smell of caramel popcorn, the sounds of children laughing, the sea of tents filled with handmade crafts. There’s nothing like a fall festival to entertain you on a cool, crisp Saturday, especially one like Fall on the Farm on Chandler Mountain.

Held at Smith’s Tomato Farm, this year’s event — the seventh — featured all of the above plus good, old-fashioned guitar and banjo picking for entertainment. It doesn’t get much better than this!

“We just wanna do something for the community, where families can come out and enjoy the day with no admission charge,” said Kista Lowe, manager of Smith Tomato Farm. “We just want families to come have a good time.”

At the entrance to the festival, fall displays such as a rusty Farmall tractor with pumpkins and a scarecrow beside it provided the perfect place for a family photo shoot. Two giant John Deere 200 h.p.+ tractors normally used in the tomato fields were parked nearby.

Esther Smith mans her booth at the event

Carrying the farm theme even further, a “tractor track” allowedtots to ride old toy tractors within the confines of a pumpkin “patch.” A bench at one end provided another photo op, with its backdrop of a slatted wood fence piece bearing a sign reading, “Hello Pumpkins.” Squeals and giggles of delight came from the two inflatable slides nearby.

Kristin Simpson painted smiling faces in her Starshine Faces booth near rows of potted mums in garnet, yellow and white, for sale at $30 a pot. Turning the corner, the familiar smells of festival foods made you hungry, no matter when you last ate breakfast. And the sight of all those crafts made you wish you had left your wallet at home, because you knew you weren’t going to get away without spending some money.

As you turned the corner, the hum of a portable generator provided a backdrop against a cacophony of bargaining voices, squeals of delight, and questions of, “How much does that cost?” Aromas of caramel popcorn and grilled meat filled the air, and the longest line was at the big booth serving tamales, asada (strips of grilled beef) and grilled chicken on quesadillas, tacos and more.

“Our (farm) crew leader’s wife did the asada booth to benefit the family of a little girl hit and killed while waiting on a school bus in Oneonta recently,” said Kista Lowe. “Her family worked on another farm in Blount County. Our crew chief is Pepe Gonzales, and his wife is Estella.”

Although Lowe said the number of vendors was down slightly this year, you couldn’t tell it from gazing at the rows of tents lined up. Some 2,000-3,000 people shopped with vendors selling jewelry, T-shirts and hoodies, water color art, pottery, candles and hand-woven dish towels. The latter sold for $15 each, with several woven on-the-spot by Marcia Wells of Springville. She brought along her loom to demonstrate her craft. “I have several more looms at home, including four I inherited from my mother,” Wells said.

Other booths sold “Welcome” signs for porches, sarapes and ponchos with western art in their designs and brightly-colored Mexican ceramics. Brown Hat Bakery, a north Gadsden establishment, contributed to the sweet aromas of baked goods at another booth.

Fall and Christmas wreaths, handmade stuffed animals, hand-decorated tumblers, caramel and chocolate-covered apples, T’s Nuts (key lime, Cajun, garlic, Parmesan, coconut rum flavors) and Woodcraft30 of Fosters, AL, with its signs, and Christmas ornaments, were lined up nearby.

Moon’s Resin Designsoffered trinket trays, tarot boards, charcuterie boards, plus birdhouses made of gourds. Jessica Wade of Bee Leaf of Springville sold candles of beeswax and soaps made with honey. Beau Blossom Blowof Springville had skull-shaped flicker lights. Run by Amethyst Blow and Jeremy Varden, who are raising money for their wedding, the business got its name from the nickname Amethyst’s grandfather used for her.

Bluegrass band turns out to entertain

Tiffany Tibbs of Odenville manned the booth called His Grace Creations, which featured embroidered gifts and apparel such as baby bibs, tees and home decor. This was Tibbs’ third year at the festival. Embroidering, she said, is “a hobby that pays me a little bit.”

