Alabama Bicentennial

Alabama Humanities launches Bicentennial exhibit in Moody

Story by Jackie Romine Walburn
Photos by Michael Callahan

Forward thinking and a prompt application helped St. Clair County become the first stop for the 18-month tour of Making Alabama. A Bicentennial Traveling Exhibit, an impressive blend of state history, culture and humanities.

After its debut in Montgomery in March 2018 at the state’s capitol, it begins in April of 2018 in the City of Moody and Lee and Wilcox counties and continues through November of 2019 en route to all 67 Alabama counties and the official 200th anniversary month of Alabama’s statehood.

That St. Clair County is a year older than the state – having been created as a county by the Alabama territorial general assembly on Nov. 20, 1818 – is a happy coincidence that local planners had in mind when they quickly applied to host the traveling exhibit “as early in 2018 as possible,” says St. Clair County Bicentennial chairman, District Judge Alan Furr.

The timing means that the county will be celebrating its bicentennial as it hosts the state’s first 200th birthday party. Alabama officially became a state on Dec. 4, 1819.

“Because St. Clair County was formed prior to statehood, we believe our hosting of the state exhibit as it begins its trek throughout the state is significant,” the judge says. “And, because we are celebrating our county bicentennial during 2018, being able to host the state exhibit during 2018 enhances our own local celebratory efforts.”

The new Moody Civic Complex met all the venue requirements and will be the site for the exhibit. It is being presented by the Alabama Humanities Foundation with support from the Alabama Department of Archives and History, the Alabama Bicentennial Commission, corporate sponsors, individuals and organizations across the state.

Making Alabama will travel to each of the state’s 67 counties, where local exhibits created by host communities will showcase each county’s role in their own story of Making Alabama.

Planners in St. Clair County anticipate that the St. Clair story will include information and artifacts relating to Andrew Jackson’s residence at Ft. Strother, an 1813 fort – now a series of archeological sites west of Neely Henry Dam near the Ten Islands Historical Park in Ragland.

The fort near the banks of the Coosa River was used as a military supply depot and operations center for Andrew Jackson’s Tennessee Militia during the Creek Indian Wars and as a local theater of the War of 1812. Other aspects of the St. Clair local exhibit may include construction of the first brick courthouse in Ashville, the county’s mining operations and the importance of the Coosa River to the county and its communities.

“St. Clair County has a rich and diverse history,” Furr says. A subcommittee including Furr and Ashville Archives Director Robert Debter, representing the county, plus Councilwoman Linda Crowe of Moody, Sherry Bowers of Pell City, Dr. Robert Harris of Springville and Nancy Sansing of Ashville is already working on locating materials and artifacts to tell the story of St. Clair County, an early Alabama county named for General Arthur St. Clair, who was president of the Continental Congress.

Created from a portion of Shelby County when it was founded in 1818, St. Clair would eventually be divided several more times to create surrounding counties, first Jefferson in 1820 and Cherokee and DeKalb counties in 1836. Then Etowah County was born of a northeast section after the Civil War.

In announcing the order of the bicentennial exhibit, the Alabama Humanities Foundation noted St. Clair as the first stop, followed by Wilcox County in the Alabama Blackbelt, then Lee County in east Alabama, a triangle of counties in distinct sections of Alabama.

“These three communities stepped forward early to become part of this historic event, and we thank them for their eagerness to get involved in the celebration of our becoming a state,” said AHF Executive Director Armand DeKeyser.

As a partner in the Smithsonian Museum on Main Street Program, AHF recognizes the value of exhibits like this coming to communities in Alabama, DeKeyser says. “It’s an opportunity they and their citizens won’t soon forget.”

In addition to developing the local exhibit, the St. Clair Bicentennial committee that Judge Furr chairs has a list of tasks to make sure the exhibit’s up to three-week engagement in St. Clair runs smoothly and is staffed by local volunteers to serve as exhibit docents.

Plus, committee members – representing St. Clair’s towns and communities – have related tasks and projects to complete in the next year. These include documenting historic markers, local festivals and historic tours, developing a local speaker’s bureau and bicentennial T-shirts, planning a gospel sing and establishing and publicizing a calendar of events surrounding the county and state celebrations.

A cross section of residents in St. Clair County make up the Bicentennial Committee in addition to the subcommittee. They are: Shirley Phillips of Argo, Charlene Simpson, Rena Brown, Loretta Moore, committee secretary Elizabeth Sorrell and Eloise Williams, all of Ashville; Gaye Austin and Patsy Spradley of Moody; Joe Whitten, Brenda Riddle, Ann Coupland and Jennifer Forman, all of Odenville; Danny Stewart, Deanna Lawley, vice chair Gaston Williamson, Latoya Orr and Andy Eden, all of Pell City; Marie Manning, Pat Ford, Gerri Bunt, Sandi Maroney and Jerry Sue Brannon, all of Ragland. Gary Hanner of Riverside; Nancy Tucker and Carol Waid of Springville and Rosemary Hyatt and Sharon Ingle of Steele.

Making Alabama: A Bicentennial Traveling Exhibit will feature eight periods of history that defined Alabama as a state and the decisions and turning points that shaped what the state would become and will be, according to the websites promoting the Bicentennial celebration.

They are:

Pre-history to 1700, natural environment and an introduction to the exhibit.
1700-1815: The Creek War and Statehood
1815-1860: Settlement and Slavery
1860-1875: Secession, Civil War and Reconstruction
1875-1940: Political Power and the Constitution of 1901
1940-1965: World War and Civil Rights
1965-1990: Economic and Social Adjustment
1990-2020: Our Alabama

On May 5, the three-year Bicentennial celebration kicked off in Mobile, near the site of Alabama’s first state capital, St. Stevens, with another historic first – an introduction by Gov. Kay Ivey, Alabama’s first Republican female governor. “Why is it Alabama is sweet home?,” she asked the crowd. “Because of the innovation and fortitude of our people.”

That innovation and fortitude will be honored and celebrated throughout Alabama over the next two and half years. In 2017, the theme will be “Exploring Our Places.” In 2018, Alabama will “Honor Our People,” and in 2019, the state will “Share Our Stories.”

Alabama Humanities Foundation and St. Clair County will follow suit with celebrations of their own through this traveling exhibit.

