Looking for a high-energy evening that brings the community together while supporting a meaningful cause? Dancing With Our Stars, Pell City’s version of the popular television show Dancing With the Stars, returns for its 12th year this spring, continuing a beloved local tradition with a few thoughtful updates.
The event will take place on March 14 at 6 p.m. at the Center for Education and Performing Arts (CEPA).
For more than a decade, Dancing With Our Stars has showcased performers from Pell City and surrounding areas in a fun competition that celebrates creativity, connection and community pride. While the Pell City Line Dancers organized and headlined the event for its first 11 years, this marks the first year CEPA has taken on full responsibility for planning and hosting the event.
CEPA Executive Director Ash Arrington says the transition feels like a natural next step. “We’re excited to expand off the stage and get into the community planning this event,” Arrington said. “It’s always been our goal to reach more people, and having this under the CEPA brand adds a level of legitimacy to our desire to serve the community in new ways.”
CEPA Assistant Director Maci Johnsey acknowledged that taking on the event has been a big challenge for the organization’s small staff, but also a rewarding one. “It’s been a lot to take on, but that also makes it more personal,” Johnsey said. “We have a small committee, which makes communication easy, and everyone involved really cares about keeping the heart of the event intact.”
What is New This Year
This year’s program introduces expanded performance categories, with group sizes classified as Duo/Trio, Small Group (3–15 participants) and Large Group (16–30 participants). The number of participating groups will also be capped to keep the total runtime at approximately 2.5 hours.
The event is open to community members who want to participate. Groups perform a short routine of their choice. Registration is free and open until capacity is reached. Participants can register at www.pellcitycepa.com, where full performance guidelines are available, or in person at the CEPA Box Office. Questions may be directed to Johnsey at maci@pellcitycepa.com.
“We want to keep the event fun while also keeping the audience engaged,” Arrington said.
Judging will include first-, second-, and third-place awards, along with several special recognitions. Winners will be selected by celebrity community judges, and awards will be given in each category.
Audiences can expect a diverse lineup of performers, including children, professional dancers, neighborhood groups, local schools and dance studios. Returning favorites include Red Apple Dance, an Asian dance group based in Birmingham, along with the Pell City Line Dancers. Both groups remain a cornerstone of the event.
Giving Back to the Community
In keeping with CEPA’s mission, proceeds from the event will benefit organizations whose work aligns with community enrichment. This year’s primary beneficiary is the Pell City Education Foundation, with a junior recipient, The Hartzog Foundation.
“We love spotlighting these organizations and bringing awareness to the incredible work they’re doing right here in our community,” Arrington said.
In addition to the dance performances, the evening will feature a silent auction, concessions and beer and wine available for purchase.
A Night That Brings People Together
For Johnsey and Arrington, the impact of Dancing With Our Stars goes beyond dance. “People show up year after year to support their family and friends,” Johnsey said. “It’s a tradition.”
Arrington agrees and says one of her favorite moments is greeting attendees as they arrive. “So much work happens behind the scenes,” she said. “Seeing people walk through the doors and watching the program come together makes it all worth it.”
In a time when connection feels especially important, Dancing With Our Stars continues to offer something simple and powerful: a reason for the community to come together, celebrate one another, and support causes that matter. lfluence generations to come. Hold fast to your dreams and keep on collecting history. Your dream has strong wings.
St. Clair Agriculture & Multi-Event Center is so much more than original rodeo venue
Story by Elaine Hobson Miller Photos by Mackenzie Free Submitted Photos
The St. Clair County Arena in Odenville has been home to rodeos and agricultural shows for many years, but today, it is so much more. Over the past 12 months, it has hosted a dog show, a vintage market, a circus and a county fair.
The Event Center next door is a pickleball mecca to rival any courts in the county.
In other words, the Arena ain’t just a place for agricultural shows anymore. The official title may give a hint to the depth of its overall scope: St. Clair Agriculture and Multi-Event Center.
“We wanted more than just an agricultural center,” says County Commissioner Jeff Brown. “And that’s what we have. We can do a dog show one day, a circus the next. I give (Arena Director) Ashley (Hay) a ton of credit. She’s easy to work with. The original board that ran it needs credit, too. It started from nothing.”
Dog agility show
The county bought the Arena, 25.6 acres of land and an office building in 2010 from Randy and Michelle Spence for $551,197. For 11 years, it was used for rodeos and other horse-related events. During COVID, the county received a $1 million federal grant to build an emergency facility, called a Pandemic Center, that they could operate from in the event of a natural disaster. That grant changed everything.
“I came aboard in 2021, and the grant had already been awarded,” says Hay.
“The county commission looked for a way to use the grant to best help the entire county. Only the Arena was here then.”
Hay says that grant required a large, unobstructed space, restrooms, as well as storage to be utilized by EMA. The county commission looked for ways that the facility could be used for more than just emergencies, though. This led to the addition of a sport-court surface, bleachers, retractable basketball goals and equipment for volleyball and pickleball in the Event Center.
