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Around the Next Bend

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Sugarbush Farm: Antiques
and so much more

Story by Carol Pappas
Photos by Michael Callahan
Submitted Photos: Sugarbush Farm

If you weren’t looking for it, you just might miss the small sign out front that says, Sugarbush Farm. But if you passed by what lies just beyond it, rest assured, you missed out on something mighty special.

Tucked snugly behind the home that is barely distinguishable from others along Pell City’s Wolf Creek Road South is an 1850 cabin restored on the property and connected to the existing house. A few feet away stands another relic, a motel room from the old Rose Hill Motel in Irondale, which thrived in the 1930s and 40s.

But just around a dirt bend above the home of Jo and Paul Harris are the stables that once boarded more than 20 horses at a time. The covered arena across the way was once alive with the sound of children, horse hooves, riding lessons, shows and the nationally sanctioned Wolf Creek Pony Club.

As she turns the pages of photo albums and books, the familiar look of remembrance is unmistakable. So is the smile that accompanies it.

Jo and Paul moved to Pell City in 1973. He was a familiar face around St. Clair County, having graded cattle herds for the Extension Service. He judged 4-H and Future Farmers of America steer shows as well.

Paul had been a partner in a cattle corporation, sold his partnership and bought his own herd of Polled Herefords for breeding, leasing land around the county to raise his cattle. But during the Nixon administration, interest rates stood at 21 percent, and the president put a freeze on cattle prices. “It put us out of business,” Jo said.

But the couple was not to be deterred by the setback. Jo remembers telling Paul at the time, “You had your turn, let’s try horses.” Horses had been a passion of hers from an early age growing up in Oklahoma.

They secured their first boarder and “built from there,” she said. They developed a riding school with summer camps. She became certified as an instructor in the American Riding Instruction Certification Program. “I was working with an accounting firm and spent summer vacations with riding camps.”

Paul built the covered arena, and they would hold adult riders dressage clinics with a United States Dressage Federation instructor.

In the late 1980s, the Pony Club was chartered by the U.S. Pony Clubs – no small feat for a tiny town 40 miles outside the big city. It drew members from Moody, Talladega, Anniston, Birmingham and of course, its home in Pell City. “On Sunday afternoon, I gave lessons, and we held weekend competitions. We had a lot of fun,” she said as she thumbed through dozens of old photographs.

Sugarbush Farm was on the map as a pony club. “I’d like to think I made a difference with the kids,” she said. “I can’t say how many kids over the years, but my first student, Carrie Henderson, is now giving riding lessons in California.”

When health took its toll and she was unable to ride any longer, she acquired a Meadowbrook cart. In 2004, she traveled to Beaver Dam Farm in Nova Scotia to take a driving course. “That was the only time I got to ride on the beach.” She drives it now on a trail behind her home.

The cabin that Paul built

Jo and Paul’s homeplace is far from typical. They bought the 1850 cabin near the Shiloh battlefield in Tennessee. It was dismantled and moved to Pell City, where it took Paul two years to reassemble it. “You can still see the numbers on the logs,” she said.

There seems something familiar about the interior, perhaps because it was the setting for a handful of Southern Living Magazine photo shoots for various publications and occasions over the years. The coziness and the warmth envelops you as you enter, and the antiques Jo has collected over the years are the picture-perfect complement. Century-old quilts, shaker boxes and a cavernous fireplace as the focal point cannot help but send any visitor back in time.

Not your typical antique store

Step out back just across the gardens, and you’ll discover another remnant of days gone by – Jo’s antique shop. Sugarbush Farm Country Antiques and Folk Art is more than a sight to behold. It’s a treasure to savor.

Jo had passed by the vacant Rose Hill Motel many a time, seeing the motel cabins and wishing she had one. Her son discovered later they were for sale, and they bought two — one for her antique shop and the other serves as a guest house on her son’s land just across the way.

Its 192-square-foot frame encases rare collectibles Jo has just displayed for sale. She has reopened the antique shop and is hoping to pique the interest of antique and collectibles enthusiasts. She figures, she said, “If I get rid of it, the kids won’t have to.”

The collection is far from anything to be ‘gotten rid of.’ Hand-woven coverlets from York, Pennsylvania, and a 19th century coverlet hang from a quilt rack. Rows of shelves display her prized Blue Willow china with the buffalo mark on the back, signifying its century of age.

A butter churn reminds her of the days growing up on a dairy farm. “We made our own butter” and cooked from the garden. “I don’t think we went to the store except to buy flour and sugar,” she says.

French flatware, a William Britain Soldiers collection from England and Blue and White enamelware are but a few of the “finds” in her shop. There are delftware made in Holland, Blue Onion kitchen utensils and vintage Spring Bok puzzles, similar to jigsaw. There is even a collection of harness brasses used to decorate tradesman horses in England, the harness brass branded with the trade just as a logo would be used today.

“I have been a collector all of my adult life,” she says. She bought “things my mama used to have. I like to think back to the days when she did her canning.” And she quickly adds, “I don’t want to do it, I just want to remember it.”