Dorrie’s Salvage Art, fromTalladega County, featured decorative signs such as smiling pumpkins, prancing roosters and a cabin in the woods painted on wood planks, not to mention banana gourds, egg gourds and birdhouse gourds transformed into Christmas ornaments and, guess what? Birdhouses!

 “This is our first time here,“ said Dorrie, whose husband helps in the business. “A fellow vendor from the Rustic Bucket (another festival) in Odenville told me about it.” Fall on the Farm was well worth her time. “I’m a hoarder of wood,” she said. “My husband was a saw-miller before his stroke.”

Stephanie Abernathy of Steph’s Hand-Stamped Jewelry had a booth that sold her own creations as well as bracelets made by her daughter, Sophie. It was their second year at the festival. “I like supporting local fairs by selling something locally made, and I like seeing my students come through,” said Abernathy, who teaches second grade at Ashville Elementary.

She makes jewelry by using a hammer to stamp pre-cut designs onto aluminum, brass and copper. “I’ve been doing this for 12 years,” she said. Sophie, 13 and an eighth-grader at Ashville Middle School, makes Sophie’s Handmade Bracelets from glass and plastic beads.

Music for the day was furnished by Phillip Mulkey and Friends, an old-time bluegrass group that featured Phillip on banjo, Rick Morton on upright bass, Wes Phillips on mandolin, Mark and Adron Willingham on guitars, and Robbie Lawson, female vocalist singing harmony and playing guitar.

“We always hold this on the first Saturday in October, and there’s no charge for parking or admission,” said Kista Lowe. “Come out and join us next year!”

Springville Preservation Society

A labor of love for the past

Story by Paul South
Photos by Richard Rybka

Love comes in many forms.
A dozen roses.
A whispered lullaby
A perfumed letter.
Driving a nail or sweating over a grant application.

But the love the Springville Preservation Society holds for its historic hometown can be seen in preserving the iconic Rock School, restoring the Presbyterian Church, the Springville Museum and historic homes dotting the city’s landscape.

It can even be seen in celebrating the life of Springville natives Hank Patterson and St. Clair County native Pat Buttram, stars of the zany 1960s sitcom, Green Acres.

Patterson and Buttram have passed on, but their lives and the TV show are celebrated in Springville with “Green Acres Day”, featuring a doppelganger of the precocious porker pet Arnold Ziffel, the “son” of Patterson’s character.

The society, about 100 members strong, raises money for its all-volunteer labor through grants and membership fees, ice cream socials and appropriate for this season, a festival of Christmas trees.

For Carol Waid, the reason for the tireless work is simple. She serves on the society board, and her husband Frank, an Air Force veteran, is its chairman.

After his military service ended, the couple came home.

Clay Allison and others take part in the skit

“We were born and raised here,” Carol Waid says. “We love this little town. It’s just a wonderful community.”

The Preservation Society has poured its heart into restoring the Old Rock School. Built in 1902 as a general store, it became a center of learning for generations of Springville children.  The Preservation Society’s efforts to restore the school have earned recognition from the State of Alabama. The building was added to the National Register of Historic Places in 1983.

The Preservation Society started in 1992. Carol’s father, Marcus Pearson, was among its founders.

The school, the preserved church and other projects are far more than bricks and mortar, sweat and maybe a few tears for members of the organization. They speak volumes about the people who call Springville home, whether those folks are newcomers, or part of a long lineage of local families.

“It’s a real hometown feel,” she says. “Neighbors helping neighbors. You always have a friend.”

While it works to preserve the city’s cherished heritage, the society also strives to help Springville strike a balance between growth and preserving the past.

“That’s one of the appeals of Springville is its history,” she adds. “People love the history of the town, and the old buildings are just full of history. We want to preserve that.”

Frank Waid says that while growth is inevitable, they want residents –  old and new – to celebrate and preserve the past.

“You can’t stop growth,” he says. “But we want people coming into the town to know about the town and its history. That’s why we have things like the home tour. We have tour guides who tell the stories of the old homes.

“As people come into town, we want them to know about the town so that they feel like they’re a part of it, and they’re not just moving in. They feel right at home.”

