Category: St. Clair Entertainment

Lyrics for Life

Horse Pens’ Songwriter Festival inspiring music on the mountain

Story by Roxann Edsall
Photos by Richard Rybka

There is no doubt that music is a powerful tool, touching our heart strings and transporting us through time and space. The words to certain songs speak to our hearts when, oftentimes, nothing else will. Alabama-raised songwriter Mutt Cooper explains, “I always hope the words connect to the audience and that we’re all in the same emotional space at the same time.”

Cooper, who now lives in Georgia, started playing the guitar and writing music when he was just 10 years old. He now works as an occupational therapist, specializing in traumatic brain injury.

A navy veteran himself, he works with veterans at Martin Army Hospital in Fort Benning. He uses his songwriting skills to address the pain and emotional scars of the wounded, whether they’re military, children or just ordinary people navigating daily life. His song, Tom, has received a lot of attention from Vietnam veterans groups because of its powerful, relatable lyrics.

He wrote the song about his cousin, who served in Vietnam. The cousin, Tom, came back from Vietnam a changed man, a change so profound that he had to live with Cooper’s family and spent most days playing guitar to help him process the pain. “He died in Vietnam, but he didn’t know. He’s got a lot of scars that don’t show,” the haunting lyrics say.

The lyrics to another of Cooper’s songs address the simpler, but broader, issue of aging. The words to I Knew Him When are easily relatable to anyone who has noticed a wrinkle or a grey hair as birthdays come and go.

Staring in the mirror, it’s easy for me to see.
The same young man who lives inside of me.
Well, it makes no sense, and how can it be?
There’s an old man in the mirror looking back at me.

Cooper recently spent a weekend with more than a dozen other songwriters at the Horse Pens 40 Songwriter Festival on Chandler Mountain. The festival’s organizer, Paul Ensign of C&P Entertainment, has been providing the venue and stage to showcase the talents of local, regional and national touring songwriters for four years. “These guys and gals get up on stage, not just to sing, but to give you the emotion behind the words, the experience that helped to write the song,” explains Ensign.

Texas-based songwriter Thom Shepherd, also a festival participant, agrees. “Everybody’s here to really listen to the lyrics and hear the stories behind the songs.” He and his wife, fellow songwriter, Coley McCabe, have both won awards through the American Society of Composers, Authors and Publishers (ASCAP) and have been named Duo of the Year by the Trop Rock Music Association for the past four years. She has played at the Grand Ole Opry four times.

The two met when they were working with different Nashville publishers housed in the same office building. They were married by an Elvis impersonator in Las Vegas in 2015. They tour regularly and enjoy going to songfests to meet new writers and to reconnect with others. They even hold their own songwriter’s festival in Texas called Lonestar Luau. (Editor’s note: You can check them out at Lonestarluau.com.)

“Write for yourself,” says Shepherd. “That’s what a publisher told me years ago. I’d moved to Nashville to perform. Everyone said you’ve got to be able to write, so that’s when I started working on that. I struggled at first, but then I was counseled to write for myself, about things that have had meaning to me. That’s the place that hit songs come from. That’s when I started thinking about things like my love of cars.”

His love of old cars is what made him reminisce about seeing his first car again after selling it to an old friend. He went back to visit the man and saw the car, sat in the driver’s seat and opened the glove compartment. “That’s when I started to imagine. What if this car had been owned by someone else and what if that someone had left a note in the glove compartment,” says Shepherd excitedly. “And what if that owner had been a young man going off to war who left the note to the new owner in case he didn’t come back? And what if the car was a Corvette?”

With that story in mind, he collaborated with songwriter Wood Newton and wrote the 2001 hit single, Riding with Private Malone. The song was recorded by American Country Music artist David Ball. “You always hope one of your songs will touch people’s lives, and this one has,” says Shepherd. “I hear from people who say this was a particular soldier’s song, and he didn’t make it back. It reminds them of that soldier. Others tell me this song is the reason they joined the military.”

Coley McCabe wrote Don’t Open That Door as a response to the loss of her sister, Tracy. The song was later recorded by country star Loretta Lynn. “I wrote it after Tracy passed, never meaning for it to be recorded,” says McCabe. “But it was pitched to Loretta, and she recorded it. I ran into her a few years later and told her I’d written it. It was shortly after her husband had passed. She sang the chorus to me with a tear in her eye. It was sweet!”