Throughout the shop, the cabin and the 30 acres Jo and Paul call home these days, those memories of the past abound.

Jo sums it up in a simple, yet poignant thought that could be applied to antiques and memories alike: “I guess I’m just a collector at heart.”

Features

Wonder in Wood

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Story by Elaine Hobson Miller
Photos by Michael Callahan

When Lisa Phelps tells you she loves wood, you sense a gross understatement. She used four different hardwoods and a lot of pine in the new home she shares with husband, Kenny, in Odenville’s Aradon Farms. That doesn’t include the oak, cherry and maple in some of her antiques. Close your eyes, and you can almost smell the forest.

“I like woods of all kinds,” she says, reciting a materials list that includes cedar, alder, hickory and sweet gum.

Much of the wood in her house has a story behind it, from the cedar tree that provided a stair rail, towel racks, shelves and candleholders, to the heart-pine flooring that retained its natural knot holes.

The use of natural wood accents and textures in home decor is one of the hottest trends in home design. Lisa had no idea she was being trendy, however. She just knew what she liked. “I wanted a rustic look,” she says.

She got it, both inside and out.

Muted brown brick with weeping mortar, i.e., mortar that appears to be ever-so-slightly oozing, dominates the face of the house. Cedar posts top stacked-stone pillars to brace the roof of the porch, repeating the stone in the walkway and steps. On the concrete porch, a piece of driftwood picked up at a local flea market and a willow chair add to the rustic look.

Lisa spent a lot of time prowling antique shops and salvage stores while Benchmark Construction was building the house. She found the antique panels that divide the small study from the great room and entryway at Hannah Antiques in Birmingham. She complemented their wrought-iron insets with wrought-iron handles from HGH Hardware, also of Birmingham. “The handles are one of a kind, because HGH orders them from a company that throws away the wax mold after each casting,” she says. The stained-glass window in the study, which has a starburst pattern, is more than 100 years old. It, too, came from Hannah Antiques.

From floor to ceiling, the great room blends Lisa’s love of wood with Kenny’s love of the outdoors. The floor is unusual because Lisa wouldn’t let the installer fill in its knot holes, the normal practice after laying heart-pine. She wanted them open to make the floor appear older and more rustic. An antler chandelier, made from white-tail deer and purchased from a sporting goods store in Florence, Alabama, hangs from the cathedral-style, tongue-in-groove pine ceiling. Most of the other antlers scattered about the room are from deer that Kenny, his four brothers and their dad shot. Posts and corbels are made of cedar, while baseboards and door frames are made of pine. David and Scott Roy, of Roy Lumber, Bessemer, made the corbels.

Lisa designed several centerpieces based on the antler theme. One, on the credenza behind her sofa, features antlers grouped around a small cedar candleholder that Kenny made. The centerpiece on the glass-topped breakfast table consists of a large hurricane glass filled with antlers, with a candle in the center, on a white charger plate. A floral arrangement in the entryway uses antlers, and the dining room table shows off her grandmother’s wooden dough bowl as a container for pebbles, peacock feathers, an old-fashioned milk jug and a piece of driftwood.

The rifle on the sweet gum mantel is a reproduction of a cap-and-ball musket and belonged to Kenny’s dad. An Ansel Adams print, a deer statue and more antlers round out the mantel’s adornments.

A maple deer-leg table adds a touch of whimsy. Picked up for $40 at Hoover Antiques, it is topped with a new lamp featuring, you guessed it, antlers. The lamp came from Inline Lighting in Pelham. Lisa commissioned Stray Cats Home Decor of Childersburg to make the small oak sofa table next to the glass doors leading to the screened porch. The table displays a little brown jug, a clock and a lamp on top, along with Lisa’s jar and bottle collection on the bottom shelf.

The 2,700-square-foot house has three bedrooms and 4.5 baths, plus a bonus room upstairs that’s as large as an efficiency apartment. It’s actually a scaled-down version of a 4,700-square-foot home the Phelps saw but couldn’t afford. “We tracked down the architect, Mark Tidwell of Trussville, and got him to draw it smaller for us,” Lisa explains.

All of the countertops in the house are made of granite except for the one in the master bath, which is made of marble. In the kitchen, a hammered-copper farm sink rests in an island. “I chose copper because it doesn’t grow bacteria,” Lisa says. Kitchen cabinets are made of alder, which Lisa deems, “a poor man’s cherry.” Although pot-fillers normally are centered over range tops, Lisa had hers off-set to the left, because she had an accent tile she wanted in the center.

“I had never seen this done before until I built the Phelps house, but it’s becoming more popular,” says Dennis Smothers, owner of Benchmark Construction.

Her only regret in building the house is her choice of refrigerators. She bought a huge Thermador because of a sale. “I bought the fridge, and got a microwave and dishwasher free,” she says. “The fridge was too much money, which Kenny and Dennis tried to tell me, and it just isn’t worth it. I do love my Thermador gas range, though.”

Bathroom vanities are made of hickory, except for the one in the powder room off the kitchen. That one is an antique dresser from Denmark that a friend from church, Jack Collins, turned into a vanity by removing the drawers. The rock sink on top came from Southeastern Salvage in Irondale.