Not only is the society restoring buildings, but it’s building relationships. Ice Cream Sundays at the Rock School are popular events where friendships form.

Organizers Carol Waid, Brad Waid and Kathy Burttram

It’s easy to think that only older people are in love with the older buildings in town. But when Frank Waid strolls downtown to grab a cup of coffee at Nichols Nook, he sees a different, diverse demographic.

“It’s full of people and it’s full of people of all ages,” Waid says. “There are a lot of young people and families – mothers pushing strollers coming in, and you just feel at home right off the bat.”

And younger people are embracing the Springville Preservation Society’s efforts. In October, local fourth graders from Springville Elementary flocked to the museum – some with their parents in tow – to explore and find joy in small things, like pecking on an antique manual typewriter.

By the way, the school was designated a “School of Excellence” by the state of Alabama in the state’s bicentennial year.

Students from Springville Elementary restored a first-grade classroom at the Rock School, where teacher Nina Crandall taught for generations.

Board member Tami Spires, a counselor at Springville Elementary and a member of the society board, spearheaded the school’s efforts, not only at the Rock School, but in other winning efforts, like the Blue-Ribbon designation.

The society is also converting the manse at the old Presbyterian Church into a city archive, known as the Springville Heritage Center, where genealogy and family histories can be researched. The society also hopes to create a digital oral history archive.

As committed as it is to history, the Springville Preservation Society also makes new memories for this and future generations. Remember Arnold, Jr., the star of Green Acres Day?

“We had a huge crowd, and it was a lot of fun,” Frank Waid says. “People are going to say, ‘I saw Arnold run wild.’”

Fittingly, Spires looked back to the construction of the Rock School when early 20th century residents hauled wagonloads of rock to the top of the city’s highest point to build a beacon of learning for future generations. Their ethic survives in Springville to this day.

“They spent a lot of their own money so that the town could have something that they were proud of,” Spires says. “We need to keep that to teach people that this is the way we do things. Friends help friends.

“That’s what a community does,” she adds. “We come together for a common good and do what needs to be done for one another.”

But at the end of the day, the Preservation Society’s driving force hasn’t changed from that of their forbearers, who mined rocks to build a school for future generations. Spires put it simply:

“We just love Springville.”

Editor’s Note: Individual memberships for the Springville Preservation Society are $10 and $15 for families. Contributions can be sent to P.O. Box 92, Springville, AL 35146. The society meets on the fourth Thursday of each month at 6:30 p.m. on the second floor of the Masonic Lodge on Main Street. For more information, write info@springvillepreservation.org.

Stars fell on Pell City

Kurt Russell latest actor to film in St. Clair

By Scottie Vickery
Submitted photos

For most folks in Pell City, 2023 will be remembered as the year Hollywood came to town.

Stars fell on Alabama – or at least converged upon the state – for several weeks last summer during filming of The Rivals of Amziah King, a crime thriller written and directed by Andrew Patterson and produced by Black Bear Pictures. By the time filming wrapped, St. Clair County residents were among the many in the state who’d had the chance to rub elbows with the rich and famous.

Oscar winner Matthew McConaughey, who stars in the movie, and fellow A-lister Kurt Russell, who has a supporting role, both shot scenes in the area. “It was an experience I wouldn’t have gotten to have anywhere else,” said Lena Parris, of Ragland, who was among the many who waited for hours to catch a glimpse of McConaughey. “I’m not planning on going to California anytime soon, so I figure this was the closest I was going to get to seeing a celebrity.”

Kurt Russell with the Town and Country Texaco crew

If recent years are any indication, Alabamians will likely have more opportunities for star-gazing and all things show biz, according to Brian Jones, media and location coordinator for the Alabama Film Office.  It provides economic incentives to attract film and television projects, and Sweet Home Alabama is serving as a backdrop for a growing number of movies, he said. Each movie filmed in the state often leads to more.

“A lot of times, after doing one movie here, producers and production teams come back and do another one,” Jones said, adding that one reason is the welcome they receive. In larger cities, where filming is a much more frequent occurrence, people get tired of closed streets and other hassles.

