Welcome Home

Veterans Home in St. Clair opens doors

Story by Carol Pappas
Photos by Jerry Martin

It was like a family’s long anticipated arrival of troops deployed to faraway lands. Flags waved. Welcome signs appeared. Cheers erupted. After years of planning for this day, the first two residents of the Col. Robert L. Howard State Veterans Home arrived to a hero’s welcome.

William D. Gercken of Birmingham and Peter E. McConico of Vincent, both Vietnam veterans, made history at the new home with their arrival in late November. With their arrival, they ushered in a new era for veterans’ health care at the opening of this state-of-the-art facility, which has been hailed as a model for the nation to follow.

Both were residents of Bill Nichols State Veterans Home in Alexander City and are in the first wave of residents of homes there, Bay Minette and Huntsville who were given the option of transferring to the new facility.

Their families opted for the move so they could be closer to them. “My husband looks forward to my visits,” said Gercken’s wife, Dawn. “Now that I’m only 20 minutes away, I’ll be able to visit him more often.”

Shirley McConico echoed the sentiment, noting that the proximity of Vincent to Pell City will make her travel for visits easier.

“Welcoming our first two residents to the Col. Robert L. Howard State Veterans Home is very special,” said Kim Justice, state Veterans Homes executive director. “We look forward to giving future residents the same level of respect they so rightly deserve when we welcome them ‘home.’ ”

Just weeks before, officials from across Alabama cut the ribbon to dedicate the veterans home, named in honor of the nation’s most decorated soldier and an Alabama native. He was wounded 14 times and did five tours in Vietnam.

He earned the medal of honor, presented by President Richard Nixon, for “conspicuous gallantry and intrepidity in action at the risk of his life above and beyond the call of duty.”

A display case of his military memorabilia begins a series of displays of all branches of service lining both sides of the corridor of the new home’s entrance way.

The corridor leads to a town center, where buildings connect to form neighborhoods that will be the homes of veterans living there. From skilled nursing to the first domiciliary in the state, this veterans home model has anything but an institutional look or feel. “It was built with the ‘wow factor’ in mind,” said state Veterans Administration Commissioner Clyde Marsh at the dedication ceremony.

Williams Blackstock was the architectural firm for the project, and Marsh noted that its design says style “from beam to beam and stern to stern.” He also thanked Doster Construction for delivering “a magnificent building. They stepped up to meet each challenge” for the state’s largest veterans home.

The size is impressive, with 240,000 square feet on 27 acres providing 254 private rooms. Eighty of those are dedicated to assisted living and Alzheimer’s and dementia care — also firsts for the state.

St. Clair Economic Development Council Executive Director Don Smith said he could talk about the economic impact, “but this isn’t about the economy. This is about the veterans.”

In 2008, he said, Pell City wasn’t even on the radar screen of plans for the new home. But a passionate group of St. Clair County officials put their plan and their plea together, making a compelling case for the campus shared by St. Vincent’s St. Clair and Jefferson State Community College. When they were through, “there wasn’t much question where it was going to be,” Smith said. And by the fall of 2012, only two words could adequately put a much-anticipated exclamation point on it: Welcome Home.

For Their Service

New veterans home goes above and beyond expectations

Story by Carol Pappas
Photos by Jerry Martin

It may be an overused cliché when a sight is so mesmerizing, so impressive that it takes your breath away. But just inside the grand entrance to the Col. Robert L. Howard Veterans Home is a sight that … well … takes your breath away.

There is no institutional setting here — no hospital-like rooms lining the hallways, no dark corridors where the only light comes from an occasional window or door.

Step inside, and you think you are in a mall or strolling along a quaint downtown street. Vintage signs hang from the tops of a series of storefronts enclosed mainly in glass, not walls. Barber shop, pharmacy, beauty shop, library, chapel, Stars and Stripes Café. They line the stone-tiled corridor, beckoning one and all to come inside and have a look.

Once within, the light streaming through windowed walls overlooking an expanse of lush, green courtyards and meandering paths lets you know immediately this is indeed a special place.

“If you ask veterans where they would rather be, their answer would be, ‘I’d rather be at home.’ ” said Rear Adm. Clyde Marsh, commissioner of the Alabama Veterans Administration. “We tried to create a home they would like to go to and enjoy. We think the veterans will be happy here.”

Filling all of its 27 acres just north of Interstate 20 in Pell City, this sprawling town, as it could be known, has a main street, a town center, neighborhoods and homes all under roof.

Outside are courtyard gardens, and homes have classic back porches complete with rocking chairs.

