Art for the Wall

The world is a canvas

Story by Paul South
Submitted photos

A self-described “military brat,” Bill Beebe plunged into art at a young age, painting his first mural on his Fredericksburg, Va., bedroom wall while listening to Nirvana’s Nevermind album. The seminal work by Dave Grohl and the late Kurt Cobain featured the hit, Smells Like Teen Spirit.

For Beebe, that spirit smelled like a plastic, even comforting aroma of acrylic paint as he found his place what for military families is an ever-changing world. “I’m not sure what initially drew me to large format painting. Maybe just the fact that people knew I could paint and asked me to,” he said.

“I started painting for friends and family in the late 1990s, then more as side work in the 2000s.” That side hustle is now a full-time job for Beebe. His company, Art for the Wall, has brightened once-empty walls and storefronts in northeast Alabama with large-format murals and eye-catching signage.

Bill Beebe painting a mural for the Theatre of Gadsden

Beebe spent a few of his teen years in Ashville and spent his early professional life as an electrical apprentice and later as a journeyman electrician. He went on to earn an associate’s degree in commercial graphic design.

Art for the Wall began in Charleston, S.C., but is now based in Ashville. “I’m still relatively new to Northeast Alabama after transferring my business from Charleston,” he said. “But I’ve done a couple (murals) in St. Clair County – the Historic Ashville, Alabama mural and for Gilrearth Printing & Signs’ new facility in Pell City…Most of my work can be seen in Gadsden – Downtown Gadsden, Inc., the Gadsden Museum of Art, the Ritz Theatre and my latest was the “You Belong In Gadsden” sign/mural I did next to the new Alabama Department of Rehabilitation Services building in East Gadsden.”

Kay Moore, executive director of Downtown Gadsden, Inc., called Beebe and his work, “a huge asset” to the organization and to downtown Gadsden as a whole. “We have several wonderful murals that he has created in the historic district,” she said.

“I think the most notable one is located on the west side of the Pitman Theatre. When I talked to Beebe about my vision, he immediately took it and turned it into reality.” The mural’s message? Unity. And the background words focused on the downtown area’s message.

Other murals highlight Beebe’s other talents, Moore said. “He is very gifted and very easy to work with,” Moore said. He often gets feedback from townsfolk who stop to watch the artist at work.

Beebe often can’t hear their comments because of traffic or the music he listens to while painting. “I’d imagine people think I’m rude if I don’t engage in conversation,” he said. Ninety percent of the time, I can’t hear what people are saying due to traffic, being up high on a lift, listening to music, or simply in the zone, concentrating on what I’m working on.”

Outdoor and indoor designs match the clients’ business theme

As for projects in the pipeline or in progress, there is a small sign for the Gilbert Cummans Greenroom behind the Pitman Theatre in Gadsden, as well as signage in Ashville, window graphics and murals to come in Oneonta and more.

As for all outdoor muralists, weather is a never-ending challenge. “Definitely the weather,” Beebe said. “Wind, rain, heat and cold. Occasionally, lift logistics if I’m working up high. Time is sometimes a factor with rentals since there’s typically a certain amount of days I can have with the equipment.”

For Beebe, the rewards for his work are many. “I’m usually creating something that is timeless,” he said. “Painted signs in particular – they look good when they’re freshly painted, and they look good when they’re old and faded.”

He also gets satisfaction when his work comes out clean, even after being painted on a rough surface. Too, there’s joy in seeing a work come together after working so closely to a surface or seeing a design take root on a computer and then blossoming into a large format mural.

And, when the day’s work is done, Beebe enjoys a simple pleasure –“a delicious cold beer after painting all day.”

The positive feedback he’s received from clients across 16 years as an artist is what keeps him painting and making signs. And while he enjoys the ease of most projects, he takes joy in challenge as well.

Had life taken a different path, architecture or engineering might have been Beebe’s calling. “I love details from start to finish in projects,” he said. “Designing, scaling, measuring, leveling and organizing are definitely my favorite aspects of every project.”

Beebe hopes his work influences others who may want to take a similar path. “Being an artist has its challenges, but so does everything else,” he said. “It’s a rewarding and legitimate career path. If you take time to learn the processes and techniques and mold that into a business model, you can make some pretty decent money and have a fulfilling career as an artist.”

