Looking to the future

Pell-City-CEPA-1

Curtain goes up on new director, new energy at CEPA

Story by Linda Long
Photos by Michael Callahan

Jeff Thompson is fitting right in to his new role as executive director of the Pell City Center for Education and the Performing Arts (CEPA), but at four years old, Thompson was on a totally different career path.

“At my preschool graduation, I told the whole class that I was going to be an aeronautical engineer. Well, that brought a whole bevy of laughs,” recalled Thompson, “but I loved planes and as a child, that’s all I wanted to do. That is, until I found out the engineers get paid by contract work. I didn’t see much stability in that. So, suddenly, aeronautical engineering didn’t seem like such a good idea anymore.”

The intrepid young Thompson then turned to “Plan B.” Architecture.

Though foiled again, he was not the least chagrined. “I could not pass Physics. I failed it twice. I do not understand the concept – never have, never will, and you can’t be an architect if you don’t get Physics. I can draw just fine,” laughed Thompson. “I just wasn’t able to do those high level equations.”

Those two early career misdirections are clearly St. Clair County’s gain. Thompson, who has been in his new role as CEPA director for only two months, already has a clear vision for leading the top notch 2,000 plus-seat sports arena and a state-of-the-art, 400-seat theater into the future. That vision is clearly spelled community.

An Auburn University graduate in Journalism, Thompson comes to CEPA with a 10-year background in newspapers, most recently as editor and general manager of the St. Clair News Aegis. 

“My formal training is newspapers,” said Thompson, “and certainly one of the things newspapers gives you is intimate access and understanding on how to build identity. And that’s what we’re looking to do with CEPA at the moment is to take this phenomenal product which is here and really does benefit the community and build it around that.”

Already finalizing the 2016 fall season, Thompson said, “We’re looking to create programming that attaches itself to numerous demographics in the community. We don’t want to follow a show with another show that attracts an identical audience. We want to make sure that everybody across St. Clair County feels like they have a home at CEPA. This facility was built, created and conceptualized on that bedrock. There shouldn’t be anyone who doesn’t have access to this facility. It was built for this community.”

Pell-City-CEPA-2To that end, CEPA is kicking off a fall line-up which should indeed include something for everyone. The season begins in September with an amazing magic show followed just days later by a performance of the full Alabama Symphony Orchestra, a first for Pell City.

The “top tier” magic show features Brian Reaves, and the Alabama Symphony Orchestra is seen as a major coup for the theatre. Next up will be country music band, Confederate Railroad, another major act, with Two Halos Shy as opening group.

Confederate Railroad, a country rock, southern rock band, is a multi-platinum recording group. It has been nominated for a Grammy Award, and it won an American Country Music award. In May, the group appeared in Nashville with Willie Nelson, John Anderson, Colt Ford and former NFL Coach Jerry Glanville for the 20th anniversary version of its signature smash hit, “Trashy Women.”

Two Halos Shy features Madibeth Morgan and Anna Tamburello. When their vocal harmony hits an audience’s ear, you would swear the halos were there as the vocals sound almost angelic. Very little sounds better than a pair of voices in perfect harmony, and this talented duo fits the bill. Although still teenagers, they have been writing music and singing since before they could legally drive a car. They are working on their first album.

Capping the season is a multi-faceted arts festival featuring Alabama’s top storyteller, Dolores Hydock, and bluegrass group, Whitney Junction.

“This event is all about St. Clair County,” said Thompson. “It will feature local artists of all kinds.” Hydock is an award winning, premiere storyteller based in Birmingham, who has entertained audiences large and small around the country. She will be performing, Footprints on the Sky, a story about the time she spent on St. Clair County’s Chandler Mountain. Sharing the stage with her, providing music for her words, is Whitney Junction.

This bluegrass group formed as a ministry of First Baptist Church of Ashville and while its primary musical focus is a unique brand of bluegrass gospel, the band also performs old time bluegrass music at festivals, rallies and other events. “We want to wrangle in as many people as we possibly can and get them tied into this,” said Thompson.

Built nearly 10 years ago as a partnership among the Pell City School System, City of Pell City and the community, Thompson said, “community builders came together to support this facility.” A huge granite marker hangs in the lobby, telling the story of the people who built this facility. It is not just for Pell City, but for everybody. “We want to make sure every bit of our programming educates, inspires or entertains and gives them a reason for coming back.”

CEPA has already established many ongoing traditions, such as its annual summer drama camps, performances by many artists from local schools and the Pell City Players, a local drama troupe created as part of its community theater offerings.

But Thompson is hoping the facility will soon have some new programs making new traditions.

“We want to maximize the availability of the facility as much as possible. One of the main activities we’re looking at now using some captive audience around football games to open up the center and let folks come and be entertained prior to or following a football game. “According to Thompson, “Whatever legacy we can create with it, I want it to be something that includes the idea that we build community off of it. II think it fits in with the chamber of commerce, the city, and the school system. I think there are ties for to almost every aspect of generating a positive image for Pell City and St. Clair County. I know community, and I love community and when I look at this building, I know it can be what my definitions are for it.”

Smiling on the inside

Rodeo-Clown-Huck-Hano Loving the life of a rodeo clown

Story by Leigh Pritchett
Photos by Wallace Bromberg Jr.

He is known as Huck Hano — Skylar’s Dad, … the neighbor, … the sheet metal mechanic, … the man who plays guitar at St. Clair County Cowboy Church.

Yet, when he walks into a rodeo arena, the Louisiana native becomes the Cajun Kid, a clown with oversized Wrangler jeans, a star-spangled shirt and a hat full of humor.

For 38 years, he has been a rodeo clown, appearing in more than 25 states.