The neighborhoods come together in what is called Town Center, a huge room with a towering stone fireplace heading upward to a skylight and pine cathedral ceilings. It has the look and feel of a Colorado ski lodge with fireplaces opening on two sides and cabinetry and large-screen televisions on the other two.

Floor-to-ceiling windows bathe the room in a warm glow — the kind of place where people will naturally gather. It can be used to hold events for the veterans as well, said Manda Mountain, who is the Alabama Department of Veteran’s Affairs director for the Col. Robert L. Howard Veterans Home.

From the town center are three neighborhoods with names like Victory Way, Liberty Lane and Patriot Place with three homes in each, enough room to accommodate 126 veterans.

Architects get marching orders

“Putting it in perspective, it’s a new design concept for state nursing homes for veterans,” Marsh said. Williams Blackstock Architects of Birmingham designed it “from the ground up.” There was no blueprint or model, just an admiral’s order to create a home worthy of veterans’ service and sacrifice, not an institution.

“We wanted it built with dignity, the comforts of home, serenity — all that in mind,” Marsh said. “We wanted a warm environment so people could enjoy it.”

That was no easy feat for 240,000 square feet on one level alone, said architect Joel Blackstock, principal-in-charge on the project. “Admiral Marsh really pushed us to make it state-of-the-art, not like any other.”

The concept was “ to provide a sense of community throughout for the residents because it really is like a small town or village,” he said. Lead architect Sean Whitt worked full-time on the site to oversee the construction process.

Existing facilities of this type are typically institutional in character, with nurses’ stations and rooms. Not here. It is divided into neighborhoods with three homes — each housing 14 veterans in their own private rooms. Once inside the home, instead of narrow hallways with rooms on each side, the centers are wide open and contain a full kitchen, a dining room and living room, with bedrooms on both sides — just like a home.

Meals are prepared in the main kitchen, but prepped in each home’s own spacious kitchen with all the amenities, so veterans can actually see and smell what is cooking before it is served in an adjoining dining room — all right there in their own home.

Each house has a living room, dining room and kitchen shared by a small group of residents. Three houses form a neighborhood with its own lobby, and there are private “family rooms” for out-of-the-way visits and overflow visitors. “The neighborhoods surround a town center, complete with a main street, similar to the small towns many of us grew up in,” Blackstock said.

Williams Blackstock interior designer Jennifer Tillman’s attention to detail is apparent — from the blend of aesthetic and patriotic paintings to a mix of leather and cloth sofas and chairs. They are the perfect complement to their homey surroundings. Private rooms feature tall wooden shelves with room for a large-screen television — all residents will have one — books, framed photos and other personal items. A stylish armoire holds a wardrobe.

While beds are equipped to move up and down like the hospital variety, headboards and footboards are made of wood, not metal, giving it more of a home-like look and feel.

Bathrooms are spacious — built for easy access — and huge walk-in showers are examples of the latest trends in home design. Every room has its own window with an exterior view.

A stroll down main street

Acting as tour guide on a walk down the building’s ‘main street,’ Marsh talks of how the Veterans Home got its name. Col. Robert L. Howard was an Alabama Army veteran, Medal of Honor winner and the most decorated soldier in history.

A glass display case built into the wall is dedicated to Howard’s life as a soldier. Five more cases line both sides of the main tiled avenue leading to the town center. They represent each branch of the service — Army, Navy, Air Force, Marines and Coast Guard, and all the cases will have memorabilia commemorating their service to country.

Kim Justice, executive director of state Veterans Homes, points out features along the way. And there are plenty of them.

The first feature that dominates a stop inside any of the ‘shops’ is oversized windows that frame a courtyard scene. “Each courtyard is unique with a wandering path that gives it a different look and feel,” she said.

Just down the way a bit is the Stars and Stripes Café, a sports bar where veterans can gather for pool, cards, checkers and other games. They can watch events on a big-screen TV and be served their favorite soft drink or “mocktail,” Justice said. “It’s a place to gather and enjoy each other.”

Just across the way is Eagle’s Landing, the main dining room. Both the café and the dining room open out into the town center, the focal point of the complex with walls of stone custom cut onsite to fit.

From the wood-beam ceilings to skylights to an imposing stacked-stone fireplace, the concept is “a resort town center. We were trying to capture it all,” Marsh said. It was a challenge to have a building this big meet the needs but still achieve the atmosphere it obviously conveys. “We are one of the first in the nation to have a home of this size, style and of this concept.”

From the town center, you can head in any of three directions to the neighborhoods. Along the way are multi-purpose rooms, conference rooms and whirlpool bathing suites.