“This building was attached to an existing older building that had administrative offices and the cowboy church,” says Hay. “The concession stand with restrooms and showers was built a while ago.”
Both the Arena and the indoor, 12,000-square-foot Event Center are membership facilities available to anyone. “We have a lock box for daily use, or you can sign up online. We have about 100 members right now. The cost is $100 for an annual membership, but daily memberships are obtainable, too.”
Pickleball players have five days a week to play their favorite game. “They are pretty dedicated folks,” Hay says. “And they say ours is one of the nicest facilities within 100 miles. We have pickleball classes, but we don’t have programs, so we’re able to offer more open gym time.”
The Event Center offers summer membership for kids, too. The Center’s Facebook page is the best place to check out the schedules.
“We’re the only arena in our area that I know of that allows open rides as much as we do,” Hay says. “Horseback riders can come any time between 6 a.m. and 10 p.m. When they register, they get access to opening the gates. We have 80 horse-riding members. One woman comes with her baby at 6 a.m. because it’s the only time she can.”
Early history
Originally, the county created a parks and recreation board to run the facility, appointing Lude Mashburn of Odenville, the late Hershel Walker of Argo, Don Smith of Springville, Brad Sanders of Odenville and Kenny Womack of Riverside as members. A couple of years later, Womack was replaced by Jimmy Hollander, also of Riverside. The board elected Mashburn as chairman.
Zebras and camels visit with circus
“The county had a vision, and they appointed the board to run it,” says Mashburn, who was an agricultural science teacher at St. Clair County High School at that time. “They turned everything over to us, and we ran it. We put in the dirt for the Arena floor, bought a tractor to keep it compacted during rodeos, all that. But the county never funded it for the 10 years we had it, except for building the restrooms and the bleachers. Then things kinda changed when the county got COVID money.”
The board was officially dissolved on February 10, 2022, and the property and facility are now funded and managed by the St. Clair County Commission, according to County Administrator Tina Morgan. Board members at the time of dissolution were Chairman Lude Mashburn, Jimmy Hollander, Brad Sanders, Candi Jones and Donnie Smith.
The county covered the bleachers and Arena, added lights and industrial overhead fans. The bleachers seat 800, with extra seating brought in for rodeos, pushing that total to 1,200 seats as needed. The Arena itself is 22,000 square feet. “In March, April and May, then again in September, October and November, there’s an event every weekend,” Ashley Hay says. “We have had car shows, a community yard sale, barrel racing, ranch sorting, a pig squeal and a county fair.”
Youth timed events such as barrel and pole races and goat tying are still held there. “We have more equine events than anything else at the Arena,” Hay says. “We also have lots of banquets in the Event Center. We’re working on grants for developing the 12-15 acres at the back of the property, including a multi-use trail for walking, horseback riding and bicycles. We also want to do RV hookups so folks can park for the time they are in a show.”
Local youths take part in Pickleball Events Group clinic
Hay’s background is in parks and recreation, having worked for the city of Springville before St. Clair County. Originally from Kansas, she moved here in 2018 because her husband is from Alabama. “I was a high school volleyball and basketball coach, then got into parks and recreation after that,” she says. “I really enjoy it. I started and grew the parks and recreation program in Springville. Then they asked me to do the same here.”
Under Hay’s management, the facility has added a wash bay, industrial fans, lighting, an uncovered, warm-up pen behind the Arena, and everything inside of the Event Center. It has improved parking and upgraded the PA system, too. Hay added a Facebook page and advertisements on Radio Station 94.1. “I feel like things are running well,” she says. “We’re trying to expand the types of programs we have.”
Besides all the public functions, the Arena and Event Center are available to rent by individuals for volleyball and basketball games, for wedding receptions, banquets and other private events. “We have had a wedding, and they brought horses,” Hay says. “The wedding was in the back pasture, and the Arena was where they held the reception. It’s a $750 fee for two days’ rental, and that’s dang cheap in comparison to other facilities of similar size.”
The Arena hosted a circus in February 2025, and the Gala of World Horses in the Fall of 2024. “The Gala had never been to Alabama before,” Hay says.
At least two dozen trailers were parked outside the Arena for a recent Buckle Series, a barrel racing event. Several horses stood tied to trailers, munching hay from their hanging bags. Riders walked their horses in circles, getting them ready for the event. One of those riders was Emmaline Puckett, 9, of Ashville. She has been racing since she was five or six, and like most of the other competitors, usually comes early to put her horse through its paces.
“We’re members here, so if the weather is bad, we come over here to practice barrels,” says Emmaline’s mom, Christina Puckett. “We’re very thankful for this place.”
Tyler and Jayclyn Cobb of Blount County came to watch the barrel race, even though Jayclyn couldn’t compete as usual because her mare has been bred. “We love coming here, Jayclyn says. “It’s covered, shaded, not as hot as other places.”