He has worked at small rodeos, and he has worked at big ones that drew as many as 30,000 spectators. Performing before such a large crowd was scary, he said, but oh so fulfilling when the people laughed.

“I love entertaining people,” said 55-year-old Hano. “I love making people smile.”

In May, he got to be a clown locally during a horseless rodeo at St. Clair County Arena.

Interestingly, his love for clowning came from riding a bull.

In his early teens, Hano started riding bulls two days a week at an arena near his home in Albany, La. He became so proficient at the sport that he advanced to state finals his senior year in high school.

When he was at a rodeo, however, his competitors were not his focus; the clowns were.

He studied what they did and how they did it. He noted their timing, body language and jokes.

“That was my whole reason to be there,” he said about his five years of riding bulls.

His first time to be a clown was in 1978 at a high school rodeo in McComb, Miss.

“It was the greatest thing in the world,” Hano said. “I knew then that it was what I wanted to do.”

 

In the beginning …

His name is actually Elisha Henry Hano. He acquired the nickname “Huck” as a 5-year-old dressed in jean shorts and a straw hat.

His Dad, a Baptist preacher, remarked that his son looked like the character Huckleberry Finn. And the name stuck.

It was also his Dad who was glad when Hano become a clown.

“My dad was relieved because, when I started clowning, I started riding bulls less,” Hano said.

In a rodeo, Hano said, there are two kinds of clowns. The job of one kind is to protect. A bullfighter is a clown who distracts the bull to let the rider get to safety. There is also a “barrel man,” who wears a barrel and gets between the bull and the rider, or between the bull and a tired or imperiled bullfighter. The job of the other kind of clown is to entertain. That clown tells jokes and performs acts to amuse the audience.

Hano has been all of them. At first, he was a bullfighter before moving into a comedic role.

Rodeo-Clown-Huck-Hano-2The purpose of the entertaining clown is to fill time gaps between activities to make the program flow smoothly. Generally, each of the clown’s appearances during the rodeo is just a few minutes long.

If glitches or interruptions occur during the program, in comes the clown. At a rodeo in New York, for instance, a transformer blew, putting the arena in darkness. For 25 minutes, Hano and the announcer told non-stop jokes to the crowd.

In all his years as a rodeo clown, Hano has never suffered a serious injury. But there have been some harrowing moments.

A particularly frightening one occurred in Lafayette, Ga., in 1985. A bull got his horn behind Hano’s leg and threw the clown into the air. While Hano was still in midair, the bull caught the man in his horns and tossed him up again. That would happen once more before the bull finally let Hano fall to the ground.

The entire time, a rider was sitting on the bull’s back.

That “hooking” happened on the first of a three-night rodeo series. Hano performed the other two nights with bruises and soreness.

“I’ve taken several hookings (through the years), but that was definitely the worst,” he said.

Dwayne Banks of Odenville, who is pastor of St. Clair County Cowboy Church, said Hano was a clown at the first rodeo in which Banks participated.

He described Hano as humble. “That’s who Huck is.”

Banks said Hano’s personality makes people feel comfortable. He has a quick wit and can connect with the audience. “He is a very down-to-earth type of individual. (He) has the ability to capture attention by what he says and how he acts.”

Behind the clown makeup is a man who “loves the Lord with all his heart,” Banks said. “… He’s got a heart for the people around him. … He wants to serve.”

Hano does indeed want to serve. Currently, he is music minister at St. Clair County Cowboy Church, and believes that clowning is a talent God gave for serving Him.

In a rodeo, “the clown’s job is actually to serve,” Hano said.

Being a clown has given Hano opportunities to speak in churches and schools all across the country and to tell people about Jesus Christ. “God used me as a rodeo clown and that’s what I want to do is be used,” Hano said.

For about 12 years, Hano was a clown fulltime, traveling from March through October. His living quarters were in the front third of a trailer he towed. In the middle section, he stored the props for his acts, such as a spaceship he built himself. The back third of the trailer was a stall for his four-legged comedy partner.

During the rodeo circuit’s “winter months” of November through February, Hano was at home with his family and worked at another job.

It was his career as a clown that led him to move to Odenville in 1993. Where he lived in Louisiana was flat and “a long way anywhere,” Hano said. St. Clair County, on the other hand, is near three interstate systems … and has mountains.

The five acres on which his home sits are nearly encircled by mountains. It is a quiet refuge where he reads his Bible, farms and works to train a colt named Dolly.

“I love the mountains. Where I came from, there were no mountains,” said Hano. “I walk out and say, ‘Thank you, God.’ I get to see this on a daily basis.”

When his daughter Skylar was a baby 18 years ago, Hano felt he was missing much of her life by being on the road. At that point, he took a full-time job locally and became a weekend clown.

He has continued to be a clown part-time and currently works full time as a sheet metal mechanic at Hardy Corp. in Birmingham.

 

Clowning is hard work

Being a clown is not all chuckles; it is work.

“Clown acts are not as easy to come up with as you would think,” Hano said.

It takes researching and planning. It takes building props. It takes rehearsing and refining. Perfecting an act could easily require two years of work, he said.

“You want as many different acts as you can. But you want quality acts,” he said.

For many years, Hano had a comedic sidekick named Esther. She was a white mule.

“She turned out to be one of the best acts I’ve had,” Hano said. “She opened a lot of doors for me across the country. People loved that mule.”

Esther would lie down, roll over, play dead and sit up, all on command.

“I think her greatest asset was she loved doing what she did. (Other clowns said) they had never seen a mule work as smoothly as she did,” Hano said. “She was one of a kind.”

Two years ago, at age 32, Esther died. She is buried underneath her favorite tree in the pasture.