Through interactive displays, historic photographs, art and narratives that delve deep into Alabama’s history and the people – some known, some not-so-famous – Alabamians and St. Clair Countians alike who helped shape that history.

The state exhibit is expected to tell the stories behind the stories about the people, places and cultures that made a difference in Making Alabama.

“St. Clair, a county older than the state, is an integral part of that story,” Furr said, “and we are proud to be a part of launching this historic exhibit.”

Editor’s note: For more information and resources associated with the exhibit, go to www.makingalabama.org. For more on the Bicentennial celebration activities throughout the state as well as resources, go to www.alabama200.org.

Springville Museum

Quest to Preserve Past a Labor of Love

Story by Jackie Romine Walburn
Photos by Michael Callahan

Designed and curated by history-loving volunteers, the Springville Museum takes visitors on a tour of people, events and artifacts of the St. Clair County town named for its natural springs, known for its historic downtown and a famous son who had a TV pig named Arnold.

Located at the 1903 downtown building that once housed Masonic Lodge No. 280, the Springville Museum opened in the fall of 2015. Volunteers with the Springville Preservation Society staff the museum when it’s open to the public the first and third Saturdays each month and on special occasions, says Museum Director and volunteer Kathy Burttram.

“We are very proud of the museum and want everyone to come see what we’ve accomplished,” says Burttram, who adds that Springville volunteers and expert advice from the Alabama Department of Archives and History helped get the museum ready for visitors.

Two Masonic Bibles, an antique Masonic emblem and signs from the turn-of-the-century building are displayed behind the museum counter and gift section. This section also features artwork by artist Clay Allison, including intricate watercolor and line drawing prints of the town’s many historic building and homes, plus note cards and Christmas ornaments that are sold to benefit the museum and the Springville Preservation Society. Allison, a volunteer himself, also designed the exhibit signs and museum of city history signs out front on Main Street.

The society owns and operates the museum plus a recently refurbished 1800s cabin they call the White House, which will be the city’s welcome center next to city hall, and the 1921 Rock School.

Initially called Big Springs about the time the first church was built in 1817, the town’s name changed to Pinkhill in 1833, when the first post office was established, and officially became Springville in 1834 and incorporated as a town a generation later in 1880, according to the Encyclopedia of Alabama.

Museum sections include a children’s area, a vintage kitchen, a music room, plus exhibits on famous Springville folks of note, military veterans, businesses and schools, including the first grade to college academy, established in 1861 and later called Springville College, that attracted college students from throughout the southeast until it was destroyed by fire in 1912.

The CHILDREN’S exhibit is an interactive space with rotary phones and their corded touchtone cousins, plus manual typewriters, vintage board games and children’s books. The Preservation Society wanted an area where children could experience things from the past and stay busy while adults tour, Burttram says. The museum plans to continue the “Children’s Day at the Museum” program started last summer by society president Frank Waid, with interactive activities and stories on a summer date to be announced.

The KITCHEN exhibit – designed by Sally Golsby, Sandra Tucker and Carol Tucker – is centered by an antique Norge refrigerator, on loan by Frank and Janis Price. Antique dishes, a wooden ironing board and iron complete the display that looks like your grandma’s or even great-grandma’s kitchen.

A LIVING room exhibit, also called the music or church area, was developed by volunteers Gail Hammonds, Sara Trotter, Kathy Burttram and Donna Davis. They created a nostalgic music parlor highlighting an antique piano and organ, surrounded by antique velvet furniture and hymnals, song books and sheet music dating back a century or more.

The upright piano was originally in the Forman Street home of James L. Forman and his son, the late St. Clair probate judge Ward Forman, and is on loan from Forman descendant Lew Windham. Next to the piano is an ornate organ, circa late 1800s. The organ was originally in the parlor of the McGee family from Lamar County and is on loan from a descendant, Evelyn Criswell of Springville.

A CAMERA exhibit, developed by volunteers Clay Allison, Donna Davis and Ed Bruchac, includes a display case of vintage still and video cameras on loan or donated by local folks. These include 35 mm and the wider 110 mm cameras and the film and film canisters that were commonplace before the advent of digital photographs.

A 1921 one-tube radio rests on top of the camera display.

Appropriately, on the wall near the camera display case are framed play bills from the Springville Theatre, a movie theater that changed movies every two days back in its heyday in the 1950s. Donated by local resident Janet McBroom and preservation society volunteer Carol Pearson Waid, the posters show the movies that were at the downtown theater with original play bill artwork. Some posters include notations handwritten by a young Mrs. Waid, who noted who she went to the movies with. Teasing her about her teen-age record keeping on the movie posters, Burttram says, “Somebody told Carol, ‘I didn’t know you dated so many different people.’”

Carol Pearson Waid and her husband, society president and Vietnam veteran Frank Waid, helped put together the MILITARY exhibit which includes armed services uniforms dating back to World War I plus some Civil War documents. “We have been so fortunate that as word got out about the different exhibits being put together, people would just bring items to loan or donate,” said Burttram.

This was true of many exhibits, particularly the military ones, which includes a wide variety of armed services uniforms, plus battlefield letters to and from home and other sentimental items from military families.

Frank Waid, who was a helicopter pilot in Vietnam and served in combat again in the Desert Storm conflict, loaned Vietnam era items. These include a tail rotor blade, signed by servicemen, from a UH1N twin engine Huey helicopter used by special operations forces in Vietnam. Waid also loaned for exhibit his Vietnam Flying Squadron party jumpsuit worn at celebration parties after successful completion of exceptionally long or difficult missions. The unofficial jumpsuit, with its star-spangled peace sign patch, was from the 20th Special Operations Squadron at Cam Rahn Bay in South Vietnam.

At museum center is a full-sized metal traffic light from downtown Springville, complete with bullet holes. The ragged bullet holes in the light’s thick metal frame came courtesy of a nearby resident who got frustrated with the red-yellow-green lights shining in his windows and tried to shoot them out more than once.

A BUSINESS exhibit includes an antique cash register and scales and one of the “premium” bowls customers could earn by trading at Bud’s Dollar Grocery store. The bowl was shared with the museum by the Joe and Helen Sarusce family. The Pearson sawmill, founded by Carol Waid’s grandfather, is featured as being the largest employer in Springville during its peak period prior to its closing in the 1960s. Pearson Hardware, the Simmons sawmill and an old barbershop pole, on loan from the Ricky Hill family, are highlights of the business exhibit designed by Kathy Burttram and Donna Davis.