 Beebe finds it hard to explain his work, either as a storefront sign or massive mural. “I aim for precision, but I always want the viewer to know it’s a painting and not just some print on vinyl that has been stuck on the wall and heated up,” he said.

“Most of my stuff is logo painting, so it has to be spot on to the renderings I provide my customers. On a more personal level, I enjoy typography, so you’ll most likely see some kind of text in many of my paintings,” he added.

“I really appreciate simplicity in my work. I try to stick to the ‘less is more’ concept as much as I can.” If he could write a letter to his younger self, to that kid painting his first mural while jamming to Nirvana, what would Beebe advise? “Start your art career earlier (rather) than later,” he said. “Take more risks when you’re younger. It’s just paint. Everything is rushed when you’re an adult. Take your time and enjoy the process of every project. There are no failures in anything you do, just lessons.”

Woodworking Masterpieces

Revealing the Beauty Within

Story by Roxann Edsall
Photos by Mackenzie Free

Eric Knepper doesn’t take credit for the beauty in his work. A profoundly spiritual man, he says he’s simply revealing the beauty that is already within the wood when he carves his one-of-a-kind pieces.

“You just get inside the piece of wood and see what God made,” says the artisan. “That’s what you want to show, all the beauty in the grains.”

Eric Knepper shows off some of his work

For nearly three decades, Knepper has been unveiling the natural beauty in the wood around him and crafting hundreds of pieces of original wood treasures. An old rotten maple tree found new life as a beautiful bowl. A red oak tree that had to be cut on his property was transformed into a rolltop desk, a credenza and a file cabinet.

His wife, Pat, smiles across the table as she talks about different items he has created over the years. The house is filled with them, from the dining room’s exquisitely carved grandfather clock with cabriole legs to the stunning freestanding cabinet in the living room made from pieces of an old fireplace screen. “He is so talented. I can’t think of anything I’ve asked Eric to do that he hasn’t been able to do,” she adds, her eyes filled with pride. “He will find a way to do anything.”

The son of a carpenter, and a very determined man himself, Knepper made furniture early in his marriage to meet the needs of his family. “When you get started, you have nothing. We built things then because you couldn’t afford them,” he explains. He even did all the millwork in the home that they built in 1997. But it wasn’t until after retirement at age 60 that his woodworking expanded into a new passion – wood carving.

On a camping trip the couple took to Florida, his interest in carving came alive. “People in the campsite next to us carved, and he took me to a carving club in Fort Myers.” When Knepper returned to Pell City, he met with Tom Goodwin, a carver from a local carving club, and the two became great friends.

Goodwin took Knepper under his wing, showing him how to work with different woods and specific tools. His friend has since passed, but Knepper still has the carving equipment that once belonged to Goodwin. After revealing that he was terminally ill, Goodwin asked Knepper to buy his carving tools so he could pass them on to someone with a passion for the art.

Creations on display at the Museum of Pell City

Those specialty tools, Knepper explains, are mostly different chisels and knives, with some power carving tools. “On a given project, you might use two or three tools primarily, or for furniture, (you might use) your whole shop,” Knepper says. He has a wood carving room within the house for smaller projects. Larger pieces are handled in his wood shop in the barn.

As any wood carver would tell you, keeping your tools sharp is essential. Keeping them sharp is important for precise cuts, but it can also create the need for some emergency care, as was the case for Knepper seven years ago. “I cut the end of my thumb off about 6 years ago,” he admits. “You don’t even notice it now. I don’t even remember what I was working on, but I did a dumb thing.”

“He just came in and said he needed a band aid,” tells Pat. He needed a bit more than that. “It was hard to get it to fit back together,” she adds, giving credit to “a wonderful nurse practitioner at Dr. Helms’ office.”

Eric and Pat Knepper

The Kneppers handled the crisis with the same grace and perseverance that has defined their 63 years of marriage. The two met while Eric was in the Navy in Virginia. Moves to Connecticut, Pennsylvania, Illinois and Indiana preceded their final landing in Pell City where he came to work at National Cement. He later left that company and bought Pell City Fabrication, which provided maintenance and support for steel fabrication and other industries.

The couple have three grown children (Shawn, Scott, and Ericka), eight grandchildren, and five great grandchildren. Knepper says he sees talent in each of them and potentially at least one future wood carver. Several family members were among the guests at a recent art exhibit at the Pell City Museum of Art featuring his wood carvings.