On both sides of a grand lobby in the entrance to the building are a two-story domiciliary wing for more independent living in small apartments called Freedom Court and an Alzheimer’s/Dementia unit called American Harbor. This independent living area is the only one of its kind in Alabama veterans homes.

It is a veterans home of comprehensive care, the first of its kind in the state and a sharp departure from traditional veterans homes across the nation.

Partnerships fuel progress

The $50 million project’s location in Pell City did not happen by accident. Some pretty enticing variables came together at just the right time that made the decision an easier one for Alabama’s fourth veterans home.

St. Vincent’s St. Clair, the county’s new hospital, located just across the street. Jefferson State Community College, known for its nursing program, is just down the block on the same campus.

The three have become partners in a win-win-win for all involved. Specialists from the hospital can be utilized by the Veterans Home. If a veteran needs hospitalization or emergency care, the proximity is ideal and the resources immeasurable.

Jefferson State not only gives the entire area a college-campus atmosphere, plans call for students from its nursing school to be involved in rotations at the veterans home, giving them real-life work experience. There will be opportunities for internships, volunteering and permanent employment.

It was a “perfect fit,” said Justice.

Along the way, the partnerships with the hospital and college along with the support of City of Pell City, the mayor, County Commission and Chairman Stan Batemon, and St. Clair Economic Development Council “tipped the scales” in Pell City’s favor, Marsh said. “They would do anything they could to help us build this home.”

And later this fall, veterans will be welcomed to a special place created just for them.

“Admiral Marsh wanted something of the highest quality — extra special,” Blackstock said. “It has been very rewarding. It is nice to see the Veterans Administration putting so much care and effort to see that it is a state-of-the-art facility, not only for the health of veterans, but just as importantly their quality of life. I don’t think there is anything exactly like it.”

The Ultimate Pony Car and Other Cool Rides

Story by Graham Hadley
Photos by Jerry Martin

Want a car exactly like Steve McQueen’s “fast machine” from Bullitt?

Want to give your vintage Mustang Fastback the latest in modern suspension, engine, exhaust, add air conditioning and power seats and have it meet emissions regulations in all 50 states?

Want to turn your SVO into a street-legal racecar?

Or do you just want your 1964 1/2 Pony Car restored to show-room new (or your El Camino, or Fairlane or Lincoln Mark VII for that matter)?

Then you need to talk to Paul Becker and Jason Nance at SVP Unlimited in Odenville.

Paul and Jason have decades of experience working with cars — both sharing a love of vehicles since their teenage years — and have successfully turned that into a thriving custom-vehicle business located on at the back of a small business complex just off Highway 174 in Odenville.

One glance around the garage and surrounding lot, which is full of vintage and specialty vehicles in all states of repair and, in some cases disrepair as parts are pulled for other projects, and there is no question that SVP specializes in the iconic Ford Mustang. But Paul and Jason don’t draw any lines in the sand when it comes to cars — they will work on just about anything.

Paul is the owner, but quickly points out that the business is a partnership and that they both bring essential skill-sets and a dedication — or “obsessive compulsiveness” as he puts it — to detail.

“We may not do the fastest restorations in the business, but we want to turn out the best vehicles we can, and that takes time,” Paul said.

And for customers who are willing to wait — unless they have lots and lots of money on hand — that patience pays off with some of the finest custom rides produced anywhere in the country.

“If someone came in here and said money is no object, then we could probably turn one of these restorations around in a year, but the average is two to four years, sometimes more,” Paul said.

One of the vehicles they were rolling out that was nearing completion is a replica of a vintage 1967 Shelby Cobra GT 500 — a compilation of three different vintage cars combined with the most modern engine and suspension parts. They even had to cut special channels through the trunk for the performance exhaust. The price tag: around $130,000.

“We rebuilt the whole car; took it down to the welds. … It will pull 1.5 g on a skid pad, and when we finish tuning it, it will turn around 480 hp,” Paul said.

That is one of the multi-year projects, and it is a time frame that makes car modification and restoration projects possible for many of SVP’s customers. Custom car work can quickly hit the tens of thousands of dollars mark. By breaking down the work and the billing into smaller pieces, SVP does exactly what is in their customers’ budgets each month.

A few hundred dollars of work here and there, and gradually the project nears completion.

“Customers say what they can pay, and we schedule the restoration to what they can pay. That way, we can work with a wide range of budgets,” he said.

Often, SVP is hired just to do what Paul calls the “really hard work,” and will deliver a partially completed car to a customer, something perfect for one of those “father-and-son” weekend garage projects.

On top of what they do for their customers, Paul and Jason also have their own personal vehicles on site.