An exhibit on the Springville Skating rink, includes a giant rotating disco light and sign from the skating rink ceiling. Skates are on loan from Carol Waid and Carol Tucker.

A MEDICAL section features Ash Drug Store, pharmacist Dr. Harold Bettis, and local physicians, Dr. Robinette Smith and Dr. James McLaughlin, and includes a syringe kit from about 1900 and other antique medical items.

The Springville Museum name drops with a FAMOUS PEOPLE exhibit. Noted Springville natives include Hank Patterson (1888-1975), an actor who portrayed Fred Ziffel on TV’s Green Acres, a character known for his pet Arnold the Pig, and had a recurring role on Gunsmoke.

There’s Margaret Byers, an actress, musician and “little person,” who starred on Broadway, including playing a munchkin in a Broadway production of The Wizard of Oz. Miss Byers later taught first grade back home in St. Clair County. And, there’s Springville-born cartoonist Milton Caniff who created the Steve Canyon comic strip.

Springville natives who made their mark in the sports world include Arthur Lee “Artie” Wilson. Wilson was a shortstop and left-handed hitter whose .402 mark with the Birmingham Black Barons in 1948 is thought to represent the last time anyone at the top level of professional baseball broke the .400 barrier.

Springville sports notables include Brandon Moore, who played baseball at Auburn University and played and coached on a number of professional baseball teams, including the Kansas City Royals and Chicago White Sox organizations. He also had a coaching stint with the Birmingham Barons.

The exhibit also includes native son Randy Howell who brought fame to St. Clair County when he became the 2014 BASSmaster fishing champion.

In politics and public service, Springville’s Marilyn Quarles was the first modern day female member of the Alabama House of Representative when she was elected as a Democrat in the 1970s. She was also a teacher, and her family owned the town’s Dairy Dip and Springville theater.

Noted among local politicians is James Clarence Inzer, an attorney who served in the state senate and board of education in the 1920s and 30s and as Alabama lieutenant governor from 1947-1951.

Also featured is current state senator for District 11, Dr. Jim McClendon, a Vietnam veteran, retired optometrist and member of an original Springville family.

The museum also recognizes Springville families with FOCUS FAMILY Tree display that rotates every three months. Recent focus families are The Charles Lovett and Mildred Terry Herring family and the James Shelby and Emma Tucker Jones family.

Another display tells the story of a train derailment in 1969 that shook the town and destroyed the depot. On January 16, 1969, a train carrying propane tanks derailed at the Springville Depot and hit additional propane gas tanks that then exploded. Firefighters from from as far away as Birmingham and the National Guard responded to help fight the blaze. Although damage to the town was considerable, and 400 people were evacuated from their homes, no one was killed.

SPRINGVILLE SCHOOLS display, designed by volunteer Donna Davis, features a 1929 yearbook for the Springville High School Tigers and pictures of classes from the 1950s and earlier.

UPSTAIRS at the museum, volunteers work organizing reference and research materials to be used for genealogy searches. New Springville resident Paulette Kelly is helping to organize materials, including ledgers and vintage books for the upstairs section. Springville native Sandy DeBerry is another volunteer helping to ready the archives and reference areas.

“It’s fun learning the history of Springville as we go along,” Paulette says

“I love history and love the small town I grew up in,” says Sandy DeBerry. “Preserving history is important work.”

A plat map cabinet upstairs, donated by the Tucker family, will be used to store maps, large ledgers and bound copies of the St. Clair Clarion, a weekly newspaper that operated through the late 1980s.

To learn more about protecting the artifacts and treasures displayed and available for reference upstairs, museum volunteers visited the state’s department of archives and history, where Museum Services Director John Hardin was particularly helpful, Burttram says. In turn, state Archives staff visited the new Springville Museum.

That relationship helped the museum volunteers know to apply for a small grant from the state archives. The grant helped purchase a dehumidifier, tinting for front windows and archive supplies to store scrapbooks, ledgers, journals and old photos.

Projects taking shape upstairs also include work on a book about veterans of St. Clair, the design of a display using the electronic bell from the Methodist Church that still chimes, and creation of a music display featuring donated albums and sheet music. Two types of pews original to the Masonic Lodge are upstairs along with a quilting frame still to be developed into a display.

Burttram says anyone interested in volunteering or helping with or participating in the St. Clair veteran booklet can contact her at kpburttram@hotmail.com.

Other Museum volunteers who have helped with bookkeeping, cleaning, remodeling, painting and more include Millicent Yeager, Glenn Miller, Crissy Sharp, Harold Riker, Tami Spires, Sandy DeBerry and Society secretary-treasurer Sean Andrews.

Workforce Development

Learning the job on the job

Story and Photos by Graham Hadley
Photos courtesy of Garrison Steel

When he was growing up, John Garrison’s greatest challenge was to work his way up from high school student to one day owning an industry-leading metal fabrication and erection company.

Today, that company, Garrison Steel, employs more than 200 people in Pell City.

Now he has a new challenge – finding skilled workers from a dwindling workforce to fill the jobs at his company, which has been responsible for the construction of buildings across the Southeastern United States.

So Garrison has come up with a plan to help his company and the workforce grow by building a training classroom at his facility.

The problem

For decades, people working in skilled trades, everything from metal fabrication to construction, plumbing to welding, were usually trained, almost apprentice style, by the previous generation.

But as the focus in secondary education turned more and more to two- and four-year college prep, fewer and fewer people were training in these essential skill areas, Garrison said.

That focus, combined with a general social impression that factory and construction jobs were dangerous and somehow less desirable than professional employment, has resulted in a serious drought of skilled workers at a time when the economy is expanding, particularly in this region, and exactly those trade skills are needed the most.

Existing skilled employees are gradually aging out of the workforce and, for the past couple of decades, few people have been stepping up to fill those positions — despite drastically improved work conditions and good pay, Garrison said.

“I am one of the last. My generation is the last of the people trained by skilled union laborers in our jobs,” he said.

Over the last few years, backed by the National Center for Construction Education and Research formed at the University of Florida, St. Clair business leaders like the Economic Development Council and education officials from Jefferson State Community College and the Pell City School System have made great strides in workforce development, offering high school and college students training in exactly those skills that are needed most.