The stairs to the bonus room are located between the kitchen and the guest bedroom. Lisa knew she wanted a cedar hand rail for those stairs, but couldn’t find one the length she needed. So Scott Roy cut down a cedar tree from his own property, Lisa’s son-in-law scraped off the bark, and Kenny fashioned a hand rail out of it. Not one to waste any leftovers, he made several coat and towel racks for hallways and bathrooms, a picture-frame shelf for the guest room, plus various candleholders and bookends.

The master bathroom measures 15 feet by 18 feet and features a fiberglass tub for Lisa and a 4-foot-by-10-foot, multi-colored slate shower for Kenny. Lisa found a bamboo kiva-style ladder that she placed at the entrance-end of the shower for decoration, but with its vast distance from the shower head, it could easily keep Kenny’s towels dry.

Most of the furnishings in the house came from the couple’s former home in St. Clair Springs. They did, however, purchase a few new items, such as the dining room table and its stuffed chairs, which came from Pier I imports in Hoover. Lisa wanted a blue wall in the dining room to pull out the blue in the chair-cover pattern. Kenny and Dennis tried to discourage this decision because they said it made the room look “beachy.” But Lisa prevailed, and the men now agree that it looks great.

Lisa praises Smothers as an artisan as well as a builder.

“He came up with many ideas to enhance the rustic look we wanted,” she says. “For example, instead of crown molding in the dining area, he used cedar planks. He fashioned a triangular-shaped cut-out at the top of the divider between the entryway and the great room, to give the entryway a little depth.”

Smothers can’t say enough about Lisa’s innate decorating abilities.

“I’d hire her as a decorator if she’d do it,” he says.

Features

Ride the Ridge

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OHV park exceeds creators’ wildest dreams

Story by Graham Hadley
Photos by Michael Callahan

Like many other teens in St. Clair County, Jason White and his friends loved riding motorcycles and ATVs through the abundant trails and woods in this region of Alabama.

But after they finished up school, places to ride became harder and harder to find. As often as not, they would pack up their bikes and four-wheelers and head out to a designated riding area, only to find it wasn’t open. The other option was to find places to ride that were not necessarily designated for off-highway-vehicles or open to the public.

“We would drive all the way out there just to find the place closed. We could not find places to ride where we would not get into trouble,” he said.

That’s when he got the idea to create an area dedicated to OHV riding that would always be open. He discussed the idea with the other people who rode, and they started an effort to make it a reality.

The process took about a year.

“We were looking for a place, trying to make it happen. People would drop in and out of it. Then this property came up for sale behind my grandfather’s land — it’s actually some property we rode on growing up,” Jason said.

The land was purchased, and the outdoor park, The Ridge, was born along the mountain ridge overlooking Springville. Originally opening with just a few miles of trails and some practice tracks, the park has grown beyond Jason’s greatest expectations.

And true to his original idea, The Ridge is always open, barring severe weather.

“We wanted a place that was guaranteed to be open,” he said.

Jason, his brother Josh White, and their dad, Greg, run The Ridge. After they purchased the land, they spent six months getting it ready to open, with 15 miles of trails and one track. Josh also put a website together for the new park.

“We had around 200 people show up opening day,” Jason said.

That was seven years ago. “We started off in an RV up by the road, just nice and simple. Then we got a singlewide donated for us to use. We were getting around 100 riders a day.”

Jason admits that, since the economy slowed, so has the volume of riders, down to about half what they were seeing then, but that has not kept them from expanding The Ridge, not only with new places to ride and different riding experiences, but with other features as well.

Today, The Ridge boasts around 40 miles of trails, everything from absolute beginner to expert, trails specifically for single-track riding on bikes to paths wide enough to accommodate side-by-sides. They have multiple tracks, each one tailored to different riding needs. There is a track for young riders just learning and other tracks, like Area 51, a triangle with different jumps and different faces so riders can practice a variety of competitive skills.

Jason says about 60 percent of their visitors are single-track motorcycle riders, and they have a dedicated 14-mile single-track loop that starts out easy and works its way up to an area called The Beast that is expert level.

More than it was

As much as OHV riding is still the focus of The Ridge, the dream of an OHV park that was always open for riders has become a dream of a weekend getaway retreat for families and groups, with a little something for everyone.

Jason and his Dad run a custom insulation installation contracting business, White Urethane, as their regular job, but they have brought that construction know-how and work ethic to the park. It now has primitive and RV camping with hookups, cabins and hotel rooms, and meeting facilities for visitors and groups to use. They built most of it themselves, with some help from other family members.

During the peak seasons, usually when the weather is cooler in the fall and spring, a restaurant is open, as is a gear store where people can buy everything from used motorcycles to riding equipment and rent ATVs and helmets. Helmets are required for anyone riding in the park unless the vehicle they are in has a roll-cage and the manufacturer requirements don’t include helmets.