Knepper’s most challenging piece was among that collection of works. He describes it as a “gold spiral thing,” for lack of a more technical term. “I just saw a picture of it and decided to give it a try,” he says. “It was very difficult because it’s hollow. I had to work from the inside out.”

The art of carving is an ongoing lesson in patience and finesse. Knepper also stresses the importance of listening to the wood. “The wood will tell you what to do, basically.”  He considers himself less of a designer and more of a collaborator, with each knot, grain and imperfection guiding his hands. The character of the wood, with its texture and color, add to the direction the project takes.

Knepper has done much of his work from wood that has fallen on his property or that others have brought to him. Oak and Cherry woods are favorites, but he also has done many projects with Cottonwood and other bark woods. “I really like the color and grain of cherry,” he adds. “Sometimes people bring me roots they’ve dug up. It looks terrible, but I cut it up and look inside and it’s beautiful. You just never know.”

Though he finds it difficult to choose a favorite, some pieces – like a beer bottle complete with a bear in a Paul “Bear” Bryant houndstooth hat – clearly delight Knepper. Throughout his home, bowls, spiral works, vases and boxes crafted by this modest woodcarver are on display.

His faith is evidenced in another of his masterpieces which sits on the table – an intricate chapel featuring a lectern with an open Bible. Knepper’s craftsmanship extends beyond his home and into the heart of the local faith community. Over the years, he has used his talent to create kneeling rails for the altars of three area churches.

Template for a design of a kneeler at New Life Church in Pell City

The first kneeler was crafted for the Episcopal Church of the Resurrection in Rainbow City, designed specifically to complement an altar the church had received.

This careful attention to detail highlights Knepper’s ability to harmonize his work with existing elements, ensuring each piece feels at home in its setting. Later, he constructed a pair of kneelers for Pell City First Methodist, further demonstrating his commitment to supporting his community through his artistry.

Most recently, Knepper designed a folding, movable kneeler for New Life Church, which gathers at the Municipal Complex in Pell City while a new church is being built. This innovative design reflects his adaptability and practical approach, ensuring the kneeler could be easily moved and stored as needed. Form, function and beauty are hallmarks of Knepper’s work.

A quiet, serious man, Knepper is uncomfortable with attention. He shrugs off accolades, dismissing his own talent. “I’m always using other people’s design, not mine,” he says. “I just put my own spin on someone else’s design.”  It gives him something to do, he says, adding that it keeps him from watching TV.

Knepper’s keen eye and ability to see what rough wood can become is what has defined him as an artist and wood carver. Hearing how a discarded root was crafted into a beautiful bowl certainly makes one pause for thought. Each gnarled root or discarded branch may still have a story to tell.

With patience, perseverance and careful listening, the wood carver reveals the beauty within.

Museum on the move

Much more than the history of Pell City on display

As Museum of Pell City approaches its third birthday, it’s hard to imagine a ‘down time’ for this quickly growing museum.

On Feb. 5, the museum will present its third edition of the Breaking Barriers series focusing on the Black community and its place in the city’s history. Headed by Museum Board Member Tonya Forman, its popularity has grown right along with the program itself.

This year’s theme is Education: Foundation for Success and pays tribute to the early Black educators whose guidance and compassion transformed the lives of Pell City students.

St. Clair District Attorney Lyle Harmon takes inaugural flight on simulator at opening

The day’s program, which begins at 11 a.m. features a reception and a film premiere of family and former students of these educators on the legacy of their impact. It will also mark the opening of an expanded Breaking Barriers exhibit.

Opening the next day, Feb. 6, and extending for two weeks until Feb. 21 is an art show by Sundi Hawkins. The show is a continuing series of the museum, giving the art community a home to display their works.

The museum board invested in a hanging system, and the exterior walls of the atrium just outside the museum have already displayed the creations of artist Nettie Bean and her students, a spectacular quilt show and Duran Jr. High’s art show. The quilt show will return in 2026, and more art shows are scheduled.

In December, the museum’s art gallery hosted the wood carvings of Eric Knepper, intricate, creative pieces of artwork crafted by the local artisan.

Upcoming are shows by Penny Arnold, Williams Intermediate students, a return of Nettie Bean and her students and the Helen Keller Foundation Art Show of Alabama.