And they did not do the work alone. Businesses across the board, from manufacturing and construction like Ford Meter Box, Goodgame Construction and WKW Automotive to medical offices and other companies have stepped into the partnership to provide the training and jobs for the students.

Taking the program in-house

From the beginning, Garrison and other industry leaders recognized they needed partnerships with local educators, both at the secondary and post-secondary levels — and they found exactly what they were looking for in Jeff State and the Pell City School System, he said.

Forming that partnership has been a struggle to get similar programs off the ground all over the country, but not in St. Clair, Garrison said.

While that partnership laid the foundation for initial job training — teaching students how to weld, construction techniques, OSHA safety standards and the like — the basic tools they would need to get their foot in the door after high school, Garrison wanted to take the process a step further.

“So in June of 2016, I asked Jefferson State to meet with seven area high schools to discuss a pilot program to take up to 25 high school students in dual enrollment and begin teaching out of the NCCER Ironworking curriculum. They all agreed and in January began the first ironworker program four hours per day, five days a week for 16 weeks,” he stated in a press release.

“Money for books and a classroom at Jefferson State Pell City for the first eight weeks was funded with Federal Perkins Grants, and the second eight weeks were at a newly built training center at Garrison Steel, where students learned theory and hands-on with welding, cranes, rigging, fabrication, oxygen and acetylene cutting, and much more.”

The first class finished up at the new facility at Garrison Steel as school wound down for the 2016-2017 year, and Garrison sees it as nothing but a great success and a huge step forward for the workforce development initiative he and the other business, education and industry leaders have been working toward.

“Our classroom is set up to do half theory and half practical. We integrate practical in nearly every day’s classroom experience, which breaks the monotony and adds to the connectivity in what they are reading.”

He said that appeals to students who are interested in learning the theory behind the work they are doing with their hands, but also is an ideal environment for those students who may not like a traditional classroom environment.

“Many kids don’t like book-work because they cannot see the connection between theory and practical. So, as a teacher this year, my goal was so that when they read, and there was a lot of reading, that we stopped often enough to see real-world applications and for them to connect.”

The only thing Garrison said they were not able to do this year, and that they will have next year, is a steel tower where students can practice and learn with safety and other rigging equipment in a real-world environment.

“The students will be training off the ground with safety equipment.”

What’s next

This is only the first step, for Garrison’s teaching center and for the students.

Now that they have cemented a relationship with local schools, he wants to reach out to people already in the workforce who have the skills training but not the theory behind what they are doing.

“This year our program captured those students who are available because they are in school. We have figured out how to utilize those students and train them. The next challenge for the fall classes is to figure out how to integrate what we call incumbent workers, those who are out there, already with jobs, sometimes at distant job-site locations, that have only the practical side of learning and virtually no theory to their learning.”

And those students won’t necessarily have to come to Garrison Steel or Jefferson State. Garrison has plans to use the Internet and distance learning to help train workers at their job sites.

The students have received their entry-level training this year, but there are many more classes and options available to them down the road.

“The theory is this — these guys who are going to graduate high school want to get out and get a job in the workplace, but that is just a start. In describing it, I try to play a movie in their head: ‘You get really good at what you know how to do skill-wise. Then you become capable of managing those skills of others, learning another new role in the company.’

“As the company grows, we need new managers. As time goes by, older guys like me age out, and we fill those positions from the bottom up. That is the theory, the process we tell these guys,” Garrison said. “We want them to be able to work all the way up to owning their own company one day.”

And as you learn one skill, more open up to you — in the workplace and in college.

“Just because you start out a welder does not mean you have to be a welder for the rest of your life,” he said.

“I have explained to my students that you know more technical aspects of our business than many of the people who have been working in the field for six years or more. They have a practical advantage over you, but you are learning the more challenging part, which is theory, and you will get the practical experience once you are hired.

“Now you have a distinct advantage over the incumbent workforce and have a pathway to higher positions later in your career.”

Payoff for students
and business

The move is not entirely altruistic. Garrison readily admits that having a skilled workforce at his disposal can save money and cut down drastically on job time. It also creates an overall safer work-site environment.

“The cost of labor is driving up the cost of construction. The cost of labor does not necessarily mean higher wages,” he said. The longer it takes to complete a job, the more expensive the project is.

“What a skilled workforce can do in three months might take an unskilled workforce four months to do. The problem is not a lack of workers; it is a lack of skilled workers.

Students who have enrolled in the program and are working for Garrison are similarly reaping the rewards of their efforts.

David Graves, who has previously talked about his experience at Garrison Steel soon after his graduation, has taken part in some of the classes and continues months later to move down the career path he has embraced.

“When he added the welding school, I took that. I was in processing before, now I am in welding, and that is going in the direction I want to be in,” he said.

“I want to learn more about fabrication, and welding is a step in that direction. …”

And it is the combination of classroom instruction and hands-on that is making all the difference.

“It really helps going through the class, giving you an understanding, but it won’t teach you to weld by itself. You learn that on the floor, learn from trial and error, grinding out your mistakes.”

Down the road, Graves hopes to move up to a supervisor or quality control position.

“There are classes for that at college. That opens doors like project manager.”

Matt McCrory is another employee who has benefitted from the multifaceted training program.

He has been at Garrison for two years now and has worked his way to an office position, lotting, where they break down the different design drawings into their components, which makes fabrication easier and more organized.

He originally took the welding course at Jefferson State and has continued his training at Garrison.

“That class helped me read the drawings. That is the biggest thing: Since I mostly read drawings, how things are applied, how they are used, how they are built,” McCrory said. “If I don’t know how to read the drawings, I can’t do my job.”

He plans on continuing to work at Garrison, but also sees more college in his future at Jefferson State, focusing on business administration.

“The lessons I have learned here will help in college,” he said, adding that he definitely has a better idea of what he wants his career path to be now that he has been in the workforce. Something he said was very much lacking when he was a senior in high school.

One graduate of the class, Alex Bowman of Pell City, is still in school but is already on the job.

Bowman is a 17-year-old who just finished his junior year and is working at Garrison Steel.

And he already can see his path ahead.

“I am looking at doing this for a career, definitely something as an ironworker with Garrison Steel,” he said, pointing to the owner as an example. “Seeing Mr. Garrison’s investment in us makes me want to work harder, to one day get to the level he is at. It’s very inspiring.”