“A lot of people have really done a great job with the Arena from the get-go,” says Commissioner Brown. “The board members deserve a lot of the credit. We (the county) had the ideas, and they made it happen.
“That board served for free, put in a lot of hours, even parked cars during events. They deserve all the credit.”
Story by Joe Whitten Photos by Wallace Bromberg Jr. and Submitted Photos
In the words of American Bandstand’s Dick Clark, “Music is the soundtrack of your life,” and that fits Pell City musician Floyd Waites like a well-tailored 5th Avenue tuxedo.
Born to Edmond and Beatrice Waites in the Glenn City area of Pell City, Floyd was the youngest of their five children – three boys and two girls. This was a loving family overseen by Mrs. Waites after Mr. Waites became an invalid from a stroke.
By his teenage years, Floyd’s siblings had left home, so his mother depended upon him with chores and cleaning. “I was always singing when I was helping around the house,” he recalled. He heard the music coming from the radio, and he knew in his heart that if he had a piano, he could play those songs.
“I went to my mother and said, ‘I want to get a piano.’” He smiled as he told her reply. “She said, ‘Floyd, I can’t get no piano!’ She wasn’t able to buy a piano. But a few months after that, I began to get a small check from Avondale Mills because my daddy had worked there before his stroke.”
Floyd and Marie Knight take a bow at a concert in Paris
With that income, another plan took shape. “I told my mom that I was gonna try to get a piano (with that money),” he reminisced. “There was a piano company in Anniston, Alabama, called Forbes Piano Company. So, someone carried me there, and I looked around and spoke to the man in charge, and he said, ‘I can let you have it for so much,’ – whatever it was priced at that time. And I said, ‘Well, how much will that be a month?’ He told me what it would be and said, ‘Could you pay ten dollars a month?’ And I said, ‘Oh, I can pay ten dollars a month!’ And, so, they brought the piano out to our house.”
Oh, happy day! Now, with the radio on, Floyd could sit at the treasured piano, with his fingertips eagerly searching out the notes and chords and runs of what he heard. He was a natural – born for the piano and music.
He must have played too much Fats Domino or Chubby Checker, because one day his mother said, “Floyd, I don’t want you playing just anything and everything. You’ve got to play for the Lord.” He chuckled at the memory. “I said, ‘Oh, yes, Mama, that’s what I plan to do.”
And he did just that, beginning at Rocky Zion Missionary Baptist Church under the guidance of Rev. Silas Woods, who encouraged him in his playing for the Lord.
Floyd enjoys recalling those early years with Rev. Woods. “We had a Sunday for the young group to sing, and I began playing for them – songs that I knew and could catch onto. Rev. Woods liked for the Junior Choir to go with him when he preached at other churches. And I would go with them and play piano. I was encouraged a lot by Rev. Woods.”
In the spring of 1965, Floyd graduated from St. Clair County Training School, began looking for work and found scant possibilities locally. The Waites’ across-the-road neighbors had moved to New York City, and they encouraged him to come live with them. “You could get a job up here in New York,” they told him. “We could take you to the state unemployment agency, and they will find you a job.” Therefore, with hope in his heart, Floyd boarded a Greyhound bus and headed to the Big Apple – without a clue as to the places God and his piano would take him in the years ahead.
His friends met him at the bus station, took him to their home, and gave him a room until he could find work and rent an apartment of his own.
At the New York Unemployment Office, the interviewer asked him what kind of work he was interested in. and he told them he was a church musician. “They went into the back,” Floyd laughed, “and came back with a uniform, a khaki uniform, and they said, ‘This will fit you very good.’ And I said, ‘What’s that for?’ And they said, ‘This is for you to become a New York City police officer.’ And I said, ‘Oh, no! My Lord, no! That won’t work! I don’t think I could handle anything like that! Don’t you think you could find me something else?’”
So, they sent him to another section where he had a more favorable offer. The lady interviewing him said, “Mr. Waites, we have an opening for a job in the Bronx at a school, and it’s dealing with food service.” This interested him, and the lady’s next question raised his spirits higher, “Can you cook?” Floyd, feeling almost back home in Pell City, replied, “Honey, that’s right down my alley!”
Then she told of a position at the Walton High School, and Floyd said, “I would love to do that because that’s what I studied in school.” He was referring to the St. Clair County Training School where he was more interested in cooking than in farming and had taken Home Economics rather than Vocational Agriculture.
Following the lady’s instructions, he went to Walton High School Monday morning, and after being interviewed there, he was hired. The school system sent him to various training sessions that prepared him for a career in New York City school food services – the job he worked until he retired.
Music opportunities in New York City’s Harlem seemed to find Floyd without his looking for them. The leader of the Jimmy Smith Singers came up to him and asked him if he could sing.
“Oh, yeah, I sing,” Floyd replied, adding, “I’ve got a friend who sings, too.”
“Bring him along,” the leader told him. The friend was one he grew up with in Pell City, and he and Floyd had connected again in New York. The two young men rehearsed and sang with the Jimmy Smith Singers for a while.