Jason points out the helmet rule is an absolute, as are the other park rules, mostly about riding safely and respecting other park visitors who are there to enjoy themselves, too. “We want this to be a family-oriented place where people can come and spend a weekend and get away,” he said. And so far, that has usually been the case. Jason said they have only had to have two people removed from the park for misbehaving since they opened. “Generally, we have a nice group of folks out here.”

While people still mostly come to ride, The Ridge also boasts zip-line tours — a mix of the more sedate tours and the faster rides that are growing in popularity. There are five lines in all, culminating in the most exciting run at the end.

They also have two stocked fishing ponds and a specially designed competition-level 18-hole disc golf course.

Jason and his brother had set up a basic course to just play around with and give visitors something more to do at the park.

“Some guys from the Birmingham Disc Golf Club came out and looked at things.” They changed the course around to more official specifications and then held a two-day competition there.

They also have some rock-climbing areas and one section where they can do rappelling instruction.

In the early days of The Ridge, visitors could come out and enjoy free concerts. Like the riding, when the economy tightened up, the free concerts faded. But the stage and performing areas are still in place, and Jason wants music to one day again be a regular part of their venue. “We just did a three-day concert here,” he said, noting he is working on bringing more of the same to the area in the near future.

A new focus

“Resort” is the word Jason uses to describe where he sees the park heading. With the hotel rooms, cabins, meeting rooms and multi-use recreational facilities, The Ridge is not only attracting individual riders and families, but also organizations, churches and youth groups looking for a place to hold retreats.

“We are starting to look at more online and reservation bookings. That always makes things easier for us, knowing exactly what groups and how many people are coming to the park,” he said. “We did a wedding rehearsal, they stayed the night; and two youth groups; and an adult group, just in the past six months.”

He recently got his ropes-course certification at Shocco Springs Baptist Conference Center in Talladega and plans to add a cooperative ropes course to The Ridge soon.

The Ridge has also hosted Panther Runs, described on the www.pantherrun.net website as: “Mud, ropes, barrels, tires, rocks, wood, water, logs, sand and dirt mixed with a big bowl of adrenalin and spread out into a 5K (Unleashed version is longer) mud run/obstacle challenge.”

Even as he looks to find new ways for people to enjoy themselves at The Ridge, their core focus is riding — and a big part of that are OHV events that draw hundreds of enthusiasts here for several days at a time.

Whether it is the Southeast Cross Country Association Buddy Hare Scramble or some other competition, The Ridge generally holds six or more major riding events a year, which in part help support the park all year long.

And all of it goes to maintaining Jason’s original vision: To have a park where riders have a guaranteed place to ride.

For upcoming events and to check on space availability at The Ridge, visit their website at www.ridgeriding.com.

Pieces of history

Fort Strother is long gone, but efforts
continue to preserve the site and its story

Story by Jerry C. Smith
Contributed photos

George Washington never slept in St. Clair County, at least not as far as we know. But Andrew Jackson did, also Davy Crockett and Sam Houston. And, they all slept at a place that has virtually vanished from memory, Fort Strother.

Travelers along Alabama 144 may be familiar with a large stone monument, just west of Neely Henry Dam. It’s inscription reads:

FORT STROTHER
CREEK INDIAN WAR
HEADQUARTERS OF
GENERAL ANDREW JACKSON
1813-1814

It seems such a brief epitaph to represent Fort Strother, a key site in Alabama’s settlement. Incidentally, 2013 is the fort’s 200th anniversary.

Jackson was tasked with solving some rapidly escalating troubles arising from a massacre of Indians by whites at Burnt Corn in south Alabama, and its resulting retaliatory attack by the Red Sticks Creeks. He felt that the only solution was to totally defeat the Creek Nation and remove them from their Southern lands.

Established in 1813 as a military supply depot and operations center, Fort Strother headquartered Andrew Jackson’s Tennessee Militia during the Creek Indian Wars, a local theater of the War of 1812. Jackson had sent his head cartographer, Captain John Strother of the 12th U.S. Infantry, to find the best strategic fort site for conducting military operations against the Creek Indians in Alabama.

Captain Strother’s choice of locations was perfect for receiving supplies overland from the north, loading them onto flatboats built on-site, and floating them down the Coosa for various military operations. It also secured access to a strategic river crossing nearby.

Prior to its construction, the area already hosted a small trading post belonging to Chinnabee, a “friendly” Creek chief. There was also a small Creek village across the river known as Oti Palin (Ten Islands), named for 10 river islands jutting from the river north of the fort site. Ten Islands had become the fording place of choice on that part of the Coosa because of its shallow shoals.

Part of the Tennessee Militia cut a 50-mile road through north Alabama’s wilderness from Fort Deposit to Ten Islands in only six days, and began work on the new encampment. At first called Camp Strother, as the settlement grew and a stockade was built, it became known as Fort Strother.

On November 1, 1813, Jackson himself arrived from Fort Deposit, and promptly used his Militia to destroy the Creek village of Tallaseehatchee, a few miles across the river. But no sooner had he begun settling in than a call to action came from a most unusual messenger.