It is Hano’s hope that Dolly will be Esther’s successor in comedy.

When Hano got Dolly a few months ago, she did not like him, he said.

But that has changed. Now, she runs to the fence to meet him when she sees him come out his front door. When he reaches the fence, she nuzzles him, indicating she would appreciate a back-scratching.

In some ways, she is like Esther was at first.

“When I got Esther, she was six months old,” and was so unruly that four people were needed to handle her, Hano said. Within a few months, he had won her trust. That was when the training began.

He is encouraged as he watches Dolly learn to trust, too.

“I like seeing them come from nothing to being disciplined,” Hano said.

Eighteen times in his career, Hano has been given the privilege of clowning in the finals of several rodeo associations across the county. The selection of clowns for the finals is done by a vote system, and only those ranked “best” are invited to perform.

Even so, Hano expresses humility about his work as a clown.

“I never considered myself the star of the show,” he said. “I considered myself a part of the team that made the show work.”

After nearly 40 years of making people laugh, Hano is now accepting fewer engagements and thinks he might, at some point, retire from being a clown.

He is seeking to serve in a different way in this season of his life.

“I’ve had a good career,” Hano said. “And if I had it to do all over again, I’d do it again. … God has given me a good life. Now that I’m slowing down, I’m going to give it back to Him.”

Pirate’s Island

A day in the life of a
Logan Martin landmark

Story by Carol Pappas
Photos by Wallace Bromberg Jr.
Submitted photos
Drone Photo by
David Smith, Star Aerial

It’s a place that would make Jimmy Buffett proud. Surrounded by family and friends and scores more of adopted family and friends, this tiny island in the middle of Logan Martin Lake is like the star of the singer’s tune, Cheeseburger in Paradise – “heaven on earth with an onion slice.”

On this Saturday afternoon in late June, one of the hottest of the year, there are no complaints about the sweltering temperature, only laughter, music, children’s squeals and an unrivaled camaraderie of hundreds gathered around Pirate’s Island.

It has become THE place to meet, anchor your boat or personal watercraft, wade into the shallow water all around and greet friends – old and new.

It’s a recreational respite in an otherwise wide open waterway of boats darting to and fro.

Lincoln’s Kent Crumley has been coming to the island since 2012. Now joined by his son and grandchildren, the fun they have as a family is unmistakable. Brian Crumley and his children, Easton, Addie and Brynlee are there to celebrate Easton’s first birthday.

What makes this place so special? “Just the people,” Kent says. “The fellowship,” his son adds. “We came to hang out and have a great time,” Kent says, putting an exclamation point on the sentiment of the day.

And it’s precisely the purpose Jim Regan intended for the island when his wife, Laurie, bought it for him as a birthday present.

She had decorated it with crepe paper, but rain put a damper on the surprise impact it was supposed to have when approached by boat that evening. So, Laurie improvised. She grabbed a drink Koozie, wrote “Welcome to Your Island” on it, put a drink in it and handed it to Jim. He kept putting the drink down, never glancing at the message. Laurie said she finally – and strongly – urged him to look. He read it, and in that moment of realization, “he dove right off the boat!”

That was 2008. It took about a year to fulfill the vision they had in mind for the island – they cleared underbrush, built a beach, brought in palm trees, a hammock, a treasure chest and of course, a pirate flag.

They first named it Grand Island, but the throngs of boaters who found their own paradise there won out. Pirate Island, it became, and Pirate Island, it will stay. “We were outvoted by the people,” Laurie says.

And the people keep coming. On Memorial Day, 46 boats were counted anchored around the island. On this day, a typical Saturday afternoon, there were 29 boats full of people.

Logan-Martin-Pirate-IslandOn the 75 x 50-foot island itself, its palm trees leaning out over the water, the Regans’ family and friends gather around a fire pit, relaxing in chairs of all shapes and sizes.

A nearby grill, still smoldering, hints at noon day activities on the island. “It was Cheeseburger in Paradise Day,” says Jim. He cooked 36 hamburgers for his invited guests and boaters who happened to be there. It’s not unusual for Jim to cook on the weekends. He simply signals in boaters when the hotdogs or hamburgers are ready, according to Laurie.

All are welcome on Pirate’s Island. It’s a tradition that evolved when a boat load of 10 year olds asked if they needed help on the island. They helped clean it, and their pay came in hotdogs.

Of course there are other riches on the island. A treasure chest full of Mardi Beads and gold coins awaits, and children rush to see what’s inside. Down on their knees like a cannon shot, they surround the chest, combing through to pick just the right color. Giggles and shrieks tell the rest of that story.

“I get them from a Mardi Gras supplier in Mobile where I grew up,” Laurie says. The treasure chest is filled to the brim, and it is the island’s most popular destination point for kids. As a bonus, Jim sprinkles gold coins all around the water’s edge for children to ‘discover.’

Palm trees don faces and perhaps a pirate kerchief – “Palm Pirates,” they call them. A ‘pirate’ pontoon boat sits anchored on the main channel side of the island. It even has a gang plank. The customary island hammock hangs between palms, an inviting place for a summer’s day.

And a skull and cross bones pirate flag flaps in the summer breeze some 50 feet above on a pole made of bamboo courtesy of a neighbor, helping passersby pinpoint this Logan Martin landmark.

On Saturday mornings, Jim puts out an oversized float a few feet offshore – a Lilypad – for kids to launch themselves in innovative ways into the water. He doesn’t dare take it up until Sunday night. Too much fun would be missed, he and Laurie surmise.

“Everybody has taken responsibility for the island,” Laurie adds. “We’ll get calls if someone is not doing something right. They help clean it up. They love the island. Everyone takes ownership in it.”