Among other vehicles, Jason is working on a Ford Fairlane and an El Camino. The latter is literally a labor of love. Jason’s father is a mechanic who taught him everything he knows. The first car he ever bought for his son was an El Camino. Jason is duplicating that car to give back to his father, who is too ill to work on cars anymore.

Paul did something similar for his father with a restored Lincoln.

His personal fleet on the lot includes a 1950 DeSoto Custom (complete with the original light-up hood ornament) that he plans to get running and road worthy, an older panel truck with wooden flooring that was once an ambulance, one of the classic Mercury Cougars with the sequential turn signals, and, of course, a whole host of Pony Cars — Fastbacks, at least one 1968 390 V8 (the same car used in the famous “Bullitt” chase scene), Mach 1s and several SVOs — which is where Paul got the idea for the name SVP.

Especially when it comes to the vintage vehicles, Paul keeps several “for-sale” projects in the works. He builds on the cars when he can, and they are always for sale. The price goes up on them the more work he does.

Paul has a special affinity for the Mustang SVO, which draws its name from Ford’s Special Vehicle Operations Department. They were made in limited production from 1984 to 1986 and at the time were the fastest Mustangs on the market. He has several of the specialty cars on hand, including one street-legal racecar that he sometimes drives around to get parts.

“People will look at you funny when they see you going down the road in a fully caged racecar,” he said.

It was his love of that particular vehicle that originally brought Paul to Odenville and Alabama. He had started the business in 1999 in Annapolis, Md., and focused mainly on supplying specialty parts.

He came to take part in a track days SVO event at the Gran Prix Raceway between Talladega and Munford in Talladega County and stayed with some friends in Odenville for the duration.

While he was here, he took time to visit around town and saw how people treated each other and how they did business. A few days later, his wife, who was home sick and having to work, called to see how things at the track were going.

“I told her they were going great. Then I told her, ‘We are moving here.’ She hung up on me,” he said.

But as soon as Paul got the chance, he flew his wife down here and she fell in love with the area, too.

Paul opened the first SVP in Odenville, over by the Post Office, in 2002, still focusing on selling parts, but doing some specialty car work.

Along the way, he met Jason at several car events dedicated to another car they both are fans of, the Lincoln MK VII, and soon brought him on board. Jason specialized in paint and body work.

By 2003, they were in their current location, which had more room and was better suited to their needs, and focusing more and more on custom cars. Though they still have specialty parts — and can track down more than what they have on hand, the business these days revolves around building the perfect car for their customers (or themselves).

Paul and Jason say St. Clair County and Odenville in particular have been good for their business, helping encourage and support them in their endeavors.

They are returning the favor, both by bringing in money to the community — SVP has customers all over the world; they even had a Mustang in the paint room that will eventually be shipped to London, England — and in more direct ways.

SVP is in the process of converting a surplus military High Mobility Multipurpose Wheeled Vehicle, or Humvee — what eventually spawned the Hummer line of civilian SUVs, for use by the Odenville Police Department. When they are done with it, the Humvee will go from the camouflage military paint job it has now to a more appropriate black paint that is virtually indestructible and designed to be graffiti proof.

Paul said he gets up every day getting to do something he loves for a living and expects the business he and Jason have worked so hard to build to continue to grow and flourish here.

BELOW: To read what it is like to own this piece of automotive history,
check out the story in this month’s issue of Discover, The Essence of St. Clair

Outdoor Cooking

Latest entertaining trend
going strong in St. Clair County

Story by Mike Bolton
Photos by Jerry Martin

Turn on the DIY Network or HGTV, and you don’t have to watch very long before you’ll see another outdoor kitchen under construction. A number of homeowners are now skipping the patios and decks that have long been a staple of home ownership in favor of elaborate outdoor kitchens designed to entertain family and friends.

That trend hasn’t bypassed St. Clair County. All across the county, builders are adding outdoor kitchens to the backyards of homes. Backyard tailgating has become the rage with many outdoor kitchens, hosting dozens of guests as college football teams play on television on Saturdays.

When Kenny St. John told his wife Jamie a decade ago about his dreams of building an outdoor kitchen, the fad was fairly new. She said she couldn’t even picture what he was talking about.

Today she is a fan. Their beautiful cedar-clad, outdoor pavilion in Springville gets used for everything year-round, she says.

“Kenny has a vision for things that I don’t have,” she said. “I didn’t realize just how much we would get out of it.”

Their facility has anything anyone could ask for. It overlooks a beautiful pond where Canada geese swim as white-tailed deer frolic nearby. In the background is towering Straight Mountain.

Their outdoor living pavilion includes a 55-inch big screen television and a sitting area where visitors can take in football games on Saturdays, Sundays and Monday nights. The cooking area has a Big Green Egg, a smoker, a gas grill and a cook top stove.