“It’s generally the direct opposite in Alabama,” he said. “People are excited, and they’re turning out to see what’s happening. They’re taking photos and having fun. It’s a much more welcoming kind of feeling.” 

That’s exactly what happened when McConaughey came to town to film scenes at Pell City Steakhouse and a farm in Cropwell. A crowd of fans endured rain and the summer heat in hopes of meeting the Oscar winner, who starred in blockbusters such as Dallas Buyer’s Club, The Lincoln Lawyer and How to Lose a Guy in 10 Days.

There already had been plenty of Matthew sightings in the state since filming locations included Birmingham, Bessemer, Jasper, Calera and Columbiana. That didn’t take away from the thrill, though, when the cast and crew made their way to St. Clair County.

McConaughey didn’t sign autographs at the Pell City Steakhouse, but the crowd was eventually rewarded with some great photo ops. The star, a graduate of the University of Texas and a huge Longhorns fan, also flashed a big smile and the “Hook ‘em Horns” sign to those gathered.

Behind the scenes

A few weeks after Matthew Mania started to subside, those Crazy for Kurt got their chance to swoon. Russell’s career started in 1963 when the 12-year-old landed a lead role in a Western television series, The Travels of Jaimie McPheeters. Since then, he’s starred in many films, including Escape from L.A.,

Big Trouble in Little China, and Backdraft.  He also played Santa in the Netflix productions Christmas Chronicles and Christmas Chronicles: Part Two, and his real-life longtime partner Goldie Hawn portrayed Mrs. Claus.

Ashley Morton, manager of Town &Country Texaco in Cropwell, has long been a fan of Russell’s so she couldn’t have been more thrilled when she learned he would be filming some scenes for the movie at the convenience store in July. He also shot scenes at a home in the Forrest Hills neighborhood. 

Morton said a location scout came by one day when she was away from the store, and one of the cashiers called her to say they wanted to film there. “I didn’t believe her,” Morton said with a laugh. “I accused her of messing with me and hung up on her.”

The interest was real, though, and after the scout returned to take some measurements and photos, they eventually signed a contract. Filming was scheduled for late at night, “so we didn’t have to close the store down,” she said. “We were happy about that. The only thing we had to cancel was a Thursday night fishing tournament.” Town and Country is a popular launch site on Logan Martin Lake.

They ended up cancelling it twice after the original filming date was postponed a week. “We had to cancel again, and we couldn’t tell them why,” Morton said. “That kind of had the fishermen’s feathers a bit in a ruffle.”

It was all worth it, though, when filming began. Morton wasn’t sure at first which actor would be in the scenes, but she delighted to find out it was Russell. “I was more excited about him than Matthew McConaughey,” she said.

“He was all business when they were filming, very professional,” she said. “You could tell he’d been doing it a long time and took it very seriously. In between shooting, he was very nice and normal. He said he had enjoyed his time in Alabama.”

The actors and crew didn’t arrive until about 11:30 p.m. and filming wrapped up about 2:30 a.m., said Morton, who enjoyed watching the whole process. “It’s impressive to me how fast everything goes,” she said. “Everyone shows up, and in 30 to 40 minutes, they’re ready to film.”

The number of takes required for scenes was surprising, as well. “The mics pick up so much background noise,” Morton said. “If a car road by on (U.S. Highway) 231, they would have to re-film it.”

In addition to the photos she took, Morton almost ended up with a souvenir from the evening. “They had this old truck pull up to the gas pumps for a scene,” she said. “At the end of the night, everybody leaves, and this truck’s still sitting there. The windows were down, and the keys were in it. I knew there was no way it was supposed to be sitting there like that.”

After she made a quick call to the location scout, some of the crew returned to pick up the truck. “One of them said they would have been missing it on the next day’s shoot,” Morton recalled.

Although she truly enjoyed the experience, Morton said it seemed odd that a movie set in Oklahoma would be filmed in Alabama. That’s part of the magic of Hollywood, Jones said.