Why do the Regans share their own bit of paradise? “We love our family and kids. This is our town. It’s our home,” Laurie says. “It just feels good.”

Perhaps this email Jim sent to his family in 2008 just after he became the proud owner of the island tells the evolution of the original vision best:

Laurie surprised the living daylights out of me for my birthday by purchasing the tiny island just 1/4 mile down the beach from us. I’ve been pining for it for over a decade, and Laurie thought it was a pretty worthwhile goal also. 

We have named it “Grand Island”…owing to its “massive” size (75 ft.X 50 ft. excluding beach & sandbar) and also to the original purchase price some years ago by our friends & the former owners-Randy & Sandy. The island is a popular place to park your boat and swim from its sandy little beach. It will remain open to the public. We’ve already heard some excellent ideas like: planting fruit & palm trees; placing a “Grand Island” plaque on it; mount a “Wilson” volleyball on a pole (from the movie “Castaway”); hanging a hammock between two trees; and the ideas just keep coming. Feel free to add your art to the picture.

 Whether you remember this little Corona commercial of an island or not, I happen to know that each of you have been there. We hope you’ll come to the island many times again in both mind and body. Once you’ve hacked your way through the jungle and pass the lost temple beyond the largest cave on the other side of Blue Lagoon, look for us…We’ll be right there in a hammock holding out your favorite cold beverage.

On any given weekend, it’s easy to see: Dream fulfilled.

House of Treasures

Frank-Phillips-collectionInside a collector’s collection

Story by Leigh Pritchett
Photos by Michael Callahan
and Wallace Bromberg Jr.

It has long been said that a man’s home is his castle.

While that surely is true for Frank Phillips of Pell City, his dwelling is also a cache of artistic, literary and photographic treasures.

Surrounding him everyday are hundreds of volumes and artwork in various media, as well as photographs of historical figures and moments in life.

“I don’t just collect this stuff,” Phillips said. “I live with it. … I look at it everyday. You might see something new in it.”

Much of the artwork is considered “outsider art,” having been produced by individuals with no formal training. Mose Tolliver, known as Mose T, was one of those.

In fact, Phillips’ collection started in 1986 with a Mose T watermelon painting he purchased directly from the artist.

“I gave him every dime I had in my pocket that day,” Phillips said.

Phillips’ art collection now boasts about 20 names. Among them are Dr. Art Bacon, Charles Lucas, Lonnie B. Holley, Fred Nall Hollis, David Driskell, Bernice Sims and Jimmy Lee Sudduth.

A few acquisitions in the Phillips coffer were rare, thrift-store finds. A sculpture by Frank Fleming was one of those, as was a pottery piece by Bill Gordy.

Phillips added to his pottery collection numerous “jug faces” by Burlon B. Craig and items from the Meaders family of artisans. One of Phillips’ favorite pieces is a 1938 Gordy bowl adorned with the state flower.

The expansive inventory of books Phillips has amassed includes many first editions signed by such noted authors as Truman Capote, James Dickey and Harper Lee.

Phillips’ assemblage also features a handmade quilt from Gee’s Bend and memorabilia marking historical and special events. One piece of memorabilia is a paper fan autographed by Phillip Alford and Mary Badham, the child actors who played “Jem” and “Scout” in the 1962 movie, To Kill a Mockingbird.

Phillips said several pieces in his trove are rather valuable.

Yet, that is not why he acquired them.

“I’d like it even if it didn’t have value,” he said. “… You don’t have to have a reason to collect.”

Selected pieces from his collection have been on display in the past at Gadsden Museum of Art, Heritage Hall Museum in Talladega and, most recently, Pell City Library.

The exhibit at the library generated much interest and conversation among visitors, said Susan Mann, assistant library director.

“Frank’s collection was very well received at the library,” Mrs. Mann said. “… It was a great opportunity for people to see Southern folk art at its best. Frank graciously shared a pleasing mix of paintings, pottery, photographs and a primitive, handcrafted stringed instrument from his extensive and diverse collection. Most patrons were fascinated by the exhibit and were drawn to it, opting for an ‘up close’ view.”

Early influences

Phillips grew up in St. Clair County in a family of nine children. When he earned his English degree from Jacksonville State University, he became the first in his family to graduate from college.

He is drawn to magnolia paintings and Southern cuisine and says that putting sugar in cornbread “is a sin.” He prefers to read the works of authors Rick Bragg, Eudora Welty and Robert Penn Warren, who all have Southern roots.

Frank-Phillips-pottery-collectionHe listens to the blues, likes to travel, and serves on the executive committee of St. Clair Democratic Party.

Nonetheless, he feels an attraction to New York, Chicago, London and Paris.

“I rode a Greyhound to New York just to see a (Picasso) painting,” Phillips said.

As a young man, he went to Paris to view the gravesite of poet Gertrude Stein. “I was 20 years old in Paris by myself,” Phillips said.

Once, he saw artist Andy Warhol in Manhattan at the Museum of Modern Art. Warhol asked to autograph Phillips’ shirt, and Phillips said, “Sure!”

Even so, Phillips does not own a piece of Warhol’s art. “Who could afford that?” questions Phillips.

His recounting of that meeting with Warhol is one representation of the final piece in Phillips’ treasury. That piece is not tangible, however. It consists of details and memories about places, events and encounters with noted figures.

His conversation flows easily from one recollection to another and is peppered with observations about talents and personality traits.