Strong family ties also fuel the fire for fellow songwriter Christina Crystal. She has just turned 30 and has been writing songs for 16 years. At the songwriter’s festival, she explained to the audience the background behind several songs she and her husband, songwriter/producer Nick Biebricher, have written and produced, including the very personal Ultra Sound, a ballad about the experience of expecting the birth of their son.

Another of Crystal’s favorites is a playful lyric that she wrote and performed called, Dolly, Would You Pardon Me, a fun, upbeat song with a nod to vocal great Dolly Parton. The song was nominated for best country song of the year in 2019 at the Independent Music Awards.

“Hit songs begin with words that make people feel something,” says Shepherd. Pure joy and fun are a hallmark in his huge hit summertime party song, Redneck Yacht Club. Written by Shepherd and recorded in 2005 by country music’s Craig Morgan, the lyrics are an invitation to “Meet us out at party cove. Come on in, the water’s fine. Just idle on over an’ toss us a line.”

If you’re out on this lake this summer, you’re sure to hear it. The power of music is fueled by powerful lyrics.

Features

Real-Axe-Ing

Sport finds new home in Pell City

Story by Roxann Edsall
Photos by Mackenzie Free

He sights his target at the end of the alley, some 12 feet away. Picking up the axe, he loosens his grip slightly to allow a perfectly timed release. Keeping his eye on the prize, he pulls the axe back, steps quickly forward and releases his throw. The resulting sound of axe blade meeting wood brings a smile to the thrower. This is the sport of axe throwing, and that thrower could be you.

Brand new to Pell City, Logan Martin Axe Throwing may be the new perfect date night activity for your next Saturday night. Or it may be a great option for your next birthday party or group event. They even offer discounts for groups of thirty or more.

Axe throwing is nothing new, but really gained recognition as a sport due to competitions involving logging camps. By the mid-1900s, logger sports were gaining in popularity as loggers looked for ways to entertain themselves while living in camps for months at a time.

Less than a century later, the urban version of the sport of axe throwing is becoming wildly popular around the world. There are even international leagues like the World Axe Throwing League and the International Axe Throwing Federation for competition level players.

“We’re not part of any league; it’s just for fun for groups, date nights and for families. The reason I wanted to open a place here is that my wife and friends and I had to drive to Trussville, Birmingham or Gadsden to enjoy the sport,” explains owner Zayne Ferguson. “Especially now, with the price of gas, it’s nice not to have to drive far. My brother and I always threw hatchets at trees growing up. It’s a lot of fun!”

Ferguson shows just how easy it is to hit the target.

His new venture shares the space with the CrossFit gym he opened in 2020. A competitive powerlifter for five years, he left his job at a local paint store to open a gym in a storefront on U.S. 231.

“Fitness is my passion,” he says, “especially CrossFit.” So, he got certified as a coach and called his business CrossFit231. He quickly outgrew that space and rented the current 8,000-square-foot warehouse building on Cogswell Avenue. He moved into the space in July and quickly realized he had room to start his own axe throwing business inside the gym.

“I was at a birthday party at an axe throwing business in Birmingham. I did the math and calculated startup and operations costs,” Zayne explains. “Then I went to work making it happen.” He admits he probably works more now, but enjoys it much more.

Zayne grew up in St. Clair County, graduated from Pell City High School, played football for a Mississippi college, then returned to his hometown. He and his wife, Irish, enjoy living in the Pell City area.

His extended family has a sawmill in Cook Springs, which is a big help in getting the wood for the targets. They have to be replaced every week or two as the wood wears out from the repetitive strikes of the axe blades. He says using poplar or pine is best.

As expected, the targets have the usual rings and bullseye, but there’s also something perhaps unexpected to the new thrower. At the top of the targets are two blue dots. A strike between those two dots, referred to as “the clutch,” represents extra skill and comes with extra points.

The axes here are a much lighter version than typical throwing axes. Whereas competition axes weigh over two pounds and have long, wooden handles, those at Logan Martin Axe Throwing are under a pound and are made of high-carbon steel. This allows the thrower to easily utilize a one-handed throw style.

“I did extensive research on this,” adds Zayne. “Most places use axes that have a rubber grip, which can make it harder to release right. I purchased lighter, more throwing-sized axes.”

While people are waiting for their turn in the throwing stalls, they can enjoy a quick game of cornhole or giant Jenga. “We want it to feel like we’re just hanging in the backyard having fun,” Zayne says. “That’s what I always shoot for.”

To add even more to the atmosphere, they’re scheduling live music as often as they can. Local food trucks will be set up outside the rollup doors to enable patrons to enjoy a full evening of entertainment.