Made in Alabama

Film crews can make almost any setting look like another. “Birmingham is a pretty big city, but it’s no Chicago,” Jones said, adding that movies set in the Windy City can still be filmed in the Magic City. “All they’re looking for is an urban setting. They’re just catching the actors on the street with big buildings all around. They’re not going to pan up and show that some of the buildings are only 10 or 12 stories.”

Kurt Russell filming near the pumps at Town and Country

Jones said much of the Jesus Revolution movie, which starred Kelsey Grammar and is set in Southern California, was filmed in Fairhope and Mobile last year. “They filmed three weeks in Alabama and three days in California just to get some of the iconic shots you have to have,” he said.

“We’re blessed, fortunately in Alabama, because we’re a very geographically diverse state,” Jones added. In addition to urban areas like Birmingham, Mobile and Huntsville, there are plenty of rural areas and beautiful countryside.

“In North Alabama, you start getting into the mountains and that kind of look,” he said. “Heading back down toward Mobile, it can look like Savannah, it can look like New Orleans, it can look like the Florida Everglades. We can find a location that matches pretty much any setting unless it’s the North Pole, Antarctica, or the desert. We can’t do that.”

The Rivals of Amziah King, which doesn’t have a release date yet, joins a long list of movies made in Alabama.  The first movie filmed in the state, according to the Alabama Film Index maintained by the Alabama Film Office, was the 1949 war film Twelve O’Clock High, with scenes shot at Fort Rucker.

The Phenix City Story was filmed in 1955, followed by four movies in the 1960s. The number of movies filmed in Alabama grew steadily the next few decades, and more than 130 movies or television shows have been totally or partially filmed in the state since 2000.

The lineup includes blockbusters like Norma Rae, Close Encounters of the Third Kind, Big Fish, Selma, Woodlawn and 42. In addition, many St. Clair County residents remember when The Ark, a restaurant in Riverside, was transformed into the White Cow Diner for The Devil All the Time, a 2020 Neflix film.

Big movies often feature big stars, and Alabama has welcomed its share of famous actors and actresses. Bruce Willis was in at least three movies filmed in Alabama (Wrong Place, Wire Room and Assassin). Nicholas Cage, Sally Field, Beau Bridges, Robert DeNiro, Chadwick Boseman and Harrison Ford are also on the list.

The Rivals of Amziah King, in fact, wasn’t the first movie McConaughey filmed in Alabama. He shot part of 2006’s Failure to Launch in the state, including rock-climbing scenes at Cherokee Rock Village in Leesburg.

Show me the money

Having movies made in Alabama is good for the state as well as filmmakers, Jones said. The Alabama Film Office is a division of the Alabama Department of Commerce, and its mission is boosting the state’s economy and creating jobs for Alabamians by attracting film and television productions to the state.

A movie production “pumps a lot of money into the local economy,” Jones said. “The crews stay several weeks, they’re renting equipment and vans and trucks, and they’re eating in restaurants.” In addition, Alabamians are often hired as part of the cast or crew.

Producers benefit because filming in Alabama can be easier, faster and less expensive than filming in other places, Jones said. Movies that cost more than $500,000 to produce and are approved by the Alabama Film Office can earn 25 percent of the production costs back in tax incentives, he said. The percentage jumps to 35 percent when Alabamians are part of the cast or crew.

In addition, the process of getting permits and cooperation from city officials is generally shorter in Alabama, compared to big cities like Los Angeles, San Francisco or New York. That can mean significant savings in an industry where time is money.

“Every day they’re filming is money, money, money,” Jones said. “If you can cut down on the hassles and the delays of getting permits or the delays from waiting on the police to put up barricades, you can cut down on costs.”

That’s not the only way producers can save money. “The cost of filming, like everything else, is lower in Alabama than California,” Jones said. “The cost of gas and meals and everything else is lower. When you’re in Alabama, you’re spending less on all of these other things. Instead of going over budget, they can come in on budget or even under budget.”