There is also a meadow where their kids and visitor’s kids can play football, an enormous outdoors fireplace with its own television and a large hot tub. Visitors can also fish for catfish in the pond if they like.

“This is where I live,” Kenny St. John said as he lounged in the outdoor kitchen with an NFL pre-season game playing on the big screen television. “I stay out here all the time.

“I always wanted something like this growing up. We use it year-round. We have the fireplace and propane heaters that will keep you warm late in the football season when the weather gets cold.”

The St. Johns’ backyard kitchen has understandably become the spot to be on football Saturdays and for family gatherings.

“I have six brothers and sisters and my mother lives in a garden home so we have the only place really big enough to have everyone on Thanksgiving,” Jamie St. John said. “We had my nephew’s rehearsal dinner here. A few weeks ago we had 75 people out here for my daughter’s birthday party.”

The entertaining is nice, but what would an outdoor kitchen be without food? Kenny St. John is the master chef for all events with his wife handling all the non-meat items. He cooks turkeys and hams for Thanksgiving, but it’s his barbecue, steaks and fish fries that draw rave reviews throughout football season.

“We cook a lot of pork butts and ribs,” he said. “My wife makes potato salad, fried green tomatoes and a lot of Rotel dip and a lot of hors d’oeuvres.”

If it’s a sport it gets watched at the St. John outdoor kitchen. There’s NASCAR, drag racing and NFL football, but it all hinges around college football on Saturdays. The St. Johns are big Alabama fans and most parties revolve around watching Crimson Tide games.

“We watch everything, including Wheel of Fortune, out here, but college football is what we live for,” Jamie St. John said.

Living in such a rural area does have its advantages for really rabid football fans, the husband and wife team agreed.

“We have a cannon that we fire every time Alabama scores a touchdown,” Kenny St. John said. “One of our neighbors said he doesn’t even have to watch the game because he knows every time Alabama scores.”

If you’re wondering why in the world someone with a 7,000-square-foot home would need an outdoor kitchen, you obviously haven’t seen the view from Johnny Grimes’ Pell City backyard. And besides, who wants 100 people milling around inside their home no matter how big it is?

Grimes’ outdoor kitchen, which overlooks Lake Logan Martin and Stemley Bridge, is headquarters for many Pell City area Auburn fans on football Saturdays. A crowd of 75 people on game day is not that unusual, and the record stands at 105. Crowds are so big in fact that those who arrive by vehicle must park in a designated area away from his home, and they are brought to the party in a 15-passenger van. Some choose to arrive via the Coosa River and park their boats in Grimes’ covered slips on the water.

Once there, visitors can watch Auburn on one of two big screen televisions at the lavish cypress bar in the outdoor kitchen, or they can listen to the game as they lounge around the 52-foot saltwater pool, which has a walk-in beach. The pool is surrounded by immaculately manicured gardens and fed by a waterfall.

Grimes, who owns Johnny’s Electric in Pell City, is the chef and he prepares ribs, chickens, hamburgers, steaks and crawfish boils from his $6,500 Viking gas grill that is located just feet from the 10-seat bar. The outdoor kitchen also has a freezer, refrigerator and deep fryer.

An air-conditioned and heated bathroom is located just off the flagstone patio of the kitchen.

“This keeps all the mess outside,” Grimes said. “We cook the main dishes in the outdoor kitchen, and the breads and all the sides are cooked in the house.

“People just feel more comfortable and enjoy being outdoors on game day. They can whoop and holler and mingle, and it is a lot more pleasant for them to be out here. I built this kitchen five years ago, and everyone just loves it.”

Fourth of July celebrations were huge at Don Farmer’s home when he was a boy growing up in Springville. Literally hundreds of people would show up over a two-day period to eat barbecue and celebrate Independence Day.

“I was born on July 3 so for the longest time as a kid I thought everybody was coming to my birthday party,” Farmer said with a laugh. “With my dad now gone, I now have great memories of all those family members and friends coming to our house like that.”

Farmer says it is those memories that spurred the building of his outdoor kitchen. He says it was a project that started out small, but he admits that it kept growing until it turned into a monster.

Farmer’s outdoor facility atop Simmons Mountain is indeed monstrous. The L-shaped structure is 30 feet by 40 feet on one side and has the same dimensions on the other. It is complemented with a swimming pool and a hot tub that seats 10 people.

It features beautiful brickwork arches and stamped concrete floors and countertops. A big-screen television is the focal point every Saturday during football season. The double pavilion is designed to entertain a lot of people and it does that whenever Alabama is playing on television.