Every group will receive safety training from one of the coaches or “Axe Masters,” as they are called here. Closed-toe shoes are a must and the minimum age to throw is 10 years old.

Logan Martin Axe Throwing just opened a month ago and are already booking weeks out. They are open Saturdays from 1 to 11 p.m. and additional times for group reservations.

Online pre-booking is highly recommended. Individual throwers pay $25 plus tax for an hour. l

Editor’s note: You can book your axe throwing experience at loganmartinaxe.com.

Rock ‘n’ roll fantasy

American Idol’s Gressett returns to Pell City, prepares for next act

Story by Loyd McIntosh
Photos by Richard Rybka

Backstage at the Pell City Center for Education and Performing Arts building on the campus of Pell City High School, Tristen Gressett is just 20 minutes away from taking the stage. In his first appearance since his meteoric rise and frankly, stunning elimination from American Idol, the 17-year-old is launching his solo career.

And he’s doing it from the very stage he has performed on dozens of times in high school theatre productions, choral presentations and events where he was part of an ensemble. On this night, not only is Gressett the featured performer, he’s the only performer – no band, no side musicians, no background singers. Just him, an acoustic guitar (augmented with a few electric effects) and a collection of classic rock songs and some original tunes. All eyes and ears will be focused on him this evening, a reality that is only just beginning to sink in.

“It really kind of hit me today when I was getting set up that I finally have my own show where I’m getting to perform for all these people,” says Gressett. Under the management of his mother, Gressett has been performing in restaurants and bars for much of his teenage years. He comes across like a grizzled vet of honky-tonks and smoke-filled juke joints, building a dedicated group of 10-12 fans who have followed him from gig to gig. “But the rest,” Gressett says, “they’re there to drink, they’re there to eat. They couldn’t care less about the entertainment. Know what I mean?”

In the dressing room, Gressett is wired – an absolute bundle of kinetic energy. Practically unable to sit down for more than five seconds, Gressett spends the last 15 minutes before the show laughing with his girlfriend Leah Love, joking with friends and well-wishers, and even cutting up and snapping a selfie or two with yours truly.

On display is Gressett’s ants-in-the-pants exuberance that practically exploded onto the screen and had the American Idol judges – Katy Perry, Luke Bryan and Lionel Richie – a little unnerved. “We might have to sit on top of you, man,” Richie famously said following Gressett’s rendition of Billy Joel’s Piano Man.

One could easily interpret Gressett’s animation as nervousness, and who could blame them? He has a lot riding on this homecoming. Gressett, however, says “no way!” He’s more than ready to take this next step, launching his post-American Idol career from his hometown. “All my life, I’ve always wanted to be able to perform with everybody there watching for me,” he says. “So yeah, I feel like I’m one step closer to making that dream come true.”

It may be a cliché to say someone is “born” for something. Gressett’s mother and biggest fan, Missie Gressett, says, in her son’s case, it’s pretty much the truth. “He kind of came out performing,” she says. “He has always loved being on the stage. Always.” She played music constantly for Tristen in utero, playing Johannes Brahms and Ludwig van Beethoven through listening devices placed on her stomach, which, at least in part, may account for Tristen’s abilities but also his wide range of musical interests. “He still listens to classical music all these years later, and he plays it on the piano,” his mother says.

“When we were out in Hollywood, we actually went to the Hollywood Bowl and saw Two Cellos, so that was an amazing experience,” adds Ms. Gressett, who has become quite famous in her own right having been featured often during her son’s run on American Idol.

A single mother with a vibrant, creative mind of her own – the homemade Halloween costumes she used to send Tristen to school at Eden Elementary, for instance, are legendary. She has poured much of her energy and passion into helping her only child achieve his dreams. “I am the proudest mama in the world,” she says as she works the merchandise table selling T-shirts and CDs. “We just have a special bond because it’s always just been us, and I’ve always been mama and daddy.”

The American Idol Experience

Gressett auditioned for American Idol along with more than 120,000 hopefuls, all vying for a coveted golden ticket to Los Angeles. Auditioning in Nashville, Gressett’s time in front of the judges is well documented – his aforementioned hyperactivity, the tearing up while chatting with fellow Alabamian Lionel Richie, his rendition of Piano Man and his thoughtful promotions of Pell City, just to name a few of the highlights.