In November, the museum opened an expansion of its military section and added a flight simulator, which is already drawing crowds of young and old alike. Designed by Jeremy Gossett, the simulator resembles the cockpit of a Boeing aircraft with a curved monitor that displays various flight patterns including Pell City and Logan Martin, Mosul and the French countryside.

The software is highly sophisticated and gives museum visitors a real feel of flight – from takeoff to landing. It was made possible by a special fundraiser providing nearly $7,000 to build and equip it.

In April, just a few days past its third anniversary, the museum is celebrating with the official opening of its long-anticipated model train exhibit – Where It All Began. Headed by retired architect Malcolm Sokol with a team of volunteers – David Smith, Max Jolley, Erik Grieve and Winston Greaves – it took a year to build.

The museum hosted artist Nettie Bean and her students

The 16-foot train runs through a replica of 1920s-30s Pell City and will be surrounded by artifacts, narratives and photos depicting the train’s history in Pell City. After all, that is where it all began – when founder Sumter Cogswell missed his train to Talladega in 1890 and spent the night in what is now Pell City.

Nationally known artist Dirk Walker has donated an original painting of a Pell City train depot that will be used as a fundraiser for the museum.

An evening reception is planned along with tributes to the museum’s volunteers and naming “Volunteer of the Year.”

“We are so humbled by the community support we have been given since our opening,” said President Carol Pappas. Our docents give their time every week to guide visitors through our museum. We could not operate without them, and we are so appreciative of their work.”

Pappas lauded the dedication of the team who built the train, which now will be a centerpiece of the museum’s exhibits. “They met every Monday night for an entire year to assemble each rail of the track, recreate historic buildings from scratch, hand paint and place miniature figures throughout the town and so much more. It is so realistic. It is a must see. We cannot thank them enough.”

She noted that the museum is in the midst of a capital campaign, and businesses and individuals have stepped forward with multi-year sustaining funds. “They are the very foundation of our museum,” Pappas said.

“Recognizing the importance of cultural arts in our community as educational, historical, an enhancement to quality of life and a boost to tourism, the City of Pell City and St. Clair County have been supportive with appropriations over the past three years. Without their support, we could not have come this far.”

When the museum opened in a 4,000 square foot space provided by the City of Pell City, its mission was to preserve and promote the rich history of the city. Billing itself as the “small city museum that thinks big,” in less than three years it has attracted over 5,000 visitors from all over the state, country and points around the world.

It has created innovative, interactive exhibits highlighting the people, places and events that have shaped the city’s history, and the momentum shows no signs of slowing down anytime soon.

In October, the museum will reach back to the city’s real roots – Avondale Mills – with an impressive, interactive exhibition to celebrate and pay tribute to its first industry. Never-before-displayed artifacts, photographs and exhibits will tell the story of those early days along with a special film of oral histories premiering at the opening.

“As they say, we’ve come a long way since then,” Pappas said, “and Museum of Pell City is honored to be able to share that story along with countless others.”

Museum Exhibit Perfectly Blends History and Art

Story by Roxann Edsall
Photos by Mackenzie Free

mphasis on preserving the history of Pell City and that of its families and community.  One of its most recent exhibits perfectly blended that history with the art of quilting.  The museum, on the second floor of the Municipal Complex, typically contains its exhibits to the interior of the museum, but recently has been expanding outside its doors to showcase the work of the area’s talented citizens.

“Hosting exhibits like the quilt show allows us to celebrate the incredible talent in our own community,” said Museum Coordinator Erica Grieve.  “It reminds us that art isn’t just found in galleries far away.  It’s being created right here at home.”

The quilt exhibit ran from late October through November and featured roughly 40 quilts created by members of the Friendship Quilters Guild of St Clair County.  The opening featured a presentation by historian Joe Whitten, a quilt collector himself, who shared stories about the history of quilts and shared some of his quilts.  There were also demonstrations showing the making of a quilt from start to finish. 

Part of the history of quilting included the quilting bee, a social gathering of ladies whose focus was on finishing a quilt together.  Such was the case in the making of Janet’s Double Wedding Ring quilt on display by her daughter Janet Jones. 

A group at Pell City United Methodist Church got together to complete the quilt for a silent auction.  When the silent auction did not meet the minimum bid to cover expenses, the ladies voted to give it to Janet’s mother, Janet Weldon. 