That’s why Jones is optimistic that the Alabama Film Index list will continue to grow. “In addition to regular movies, you’ve got all these streaming services doing their own original content,” he said. “We’ve been fortunate to have some really good projects and some cool movies filmed here.”

The Rivals of Amziah King isn’t even the most recent one. Filming for The Life of Chuck, a movie based on a novel by Steven King, recently took place in Fairhope, Mobile and Bay Minette. Chances are, more will follow.

“They all make a difference moving forward,” Jones said. “Even if it’s a year, two years or three years later, someone will say, ‘Remember that Matthew McConaughey movie? That was filmed there.’”

Letting Children Become

I decided years ago to just let my children ‘be’.
‘Be’ whoever they are, however they are. 
I decided to let them be wild or tame… soft or loud … friendly or shy … serious or silly. 
I decided to let them draw dragons and pick flowers, play with dolls and dump trucks, climb trees, catch frogs and take mud baths.

I let them be right, I let them be wrong.
I let them be bold and meek, scared and brave, emotional and unmoved.

I let them go barefoot and pick their own clothes.
I let them fall in line or be daringly different. 
I let them try, and l let them fail.
I let them take risks and learn to trust themselves.

And it’s an amazing thing to witness … the miraculous metamorphosis of their “becoming.”
There is so much beauty and freedom found in watching our children become who they are.

– Mackenzie Free –

Wife, mother, photographer & current resident of the unassumingly magical town of Steele, Alabama

Giving back

Moody group makes quilts for veterans

Story by Elaine Miller
Photos by Richard Rybka

Every time Barbara Willingham makes a quilt for a military veteran, she remembers the time her son called her from Iraq at 2 a.m.  She could hear explosions in the background. “Mom, I gotta go, we’ve been bombed,” he told her. Then he hung up, and she didn’t hear from him again for two fear-filled weeks.

“He came back, and I have my son, but not every mom does,” she says. “Every quilt I make I’m grateful I’m not going to the cemetery.”

Barbara is part of the Moody Crazy Quilters, a group of women that makes quilts for veterans, foster children, nursing home residents and hospice groups, to name a few. It’s their way of giving back to veterans and offering comfort to others who may be hurting physically or mentally.

“I like to make children’s quilts because kids wanna hold something, especially if they’re in the hospital,” says member Carolyn Snider. “I also enjoy making quilts for veterans. Our freedom is not free, and this is a way to give back to them.”

Laura Temple Kinney quilt details

The group meets at Moody City Hall the first Monday of each month, except for holidays. It started in 2009 as a library function at Moody’s Doris Stanley Memorial Library, but soon outgrew its meeting space. They have about eight steady members, including one who moved to Marietta, Georgia, but still comes back for monthly meetings.

Most members also belong to a similar group called Loving Hands that meets at Bethel Baptist Church.

They try to identify a couple of veterans each year to quilt for, such as the two found by group coordinator Jill Dailey’s husband, an Army vet himself. The group also made a patriotic quilt for Moody Mayor Joe Lee, another Army veteran, as a thank-you for his military service and for the meeting space the city provides.

“We label our quilts, ‘Gift from Moody Crazy Quilters,’ and on our patriotic quilts we add, ‘Thank you for your service,’ ” says Jill. “We also put the year we made them on the labels.”

Once a recipient is chosen, each woman usually makes a quilt block at home, choosing her own fabric, colors and design. Then the group puts their blocks together to make one Sampler Quilt, as they are called.

“Each month people turn in their blocks, and we’ll put them in a pile and lay them out and decide what to do with them,” Jill says. “We make 12-inch blocks, using four across and five down, plus binding, and sometimes a wide sashing between rows.”

The group donates at least three patriotic quilts to veterans every year, along with several more to hospice organizations for their patients. Children’s of Alabama is another organization that benefits from the group’s quilting efforts.

“Lots of our fabric is donated  by various people, but a lot comes from our own stashes,” says Carolyn, who joined the group in December 2021 after retiring.