Studying in the class and working at Garrison has been ideal for Bowman, who readily admits he is not a fan of traditional classroom environments.

“I am not very good in a classroom. You can learn the idea of what you want from a book, but hands-on, you actually learn how to do it,” he said.

And because he now has some certification under his belt, he has options.

“NCCER was a huge step up for us when it came to the ironworker program. It means, when you graduate, you have jobs waiting for you. Having your core training shows a lot of employers you have the ability and intentions to step up and get ahead in the game.”

Return on Investment

“I know for a fact that a one-dollar investment in training returns three in productivity. … It’s not altruism; it’s survival,” Garrison said.

He is quick to point out that he is not the only one investing in the program — support he could not have made the new classroom work without.

“Red-D-Arc Welders are a major contributor to our program with welding equipment donated. The additional supporters of our program are NUCOR Steel, Cobb Wire Rope and Sling, NEX AIR, and Lincoln Electric and Service Construction Supply (SCS),” he said.

Between that kind of support and the growing partnership with education, business and organizations like the EDC, Garrison sees a bright future for workforce development in St. Clair County.

Harry Charles McCoy

From the Heart

Story by Jackie Romine Walburn
Photos by Graham Hadley
Contributed Photos

Friends and co-workers describe Harry Charles McCoy as a hardworking, dedicated, humble, compassionate “gentle giant” with unfailing integrity, a man who started work at age 12 and whose determination and caring spirit helped him become an enterprising business man and highly-respected father, grandfather and community member.

The 68-year-old is probably best known in his hometown of Pell City for his infectious smile, a lifetime of helping others and being the longest-serving employee of Kilgroe Funeral, with more than 55 years on the job and counting.

Harry Charles was 9 when his father, Blois McCoy, died at the age of 37, leaving his mother, Josephine McCoy, with eight children to raise. Vowing to aid his mother, Harry Charles stepped up to help for the first of countless times, going to work doing odd jobs around town and at the Lee Motel, where his mother was employed.A 12-year-old Harry Charles was cutting grass at the motel when a friend of the Kilgroe family asked him if he’d like another job. “I said, ‘Yes ma’am.’ That was 1962, and I’ve been here ever since,” says Harry Charles.

Jane Rich Kilgroe vividly remembers meeting young Harry Charles when she came to visit her then-boyfriend Sonny Kilgroe at the family business, Kilgroe Funeral Home, run by her future father-in-law, Joe Kilgroe. “I couldn’t get over him being just 12 and working seven days a week,” Mrs. Kilgroe says of Harry Charles. She says he grew to be like a brother to her late husband Sonny, a caring companion to Sonny’s mother, Mrs. Josephine Kilgroe, and a bonified member of the Kilgroe family. “I don’t know how I would have made it through after Sonny died, without Harry Charles,” says Jane Kilgroe.

Even after Sonny’s failing health prompted the Kilgroe family to sell the funeral home business in 1991 – with a clause in the contract that Harry Charles McCoy would have a job as long as he wanted one – Harry Charles remains an important part of the Kilgroe family.

Through junior high and high school, Harry worked every day, even while playing football at St. Clair County High School. “And he gave all his pay to his mother for the family,” Jane recalls.

Harry Charles cut the grass at the Second Avenue funeral home and washed cars. Soon he learned how to put up the tents at gravesides and take them down. Some days he came late to the funeral home, walking the 2 miles from home or riding his bicycle, once he got one, at almost dark after football practice.

“Folks asked me about it, if it bothered me working at a funeral home or being here at night,” Harry Charles recalls. “It never has bothered me. I’d lost family myself, and that’s one reason why I think it’s important to do all you can, to do the best for the families, to let them know you care. It’s the final thing you can do for a family.”

About the time that 12-year-old Harry Charles started working at the funeral home, so did Barnett Lawley, who had also lost his father at a too-young age. “We were in the same shape, trying to work to help earn money,” say Lawley, who was a few years older. A quick, lifelong friendship resulted. “We were close good friends. We went hunting together, went to each other’s football games. Everything was segregated then, but we didn’t know or care.”

Lawley remembers when he, Harry Charles and Sonny Kilgroe would take the flower van – on a free day when there was not a funeral – and camp out together at Huckleberry Pond.

 Now, 50-plus years later, Lawley, a businessman who served eight years as Alabama’s Commissioner of Conservation and Natural Resources in Gov. Bob Riley’s administration, says his respect for his childhood friend has just grown. “I can’t put into words how much I admire him.”

Lawley calls Harry Charles an example “of what we all should be. He’s always hustling, working hard for his family and friends. He thinks about others first and is absolutely a leader in this community.

“Harry Charles is the kind of friend you know will always be there for you.”

Stories about Harry Charles’ determination, hard work and caring spirit come quick to those know him. There is the time when Harry turned 16 and Joe Kilgroe said, “Harry, you need to get your driver’s license,” and Harry Charles took off and ran to the courthouse and ended up taking his driver’s test in the state trooper car of the late Trooper George Gant, who insisted on paying the license fee.

Once he was 16 and had the license, Harry learned to do more and more jobs for the funeral home. “Mr. Joe told me that if I’d graduate high school, I’d always have a job, and I have,” Harry says with a grin. “They’ve been like family to me many years.”

He grew up side by side with Sonny Kilgroe, who was a few years older and taught Harry how to do most every job at the funeral home. “We were always working together. He helped me, and I learned a lot. Mr. Sonny was like my brother,” Harry says. Sonny died in 2015. “I’ll never stop missing him.”

It was 1986 when Harry Charles began opening and closing graves for the funeral home, first by hand, which was standard then. Former co-worker Terry Wilson, who now works at Ridout’s Valley Chapel at Homewood, recalls Harry Charles working a full day at Kilgroe, then going to hand dig a grave for a funeral the next day. “I’d go check on him, and it’d be dark, and he’d have the truck lights shining on him, still digging by hand, late into the evening.”

With time, Harry devised a way to use a trailer pulled behind his truck to smooth out the dirt before the service “because it bothered him for the families to see a pile of dirt,” Wilson says. Next, Harry Charles began using a ditch witch, then power equipment and today has a fleet of equipment – including three dump trucks and a tractor – and his own business opening and closing graves in St. Clair and other counties.