“But it was still like something was missing,” he said. His mama’s words, “You’re not gonna play just anything and everything” no doubt hummed in his mind along with sacred memories of Rocky Zion and Rev. Woods.
Floyd and Evelyn Waites
“The pianist for the Jimmy Smith Singers was playing for a church in my Harlem neighborhood, and he said to me, ‘Floyd, why don’t you come to my church? I play up here at The Gates of Prayer Church. There’s a lady that’s pastor of the church, and her name is Prophetess Dolly Lewis.’ I said, ‘I don’t live too far from there. Maybe I’ll come one Sunday.’”
Not too long after that invitation, Floyd attended The Gates of Prayer Church, and there, by God’s providence, he found his spiritual calling.
Living close to the church, he walked to the service, and as he got closer to the sanctuary, the organ’s chords and crescendos urged him onward. He opened the church door and looking up to the pulpit, he saw a woman dressed in gleaming white looking out over the assembling congregation – Prophetess Dolly Lewis.
Floyd remembers the day. “She looked directly at me and says, ‘Come on in. Go over there and sit down at the piano.’ I must have looked funny, because she said, ‘Yeah, you can play, and you can sing.’ Now, nobody in New York had heard me play, and I wondered, ‘How did this lady know this?’ But I never did ask her.”
From that Sunday, Floyd played piano and sang at The Gates of Prayer Church under the guidance of Prophetess Lewis.
When she went to other cities, he traveled with her to play piano at her preaching services. For one who had never flown, an added excitement was flying to and from these destinations. On these trips, she also held private sessions in her hotel room, and people would be lined up to get messages from her. “A word from the Lord” in today’s Pentecostal parlance.
Prophetess Lewis introduced Floyd to two famous gospel singers – Marie Knight and Sister Rosetta Tharpe. He enjoys recalling those singers. “One Sunday, this lady walked into the church, and everybody looked around. Prophetess Lewis looked at the newcomer and said, ‘Come on up, Marie Knight.’ She was a professional singer, and she would travel all around with this other lady, Sister Rosetta Tharpe. Rosetta was an electric guitar player.” He paused, smiling, “Oh, she could lean back on that guitar and play.”
Godmother of Rock ‘N Roll
Rosetta Tharpe was born in Cotton Plant, Arkansas, in 1915 to Katie Bell and Willis Atkins. Katie Bell played the mandolin, sang, and preached as a Pentecostal evangelist, according to the online Encyclopedia Britanica. She began playing guitar at age four and at age six she traveled and sang with her mother.
After moving to Chicago, she developed her own guitar style under the influence of Chicago’s blues and jazz musicians. When she moved to New York City in the 1930s, “…She sang traditional gospel songs with contemporary jazz tempos that she played on her electric guitar. With these performances, she introduced gospel into nightclubs and concert venues. Her work influenced early rock and rollers such as Chuck Berry, Jerry Lee Lewis, Little Richard and Elvis Presley.” She came to be called the “Godmother of Rock and Roll” and was inducted into the Rock and Roll Hall of Fame in 2018.
The ‘Voice’
Marie Knight, born in Florida in 1920 or 1925, depending on the source, grew up in Newark, New Jersey. According to the online African American Registry (AAREG), Marie started touring in 1939. Sometime in the 1940s, she performed at the Golden Gate Auditorium in Harlem along with Mahalia Jackson.
Sister Rosetta Tharpe attended that concert and “…recognized something special in Marie’s contralto voice.” Rosetta invited Marie to tour with her, and they performed as a team for several years. Sister Rosetta and Marie’s 1947 recording of Up above My Head There’s Music in the Air reached number 6 on the Billboard chart in 1948. Marie sang both Gospel and Rock and Roll, but in her later years sang only Gospel.
When Marie Knight moved back to New York City, she began attending Dolly Lewis’ Gates of Prayer Church, where she organized the choir. Floyd was the pianist and his friend from Pell city the organist. “So, we started playing for Marie,” Floyd smiled. “I’ve got albums that I’m playing for Marie.” He lowered his voice to a baritone before saying, “She had a voice!”
When Marie began planning another tour, she came to Floyd and said, “How would you like to travel to Europe with me?” Floyd laughs as he tells it. “I said, ‘Oh, I don’t know about that!’ ‘Well, you’re gonna get paid,’ she told me. So, I said, ‘We’ll have to ask Mama.’ That’s what we called Pastor Dolly Lewis.”
Floyd asked Lewis’ advice, and after consideration, she agreed for him to travel with Marie, and assured him, “I’m gonna make sure she pays you, cause she’s kind of close with money.”
Floyd flew with Marie Knight and her entourage to Paris. Landing at the Charles De Gaulle Airport, they were met with the concert tour officials who took them to their lodgings for the night. From Paris they traveled to a city in southern France, whose name Floyd could not recall. From that city, Marie, accompanied by Floyd at the piano, gave concerts in various locations.