With the certainty that comes from first-hand knowledge, Phillips speaks of Capote’s flamboyance and gives an account of Watergate figure G. Gordon Liddy. Phillips tells of attending JSU at the same time as Jim Folsom, Jr., who would later become Alabama’s governor; seeing Gov. Lurleen Wallace in Ragland, where she was accompanied by Hank Williams Jr. before he was a famous singer; meeting President Jimmy Carter; attending the funerals of author Kathryn Tucker Windham and civil rights leader Fred Shuttlesworth, and getting an autograph from actress Butterfly McQueen.

“I’m writing my memoirs now,” Phillips said.

If the opportunity arises, Phillips wants to add to his collection of memories – seeing the Hope Diamond and the painting, Whistler’s Mother, and attending a snake-handling service at a church. “Not to handle (a snake),” he said with a chuckle. “Just to observe. My faith is not that strong.”

D-Day Veteran

veteran-dulaneyMemories of the War

Story and photos by Jim Smothers
Submitted Photos

For a half century, Howell Dulaney would not talk about World War II. He tried to shut it out. He didn’t want to think about the horrors he experienced in the war, and he wanted the nightmares to stop.

“It just gets so real. It leaves you with an uncomfortable feeling,” he said.

“It was 50 years after the war before I thought about talking about it,” he said.

That happened after he joined the George S. Patton, Jr., Chapter of the Battle of the Bulge in Birmingham, an exclusive group of veterans of that battle.

Besides their monthly meetings, there was an annual Christmas party. At one of those events, the chapter president went to each veteran and asked him to tell an experience he had during the war.

“When he got around to me, I was about the last one, and I didn’t know what I was going to say. But when it was my turn, I asked, ‘Do you know about Bear Bryant, that they claim he could walk on water?’ He said, ‘Yeah, I’ve heard that.’ I said, ‘Well, I walked on water.’ ”

Then he told how he almost drowned, but was saved by a German soldier.

Part of his engineering group was assigned to ferry infantry soldiers across the Moselle River to prepare for an assault on a German division. The other engineers were to replace a span in the bridge for the rest of the army to cross, but that couldn’t be accomplished if the Germans were there to stop them. So, an attack was planned.

His battalion was split into three parts, two to get the infantry across the river to attack, and one to fix the bridge. Two engineers would be in each boat to ferry six infantry soldiers at a time across the river on a dark, moonless night. The soldiers were instructed to paddle without raising the paddles from the water to maintain silence during the crossing.

“We gave them wooden pegs and told them to use those to plug holes in the boats in case we were fired upon,” he said. “That really got their attention.”

On one of the crossings, they found the infantry had taken some German POWs, and the engineers were tasked with taking them back to the other side.

“On that crossing, our boat capsized. We learned later that we had tipped over on an old ferry cable,” he said. “I had all my uniform on, my helmet and my rifle, and I was not a good swimmer.”

He dog paddled, trying to stay afloat, growing more desperate by the second until, just at the point of giving up, a hand reached down and lifted him up.

“When that happened, my feet hit bottom, and I realized I was only in about four feet of water. We were almost at the bank, but it was so dark I didn’t know that. I looked up and it was one of the POWs we had just brought across. He was taken away with the others, and I never even found out his name.”

Dulaney hasn’t liked the water ever since.

But after telling his story to his fellow veterans, he decided it was OK to talk about the war. He developed an outline for sharing his memories, and gave speeches to a number of schools and church youth groups.

He shared many of his memories with them, but tended to leave out some details—like the bloody water at Utah Beach. He didn’t tell them about young soldiers, his age, who were injured and crying for their mothers, or the horrible injuries some of them suffered.

But he did begin sharing his story with other people.

veteran-building-bridgeDulaney grew up in Eastaboga as one of 15 children in the family. He never finished grammar school because farm life was so demanding. They raised cotton and row crops on an 80-acre farm, as well as animals for slaughter. His mother made dresses for the girls from flour sacks, and shirts for the boys from fertilizer bags. Shoes were a luxury and mostly worn about six months out of the year.

“It was hard work, but it was a good life,” he said.

He joined the Army at 17 and trained at Fort McCain in Mississippi, where he and his fellow engineers practiced bridge-making methods on the Yazoo River. He made bus trips home to see his family, and on one fateful trip he sat next to telephone company operator Robbie Reynolds from Columbus, Mississippi. They wrote to each other during the rest of his training and throughout the war.

After completing training in Mississippi, his group went by train to Boston where they boarded a ship for Great Britain. They sailed around Ireland, up the River Clyde into Glasgow, Scotland, and then traveled by train to Dorchester near the English Channel. About a week later, they loaded their supplies and themselves into a Higgins Boat (made in Mobile, Ala.) and spent the night crossing the Channel for the invasion.

“In Dorchester, we received our combat equipment and began to attend classes, learning what to do if wounded or captured and what information to give the enemy if captured,” he said.

“Once aboard the landing craft, we were told we would be crossing the English Channel into enemy territory within hours, and our destination would be Utah Beach…we knew this was D-Day. Some thought it might be their last day. As the boat was moving out everybody was real nervous. Some of us were trigger happy and ready to fight. Some were praying. And some were crying.”

They landed less than half an hour after the infantry and Marines first landed.

“As we approached the beach, as soon as our craft landed we began to leave any way we could, out the front or over the sides. It was really frightening with all the noise from big guns, rifle fire and mortars exploding all around. The water was waist deep, and it was bloody. There were dead bodies floating everywhere and wounded soldiers crying for help. The only thing we could do was help them out of the water and help them get to a medic.”

Shortly after Dulaney’s battalion arrived in Europe, Eisenhower brought in Patton to be the “fighting general” the Third Army needed, and Dulaney’s battalion was part of that army.