Fort Leslie, aka Fort Lashley, was a frontier stronghold of the Leslie family in what is now the city of Talladega. It was besieged by a large number of Red Sticks, a warlike faction of the Creek Nation who were waging vengeful raids against friendly Creeks and settlers that had begun with Fort Mims, a similar family fortress in south Alabama. All within Fort Lashley were surely doomed, awaiting an attack at sunrise the next day.

Among the friendly Creeks within its walls was Selocta Fixico Chinnabee, son of the chief who had begun the settlement at Ten Islands. Selocta knew of the troops at Fort Strother, and devised a clever plan to get their help. He donned the skin of a freshly-killed hog, snuck out of the gate, pretended to be rooting in the underbrush, broke clear undetected and raced to Fort Strother.

The Militia rallied, crossed the Coosa and attacked the unsuspecting Red Sticks at about four in the morning. Jackson’s casualties were minimal, but the Red Sticks were decimated.

Jackson returned to Fort Strother two days later, only to find that vital supplies had not arrived from Fort Deposit. Quoting professional archaeologist Robert Perry’s “LOCATING FORT STROTHER” paper, “With a force of 2,000 men and no food, Jackson’s situation at Fort Strother became desperate. By November 17, Jackson was forced to leave a small contingent of troops at Fort Strother, taking the majority of his force back toward Deposit in search of supplies.

“On December 5, 1813, Jackson had returned to Strother, and on December 9th was forced to put down a mutiny of his volunteers, who insisted that their contracted time had expired.”

By the middle of January 1814, Jackson had solved most of his supply and manpower problems and proceeded from Strother, intending to attack the Red Sticks stronghold at Horseshoe Bend on the Tallapoosa River. However, he was ambushed and nearly overrun in two separate engagements at Emuckfau Creek and Enitachopco Creek.

The mission was a complete failure, and Jackson was forced to retreat to Strother. Perry continues: “The official U.S. Army history of the Creek War characterizes the latter battle as a defeat for Jackson and states, ‘Jackson was compelled to entrench at Fort Strother and remain there for several months.’”

Between January and March of 1814, Jackson employed his troops building boats for transportation of supplies down the Coosa. During this period, the Fort Strother area would have steadily grown in size as the 39th Regiment arrived and Jackson began stockpiling supplies for a Spring offensive. The months of January and February 1814 mark the climax in the history of Fort Strother.

“… The fort had grown into a small city as supplies came in from Fort Deposit and Fort Armstrong. … By March 1814, Jackson had nearly 5,000 men, counting the Indian contingent, … and sufficient supplies for an offensive.”

In her History of St. Clair County, AL, Mattie Lou Teague Crow describes the encampment: “The fort, with its blockhouses, three large parade grounds, four separate camps — militia, infantry, cavalry, and at least 300 friendly Indians — was no small enterprise. The Indians — mostly Cherokees, some Creeks — were kept in a group. They wore white feathers and white deer tails to distinguish them from the hostile red men.” Local author Charlotte Hood wrote a book called Jackson’s White Plumes that explores this relationship and the whole Creek campaign.

Crow continues: “At times there were as many as five thousand men at Fort Strother, … and as few as a hundred and fifty. But today, all that is left of the great camp that played such a vital part in Jackson’s campaign is the cemetery, the graves unmarked and forgotten. These men were American soldiers, and they deserve to have their last resting place marked and given the same care as other American military cemeteries.”

Various other writers have surmised there was a fort, blockhouses, blacksmith shops, cooperage, field hospital, corrals for hundreds of horses, quartermaster store, boat-building yard and several wharves along the riverfront.

All these preparations were soon put to use, as described in a National Register of Historic Places application form: “… Jackson had been informed that a large number of Creeks were concentrating at Horseshoe Bend, which they were resolved to defend to the last. Jackson determined to march down the Coosa, establish a new depot, and them march against the Creeks. … On March 14 he departed, leaving 480 men under Col. Steele to hold Fort Strother and keep open lines of communication.

“The subsequent battle … was the decisive battle of the war, breaking the power of the Creek nation, and opening up … two-fifths of what is now Georgia and three-fifths of Alabama for settlement. … Strother continued to be part of a strategic line of communications with the Gulf Coast and Florida, serving as a way-station for troops headed south. No mention of the fort has been found after 1815, when Gen. Coffee and several Indian chiefs conferred there.”

After Horseshoe Bend, Jackson headed southward to Mobile, thence to New Orleans to fight a more famous battle against the British, albeit a wasted one since they were unaware that the War of 1812 had already ended.

And so it also ended for Fort Strother. Folks later traveling the area were totally oblivious to what was there and how important it all was to our lives, and it remains mostly so today. Indeed, walking the overgrown land itself yields no clues of its former usage. But a determined group of St. Clair ladies decided to change all that.

Charlotte Hood, wife of Alabama Power Company hydro manager Jerry Hood; Patsy Hanvey, a Cherokee potter; and Gadsden Library archivist Betty Sue McElroy became known as the Ten Island Three. The APCO newsletter, Powergram, reported on their efforts: “… These three self-taught historians have synthesized information from hundreds of sources, including archives, libraries and fellow history buffs.”