Most are lap quilts. Those made for nursing homes have a small, fleece-lined pocket to keep hands warm. On the outside of the hand pocket is a smaller one for a phone, glasses or tissues. “Most of us don’t make standard-size quilts, but Barbara sometimes gets carried away,” Jill says.

The quilt the Moody Quilters made for Mayor Joe Lee. – Left to right: Jill Dailey, Mayor Lee, Gaye Austin

Nearly all of these women have been quilting for years, some since they were children. “My mother taught me to quilt,” says Laura Kinney who, at 86, may be the oldest member of the group. “Ours weren’t pretty, either. They were just called ‘covers’ back then.”

She recalls the days before she retired, when she often would often get home from work at 8:30 p.m. and sew on a quilt. “I would sometimes tell my husband, ‘My hands hurt, you need to do the cookin’ tonight,’” she says. She has made a quilt for each of her children, and has a stack of 10 that measure 50 inches x 70 inches each, five blocks across by seven blocks down, ready to present to her great nieces and great nephews. She also has a quilt that she hangs on a wall at home to display her husband’s Coast Guard patches.

Some of the women own long-arm machines, others just domestic sewing machines. At least one has a Cutie Frame, a tabletop quilting frame used in conjunction with a sewing machine to do the quilting.

“Making quilts for veterans ispayback for me,” says Barbara, who volunteers at the Colonel Robert L. Howard State Veterans Home in Pell City. “Not every mother can say her son went to Iraq and came back. I know how hard it is. My son, Toussaint Edghill, is a disabled vet, and I do this to honor him.”

Gaye Austin’s husband and son are veterans, and she wants to show her appreciation to them and to all veterans “for giving us our freedom and the protection we have today,” she says.

“We want to thank the veterans for their service, and we enjoy quilting so much,” says Jill. “It’s a win-win.”

Thank them for their service

Volunteers honor vets with muscle, sweat, tears and roses

Story by Paul South
Photos by Carol Pappas
Submitted Photos

At the blighted Blue Star Memorial marker on Veterans Memorial Parkway, weeds were  winning the war just a few months ago.

Flowers wilted in dry ground. Shrubs browned. In Dana Ellison’s blunt assessment, the landmark leading to the Col. Robert L. Howard State Veterans Home that was supposed to honor our military, “looked like crap.”

In short order, a small detachment of volunteers – Ellison, Ellen Tanner, Cayce Johnson and Josh Franklin, along with reinforcements from St. Clair County, Pell City and Wattsville Water  – went on the offensive in the oppressive late May heat to restore the marker’s site to its former glory.

After five hours of volunteer sweat that just beat a major storm, the blight and weeds were in retreat.

The flower bed was condensed, pulled up and edgers relaid. Shrubs and flowers – red roses and white gardenias – were planted. A blue star also adorns the hallowed ground. The low maintenance shrubbery came from Hazelwood’s Nursery in Pell City, and a red, white and blue bow now festoons the marker. 

Small versions of the Stars and Stripes stood at attention, each flag encircling the marker like a patriotic clock.

The ‘before’ photo as volunteers prepared to tackle the project

“If you were to look at the monument from an aerial shot, we laid out the gardenias on either side where it almost designs a star counting the post in the middle,” Ellison said. And to be clear, not one penny of public money was used for the project.
 The volunteers provided the materials.

Wattsville supplied water, and Pell City provided a hydrant to slake the thirst of the ground, flowers and shrubs.

Until the waterline was placed, Pell City’s fire department stepped in to keep the garden watered.

Ellison and her comrades took the monument to heart. She fertilizes, prunes, weeds and waters the site several times a week.

“I have made that my lifelong project, goal, passion to keep that veterans’ garden looking as good as it can.”

The marker’s restored message to motorists?

“Respect,” Tanner said.

Respect for veterans and their families.

Respect for country.

Respect for God’s ground.

The marker, placed in 2013 as a Leadership St. Clair project, hadn’t always been honored.

“All of the blocks had shifted,” Johnson said. “The roses were dead. It was in poor shape. It was not very honorable to the men and women who served our great nation to keep us free.