Weldon had reportedly done much of the hand-stitching, including the stitching around each of the intertwined rings.  Her daughter said quilting was so important to Weldon that when her mom passed, they elected to drape her casket in the Double Wedding Ring quilt, rather than having a funeral spray.  “Because it was cold, we also took some of her other quilts to the graveside to cover our legs,” said Jones.  “She would have liked that.”

Ken Kilgroe came to the exhibit to honor his now-deceased grandmother, Roxie Moore.  One of her quilts, made more than 60 years ago, was on display.  Moore, an Eden native, reportedly hosted quilting bees often in the 1950s.

The Museum of Pell City’s next special exhibit opens Dec. 4 and features the beautiful woodcarvings of local artisan Eric Knepper.  A reception will be held on Dec. 5 from 4 p.m. to 6 p.m.

The museum is open to view other compelling pieces of the history of Pell City, St. Clair County and Alabama Thursdays and Fridays 10 a.m. to 4 p.m. and Saturdays 10 a.m. to 2 p.m.

Piecing together a story

Quilting is art, storytelling, therapy

Story by Roxann Edsall
Photos by Mackenzie Free

It was 1863, and America was imploding, ravaged by the effects of the Civil War. Brother met brother in battle, homes were burned and cities destroyed.

In Bennington County, Vermont, 46-year-old Jane A. Stickle channeled her energy, creativity and wartime grief into creating what is now one of the most famous quilts in the world. She stitched into one corner of her masterpiece the simple, yet haunting words – “In War Time 1863.”

Stickle’s quilt, now called the “Dear Jane” quilt, is a sampler, meaning that each of the squares is unique. Unlike most sampler quilts which typically use blocks created by different quilters, Stickle created each of the elements herself. She created most of the patterns for the blocks herself, utilizing established patterns for less than a third of her quilt. She also did not repeat a patterned fabric in any of the blocks.

The Dear Jane quilt has been housed in the Bennington Museum in Bennington, Vermont, for nearly seven decades. To protect the integrity of the fragile fabrics, the quilt is only displayed for one month each year, with thousands of quilters making the pilgrimage from as far away as Europe and Australia to view the piece.

County historian Joe Whitten talks history of quilts in special presentation

Rhonda Humphries has not yet been to see Stickle’s Dear Jane quilt but has spent thousands of hours on her own replica. Humphries, a member of the Friendship Quilters Guild of St. Clair County, was encouraged in the project by other guild members and her friend and mentor, Brenda Franklin.

Undaunted by the 5,602 individual pieces it takes to make the project, Humphries worked for two and a half years until the 169 five-inch blocks, 52 triangles, and four corner kites came together in her own finished masterpiece.

Humphries used Civil War era reproduction fabric and followed patterns created by Brenda Manges Papadakis, who viewed Jane’s original quilt in the museum in 1992 and meticulously traced each piece.

Papadakis so admired Stickle’s work that she was inspired to write a book published four years later called The Two Hundred Twenty-Five Patterns from the 1863 Jane A. Stickle Quilt, which included the patterns quilters could use to reproduce the quilt. Many quilters are inspired by the Dear Jane Quilt, and many bring their finished pieces when they make the trip to the Bennington Museum to view the original.

Like the Dear Jane Quilt, Humphries’ quilt is hand-pieced and hand-stitched, an effort that took incredible patience, perseverance and precision. “The most difficult part,” says Humphries, “was one block with a star inside. It’s made up of 30 pieces and, by itself, took three days to complete.” She has been quilting for eight years and has made 40-50 quilts but hadn’t done many quilts at the time she took on this challenge.

“Most people who start this quilt do not finish. It’s pretty involved,” admits Humphries. The blue ribbon and people’s choice awards from her recent entry in a quilt show pinned to the top say the effort has been well appreciated.

Humphries’ quilt was on display recently in a special exhibit at the Museum of Pell City, along with dozens of other quilts made by members of the Friendship Quilters Guild. Looking at each quilt is like looking at fine art in a gallery. Each quilt tells a story, whether one of whimsey or of more important historical matters.