Gressett seemed to devour the screen during his audition, but, he says, so much more goes into those moments than what viewers see months later. “What you’re seeing on television is what an editor sat down and was like, ‘OK, how can we turn this three-hour moment into two minutes?’ My audition on television, was about, what, 15 minutes? It actually happened over a span of three days.”

Despite some initial hesitancy among the judges, Gressett earned his golden ticket and was whisked off to La La Land – Hollywood. There, he experienced the intensity of the show’s weekly production schedule of “a ton of interviews,” walking around Los Angeles shooting b-roll footage, practicing and generally trying to survive the insanity week to week.

Despite the show’s competition format, Gressett says he never viewed the other contestants as rivals. “These were all people with the same goals, and it was awesome being around all those people who have such a strong connection because they’re all fighting for the same thing,” Gressett says. “It just never felt like a competition to me.”

For much of Gressett’s American Idol run, he appeared to be the lead dog, leaving the pack behind. But Gressett was eliminated after the Top 11 show in late April after performing a rousing rendition of the Rolling Stones’ classic, You Can’t Always Get What You Want.

His ouster was not without controversy. Many viewers on streaming services such as Hulu and Xfinity claim technical issues caused Gressett’s performance to go missing from the broadcast. In the days that followed, several online petitions were begun to get Gressett back on the show due to the error. In the end, the results stood, and Gressett’s run came to an early end – fairly or unfairly.

American Idol tends to reward screechy divas and clean-cut young men rather than long-haired, bearded, bluesy rockers like Gressett – Alabamian Bo Bice being a notable exception – a viewpoint shared by none other than Katy Perry. “He’s a rock ‘n’ roller, and it’s really challenging for that genre sometimes to get really far because it’s not about who’s the best singer – you have to check a little bit of a lot of boxes,” said Perry in a press statement following Gressett’s final episode. “But I think that he definitely poured a lot of sauce on his performance tonight and you got to strike a balance. I wish him the best. I’m gonna be seeing him on stage. I’m gonna go to his concerts for sure.”

“Somebody like me is going to have to fight a little harder,” adds Gressett, “and I fought as hard as I could. But I’m happy to make it as far as I did because over 122,000 people auditioned to be on the show. Just to be able to say ‘hey I placed 11th’ makes me feel a lot better about my journey ending when it did. I’m just happy to be able to pursue music on my own now with a stronger head on my shoulders and with the knowledge that I learned from the show.”

It’s Show Time!

With the crowd at near capacity, Gressett hits the stage shortly after 7 p.m. and immediately launches into his version of Piano Man followed by an eclectic mix of well-known classics, Neil Young’s Heart of Gold, Chuck Berry’s Johnny B. Good – showing off his considerable guitar soloing skills in the process – and a version of the Beatles’ With A Little Help From My Friends.

The fifth song of the set was an original, titled The Road. Throughout the night, Gressett included a handful of accomplished original songs included on a six-song EP released in 2021 titled Act I: The Poet.

Gressett’s songwriting isn’t nearly celebrated as much as his skills as a singer and performer, although it’s clear that he puts much time and effort into his writing. “Sometimes it starts with the guitar and sometimes it starts with a phrase, and then I think, ‘How do I turn this into a song?’ I also use a lot of my personal experiences that I go through and stories of people that I know and love,” he explains.

A standout tune is one simply titled, Tiffany. It tells the story of a young and awkwardly inexperienced young man who finds himself attracted to a girl named Tiffany, who, though only a few years older, has a few more cynical miles under her belt than her would-be suitor. After finishing the song, Gressett said that it was one of his more humorous, jokey songs.

On the contrary,Tiffany displays a maturity in its wordsmithing.

In all, Gressett performed for around two hours, the crowd seemingly in the palm of his hand the entire night, even during a few moments that didn’t go as planned. For instance, Gressett managed his way around a pesky guitar cable that shorted out a handful of times during the night and handled a few of the rowdier fans with the humor and finesse of a seasoned pro.

One moment that particularly showed Gressett’s grace under fire occurred when he realized he left his capo (guitar geeks will know what this is) in the dressing room, leaving him unable to play his next song in the right key. Gressett walked backstage while mumbling in a high-pitch, faux-female voice, “You mean to tell me I paid $20 just so I can watch this kid look for his stuff?” to wild laughter before returning on stage to start the next song.

The show was a triumphant homecoming for Gressett, who waves his Pell City flag high and proud. While much of his talent and stage presence is natural, he says there have many people along the way who have helped him to become the person he is today.