“Patton was an amazing general. He was a great leader, always in the battlefield with his men. He had proved he was a leader on the battlefield in World War I,” he said. “Patton’s theory was once you the get enemy running, don’t give them time to stop and fire back, and it worked.”

Patton moved so quickly Eisenhower told Patton’s commander, General Bradley, to slow him down before he got so deep into enemy territory he would be surrounded and cut off from the other armies. Bradley started rationing Patton’s gasoline to limit how far he could go.

Patton responded by taking his supply trucks to find a gasoline storage depot. “Now, when a four star general pulls up in his Jeep with his supply trucks and says ‘fill ‘em up boys,’ do you think he’s getting his gasoline?”

Patton’s speed helped rescue the 101st Airborne Division when they were surrounded early in the Battle of the Bulge. Eisenhower called Patton to see how long it would take him to get his army to Bastogne, Belgium, to help, and Patton told him 24 hours. He then moved his army without a break, except for refueling, pushing through Germany and Luxembourg to get there.

Dulaney earned his Purple Heart during the Battle of the Bulge when he was hit by a piece of shrapnel from a “Screaming Mimi” artillery round. It was a minor wound, treated by a medic on site, and he returned to duty without being sent away for additional treatment.

His battalion’s last action under fire came at Regensburg, Germany, where a bridge was needed across the Danube. It was built under fire, but not without the loss of four men killed and seven wounded.

After that, Patton moved toward Prague, but was called back to Regensburg when the war ended. Their new orders were to build barracks for a prison camp.

While in Regensburg, Dulaney’s older brother “Doc” from the 7th Army, stationed in Munich, paid him a surprise visit on a three-day pass.

“What a happy three days that was,” he said. “We received a big write-up in the Stars and Stripes magazine. After World War II, my younger brother was in the Korean War. Thank God we all came home safe and whole.”

He said the Germans had superior equipment, but the Americans were better fighters

“I’m proud I was a soldier in Patton’s army, and I thank God every day for sparing my life. I think Gen. Patton was the greatest general ever. He also had the ‘Greatest Generation’ fighting with him and for him…his 3rd Army fought across France, Belgium, Luxembourg, Germany, Austria and into Czechoslovakia. His army crossed 24 major rivers, liberated more than 82,000 square miles of territory, more than 1,800 cities and villages and captured 956,000 enemy soldiers. His army destroyed 3,000 tanks, 500 artillery pieces, 15,000 miscellaneous vehicles and 2,000 German aircraft.

“I’m not proud of the things I had to do in the war, but war is war. It’s kill or be killed, and we must win all our wars, at all costs, in order to continue to keep and enjoy our freedoms.”

He is a contributor to the National WWII museum in New Orleans, and he encourages everyone to go see it to gain a better appreciation of what it was about.

“I want people to understand what war really means,” he said. “I just want the young people to know what our freedoms mean to us, and we are slowly losing our freedoms.”

Upon his return home from the war, his first destination was to see his family in Eastaboga. But Robbie was on his mind, too, and it wasn’t long before he traveled to Columbus, Mississippi, to see her.

They married within weeks and built a life together. After a 40-year career with Alabama Power, he retired as a district superintendent. They built their “dream home” at Rock Mountain Lake below Bessemer and lived there for 10 years before moving to Memphis to be near their daughter, Eugenia Bostic and her husband, Gary. They were in real estate, and after the real estate crash, they relocated to Florida, and the Dulaneys moved to Pell City, splitting the distance between family in the Eastaboga area and friends in the Bessemer area.

Robbie passed away six years later. Then Eugenia developed inoperable cancer and moved in with her dad to live out the rest of her life. Dulaney was 90 when she died, and decided to sell his home and move to the Robert L. Howard State Veterans Home in Pell City, where he lives today.

Light Flight

ultralight-flight-1Daring men and their flying machines

Story and photos by Jerry C. Smith

A stand-up comic once joked, “If God had meant for people to fly, He would have given them a lot more money.” He got pained laughs from several private pilots in his audience who knew what it costs to get a license, buy a plane, fly it, hangar it and keep it in safe condition.

Whether you’re rich or poor, the sky shamelessly seduces those who envy the freedom of birds. Prior to the late 1970s, aviation was well out of reach to most folks who did not fly for a living, but a few entrepreneurs found a way to bring powered flight to practically anyone with the courage to try it.

Imagine a huge kite made of ripstop Dacron sailcloth, a frame and pilot seat resembling an elaborate lawn chair, a couple of lawn-mower wheels and a tiny engine scrounged from a snowmobile. Lace it all together with a maze of steel cables and, voila, you have an ultralight airplane – a true bird of ‘pray.’

Ultralights quickly became a poor man’s magic flying carpet, a dream come true for those without the means or desire to own a “regular” airplane. If you could afford a decent fishing boat and were fairly adept with hand tools, you could build your own plane in a few dozen hours from a mail-order kit, then fly it from a nearby pasture.

Best of all, you didn’t need a license to fly one, and still don’t even to this day, as long as the plane meets certain federal guidelines of construction and operation. Flight training, if any, was given in two-seater variants by licensed local dealers, but many were flown entirely on guts alone.

Since a true ultralight has only one seat, that first test flight was also the pilot’s first solo in that type of plane, which can intimidate even a trained private pilot.

Odenville resident Hoke Graham was one of the first to fly and sell such machines in the area. He tells of trying to foot-launch his Easy Riser, one of the first ultralights, which originally had no wheels. It was actually an Icarus biplane hang glider which had been fitted with a tiny, 10 horsepower, two-cycle motor made by Chrysler.

Hoke relates, “When we test-ran the engine in my motorcycle shop, the propeller blast blew papers all over the place and slung oil everywhere before we could get it shut off. We like to have never got it all cleaned up.”

