Artist’s work making television appearance
Story by Carol Pappas
Photos by Wallace Bromberg Jr.
Jamie Merrymon sees possibilities when others simply see the object in front of them. Evidence of it hangs behind her mother’s desk in the Pell City courthouse – “a painting without painting.”
Fashioned from frame corners that don’t meet and scores of mismatched buttons from her great grandmother’s button tin, it is a work of art others would never have thought to create.
“I have an eye for it,” she said. That, she does. Jamie sees art in just about everything around her. A wine cork. Newsprint. Bullets. A stack of old license plates found in the courthouse basement. They all are possibilities in a Jamie Merrymon original.
She once carved a self portrait from a block of linoleum. It took her three months to finish, but when she was done, it earned her the Dean’s Merit Award at Auburn University and a cash prize.
She sees color as her greatest ally, and she isn’t afraid to use bright hues and bold strokes to tell her story on canvas. “Colorful makes me happy,” she said. Nor does she shy away from texture, using tissue and paint to create a three dimensional work of art.
Working in the garage of her parents’ Pell City home, she said, “When I get in the mood to paint, I get in and paint.” It is not unusual for her to spread materials on the ground, circling it as she works. Her professor once told her the best abstract looks good from any angle, words that drive her approach. It’s why she signs the back of her work. There is no true bottom or top. It is in the eyes of the beholder.
“Art to me is the freedom to be creative. There is no right way or wrong way,” she said.
It is that same eye for creativity that landed her a TV gig behind the scenes on the show of professional organizers, The Amandas, after graduating from Auburn in Fine Arts. And it is that same flair for creativity that moved her work in front of the cameras on that show as well as on Fix It and Finish It with Antonio Sabato Jr.
“I wanted to be a decorator, but I couldn’t get out of Chemistry,” she mused. That put her on course for a Fine Arts degree and a stint as a “starving artist.” She shotgunned 60 resumes and found The Amandas willing to take a chance on her. “I lived in Atlanta a month, New Orleans a month and Birmingham for a month,” helping behind the scenes with reorganizing rooms and making over houses for use on the TV show.
In New Orleans, after Hurricane Katrina struck, the owner of the house to be redone for the cameras mentioned she loved original art. “We have an artist right here,” Jamie recalled Amanda Le Blanc saying. And with that, she plopped down on the driveway and painted herself right into the show. It was a 5 x 5 foot abstract featured in a room makeover.
Although that show was later cancelled, she got a second chance when Le Blanc sent her a message about creating artwork for Fix It and Finish It. Yet another of her works appeared in that show. It gave her the opportunity to work with Orlando-based Pink Sneakers producers Craig Campbell and Trish Gold, who helped produce such reality shows as Project Runway and The Kardashians.
These days she spends her time crisscrossing the county as a court referral officer, carrying on what has become a family tradition of serving St. Clair County. Her mother is judicial assistant to Circuit Judge Bill Weathington. Her grandmother, Sara Bell, was chief clerk of the Probate Office.
“I love my job. I love people,” Jamie said. “I’m a good people person.”
You’ll get no argument from attorney Van Davis, who serves as municipal judge in several St. Clair County cities where Jamie works. “She’s amazing,” he said when he learned she would be the subject of a magazine piece.
There’s no argument from District Judge Alan Furr about her artistic talent, either.
He offered her mother $500 on the spot for her Painting Without Painting, she said. But it’s not for sale. Vicki counts it among her most prized possessions, a Mother’s Day gift from Jamie.
Other pieces are for sale, and Jamie continues to spend her off time producing them in an unlikely sanctuary – her parents’ garage she calls her ‘studio.’ There among the stacks of boxes and usual occupants of a garage, she has carved out her creative corner of the world. “I don’t have to answer to anybody but myself when I’m in my creative zone. I do what I want to do. It’s my zone.”
And as she works toward some of the same goals as other 20-somethings – a house, perhaps a family – her art is never out of the picture for her life. “If I could afford it, I would just retire and paint.”