Then, it was on to San Sebastian, Spain, for the concluding few weeks of Marie’s tour. Then back to New York City.
“From that day,” Floyd recalls with pleasure, “Marie was happy to have me with her. But she paid,” he laughed. “Those hundred-dollar bills smelled good! And I kept on playing for her.”
Floyd met his future wife, Evelyn Keith, at Gates of Prayer Church. Evelyn grew up in Childersburg, so they had mutual connections back home. She was a singer, so she and Floyd sang together at whichever church he played for. They had one son, Kenny.
Floyd continued playing piano for Prophetess Dolly Lewis at Gates of Prayer Church until she died. When Lewis died, Marie Knight – now singing only Gospel – became pastor of Gates of Prayer. Floyd played piano at the church until Marie died in 2009 from pneumonia complications.
The Waites were on vacation in Alabama when Marie passed, Floyd relates. “They got in contact with me while my wife and I were down here on vacation, and we rushed back to New York.” When asked if he played piano for her service, Floyd responded, “I didn’t do too much playing, but I did sing some of the songs that she had sung, and I had played for her down through the years.”
Floyd also directed the choir in singing one of Marie’s best known Gospel recordings, Didn’t It Rain.
Dual roles
Most of the years that Floyd played piano at Gates of Prayer, he also played for another nearby church, Greater Hood Memorial AME Zion Church. “I was playing at Hood Memorial all along, because it was on a different time schedule for that church … And it was just around the corner from Gates of Prayer. I played the piano for them for years. And I played organ for them, too, because I had gotten into playing the organ. I played for the choirs – they had a nice senior choir that sang anthems,” Floyd paused, then added, “It was a fairly big church.”
Greater Hood Memorial is historic in Black churches in America. Established in 1824 as Harlem AME Zion, this oldest Black church in Harlem has survived economic downturns (the Great Depression put them in dire financial circumstances), several relocations and a few name changes. But it has survived with Sunday services continuing for 200 years.
Having reached retirement age, Floyd supervised his last school lunch, played his last Sunday service in Harlem, packed his belongings and returned to the place called home, Pell City, Alabama.
Floyd relates how he and Evelyn came to Pell City every year for the month of August to visit relatives and churches in the area. They always visited Coosa Valley Baptist Church in Vincent where Rev. Willie Joe Posey was pastor.
Floyd in France at the Bosendorfer piano
“He would always tell me, when me and my wife would come down from New York, ‘Floyd, come on up here and sing, you and your wife,’ and we’d go up and sing for him. And he’d say, ‘Y’all see that man there? If he ever decides to come outta New York City, I want him right there,’ and he’d point to the piano.”
Today, Floyd is the full-time pianist at Coosa Valley Baptist where Rev. Posey still pastors. However, he ministers alone, for Evelyn died while they were living in New York. “I’ve been with Rev. Posey ever since I came back home to live,” Floyd muses quietly.
“I don’t charge them at the church, but Rev. Posey told me, ‘Oh no, you have to accept something, because people know how good you play and sing, they gonna take you away from us. The church will have to give you something. We don’t want you to leave us.’ So, I said, ‘Well, just sometime give me a love offering, but I don’t expect to be on salary. I don’t charge anything.’ So, every third Sunday, they give me a love offering, and I accept it.”
Rev. Posey has pastored the church for 48 years, and speaks highly of Floyd. “He has proven himself a believer in God and Christ. He’s a faithful man. He’s true to his word. … When he was in New York, I told him when he moved back here, he had a place (at our church), and he’s been with me.” Rev. Posey also noted the beautiful vocal harmony when Floyd and Evelyn sang together at the church.
In the community, Floyd is frequently asked to play for revivals, funerals and special events. At the 2024 Black History event at the Pell City Museum, he was one of the featured musicians of the day.
Many in the community call him “Uncle Floyd,” as did Amelia Beavers when she was asked for a comment. “There are so many things that I could say about Uncle Floyd, but the best thing is that he loves the Lord, and he loves people. He helps throughout his community any way that he can.
“If a loved one dies, he is willing to come to play and sing for the family. He has been a jewel of a friend coming back home to live. He is a beautiful asset to our community. I pray for him many years of serving the Lord and his community. All you have to do is ask and if he does not have another engagement, he is more than willing to accommodate.”
Floyd and Evelyn’s son, Kenny, lives in Childersburg, so Floyd is active in his life and the lives of his four grandchildren – two girls and two boys.
How would he like to be remembered? “I’d just like to be remembered as using the gifts that the Lord has given to me. If I was called to do something, it wasn’t for reimbursement. I thank God for the gift, and I thank Him that He allowed me to use it … It’s a gift that He has given, and I just want to give back.”
As a child and as an adolescent in Pell City, music captivated Floyd Waites and has held him fast all his years. One of the songs he played for Marie Knight was the traditional song Up Above My Head, and the lyrics are true for Floyd –
Up above my head, there’s music in the air Up above my head there’s music in the air, Up above my head there’s music in the air, And I really do know, Yes I really do know, There’s a heaven somewhere.