“For some of the bigger games like Tennessee, it’s nothing to have 80 people here,” Farmer said. “We’ve had people we don’t know just be driving by and stop. They just say they see all the cars on Saturdays and wonder what is going on.”

Farmer is an excavator by trade. He says no engineers were involved in the massive project, and no plans were ever put on paper. He said it was “just all in my head. It all began when my granddaughter Chassidy said she wanted a swimming pool,” Farmer said. “I told her Nana would run down to Wal-Mart and get her one. She came inside a little while later and said she didn’t want that kind of pool. She said she wanted one in the ground.

“I started digging the next week.”

Farmer first built the pool and then decided to add a pavilion on the side so his mother and mother-in-law could get out of the sun. It would also serve as an area under the cover so he could grill.

“That was okay but my wife decided she wanted to enclose it and make it part of the house,” he said. “I decided I was going to have me a place where I could cook.

“My wife said if I would build it that she would take care of it. I got it in my mind what I wanted but I didn’t realize how big it was going to be until we actually started building it. It has about become a full-time job for my wife to take care of it now.”

Farmer says he did some research and got some very good advice early. “Somebody said don’t put anything into the construction of an outdoor kitchen that didn’t come from the earth. It’s almost all stone, brick and concrete – even the walls. The only wood in it are the gable ends and the exposed beams.”

Farmer loves kids, and he didn’t want a place where kids weren’t welcome. He says he made everything “kid friendly.” There is a playhouse, and parents can watch their kids in the pool and the hot tub from the raised kitchen that looks down on both.

The rules to attend a get-together at the Farmer’s outdoor kitchen are simple. You can bring a dish if you like, but Farmer and his son Heath provide the meat and do the cooking. Boston butts, pork ribs, different sausages and steaks are their specialty. The kitchen has a smoker, a broiler, a griddle, a stovetop, a grill and a barbecue pit.

When the weather cools late in the season, a fireplace keeps the area warm. Blinds can be lowered to keep everything cozy.

“We’ve had 140 people here on July 3 and about 80 the next day,” Farmer’s wife, Deniase, said. “We just stay up all night and celebrate Don’s birthday and July 4th.”

Farmer says his goals in building an outdoor kitchen were simple even though the final outcome was not.

“I wanted a place that would keep the foot traffic out of the house,” he said. “I wanted a place where somebody could spill a drink or drop a meatball on the floor, and it wasn’t a big deal.”

A Day at the Rodeo

Project organizers hope to ultimately
create a major regional attraction

Story by Loyd McIntosh
Photos by Jerry Martin

The sun beats down on a stretch of gravel road and grass near Odenville as two men sit on some wooden bleachers next to a structure they hope will become the best unkept secret in St. Clair County.

Lude Mashburn, an agriculture teacher at Odenville High School, and Herschel Phillips, a retiree and Argo resident, are two of five members of the St. Clair Parks and Recreation Board, a body formed in 2011. They’re braving the early July heat to talk about the St. Clair Arena, originally built as a private horse arena that they are working to turn into an attraction for everything from rodeos to church revivals and everything in between.

For Mashburn, the acquisition was a long time coming. “I teach ag out here, and I’ve been trying to get one for 40 years and never could get one,” he says.

The 125,000-square-foot structure went on the market a couple of years ago, and Mashburn saw an opportunity and convinced county officials to purchase the facility and put it to public use. The purchase price was somewhere in the neighborhood of $500,000, but early demand for outside groups looking to rent the facility gives them hope that the St. Clair Arena will pay for itself.

The arena already has hosted a semi-pro rodeo circuit as well as a junior rodeo, where close to 400 people came out to watch kids ages 2 to 16 ride sheep and goats for the crowd. A local church brought its horse ministry to the arena, attracting several hundred people as well. But before they can really begin marketing the arena, the Board needs to address the sparseness of the facility in order to meet the needs of groups interested in investing in rent.

“Our mission right now is to get this up and running because we know people are wanting to rent the place,” says Phillips.

“I really think this will provide. If we’re able to do our job the way we should, we will be able to provide a lot of activity for people to come from Birmingham or anywhere else around here,” Phillips adds. “I really believe that. People are starved for something to do.”

“(The County) is going to give us some money where we can fix it up where we can have some bleachers, a concession stand and bathrooms,” adds Mashburn. “We’re going to get it going, and we can have car shows, anything we want to have.”

Plans have already been drawn for these, and other expansions and are expected to be bid soon. “The arena’s pavilion, which includes concession, restroom and showers, is designed to be octagonal rather than the typical rectangular park building,” according to Kelley Keeton Taft, whose company, the Kelley Group, drew the plans. “This design was chosen to reflect the octagonal era of barn construction from 1850 to 1900,” she says. “The pavilion, crested with a cupola, will set a theme for the arena.”