He’s built his own business, all the while serving others and having a love for what he does, for his community and for the families he serves, Wilson says. “He has the best attitude and work ethic. In my lifetime, I’ve never known anyone I respect more than Harry Charles McCoy.”

Another story revolves around one of those trucks, a low-mileage truck Harry found at a local dealership traded in by actor Jim Nabors, who needed a bigger truck for work on his sister’s nearby farm. “Harry always called that truck Gomer Pyle,” says Jane. “He still has Gomer Pyle.”

At the center of many Harry Charles stories are his concern and service to families being served by Kilgroe Funeral Home.

“When my stepfather died,” recalls Teresa Carden, “Harry Charles pulled my car around back and washed it while I was inside at the service, so my car would be polished in the procession. How awesome and thoughtful was that?” Carden adds, “He is sincere and hardworking to the core.”

Jane Kilgroe recalls that when she and Sonny were about to get married, Sonny was so nervous that Harry Charles packed Sonny’s suitcase for the honeymoon. “That’s how close they were,” Jane says.

Soon Harry Charles came to Mr. Joe and said he’d found himself a girlfriend, Jane says. Harry and Linda Sanders were married at the courthouse and soon began their family. Today, he and Linda, who is retired from working with the Kilgroe family at home and at Josephine’s antique shop, have 48 years of marriage and seven grown children.

They are Harry Lamar McCoy, who served 32 years in the military, is still in the reserves and works at ACIPCO in Birmingham; Sabrina McCoy Wilson, a school teacher in Michigan; Charles McCoy, who works at Norfolk-Southern Railroad, and Malinda Fomby, who works at DHR in Pell City. Also raised in the McCoy household and counted among their children are nephew Nicholas Dante McCoy, who works at Norfolk-Southern, and grandsons Javoan McCoy and Montez McCoy, who both work at ACIPCO, and granddaughter Shayla. He and Linda now also dote on a great-grandson and a great-granddaughter. The family attends Rocky Zion Missionary Baptist Church.

All in the family

Friends brag, too, about Harry and Linda’s family. “They taught their children a strong work ethic, good manners and to be respectful,” says Buddy Spradley, Jane’s nephew who taught McCoy children during his 20 years teaching elementary art at Iola Roberts Elementary School in Pell City. He adds, “And, Harry, he’s as strong as an ox, but his heart is even bigger.”

Working for Sonny’s Czechoslovakian mother, Josephine Bukacek Kilgroe, at her antique shop by the funeral home and the family home, Harry Charles needed that strength.

“We’d get truckloads of antiques at once,” he says. Lots of heavy lifting, setting them up, cleaning and polishing the furniture, “only with Johnson’s Paste Wax,” Jane adds.

Miss Josephine was a joy, Harry says. “I knew how she was and we got along very well.” Another Harry story friends tell was about the night Pell City’s power was out all over town and Harry Charles didn’t get an answer when he called to check on Josephine. He rushed to her house, and having a key she gave him, went in and found Mrs. Kilgroe on the floor with a broken shoulder, unable to move. “It scared him to death,” Jane recalls. “Josephine kept insisting she had to be moved. He called the ambulance and picked her up and laid her on the couch, this couch right here,” she says.

After the fall and surgery, Josephine, who was 86, had to go to a nursing home for rehabilitation, with 24-hour RN care.

Linda McCoy was there with her often, too. “She wasn’t happy at first until she figured out she saw more people in a day there than a week at home. Harry went to see her every morning – he had helped her with breakfast every day at home – and fixed her coffee like she liked it and began the habit of taking Josephine’s clothes to the dry cleaners because she liked nice clothes, and he continued to do that until her death in 2006 at age 94. Then the family and Harry and Linda did the work to close down Josephine’s antique shop.

Another Harry story Jane likes to tell is about how Harry built his family’s seven-bedroom home in Pell City from a one-room house owned by his grandmother and deeded to him along with 8 acres of land. Harry added on with every child, and today the home is filled with antiques from purchases or gifts from the antique shop and from broken or reject pieces that Harry repaired or refurbished or one of his friends did. There are cows and horses on the 8 acres now, too.

Today, Harry Charles begins his days checking on Jane Kilgroe. They are best friends, too, she says. They have breakfast and talk about their days, about old times, about Sonny, and Josephine and Joe, about Linda and their children, grandchildren and greats.

Jane Kilgroe, Barnett Lawley and many others in Pell City have longs lists of things Harry Charles did for them and the ways they admire him. For Harry Charles’ part, he says he enjoys “helping people and doing what I can for others.”

He says he believes “it’s an honor and great privilege to do for other people. My mother was that way, too,” he says. “She used to say if you can’t help, don’t hinder. I try to do my best for people. Helping is from the heart.”

Opry Lives on in Gallant

Story by Elaine Hobson Miller
Photos by Susan Wall

Late in the evening, about sundown,
High on a hill up above the town,
Uncle Pen played the fiddle, Lordy, how it would ring,
You could hear it talk, you could hear it sing.

Bill Monroe’s Uncle Pen would have felt right at home at Old Valley House in Gallant. That’s where local bluegrass musicians gather for a monthly jam session every first Friday. With their guitars, mandolins, banjos and the occasional Dobro and fiddle, a stage-full of homegrown performers makes the rafters ring and the audience sing to old-timey tunes. Some of those tunes are mournful, some are spirited, but all are certified crowd pleasers.

Adron and Joyce Willingham and their son, Mark, turned Adron’s 200-year-old, four-room family home in Gallant into a tiny version of the Grand Ole Opry. They knocked out a wall between two of the rooms, built a small stage, brought in durable, hard-plastic chairs and a sound system. The people started coming. The music officially begins at 6 p.m., but the musicians start straggling in about 5:30 to tune up. The room seats 40-45 people. It’s free, and anyone is welcome to come and play, sing or just listen.

“Last month, there wasn’t even standing room,” Joyce Willingham says at the April event.

Although the venue is never referred to as a version of the Opry, the front of the main room bears an uncanny resemblance to its Nashville godmother. Three steps lead up to the small stage. In front of those steps, there’s a table with two- and five-pound bags of Martha White Flour, one of the longest-running sponsors of Grand Ole Opry segments. There’s even a fake microphone patterned after the real one in front of the Opry stage, only the Gallant version has the letters WAM printed vertically on each side. Any traditional country music fan worth his Ernest Tubb albums knows the Opry is broadcast by radio station WSM. Joyce explains. «That’s for Willingham, Mark and Adron,” she says. «They left me out.”