So, Floyd Waites, keep on playing and singing “for the Lord” and sharing your God-given gifts, for without a doubt, you enrich the music life of Pell City and St. Clair County. l
It was 2011 when retired Pell City educator Deanna Lawley offered an idea to help boost the Pell City Schools Educational Foundation’s funding following an economic downturn for investments.
A group trip to Italy with friend Diane Schilleci sparked the idea. The representative of the travel company, Collette Tours, asked her if she ever thought about getting groups to travel. “You’d be perfect,” they said, and she could put the commission into whatever project she wanted.
Diane and Craig Caufield admire incredible view from hilltop village of LaMorra over Langhe wine country.
She loved to travel and as a natural born teacher, she remembered how important grants were to her classroom. This would give her an opportunity to organize trips for groups so they could learn more about the world, and it could raise money for the Foundation.
Friends Bound for New Horizons is the moniker she gave it, and off they went to Ireland that first year, raising $7,000.
Since that time, the Foundation’s coffers have grown by more than $100,000 courtesy of the travels of Friends Bound for New Horizons.
Lawley and her groups didn’t stop there – on their traveling or their giving. A few years ago, the Pell City Library became a recipient of funds each year. “I couldn’t do this job without Danny,” Lawley said, referring to Library Director Danny Stewart, who helps coordinate the trips.
Two years ago, the Museum of Pell City, co-founded by Lawley, was added to the list of beneficiaries of the gifts. “The museum is special to my heart,” she said. Since serving as co-project manager for Pell City’s hosting of the Smithsonian’s Museum on Main Street in 2014, “I started thinking about people and our history that was being forgotten about.” In 2023, the city’s own museum opened in a 4,000 square foot suite in the Municipal Complex.
In May, the group traveled to Italy – 41 ‘Friends’ – and while they benefitted from a ‘bucket list’ trip filled with memories, their travels generated $10,000 for the Education Foundation and $7,000 each for the museum and library.
Their Italian adventure took them to Tuscany, where they spent the final four days at an historic estate outside Florence called Hotel Villa Casagrande. They visited Turin, known for fashion and design, and saw the Shroud of Turin in the chapel at Savoy Palace.
They stayed at Sestre Levante, right on the Italian Riviera, and they visited Cinque Terre – five villages on the coast that hang over the sea.
Among the many sights they still savor were Lucca, the Medieval-walled Tuscan hill town, home of Puccini, the great Italian opera composer and the Chianti Road to the winery and olive oil cannery. “Both were incredible,” said Lawley.
Greve was a small Chianti village with only two squares, where they shopped and had farm-to-table lunch.
As for the group’s favorite moments, “I loved seeing all the laundry hanging from balconies,” said Patti Harper. “I’ve always seen it in pictures, and they really do it! Also, how the boats had rented spaces on the walkway in Cinque Terre” because there isn’t enough space on the water. The captains have to carry boats down to the sea.
Johnny and Cheryl Gregg’s favorite experience was “the day trip to Cinque Terre. The train ride, the architecture and the beautiful blue water of the Mediterranean.”
For Mara Walls, it was “the town of La Morra, but especially the camaraderie of everyone in our group.” Husband Blythe singled out “City of Greve and the countryside.”
“The village at Manola was especially beautiful, nestled in the hills, and the Mediterranean,” added Jeff Hestley. His wife, Vicki, had a vivid recollection. “The day we spent at the olive vineyard and the afternoon in Greve were a perfect day for me.”
Their stories are typical of the conversations among these travelers upon returning home. They are dream trips carefully put together for maximum enjoyment and memories to last a lifetime.
There were three Danas on the trip – Dana Corte of Fairhope, Dana Merrymon and Dana Ellison of Pell City
About a month after returning home, they recounted their experiences at a special Italian dinner held at The Grill at the Farm in Cropwell. It was an opportunity for them to reunite, reminisce and be honored for their gifts to the Foundation, library and museum.
In accepting for the Foundation, Vice President Jackie Robinson said how vital the funds have been to their efforts to enhance classroom experiences through grants to teachers. The Foundation’s account now stands at over $1 million, with grants for everything from microscopes to books funded through the interest earned.
Stewart recounted traveling with the group in years past, helping Lawley coordinate trips and the personal enrichment it gave to him. Through the fundraising, the library is now able to do so much more to serve its patrons, especially children. A Christmas event featuring Santa and the Grinch draws over 300 children and landscaping lights outside the library were but two of the projects made possible in part with the funding.
Museum President Carol Pappas called the gift an honor to accept. The museum is launching its “Digging Deeper Initiative,” a series of new exhibits and oral history films that will dig deeper into Pell City’s history and present those stories in new, compelling and interactive ways.
“Stay tuned,” she said. “Because of Friends Bound for New Horizons, Museum of Pell City is bound for new horizons, too.”
Next up on the itinerary for the Friends group are a Rhine River Cruise and Painted Canyons of Utah, both in September.