“This information was jumping out at us from all directions,” Patsy says. “We feel just like someone reached out and took us by the hand and led us.”

Their energetic efforts soon bore fruit, and on March 30, 1999, the St. Clair County Commission and the Alabama Historical Commission offered $10,000 each in matching grants for the Fort Strother Survey and Registration Project. In May of that year, a newly formed Fort Strother Restoration Committee met to officially begin work.

Retired Alabama Power executive George Williams had been elected chairman. Project archaeologist Robert Perry was vice chairman, and County Commissioner Jimmy Roberts became project director. Both Roberts and then Congressman Bob Riley played vital roles in obtaining the two $10,000 grants.

Other committee members and newly elected officers were Charles Brannon, vice chairman, also retired from Alabama Power; Carol Maner, historical writer; Rubye Sisson; Harold Sisson; historian Ben Hestley; Calhoun County Commissioner Eli Henderson; Kay Perry, secretary; Adm. Dennis Brooks; Realtor Lyman Lovejoy; Randy Jinks; State Rep. Dave Thomas; newspaper reporter Hervey Folsom; Sherry Bowers; and of course, the indomitable Ten Island Three.

Much exploration was done in the Ten Island environs, including the cutting of fire lanes to simplify field operations. A University of Alabama team led by Carey Oakley and another from Jacksonville State University led by Dr. Harry Holstein located and identified more than 800 artifacts, including gun parts, rifle and musket balls, and iron grapeshot, all consistent with armaments of that era.

Also found were hundreds of wrought-iron spikes and cut nails, assumed to have been used mostly in flatboat-building. Other finds included knife-blade parts, broken iron kettles, various tools, and lots of by-products used in blacksmithing.

However, the finds that would be most dear to Mrs. Crow’s heart were disclosed in the old cemetery. Oakley and his crew used ground-penetrating radar and other modern technologies to locate and catalog some 76 graves adjacent to the assumed stockade site.

But alas, the restoration project ground to a halt when funds ran out. At one time, it was proposed that the old stockade be recreated and the cemetery restored to proper dignity, all in a park-like setting accessible to the public, but that too has fallen by the wayside.

The exact locations of work sites have purposely been left out of this narrative to discourage trespassers and artifact vandals. In fact, all the affected lands are signed and posted. To view the general area, look to the western shore of the Coosa from Alabama 77 near Ohatchee Creek, and let your imagination fill in the rest. One might even visualize Old Hickory himself, on horseback, left arm in a sling from a near-fatal bullet wound suffered in a duel just before coming to Alabama, gazing downriver while making plans for future battles.

It is hoped that someone, or some organization, will resume this important restoration project to bring one of Alabama’s most historic sites to light and make the fort a public part of the state’s heritage.

Some years ago, the Cropwell Historical Society, after great efforts by Mary Mays, George Williams and other members, installed the impressive marker, made from local marble, that is mentioned at the beginning of this story.

Fort Strother has also been honored by a much older, more elaborate marker placed by an Anniston DAR chapter in 1913, on the site’s 100th anniversary. The marker is no longer in sight, but we can still appreciate its words:

Here stood Fort Strother
A defense against the Indians
Built by General Andrew Jackson
And occupied by him and his
Brave men
During the Creek Campaign,
November 3, 1813
Erected by the Frederick Wm. Gray
Chapter DAR of Anniston, Alabama
To preserve the memorial of
Faithful service.
November 13, 1913

Celebrating 37 years

Theater group is uniquely Springville

Story by Jane Newton Henry
Photos by Brandie Felice, Judy Shults
and Janet McBroom

It’s a true story that reads like the opening scene of a classic Broadway musical: June Morgan Mack returns home to Springville in 1976 with her college diploma, only to find that her summer job has fallen through. She talks with her neighbor, Archie Jones, about the problem, and he says, “Why don’t you do a show?”

So that’s what she did. She wrote a children’s musical titled, “Circus Magic,” and found about 25 people to produce and appear in the play. They built sets, made costumes, rehearsed and did one performance at Springville High School, now Springville Middle School. “Everybody got a charge out of it, so we decided to do it again the next year,” she said.

That production marked the beginning of Springville Children’s Theater. For five summers, Mack wrote and directed children’s musicals. Thirty seven years later, the theater group in the St. Clair County town of about 4,000 people, is still going strong.

She credits the “incredibly talented” people of Springville for keeping the effort going. In addition, the group’s unique operating philosophy has played a major role in its success.

Extraordinary talent

“When we started the theater group, there were so many talented people right here in Springville — all these incredible people who were singing in church choirs,” Mack said. “Since then, I’ve been in many other states and have done many other things, but I would still say that the talent in Springville is extraordinary.”

Mack recalled the performances in “Circus Magic.” Twelve-year old Shawn Cushen worked as the stage manager and played the male lead in the play. Penny Burgess played opposite him. “They were terrific in the play. And they were brilliant kids. They were making all A’s in school, but to memorize all of those pages of the script and then to stand up and spit out their lines with gusto – that was something no one knew they could do.”