Focusing on the Commission and the Board’s vision to attract a variety of events, Taft says the design “utilizes existing structures while incorporating the necessary improvements to take the venue to the next level of event capabilities. The design integrates connectivity and focuses on safety for spectators, trailered vehicles and animals.”

Other features include entrance and exit roads, designated parking and pedestrian pathways, lighting, covered sidewalks, covered extensions of the arena with bleachers to seat approximately 600 and an area for vendors or exhibitors to set up during events.

The county is committed to making the arena a success and will set the budget based on what the payments will be for the planned upgrades, says Commission Chairman Stan Batemon. “As those upgrades become an attraction to that facility, then we’ll know more about what kind of events that the Park and Rec board can have there that will generate some revenue and operate the facility.”

The goal is not necessarily for the arena to recoup the initial $500,000 spent to acquire the facility, the additional 18 acres and smaller buildings on the property. Nor is it expected to be a cash cow for the county. As long as the arena is being used, people are enjoying it and it’s paying its future expenses, that’s fine with him and the rest of the County Commission, Batemon says.

“We’re still a small county, and this is our first venture,” he says. “The goal is that it will be self-sustaining, but not necessarily drive revenue back to the county. If it is self-sustaining, the County Commission will be completely satisfied with that. The main goal is that it will eventually operate itself.”

Since the board’s inception, county leaders have been busy expanding outdoor recreational opportunities throughout unincorporated St. Clair County. And officials are investigating areas that might be accessed for multipurpose trails for horseback riding, hiking and mountain biking throughout the county. This could include areas along the 80 miles of river shoreline that may qualify for federal funds. However, the jewel, so far, in the county’s crown is the St. Clair Arena.

The end goal, say Phillips and Mashburn, is to bring people from Birmingham and beyond to St. Clair County to enjoy rural type entertainment and programs in one of the very few covered arenas in north Alabama. Mashburn’s additional hope is that the arena will help reignite interest and passion for farming and agriculture among the youths and future generations of St. Clair countians.

Mashburn says it is important to get as many kids as possible interested in rural lifestyles, which he fears are being lost. He and Phillips agree there aren’t enough activities available for area kids who aren’t involved in mainstream sports but are hungry for activities in which to participate and thrive.

“What do they have to do other than football games, baseball games and basketball games? What are their opportunities other than those three sports?” asks Mashburn. “I see kids that didn’t know anything about animals. Once you get them around a horse or a cow, they realize it’s not a bad animal, and they get excited about it.”

Mashburn’s main concern is the future of farming. The number of people choosing agriculture as a career gets smaller every year and the amount of land used for farming is dwindling, too. He thinks the arena can be used to help introduce a new generation of kids to agriculture through recreational activities, like rodeo and horsemanship.

“There’s not too many of them that are going to be everyday hog farmers or poultry farmers. You’ve got to have all that stuff, so you’ve got to bring new kids in. If we don’t, we’re going to be in trouble,” says Mashburn.

The arena just may be that first step in bridging the gap.

Architectural Eye Candy

Living in a work of art

Story by Elaine Hobson Miller
Photos by Jerry Martin

Jimmie Nell Miller is an artist and former interior decorator who likes to go to open houses and read Architectural Digest for the eye candy. But the Pell City home she shares with husband, Ray, is like eye candy to visitors, because its wide hallways, huge bathrooms and very modern kitchen are filled with Jimmie Nell’s colorful artwork. From tulips to Tuscany, cornices to credenzas, every inch of the Country French chateau reflects Jimmie Nell’s personality and her love for entertaining family and friends.

“It’s like an art gallery in here,” Jimmie Nell admits.

Atlanta architect Frank Jova designed this “art gallery,” which the Millers first spotted as a Southern Living Idea House in Chateau Elan outside of Atlanta in 1994. Jimmie Nell fell in love with its French influence, while Ray liked the way it flowed. Both appreciated the roominess of its 5,000 square feet, which may seem superfluous for two people. But Jimmie Nell says they use every square foot of it. “We entertain lots of functions, and have lots of family visits,” she says. “We live in the whole house.”

Built on a former dairy farm, the house is awash with European influences. Its wide hallways represent streets of old Europe, for example, and the extra depth of the tray ceiling in the entry hall is painted blue to keep the ghosts away. “It’s supposed to fool them into thinking it’s daytime,” Jimmie Nell explains.