“I think that as a community and as a citizen of this town and as citizens, we can do better in honoring them,” Johnson says. “And especially since that’s the main road leading down to the veterans’ home, that’s important that they know that a community appreciates them and supports them.”

Tanner spearheaded the original Blue Star project when she was part of the 2013 Class of Leadership St. Clair. Attendees learn about the county and craft a project that leaves a positive legacy. Working with the National Garden Clubs, the class made it happen.

But neglect and time ravaged the area until three women and one man stepped into the breach. The reason was simple, Tanner says. “You cannot honor our veterans enough,” she says. “They are such a precious treasure to this country, and we need to hold them up and honor them as much as we can.”

The Blue Star Highway: A Brief History

Blue Star Highways in the United States pay tribute to all men and women – past, present and future – serving in American armed forces. The National Council of State Garden Clubs, now known as National Garden Clubs, Inc., created the Blue Star program near the end of World War II. Flowers have always been at the heart of the effort. In 1944, the New Jersey Council of Garden Clubs planted 8,000 Dogwood trees to honor those serving in that war.

The markers are only placed on dedicated highways.

The tears of a military wife, mother and daughter-in-law

Johnson is deeply invested in the military. One son is in the Air Force – Airman 1st Class Parker Holmes. Another son, Marine Lance Cpl. Daniel Holmes, is at Camp Lejeune, N.C. Her husband, Billy, served as a Marine sergeant, and her father-in-law, Don, is a Vietnam vet.

She understands the sacrifice of vets and their families. And tears readily flow when she thinks of the monument as it was before the restoration effort and as she thinks of combat vets who sometimes struggle to return to civilian life. Until the May restoration, like those soldiers, sailors and marines, the marker was forgotten.

“As veterans, they come home, and they have to assimilate back into society and a lot of times, they’re not able to, because of the things they’ve seen and the things they’ve been through,” Johnson said. “When I look at (the monument), first and foremost it reminded me of our military men and women who come back home, and they’re just forgotten. They don’t feel they have a purpose.”

Before the restoration, the wilted flowers, the tall grass and scattered stones cut deep. “When I looked at that, and  I saw those roses and that blue star there and all of the grass, it just made me feel like we  just forget them.”

And after the project?

“Once it was all pretty with the roses and the flowers, and St. Clair County Commission Chairman Stan Batemon came with our pine straw to put down, it was just beautiful,” Johnson says. “It’s rejuvenated.”

In a larger sense, the teamwork of the small cadre of volunteers, the public and private sectors, offers a glimmer of optimism and hope for the country during a polarized period.

She thinks of her best friend of three decades, Ellison, who sees Johnson’s serving sons as her nephews. “It does bring back a little bit of hope for our humanity. There are people who still care, who are still very patriotic and love our country and what it stands for.”

Johnson remembers when her sons were small boys. They’d go to the veterans’ home and fill bird feeders. As in those days, she said, the Blue Star project was “an honor. It’s a very, very small ‘thank you’ for what they’ve done for me,” Johnson says. “I always say I kept (my sons) safe when they were little and defended them. And now it’s an honor that they defend me.”

The county, teamwork and respect

For Ellison, it all comes down to one thing. “It was just teamwork, wanting to do a good thing.”

The project not only says something about the volunteers, but about Pell City and St. Clair County.

“When there’s a need,” Ellison says, “people come together to get a job done … It was just a matter of helping fellow man and wanting to do for and respect those people, men and women who served our country.”

She adds, “It was a matter of respect for them. We just wanted to return that respect any way that we could.”

Tanner agrees.

“People in St. Clair County truly care about veterans. I don’t mean this to be a North-South thing. But in the South, we honor and hold dear our veterans, family, God and country.”

And when locals and visitors pass the Pell City Blue Star Memorial marker – or any of them across the country – Tanner hopes a feeling washes over them of thankfulness, appreciation and honor for veterans in general. “We hope it will stir that feeling of thankfulness for their service.”