“In eighth grade, my drama teacher, Mrs. Nixon, really encouraged me to hone in on my performance in theater. I’ve always been kind of crazy, but she got me to hone in and use it as a way of expressing myself,” says Gressett. “Mrs. Kaler at the high school has been one of my biggest supporters. She’s such a great person in general, but she has done so much when it came to getting people to vote for me. She’s been such a huge part of this for me.

“And, of course, Eden Elementary. That’s my home place over there. I love Eden. I went and sang for the kids over there recently and, man, that was such a full-circle moment for me,” Gressett add. “That was so awesome.”

What’s Up Next?

With his American Idol experience and high school graduation behind him, Gressett is focused on kick-starting his music career in a big way. Eventually, he plans to relocate to Los Angeles, but, until then, his schedule is full of appearances throughout the summer.

He performed at the Creek Bank Festival in Leeds, the Block Party in Pell City, and he opened for American Idol winner and Birmingham native Taylor Hicks at the Jazz Fest in Alexander City.

Later in June, he opened for Jefferson Starship at the Helen Keller Festival in Tuscumbia, and on July 1, Gressett performed in Canada, his first time traveling outside the U.S., at the Grand Falls Potato Festival in Grand Falls, New Brunswick. l

Features

SPOTLIGHT

CEPA program shining brightly throughout county

Story by Eryn Ellard
Submitted Photos

When Spotlight took center stage five years ago at Pell City Center for Education and Performing Arts, it was simply an idea to nurture and grow love of theatre – in all its forms – among young people. Today, it is as its name implies – illuminating.

It casts its light on acting, set design, writing, podcasts, short film, directing, sound, lights, music and all that goes into a production as part of Spotlight’s successful script.

In addition to CEPA’s community theatre troupe, younger versions are now flourishing through Spotlight Clubs at Pell City, St. Clair County, Moody and Victory Christian high schools. A kids drama program has evolved, and the awards ceremony for all of it held each year is now an event tantamount to the Oscars.

Born in 2015 in a collaboration with Jefferson State Community College, the CEPA program was gaining popularity for those interested in performing arts but was shuttered as a result of the COVID-19 shutdowns in 2020.

Shelby Duke, Spotlight program coordinator, said that the program had to get creative in order to keep the program’s momentum moving forward. “In 2020, when the pandemic hit, we began using digital means to keep people involved in Spotlight since we could not be in the theatre for a few months,” Duke said.

In September of 2020, Duke said, the program began cultivating a digital media platform and expanding into a podcast in Spotlight Studio called The Black Box. “In October of 2020, we released our first podcast and asked our clubs to write podcasts as well,” Duke noted. “We had several podcast scripts submitted, and we made a season out of it.”

Spotlight Studio is also a place where people can find videos of the various clubs involved with the program, short films and other projects within it. Building on its successes, the program is in the midst of transforming another podcast into a short film.

Perhaps one of the most creative outlets within the program, The Black Box Podcast, is a dramatic audio theatre experience where club members write their own scripts for the podcast and record them. Subjects last year included a wide variety of subjects from comedy pieces about Christmas to more serious subject matters.

Miss Christmas Business developed by the St. Clair County High School club debuted at the Sidewalk Film Festival in Birmingham in 2021.

“We are planning on releasing a podcast this month, Project SEM;COLON written by Pell City High School student Anna Claire Hawthorn. Project SEM;COLON is a podcast and future short film that shines light on suicide awareness,” Duke said. “Anna Claire and other PCHS students have worked so hard on this project, and I am extremely proud of them.”

A catalyst for all, regardless of age and performing arts experience, “this program brings people together who have an interest in theatre,” Duke said. “It has become a community of people who share that love or want to see what things are all about. It is open to anyone who wants to give theatre a try – on and off the stage.”

In addition to the program’s new digital platforms, Spotlight is still home to plays and musicals upon which it built its reputation. It also hosts a Summer Drama Camp for Spotlight Kids Club.

Now in its fifth year, Spotlight annually shines the light on its own through the Spotlight Awards, a way to recognize and celebrate the accomplishments of the program and its members over the year. “We have categories for everything from actors awards to the best in crew awards,” Duke said. “It is also a way for us to get donations that go to the Spotlight program as well. We have food and entertainment to continue to build the Spotlight Award community and celebrate our wonderful talent.”

Another face also joined the Spotlight team this year, Nicholas Fason, who will be serving as Spotlight Studio coordinator and will be overseeing digital productions like podcasts and Spotlight Films.