A unique philosophy

Our guiding principle is to cast every person who auditions, she said. “We believe that if it’s fun and interesting for people, and they learn a lot and are proud of themselves, the show takes care of itself.”

By 1981, the grown-ups wanted to do larger-scale shows requiring casts of all ages, Mack said. That year, the group chose “Oklahoma!,” and it became the first in a long line of Broadway musicals that the newly named Springville Community Theater would produce.

“’Oklahoma!’ was expandable,” she said. “We could put all the kids in it we could find, which is a big deal for us.”

The group has a particular interest in bringing first-timers to the stage – especially children. “We believe that a community theater not only fosters a positive community spirit, but builds confidence and forges lifetime friendships.”

The theater also plays an educational role. Mack explained that during the organization’s early years, there wasn’t any other live theater in the area, and children were growing up without it.

“They didn’t know the classical musical-theater literature, and that’s one reason I’ve been so dedicated to doing the classics,” she said. “We will do Rogers and Hammerstein forever.”

After the production of “Oklahoma!,” the theater has produced classic Broadway musicals every few years. They performed “Oklahoma!” a second time in 2010, which was performed outdoors at nearby Homestead Hollow, and just this month, they performed South Pacific again — 30 years after their first production of that show.

June Mack

Mack, who founded the Springville theater group and has directed most of the shows, says that preparing for a production is difficult. “It’s not just for fun. It’s disciplined,” she said. “I’m regimented about people knowing their lines before I even see them.

“It’s hard work, but that raises the bar and makes people take it more seriously. People will always step up to the challenge. I expect great things; they surprise themselves — that’s how it works. So I keep upping the challenge; that’s my job. As long as I can keep doing that, they will keep surpassing their expectations.”

She credits the people of Springville with helping her learn her craft. “They taught me to direct,” Mack said. “I am so grateful for the patience and devotion of these people for all of these years.

“We’ve hit obstacles and said, ‘That’s it. The show’s gonna be shut down. It’s never gonna work.’ But you give these people 30 minutes to regroup and think, and we’ll move forward again.”

Since Mack’s first summer with Springville Children’s Theater, she has worked on more than 50 theater productions and 70 films. In addition to her bachelor’s degree in composition for musical theater from Hollins College, she received master’s degrees in film and education from Florida State and Harvard University. Her films have garnered 22 international awards and have been seen on national television and at screenings here and in other countries. She is a professor of film at the University of Alabama in Birmingham. Expect to hear about auditions for another summer musical in Springville in a couple more years. If you would like to get involved in Springville Community Theater, contact Mack at (205) 467-3105 or jmack@uab.edu.

Editor’s Note: If you have been involved in a production of Springville Children’s Theater or Springville Community Theater and have film or video footage from a show or shows, contact June Mack at (205) 467-3105 or jmack@uab.edu. She is collecting footage to have it digitally archived.

Return of a classic

Argo Drive-In introducing a new
generation to an American movie tradition

Story by Elaine Hobson Miller
Photos by Michael Callahan

As a child growing up in north Alabama, Faye Riggs, 65, often went to the drive-in with her parents and sisters. They paid by the carload, with some money left over for snacks and drinks.

“We’d drive around until we found a speaker that worked, then Mom and Dad would sit on the hood of the car, while we girls played on the swings in front of the screen,” recalls Riggs, who now lives in Tallahassee, Florida. “They watched the movie and kept an eye on us at the same time. We kids loved being outdoors where we could run around and not get bored.”

Those were simpler times, before shopping malls and multiplex screens, before you had to sign away your birthright to pay for a night at the movies.

It was this affordability factor that motivated Brian Skinner to build the Argo Drive-In. At a church meeting, he and friends talked about the expense of going to the movies, and how much cheaper it had been to go to a drive-in. “That’s when the idea was born,” says Skinner, 51, owner of the Crawford and Skinner Insurance agency in Springville.

He tracked down a newspaper article he had read about a new drive-in on the West Coast, contacted the owner, and asked a lot of questions. He found 3 acres of undeveloped land on Angus Street, just off U.S. 11 in Argo. He got help from an elderly gentleman in Trussville who used to build billboards. “The screen is nothing but a giant billboard anyway,” Skinner says.

His first feature, “Titanic,” drew 171 cars opening night, May 22, 1998. Back then, he showed movies seven nights a week, all year round, charging $10 per carload, except on Wednesdays, when the price dropped to $5. He was very successful. “We’d have mini-vans with five or six people in them,” Skinner recalls. “The public loved it.” The distributors didn’t. They said the carload pricing cheapened their product. So three years ago, Skinner was forced to transition to individual pricing to get the first-run movies he shows. Now open Fridays and Saturdays only, “the nights we can make some money,” he charges $5 per adult, $2 for children under 12, and nothing for children in car seats. He operates from early May through September, plus Thanksgiving and Christmas holidays, weather permitting. Sometimes, on a Thursday or Sunday night, someone will rent the theater for a church group, office party, birthday party or customer appreciation night.