In August 2025, the group plans to head to Scotland with tickets to the famous Royal Edinburgh Military Tatoo, a spectacular show “celebrating British Military, Scottish Heritage and international culture with world-class lighting projects and cutting-edge sound technology.” They are even offering an additional option trip – a 4-day, 3-night London pre-tour with fast train to Edinburgh.
Editor’s note:For more information on joining Friends Bound for New Horizons on their next adventure, contact Lawley at dnlawley@gmail.com.
It certainly wasn’t a first for Homestead Hollow. They’re used to hosting an outdoor festival drawing crowds from all around the region. But for newly opened Big Canoe Creek Nature Preserve, its successful first venture looks like a gateway to an annual fundraiser.
Event was held to help fund the Big Canoe Creek Preserve
Creek Jam was an all-day, outdoor musical festival, featuring bands, entertainment and activities for the entire family and drawing 1,500 to 2,000 attendees. And Homestead Hollow provided the ideal setting on its main stage featuring: Winston Ramble, Jason Bailey Trio, The Stepdads, Love Rat, Len Park, Cottonmouth Creek, LeeJ The DJ and more.
An educational tent was run by two of the Big Canoe Creek Preserve Partners, Jimmy Stiles and Jill Chambers. Jimmy brought creek critters, such as a baby alligator, snakes, turtles and other species. Jill brought microscopes for kids to view all sorts of things found in Nature. The Nature Conservancy, Forever Wild and the Coosa Riverkeeper also manned educational tents.
Camping was available, providing more time to listen to the bands and to explore the preserve.
“It was a good turnout,” said Preserve Manager Doug Morrison. “We’ve had good feedback. People came from Gadsden, Hoover, Locust Fork – from all over. We were real pleased.”
The feedback, he added, centered on how impressed they were with the venue and “how well put together the event was.”
It had a little something for everybody with artisans and makers as vendors, food galore and music of all genres – and plenty of it.
Festival goers spread blankets, set up camp and lawn chairs or strolled through the open fields to just enjoy the day and the outdoors.
After all, that’s what it was all about – the treasures found in simply getting outside – just like at the preserve.
Morrison thanked sponsors for their support:
A great day was had by people of all ages at the festival
St. Clair County Commission
City of Springville
Buffalo Rock/Pepsi, our Presenting Sponsor
Big Canoe Creek Preserve Partners
APEX Roofing
Blue Cross Blue Shield of Alabama, The Caring Foundation
St. Clair EDC
AmFirst
Peritus Wealth Management
PPM Consultants
Hill, Gossett, Kemp, P.C.
Thompsons Tractor Rental
Schoel Engineering
Springville Dental
In-Kind Sponsors:
Cahaba Brewing Company
Ghost Train Brewery
Back Forty Beer Company
Steel Hall Brewing
Sweet Home Spirits
Creative Entertainment
Bob Tedrow of Homewood Music
Rusty’s BBQ
The Farm House
In addition, Morrison had high praise for:
Terri and Dean Goforth, who provided the venue space; Mayor Dave Thomas and Springville City Council; Commission Chairman Stan Batemon and the County Commission; all volunteers; Salient Projects, who organized the soundstage, bands and helped tremendously with planning; city employees from Parks and Rec; the planning committee – Terri & Dean Goforth, Mayor Thomas, Lucy Cleaver, Lee Jeffrey, Mandi Rae Trot, Candice Hill, Blair Goodgame and Morrison; Springville Parks and Rec Board; bands and individual musicians who played on the side stage and vendors.
For 47 years, the story of the Springville Community Theater has been stagecraft by “the seat of the pants,” according to founder June Mack.
Think a line from something like one of the classic Mickey Rooney-Judy Garland movies: “Hey gang, let’s put on a show.”
Everybody contributes. Everybody performs.
SCT is a small volunteer army of amateur actors, singers, dancers, set builders and ticket takers. The company has few rules: Check your ego at the stage door, no divas allowed and get ready to have fun and work hard.
That’s been the story of the theater troupe since Mack started it in 1976 after graduating from Hollins College, and her summer job fell through.
Oklahoma
Archie Jones, a neighbor at a nearby farm, suggested that Mack put on a show in Springville. She spent a month writing a children’s fantasy, filled with song, dance and dialogue.
“I put the word out that I needed help to put this thing on, and about 20 people – lifelong friends of all ages – stepped in to be a part of it. We had a blast,” Mack says.
The next year saw another original production that drew 70 cast and crew, including The Shake, Rattle and Roll Senior Citizens Band from Odenville.
“I didn›t exactly know what to do with them so I created a scene with a birthday party so the band (about 25 senior citizens) became the entertainment at the party in the play. They were a real hit.”
Since those initial offerings, Mack, with degrees from Florida State and Harvard, has directed the SCT in a mix of original works and Broadway classics, like Oklahoma!, South Pacific, Beauty and the Beast and Peter Pan.
Mack describes the growing troupe with a single word – brave.