Her husband says this is the oldest house in the Greasy Cove valley. It’s where he spent some of his pre-teen years, until his family moved away. In 1964, he returned and bought the property. He built a house behind the old one. In 1989, he started the Friday night jam sessions. “We had one every Friday night for 10 years or more, then we stopped for a while,” Adron says. “We started back with every first Friday about 10 years ago.”

Old family (Willingham) photos and pictures of previous jam sessions line the walls of the main room, along with LP album covers and stringed instruments such as mandolins, guitars and dulcimers. A strand of Christmas garland laced with red and white bulbs drapes the weight-bearing ceiling beam between the stage and seating area. Overalls hang on what used to be an entrance door, while framed, original posters of shows by Hank Williams and Flatt and Scruggs hang on the wall behind the stage. Overhead, two ceiling fans are ready to stir the upcoming summer air, while 45 RPM records dangle from the ceiling.

 Regulars greet each other like the old friends and relatives they are. Light chatter goes on throughout the session, but it doesn’t seem to bother the musicians or other audience members. Most nights, five to seven musicians show up and sit in chairs in a semi-circle on the stage. Tonight, there are nine. Larry Battles plays mandolin. He has come to these jam sessions since they started. James Keener and Phillip Mulkey play several stringed instruments, while Mark Willingham plays guitar and banjo. Jerry Womble plays 12-string and six-string guitar. Most of the musicians are members of gospel and/or bluegrass bands. Mark and Phillip, for example, are part of The Backwoods Boys, a group that plays at churches and festivals throughout the South.

At the Old Valley House, they play classics such as, Nine Pound Hammer, Shotgun Boogie, Fireball Mail, Where the Soul Never Dies, Sweet Bye and Bye, and I Saw the Light. A few audience members sing along with them on the gospel songs.

Phillip Mulkey does vocals occasionally. He sits stage left, facing one of three microphones. When he sings, others join him, some providing vocal harmony, all doing instrumental backup. Someone yells out, “Do The Preacher and the Bear.” Keenor obliges, but can’t recall all the words. Some folks on the back row of the audience start a discussion about who recorded that one. A newcomer remembers it was Phil Somebody, but when she tries to Google it, she discovers the house is in ‘Cell Hell,’ with no service except in certain areas of its yard. (Turns out Phil Somebody was Phil Harris.)

Jesse Wright sits in for a short while, playing guitar. His wife, Alice, is in the audience with their two sons, Gavin, 3, and Garret, 7 months. The boys are clapping in time to the music. “That’s Daddy,” Gavin says to the stranger seated next to him. The stranger, also a newcomer, turns to his mom and says, “You know what’s missing?”

 “No, what?” Alice responds.

“A fiddle.”

“I play fiddle,” she says. “Just not tonight.”

A man in the audience shouts out, “Get That Wildwood Flower going on that banjo,” and the guys crank up an instrumental version of the old Carter Family favorite. Mark Willingham jumps in with his guitar to play the part Mother Maybelle Carter did on her trademark autoharp. “Hey, Phillip, let’s hear that new instrument you got,” someone else yells.

 “I’ll get it in a minute,” Phillip replies.

 Soon he pulls out a tiny, handmade instrument he found at a garage sale for $2. Neither he nor anyone in the audience knows what it is. It’s about the size of a mandolin, but its body is skinnier. He says it originally had 10 strings that he replaced with mandolin strings. He plays it like a mandolin, too.

At 7 o’clock, hats come off and the retired Rev. Darwin Cardwell blesses the food that people brought. One by one, folks stroll into the kitchen and chow down on pimiento cheese sandwiches, chicken-salad sandwiches, pigs-in-a-blanket, hot dogs, store-bought mini-cupcakes and homemade German chocolate cake. It’s like a church potluck, but with finger foods instead of casseroles. The small kitchen is cramped, with its wood-burning cook stove, cabinets, two tables laden with food and another with coffee and soft drinks. Iron skillets hang from the walls, and a shelf holds old clay crocks and a cookie jar.

After supper, Adron takes to the stage and channels Roy Acuff by singing Dust on the Bible and Wreck on the Highway. Adron’s brother, Rayburn Willingham, follows with The Great Speckled Bird, another Acuff number. Then the group breaks into, “Kaw-Liga,,” one of the last songs recorded by Hank Williams before he died in the back seat of a Cadillac.

Jerry Battles says his late father, Arvie, helped found these jam sessions. He points to a photo of Arvie on a table beneath one of the glass-enclosed guitars on display. “He lived for this Friday night,” Battles says.

More bluegrass, country and gospel songs spill out. The audience softly joins in on Build My Mansion Next Door to Jesus and In The Sweet Bye And Bye.” The repertoire tonight includes Old Rattler, Rocky Top, and Dueling Banjos,” before Vernon Bishop does his instrumental version of I’ll Fly Away on the Dobro.

Adron goes outside, then comes back in with an arm load of logs. During winter and chilly spring cold snaps, he keeps a fire going in the fireplace of the main room. Old-timers recall when homes like this were heated by fireplaces. «You’d stand facing the fire and fry your front, then turn around and fry your back,” one woman commented

“Hey, Joyce, remind me to bring those folks leaving now some bush onions,” Phillip Mulkey yells from the stage as a couple gets up to go.

“I got some, too,” Joyce answers. She explains to the newcomer that bush onions are like green onions, but are grown in the winter.

The April session breaks up at 9:15 p.m., about 45 minutes earlier than usual. Rev. Cardwell prays a dismissal blessing, asking God to see everyone home safely. Several “amens” follow his, and folks start drifting out in twos and fours. Already, they can’t wait for the next first Friday.

Generations of Business

Harbison’s Tire and Auto Service
Sylvia’s Birdbath and Beyond

Story by Elaine Hobson Miller
Photos by Graham Hadley

On the surface, automobile tires and motor oil have absolutely nothing in common with bird baths and concrete statuary. In Argo, however, they are the products of two independent, family-owned shops that share a similar history.

Harbison’s Tire & Auto Service is owned and operated by the Harbison brothers, who brought their dad’s 46-year-old shop to Argo from Roebuck in 2006.