Ultralights became so popular so fast that the Federal Aviation Administration (FAA) created a whole new category for them, outlined in Part 103 of Federal Aviation Regulations. In essence, ultralights were designed for a single pilot, flown locally for daytime recreational use only, and according to some stringent rules.

The plane could weigh no more than 254 pounds empty, carry a maximum of 5 gallons of fuel, and fly no faster than 55 knots at full power. It is illegal to fly an ultralight over an assemblage of people or settled area, after dark, or within controlled airspace where the big boys fly.

Because of weight and performance restrictions, ultralights have few if any spare parts. They’re shy on horsepower, creature comforts and redundant safety features found on more conventional aircraft.

It’s as minimalist as powered flight can possibly be, but for many, including your writer, they were the fulfillment of a boyhood dream. The Wright brothers would have loved them; indeed, their first Flyer would have qualified had it been made of lighter materials.

While there are still a few single-seaters around, sport aviation has shifted in more recent years to a two-seated variety, many of which look and handle almost identically to the standard version but aren’t true ultralights. You need a private pilot or light sport pilot license to fly one.

Besides all the various quasi-ultralight designs, the relatively-new light sport category includes home-builts, most experimentals and other small aircraft, such as Taylorcraft, Piper Cub and Breezy, which fall within a fully-loaded weight limit of 1,320 pounds.

Many two-seated derivatives use engines of as much as 100 hp, more than triple the power of older single-seaters, and can easily fly 90 mph. Because of a higher weight allowance, they can be outfitted with all kinds of instruments, safety equipment, redundant controls, etc that a Part 103 machine could never carry.

ultralight-flight-2Pell City’s Joe West owns such a plane. It’s a larger version of a Challenger ultralight, made in Moline, Ill., by Quad City Aircraft Ultralight Aircraft Corp. It has a much more powerful engine, two seats, larger fuel tank and is about double the weight of its ultralight sisters.

Joe spent more than two years building it and holds one of the first light sport licenses issued in the area. His superbly crafted plane sports a dazzling green and white paint job and mounts a 52-hp engine designed especially for light aircraft by an Austrian firm, Rotax, which also builds snow machine engines for Bombardier of Canada. It allows him to cruise smoothly at 60 to 70 mph.

Joe is a real craftsman who is not averse to improvisation. In fact, the sheet metal for his instrument panel was salvaged from an old octagonal city stop sign. Everything on his plane is neat, precise and by-the-book, including an emergency parachute that can be instantly activated from both seats.

The plane’s nose art reads TINKER TOY, a moniker inspired by a fellow firefighter in Birmingham who liked to tease him about all the small airplane parts he fiddled with while not on duty, saying the intricate components looked like Tinker Toys.

He’s a frequent flyer around Pell City and has flown his Challenger for about 15 years. But Joe doesn’t limit his range of operations to local “patch-flying.” He and several other Challenger owners once flew from Pell City to a sponsored aviation meet in the Great Lakes region, near the Quad City factory.

Another local light-flyer, Cropwell contractor Tommy Thompson, is also a highly skilled artisan, both on the job and as an experimental aircraft hobbyist. He has built and flown four kit planes over the years, each a finely crafted work of flying art.

His Loehle P5151 Mustang was a 3/4 scale replica of one of the world’s finest warplanes. Tommy painted it blue, white and orange; named it Miss War Eagle; and was granted a tail number ending in WE. It was always a hit at air shows and fly-in events held by the Experimental Aircraft Association, of which Tommy was president of local Chapter 1320 until its dissolution in recent years.

So what’s it like to fly an ultralight or experimental? Depends on the design. Back in the 1980’s, your writer owned an American Aerolights Eagle. It had a smaller wing, called a canard, mounted in front of the main airfoil. This made it nearly stall proof and very easy to fly, even for a novice pilot. The Eagle took off, flew, climbed, descended and landed at about the same speed, 25-30 mph. We joked that, like a Piper Cub, it flew just fast enough to kill you.

I flew mine while suspended in a child’s swing seat which hung by a slender strap from a main body tube. Below this seat was nothing but open sky, all the way to the ground. Needless to say, that strap was rigorously inspected before every flight, as were all other vital parts which, in reality, included EVERY part of the plane.

Other models look and handle more like conventional aircraft, with true three-axis controls and the familiar T-shaped fuselage. Most ultralight aircraft can virtually leap off a runway in 200 feet or less and land in almost any clearing. Indeed, on occasion, these pilots would take off across the old bomber runway at Talladega.

But there is a penalty for this feather-like agility. You should not fly unless the air is mostly calm. Flights are usually made in early morning or near sunset. Planes stayed in the hangar if treetops were spotted moving.

I’ve encountered sudden gusts in advance of unseen weather fronts that actually left me flying backwards, despite running full throttle. My only recourse was to drop behind a treeline at almost ground level and quickly land before the wind shifted.

An unwritten rule was observed by practically everyone: Never fly over anything you can’t land on. With no redundant parts and an engine that could fail at any time without notice, keeping a landing spot underneath was mandatory.

But all such hazards aside, the flight itself was exhilarating, possibly the most fun a dauntless bird-man could have in public. We usually flew lower than 500 feet, enjoying the sights, even the smells, as rural Alabama drifted leisurely beneath our dangling rumps.

Our flying grounds included the environs of Talladega Speedway in our earlier days and Washington Valley and Chandler Mountain after we moved to Cool Springs near Ashville. It’s one of the most scenic parts of St. Clair — even more so from the air.