Naomi Kircus is the creator of The Underground Railroad quilt. Its blocks relate the story of the freedom seekers during abolition. Created with Civil War replica fabric, the quilt is made up of 16 blocks, each a reproduction of one that would hang in the windows of safe houses. “When the slaves were running for their freedom, people would have safe places for them to stay,” explained Kircus. “They would display quilts [in the windows] where each of the squares was a message they were communicating to those they were helping.”

The personal narratives and messages communicated through quilting continue to be a source of pride and precious history for families and communities today. Quilts are handed down from generation to generation, becoming treasured heirlooms.

The Friendship Quilters Guild occasionally offers classes in quilting for those wanting to learn the skills and process. The guild has been together for more than 25 years and meets on the second Saturday of each month at Mt. Moriah Baptist Church in Pell City.

Rhonda Humphries and her Dear Jane Quilt

Organizer of the quilt exhibit and guild member Deb Cearley adds that the group has a passion for service. They make covers for cancer ports, fidget quilts, hospital bedrail bags and full-size quilts that they donate to area hospitals, cancer centers and hospice groups. 

“Service is the main thing we do,” said Cearley. “I came to a program here for Veterans and saw many of them come in with their blankets on their laps in their wheelchairs, and that just inspired us to make more.” They also provide placemats for Meals on Wheels and pet beds for Pell City’s animal shelter.

Florence Kerr, one of the oldest standing members of the organization, adds one more benefit to quilting, beyond its artistic and storytelling value. “Quilting is therapy,” she says. “It’s therapy because you have to be in a quiet place and really focus on the process.”

Perhaps the process really is the heart of the matter for the quilt’s creator, though it is the product that inspires the rest of us.

Discover writer wins state award

Elaine Hobson Miller adds to extensive list of honors

Ashville’s Elaine Hobson Miller has been named the 2025 Communicator of Achievement of Alabama Media Professionals.

The St. Clair County resident won the award previously in 2017. That year, she went on to be runner-up in the National Federation of Press Women’s COA race when NFPW held its Communications Conference in Birmingham that year.

 As the Alabama winner, Hobson Miller again vied for the national award when NFPW held its 2025 conference in Golden, Colorado.

The Alabama honoree has been writing since elementary school, when she penned a piece for her school’s newsletter. Throughout high school, she worked on her school’s newspaper staff and served as news editor during her senior year.

 Hobson Miller began her lifelong career as a professional journalist and freelance writer in1968, the summer before her senior year at Samford University. She accepted an internship at the Birmingham Post-Herald, that city’s former morning newspaper.

 The following year, she received a Bachelor of Arts degree in journalism with a minor in Spanish. Hobson Miller accepted a full-time position at the Post-Herald. Within a year, she became that newspaper’s first woman to cover the Birmingham city government beat.

 She left the Post Herald in 1972 when her first child was born and freelanced for several years. She was a full-time features writer for Birmingham Magazine from 1978-1980, returning to the Post-Herald in 1980, working first as a copy editor and then as food editor and features writer.

 As a freelancer, she was editor of PrimeLife, a Birmingham-based magazine for people over 55, during the four months of its existence in 1988. She wrote a twice-monthly house column for the Birmingham News, 1992-1997, and was a regular contributor to Southern Lumberman from 1990 to 2001. She also wrote content for various local corporate and government newsletters, brochures and pamphlets, including Jefferson County, Shelby Medical Center (now Baptist Health Shelby Hospital), First National Bank and Vulcan Materials. She edited Birmingham Home & Garden magazine in 2002.

 Hobson Miller took a brief sabbatical from journalism in 1996 following the death of her husband, who owned an independent pharmacy. She did enough freelance writing during that time “to keep my fingers nimble and my brain active,” she said. She sold the pharmacy in 2012 and resumed her focus on writing.

 Although the honoree considers herself semi-retired, her work has appeared regularly in the magazine, Discover the Essence of St. Clair, since it was launched 15 years ago. She also writes for its sister magazine, LakeLife 24/7, both published by the Pell City-based multimedia marketing firm, Partners by Design.

 Active in mission work, Hobson Miller has made four medical mission trips to Peru with Dawson Memorial Baptist Church in Homewood and Texas-based E-3 Partners, plus an independent mission trip to Peru. She did one mission trip to Spain and continues to participate in mission trips to Zacapa, Guatemala, where three Alabama churches have an ongoing relationship with the small village of Conevisa.