“They’re not afraid to take a risk. Especially if it’s funny or unusual – something that would delight a crowd,” Mack says. “When you describe something to them that you’re thinking of them doing, and it could be embarrassing or even dangerous, they get a glint in their eye like ‘bring it on.’”
Risks, it seems, are part of life on the stage, from New York to community playhouses. But in Springville, the theater has no set script for success.
“No formula, just trying to see if we can do it,” Mack says. “It’s not that we decided we’re going renegade and not have a safety net. We just don’t have a net, or we’d definitely use it. We’ve done things that we knew could turn out catastrophic, but we just had to try — and it always turned out.”
Peter Pan wire work
For example, “we did an outdoor performance of Annie Get Your Gun at Homestead Hollow. One of our leads, Madison Forman, decided at age 80 that he’d like to try acting. He was great. To do this show, we braved mosquitoes, record temperatures and humidity plus horses, lots of kids, gunshots, fireworks and longhorn steers. Plus, we moved the audience from scene to scene instead of changing the scenery, which meant relocating sound, lights and orchestra as we moved to the settings around Homestead Hollow. Just had to try it.”
One of the foundations at Springville Community Theater is that everyone who auditions is cast. Locals from ages 4 to 85 have basked in the applause of joyful audiences. “It’s amazing what people can do when you tell them they can,” Mack says.
“We’ve had 100 (exactly) people audition for several of our shows, and since we cast every person, that meant a cast of… yep, 100. We’re not trying to grow a theater program. We just want to do fun, creative things in front of our families and friends.
“Recently, we gathered old cast and crew lists to create a spreadsheet of everyone who had worked on our shows, and the number was 970 in 47 years. We were amazed because it’s a small town.”
Mack says that having a community theater isn’t really the important thing – it could be any kind of project that involves a lot of people working together.“The fact that it was theater just means there are a lot of different types of jobs for different kinds of people. So, it’s a very practical device for a community project. And then you present it to the community, and you’ve got participation on every level.”
The seeds for what would become Springville Community Theater were planted in the 1970s at Springville United Methodist Church, where Mack, her mother and siblings created and performed church programs along with other members of the congregation. “It was the time of the hit musical, Godspell, and youth programs everywhere were experimenting with drama, music and movement. I was fortunate to work with a lot of really talented people, and this was the norm all over Springville — not just at the Methodist Church. It’s still true today. It’s a very unusual place.”
What do they think are the secrets behind keeping it going for almost five decades?
In the beginning – for about 10 years – we did a show every year. Now, with the size of our shows, the volunteer staff and crew need a longer break. Spacing the shows is our remedy for burn out. We go off and live our lives, and when we get the itch to do a show, we bring that life energy back to the next play.”
She explains it like this: “The stage really isn’t our lives — it comes out of our lives. We just pretend it’s about the show (these characters, their stories), but it’s really about community, about our stories as we do this other thing called a show.”
From the beginning, she adds, it was a teaching group. “We teach anyone to act, build, paint, run a box office, operate lighting and sound equipment, make costumes, find the right props, be a stagehand. Since nobody gets paid, anyone can volunteer to do anything. We’re sort of the “no rules” theater troupe.”
As for its staying power, she notes, “Incredibly talented people just keep showing up for sets, art, props, costumes, sound and lights. We couldn’t afford these people if we were paying them. But they’ll work for free because the creative atmosphere is super, and they are so appreciated – it just feels good to be a part of these shows.
“It’s incredibly hard work, but these people know that hard work and long hours come with quality art, and they pour themselves into it, teaching others along the way. That continuity of expertise sprinkled through all of the committees has been key to our ability to handle the hundreds of people who head our way now for every show.”
Mack points to other keys to their success. “We have no overhead because we don’t own a building or have a payroll, and this makes it possible for us to have a lot of freedom to do shows when we want to and take risks – risks that come with doing really big shows and a lot of crazy stunts.
“We keep ticket prices as low as we can to make the shows accessible to everyone. We just want to break even – we’re not interested in socking away any money. With donations from the City of Springville, St. Clair County and a few special friends, we’re able to mount extravagant shows with very low ticket prices.
They keep the spotlight trained where it should be, she says. “With less focus on money and sustaining a large organization, we’re able to keep our main goal in sight: process is more important than product. The cool part is that, by focusing on the process, the quality of the product is always amazing.
“We focus on the experience of the people who work on the shows. We want everyone to be proud of themselves, and this expands to the pride and love their families and friends feel for them when they see them on the stage. It’s a beautiful thing.”
Mack taught at UAB from 2001 to 2019, where she led the university’s film program. Before that, she taught at Ohio University, The Ringling School of Art and Design and at Florida State.
For the former college faculty member, Springville Community Theater teaches a powerful lesson. “Doing something that’s fun and wanting to give back to friends, family and community really works out in the long run.”
And after 47 years, how does Mack see the future Springville Community Theater? “More of the same, only, it’s never the same.”