Drive-ins were born 80 years ago in Camden, N.J., invented by Richard Hollingshead Jr., who capitalized on the success of drive-in restaurants. They became immensely popular because parents could take children in their pajamas and moms could leave their hair in curlers. Later, they became a hangout for teenagers, who could make out in cars without parental interference. Their popularity peaked in 1958 with almost 5,000 across the United States. Then televisions began popping up in every household, and shopping malls became teenage hangouts, throwing drive-ins into a slow, steady decline. As of March 13, 2013, there were 357 drive-ins with 604 screens (many are twinplexes) in the U.S., according to the United Drive-In Theatre Owners Association (UDITOA). The industry has seen several signs of growth over the past decade as families rediscover their affordable concessions and double-feature admissions.

Alabama has 10 drive-in sites with 16 screens, according to the UDITOA, including the three that Skinner owns — Argo, the Starlite in Anniston and a twinplex in Harpersville. The Starlite closed indefinitely when a storm flattened the screen last spring. That same storm twisted Argo’s marquee, but didn’t damage the 26-foot-by-60-foot screen. Made up of some 66 sheets of corrugated tin covered in a flat-enamel paint, it’s built tough, Skinner says.

Looking like a giant, gravel parking lot dotted with orange cones, Argo’s capacity is 175 cars if all are parked correctly, i.e., two between each set of cones. More can be accommodated if parked fender-to-fender, as they were for the theater’s 208-car viewing of “Dr. Doolittle,” starring Eddie Murphy. “That was a record-breaking night,” says Alex Bosworth, the 19-year-old Jefferson State Community College freshman who works the gate at Argo. “People were parked all along Angus Drive, up Highway 11, in the fields, everywhere. They were walking in carrying lawn chairs.”

Noticeably absent are the stands mounted with speakers that movie-goers used to pull into their cars — and often pulled off with. Gone, too, are their scratchy sounds, now that car radios and boom boxes pick up the movie’s audio from the small FM transmitter in the projection booth. “Today’s sound is as good as your radio,” says Skinner, who uses 89.1 on the FM dial.

A small, two-story cinderblock building at the back of the parking lot houses the concession stand on the first level, the projection booth on the second. Popcorn sells for $3 and $4 a bag, hot dogs for $2, soft drinks for $2 and $3. “A family of four can come in and have a good time on $20,” Skinner says.

In the projection booth, the 35 mm film whirs through the Cinemascope projector, which sends its beam through a tiny, stationary window pane toward the giant screen 275 feet away. The whirring sound comes from the fans that blow antifreeze over the 4,000-watt bulb to keep it cool. Three giant metal platters hold up to three hours of film, which comes in via UPS in 20-minute reels that must be spliced together, then taken apart before shipping out again. “One of the funniest things was when we spliced a movie out of sequence,” says Skinner. “Very few people knew it. My biggest worry was whether the credits were at the end!”

Argo caters to families, which make up 75 percent of its patrons. Looking through movie choices on his order form, perusing trade papers for ticket grosses, Skinner knows not to select anything intense. “Cartoons, comedies and action-adventure do best at a drive-in,” he says. Saturday nights draw the most cars, he adds, but people buy more food on Friday nights, when they come straight from work without dinner.

Showtime starts at dusk, usually around 8 p.m. One warm Friday night last summer, cars were backed up to Highway 11 when the gate opened at 7:30. More than 50 vehicles spread out across the lot, most parked with their rear-ends facing the screen, their tailgates down or their rear hatches propped up. Dressed in shorts and flip-flops, jeans and hospital scrubs, patrons set up lawn chairs in truck beds and on the ground, then tossed Frisbees and softballs before the movie started. These “ozoners,” as drive-in patrons were once called, came from St. Clair, Etowah, Jefferson and Shelby counties for the al-fresco viewing experience.

Nine-year-old Ashton Hutcherson, son of Cynthia and Robert Hutcherson of Argo and a student at Springville Elementary, loves propping up on pillows in the back of his family’s SUV, where he doesn’t have to peer over people’s heads to see the screen.

Karla Lowery and Kathy Arrington, sisters from Gadsden, have been to the Argo several times. They park close to the concession building to be near the bathrooms and so their smoking doesn’t bother anyone. This night, they brought along Karla’s kids,11-year-old Austin and 7-year-old Heather.

“We love it,” says Kathy. “You can have a conversation about the movie without disturbing the person next to you.” She doesn’t mind the trains that rumble through several times each night, passing so close behind the concession stand you can almost touch the box cars and tankers.

Amy Roy of Argo brought her son, Axel, 3, and daughter Chloe, 10, plus some friends from Hoover. “I had never been to a drive-in until we moved to Argo from Atlanta nine years ago,” she says. “My mom has been with us, and she went many times as a child and teen.”

After his 60-40 gate split with distributors, Skinner barely keeps his head above water at Argo. The industry is moving toward a digital format, and he prays that 35 mm film will be available for a few more years because the switch is expensive. He makes money at Harpersville, though, and reasons that Argo gives teenagers jobs and families a good time.

“It’s fun, and it gives me pleasure to see families here,” he says. “It’s very entertaining.”

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