The gallery tour begins in this entrance hall, where Jimmie Nell’s acrylic painting of Glen Coe, Scotland, one of seven inspired by her trip to that country earlier this year, rests on a stand. Her oil paintings of lemon trees flank the front door, along with sculptured fruits made of composite materials resembling stone, which she purchased.

Turning right, you come face-to-face with sunflowers and peppers in a red vase, done in oils, while the butler’s pantry features another oil painting of a rooster in bright plumage of blue, gold and red.

Kitchen cabinets are made of cherry, countertops are granite, and the appliances are Bosch and Kitchen Aid. The refrigerator is disguised as a tall cabinet, and an appliance garage hides the toaster, mixer and electric can opener. Bunnies nibble cabbage from a ceramic pot on the wall behind the gas range, thanks to Jimmie Nell’s ingenuity. She painted the tiles, then installed them herself because she didn’t trust the tile man to get the ears on the bunnies right.

“I designed my kitchen because I wanted the cabinets to look like little pieces of furniture,” Jimmie Nell says. “My cabinet maker said he’d build them that way, but he didn’t think I would like them. When he finished, he liked them, too.”

Pell City artist John Lonergan did the portrait of Ray, their son Adam when he was 12, and Adam’s dog that hangs over the fireplace in the den. That portrait and the 106-year-old watercolor duo by Ray’s great-grandmother that hang in the music room are among the handful of artwork in the house that weren’t done by Jimmie Nell.

She has a glass table with eight upholstered chairs in her formal dining room, which she uses a lot. Her china cabinet, housed behind mahogany doors, holds Noritake china, cut-glass and redneck wine glasses (small Mason jars on stems). Jimmie Nell’s favorite piece of furniture is in this dining room, and it, too, features some of her artwork. It’s a bar made of two separate pieces that probably weren’t originally meant to be together. The bottom portion is a mahogany cabinet, while the top is a pine hutch with stained-glass tulips and a center canvas on which Jimmie Nell painted more tulips before installing it between the glass panels. “We bought this from an antiques dealer who used to be in St. Clair Springs,” she says. “We had it in our house before we moved here.”

Another painting of tulips, this one in acrylics, hangs between the dining room and music room, because “tulips are easy to paint,” says Jimmie Nell. She has had the room’s baby grand piano more than 40 years and believes it was built in the 1930s. While neither she nor Ray play piano, their two daughters, one son-in-law and a granddaughter do. Nevertheless, the music room happens to be her favorite, the place where she loves to curl up with a good book or take a nap.

From the screened porch off the dining room, the sound of ceiling fans overhead and an Italian bronze garden fountain outside soothe the soul. The peaceful garden features knock-out roses, daylilies, limelight hydrangeas, magnolias and blue point juniper spirals. Both Ray and Jimmie Nell work in the garden, but Ray, a retired banker, trims the 10-year-old topiaries himself.

Back indoors, the art tour continues down the hall from the entryway into the powder room, where Jimmie Nell has an old credenza on which she depicted parrots, monkeys and a leopard “back when jungle themes were so popular.” Nearby is the media room, where a 72-inch wide-screen TV is set into a niche in one wall. Movie posters of John Wayne and Clint Eastwood adorn other walls and a bronze replica of Remington’s Mountain Man dominates the center. Two leather couches and four mission-style gliding rockers with fake-leather bottom cushions and Southwestern-print back cushions provide ample seating. Jimmie Nell made the glider’s back cushions and the room’s matching cornices herself. The media room happens to be Ray’s favorite in the house, a place where he keeps up with the news and email via television and computer.

The master bedroom is near the media room and features another tray ceiling, a portrait of Jimmie Nell done in 1986 by Pell City artist Evelyn Whatley, and a huge bathroom with his-and-hers sinks and vanities on opposite sides of the room. The vanities are separated by a glass-enclosed shower, and Ray and Jimmie Nell have separate closets, too. More of Jimmie Nell’s artwork is featured in a buffet from her old dining room suite that has panels she painted with shell designs.

Upstairs are two guest bedrooms, one with a 100-year-old washstand on which Jimmie Nell painted a Colonial couple at a fence, and a doll house made from a kit one of her daughters gave her 20 years ago. An open balcony connects the two bedrooms and overlooks the dining room on one side, with a glass-less window overlooking the entry hall on the other.

In the second upstairs bedroom Jimmie Nell used French toile for the bed’s coronet and a chair skirt, but a nautically-themed fabric on the bed pillows and valance.

After 12 years in the house, the Millers still find it very livable. “We like the way it flows,” says Ray. Jimmie Nell agrees. “I like the roominess of it, and the private areas where we can get away from each other,” she says, with a wink. “That has probably saved our marriage.”