Sylvia’s Birdbath & Beyond is owned and operated by Sylvia Johnson, who sold her grandfather’s concrete statuary at the Mini Market she and husband Jerry ran near Trussville before opening at her current Argo location.

Each business represents three generations of family involvement. Combined, they’ve been serving the people of east Birmingham and St. Clair County for almost 100 years.

The late Jack Harbison, a former airline mechanic, founded Harbison Automotive Service in 1960 in a two-bay Texaco service station in the Birmingham community of East Lake. He pumped gas for his customers and did small automotive repair services. He also washed cars, repaired flat tires and handled local road service duties.

Each of his four sons was introduced into the business during his teenage years, and three still run the place today. Their only sister, Charlotte, joined them in 1997 when she retired from a real estate career.

The business moved two times while in Birmingham, its last location being a six-bay repair shop in Roebuck. The Argo facility, located at 769 Highway 11, is a full-service, eight-bay auto repair shop and retail tire center operated like Jack Harbison taught his family.

“We care about our customers,” says Brandon Harbison, the oldest brother. “We take care of our customers’ cars as if they were our own.”

The Harbisons left Roebuck because their customers were moving toward Trussville and Springville, and business was going down. After the move, many of those customers began drifting back. “Some of them had died, but their kids are coming in now,” Brandon says.

He and his brothers, Frankie and Kim, are proud of the fact that Harbison’s was the fourth independent auto repair shop in the state to get a computerized tire machine, called a Hunter Revolution, that does not touch the wheel while removing or mounting a tire. “We got it two or three years ago,” Brandon says.

Ricky Harbison is the only brother who didn’t stay in the automotive business. A third generation is involved and may take over when his dad and uncles retire.

“My son, Brady, has worked with us for 13 years, since he finished automotive school at Walker State Technical College,” Brandon says. “His wife, Candace, will be taking over administrative duties when Charlotte leaves this Spring. She’s retiring to live near her grandchildren in North Carolina.”

Harbison’s waiting area doesn’t smell of oil and grease, and the seats aren’t torn from old automobiles. “We provide an attractive and comfortable waiting area for customers with television and free WiFi,” says Charlotte. “We always have coffee and doughnuts, too.”

One of the perks of working for Harbison’s is a home-cooked breakfast and lunch each day. When matriarch Juanita Harbison was alive, she cooked them in the shop’s full-size kitchen and break room, wearing a red apron embroidered with her nickname, “Ettamomma.” (The name was the result of a grandson who couldn’t pronounce “Juanita.”) It wasn’t unusual for customers in the waiting room to be invited to these meals. Since Mrs. Harbison died in 2015, Frankie has taken over breakfast duties, and Charlotte prepares the lunches. It’s up-in-the air as to who will take over lunch duties when Charlotte leaves.

“I’ve been trading here since they came to Argo,” says customer Bob Norcross, who sweeps the shop each morning to “earn” his breakfast. “They have a real combination of old school and new school, and they live by the first rule of retail, ‘Treat everybody like you would like to be treated.’ It’s the only place I’d let my wife take her car by herself.”

Harbison’s is open Monday through Friday from 7 a.m. until 6 p.m., but has a key drop-box so customers can leave their cars after hours. Envelopes for the keys provide a place for customers to describe the service needed.

Another family legacy in Argo

Just as the center of Harbison’s business is family, the same holds true for another Argo mainstay – Sylvia’s Birdbath and Beyond. Sylvia Johnson’s sister, Hazel Harper, swears that if you were to cut Sylvia, the owner, she would bleed concrete. It’s because the material has been in her bloodline since her grandparents made concrete yard art in Maryville, Tennessee.

She and her husband, Jerry, ran Egg-A-Day, which became the Mini Market, on U.S. 11 between Trussville and Argo for 28 years. They sold the concrete yard art her parents made in a chicken house behind the convenience store. They shut that store down in 2004, then opened Sylvia’s Birdbath & Beyond at the intersection of the Argo-Margaret Road and Farm Lake Road. The name of her business was the suggestion of a customer.

“I bought my mom and dad’s molds, but I don’t cast anymore,” Sylvia says. “I buy from family members in Tennessee that still cast them and during road trips around the country. Casting is a hard job because of the weight, even though the pieces are cast in sections.” Jerry found some of the old molds in their basement, however, and may start casting ducks, pigeons and other small birds himself.

The giant painted, concrete rooster standing guard near one of her entrances has been Sylvia’s trademark for 40 years. Her aunt and uncle in Tennessee made him and two others. Sylvia sold one and gave the third to Hazel, who has cast a few pieces of concrete herself. “I’ve mixed it, poured it, took it out of molds,” she says.

Sylvia and Hazel painted the rooster, whose likeness appears on Sylvia’s business cards. “People stop and want to buy him, but he’s not for sale,” she says. “I have had two or three people say their mom has a photo of them on that rooster from when they were kids.”

The statuaries are displayed by theme, so the fairies, gargoyles and dragons are in one area, bunnies occupy another area, planters, picnic tables and fountains still another. You’ll also find a dog land, and a section devoted to elephants, tigers and other college team mascots. Her western section has steer skulls, horses and cowboys, while an occupational section features men in military uniforms, coal miners, pilots and police.

Scattered throughout the yard and spilling onto the driveway to her house (she lives next door) are gnomes, benches, crosses, stepping stones, concrete cacti, a small T-Rex, pet stones (for graves), a pink elephant and a 5’5” tall statue of Jesus. There’s also a small replica of Michael Angelo’s “David,” with a battered cloth fig leaf Sylvia added so customers won’t blush at the statue’s nakedness. “Everybody has to peek under that fig leaf, though,” Sylvia says, laughing heartily. Of course, there are several bird baths, and two shops of gifts and decor for inside the home.

Interspersed among the concrete yard art are plants in repurposed sinks and teapots, as well as traditional clay pots. The soft sounds of trickling water emanate from several fountains, and water plants thrive in the gaily-painted galvanized tubs Sylvia formerly used for live bait. “I was known as the ‘bait woman’ at the Mini Market and here, too, until 2015,” Sylvia says. “I stopped selling bait because my hours weren’t good for fishermen, who like to get up early.”

Sylvia’s Birdbath & Beyond is open from 10 a.m. until 5 p.m. Tuesday through Saturday, but people often stop and browse when she’s closed, Sylvia says. “The only time we’re open on Sunday is during our annual Mother’s Day sale.”