The good people of Cool Springs and Caldwell gracefully tolerated our weekend noise, so we always invited them to our airfield cookouts and watermelon cuttings. Livestock in Washington Valley became so accustomed to our presence that they no longer stampeded or looked up in fear of a giant, raucous hawk passing overhead.

The group I flew with in the early 1980s was known as Four Seasons Aviation, a three-man corporation operated by Hoke Graham, Jack Porter and Mike Pair. They sold Eagle ultralights and provided flight training, first at Talladega Airport, later at the Cool Springs site.

Cool Springs Airdrome was laid out on an old horse farm on CR 31, between Ashville and Springville, near Canoe Creek at AL 23. A former stable was modified to serve as a hangar and business office. The airstrip was simply 1,500 feet of closely-mown pasture.

Because of the Eagle’s unique configuration, we were able to store all five resident planes in a hangar that would have barely contained one “regular” plane. We simply tilted them upright and stood them on their tail feathers.

Four Seasons was a beehive of activity on nice weekends, often hosting fly-in visitors and curious kibitzers. Because of the capricious nature of these aircraft, we had a map mounted on a steel panel, with little colored magnets for each pilot to indicate where he intended to fly. We often flew in pairs, for the same reason.

On one such junket, a friend and I were flying over Washington Valley when he spotted some lovely young women lounging beside their swimming pool. He landed in a nearby field, but I decided it was no place for a married man and flew back to the airport.

Apparently he had chosen wisely, as we didn’t see him again until a bit after sunset. In a scenario reminiscent of an old flying movie, we lit the runway with car headlights to allow our resident Romeo to land safely.

A couple of areas were off-limits. One of our flyers was a deputy sheriff who warned us to avoid flying anywhere near the new St. Clair Correctional Facility as well as a certain area called Sodom and Gomorrah because of various activities that the law preferred to contain in that one place rather than having to pursue them all over the county.

Were there accidents among our ultralight community? Yes, even a few fatalities. But like real flyers everywhere, we studied and discussed each case, resolving to never become an object lesson ourselves.

For many, the incident rate became too high for comfort, so they moved on to earn a private pilot license and bought “real” airplanes. No doubt some wives added input to these decisions. However, many have since admitted that they became much better pilots as a result of things they’d learned from light flight.

Joe and I recently flew his Challenger on a photo shoot around the Pell City locality. We flitted along at a leisurely 65 mph, snapping photos of Logan Martin, downtown Pell City and certain areas north of town.

While a pure ultralight must not fly over settled areas, a rated experimental like Joe’s can be operated under more lenient standards. The visibility is spectacular to say the least, making them an ideal photo platform equaled only by glass-pod styled helicopters, and they’re exponentially cheaper to own and operate.

Another endearing quality is its real feel for flight, like you are actually involved in a natural process rather than riding an armchair in a giant flying bus. You sense every rising thermal, every wind shift and “air bump,” and enjoy a fast-acting, sensitive control response that makes you feel like part of the plane itself – a true mechanical bird-man connection. There’s no autopilot. You fly them every second from takeoff through landing.

Joe quipped that his plane is so well-balanced and control-sensitive that he can actually make it turn by sticking his hand out one side, like giving a turn signal. To a true light flight enthusiast, a 20-minute ride is often more satisfying, and physically tiring, than a couple of hours in a “real” airplane.

Born in Haleyville and a long-time resident of Birmingham, Joe once advised folks to never allow a hobby to dictate where you live, but reneged on his own tenet while flying and hangaring his craft at Pell City Airport.

“After hanging out around the airport, I found out what a nice place Pell City was, and decided to live here,” he said. Indeed, his home is within easy walking distance of the main entrance at KPLR.

At age 67, Joe has seen a lot of light aircraft makers come and go. Dozens of companies jumped into the market when the category was first created, but most are long since expired, usually with good reason.

Those early years were fraught with accidents, mostly due to design faults and pilot error. He advises those interested in light sport aviation to research FAA files and thoroughly check out the accident records of any aircraft they plan to purchase or build from a kit.

“Look for companies like Quad City that have been in business the longest, preferably under original ownership,” he says. He also advises to seek skilled, licensed training before attempting any solo flight in any aircraft, whether ultralight or otherwise. Even though they fly relatively slowly, irreversible things can happen very quickly.

He remarked that the handling characteristics of his Challenger makes him feel connected to early pioneers such as the Wright brothers. Having flown several such machines myself, I heartily agree. It’s the real thing – a natural high.

Though he’s a quiet, unassuming man to casual acquaintances, Joe’s sincere enthusiasm for this genre of aviation becomes obvious once you get to know him, fly with him, and check out the workmanship and safety record of his plane. Retired from the Birmingham Fire Department, he now works part-time at a local hardware big-box to, in his words, “make some flying and eating-out money.”

Joe says, “Sport aviation is sort of winding down as a hobby because the ones who started it are getting old, and nobody is replacing them. We need for more kids to get involved with groups like Civil Air Patrol and the EAA.”

He adds a sentimental note: “If someone ever gets a chance to go flying, especially someone who has never gone up, I strongly urge them to go up and see the sights that are restricted to a fortunate few people and to be mesmerized by the wonders that they have missed all their life.”

The late Glenn Messer, world’s oldest living pilot, who passed away just days short of his 100th birthday in 1995, expressed to me that one of his biggest regrets was that he never flew an ultralight. He had been blinded by a failed eye surgery a few years before these aircraft became popular.

Mr. Messer used to sit in the lobby at Birmingham’s Southern Museum of Flight and chat with visitors about his long, colorful flying career, which included giving Charles Lindberg a check ride in his new Curtiss Jenny back in the 1920s.

He should know of what he spoke. The pilot license he proudly showed to visitors was signed by Orville Wright.