“I am very excited to be stepping into the Studio coordinator role,” Fason said. “I am very passionate about giving students and community members every opportunity to express themselves.”

Fason will be coordinating between students and community members. “I am honored to be given this opportunity to make sure that we can execute the vision of the students and their creative endeavors,” Fason said.

The potential for the future is not lost on CEPA Executive Director Jeff Thompson, who along with Jefferson State’s Leslie Warren and Nicholas Kin, founded the program five years ago and carefully laid the groundwork.

In an impassioned speech at the Spotlight Awards Ceremony, Thompson discarded his notes, stepped from behind the podium and delivered a dramatic rallying cry for the program.

Five years ago, he said, he, Warren and Kin “had an idea that there would be enough of you out here to show this community that theatre was important, to keep this thing running, to keep more people coming through these doors year after year, doing play after play, growing exponentially, making people realize your art is important. And you’ve done it for five years, letting this community know that what you love is important,” he told the capacity audience of young people.

“And that’s what I love. I love that you love it. I love that you want to do it. I love that it matters to you. I love it that you chose it. I love it when you try hard and succeed, and I love it when you try hard and don’t. I love you, and I appreciate you.”

For five years, he said, “you’ve shown me, you’ve shown this board, you’ve shown everybody in here that we matter, and that’s what I want you to know tonight is that you matter. The things that you love matter. Keep doing them. Keep trying. Keep working. Be better every year. Happy five years, St. Clair County!”

Berritt Haynes

Pell City native building on performance, experience on The Voice

Story by Scottie Vickery
Photos by Graham Hadley
Submitted Photos

Berritt Haynes is no stranger to life-changing news, so when a talent recruiter from television’s The Voice told him to pack his bags and head for Los Angeles last May, it was sort of a “same song, different verse” situation. This time, however, the verse was a whole lot sweeter.

The Pell City native and his family were first stopped in their tracks by unexpected news when Berritt was diagnosed with a life-threatening heart disease at age 8. Eleven years later, the call welcoming the 19-year-old aspiring singer-songwriter to Season 21 of the NBC reality singing competition was much more fun.

“We were all whooping and hollering,” Berritt’s mother, Monica Haynes, said. “It was so loud, Berritt had to go outside to talk to her.”

Although he was eliminated in the Knockout Round of the competition that aired last fall, Berritt said he has no regrets. He earned high praises from the celebrity judges, including country singer Blake Shelton, who was Berritt’s team coach, and he said he grew as a singer, a performer and a person.

“This whole experience has been so amazing!!” Berritt said in a social media post after his elimination. “This is only the beginning, y’all!”

Since then, Berritt has been playing as many gigs as he can, writing music, honing his craft and continuing to dream big. “I’ve gotten a lot more confident, and my voice is stronger than before I went,” he said. “I’m just playing as much as I can and hopefully, something will come of it.”

Heartbreaking news

Berritt, who turns 20 on April 12, was at his 8-year-old checkup when his pediatrician, Dr. Keith Stansell, heard a heart murmur he hadn’t heard before. “A lot of doctors would have said to watch it for a while, but he’d seen Berritt all his life and knew it hadn’t been there before,” Monica said. “We sing his praises all the time.”

Berritt was referred to a cardiologist, who diagnosed him with hypertrophic cardiomyopathy (HCM). According to the Mayo Clinic, it’s a disease in which the heart muscle becomes abnormally thick, making it harder for the heart to pump blood. It’s often known as “sudden death disease” because it can cause life-threatening abnormal heart rhythms, and it’s the most common cause of heart-related sudden death in young people.

“They kept asking who in our family had died in their early 30s, but there was no one,” said Monica, adding that the disease is usually inherited. Genetic testing revealed that she has it as well, although her case is not as severe as her son’s. Berritt’s youngest sister, 13-year-old Kynlee, carries the gene but so far has not developed the disease. His father, Jeremy, and his sisters, EllaGrace, 14, and 17-year-old Ryleigh, have no heart issues.

“It was devastating,” Monica said. “I had a lot of mama guilt for a long time just knowing I gave that to my kid.”

Berritt’s lifestyle changed immediately after the diagnosis. He loved sports, but he had to quit playing baseball and football. At 14, after passing out on a hunting trip with his grandfather, Berritt had surgery to have an implantable cardioverter-defibrillator (ICD) placed in his chest. The battery-operated device detects abnormal heart rhythms and will provide an electric shock if necessary to make his heart beat normally.

Three years later, in 2019, 17-year-old Berritt underwent open heart surgery at the end of his junior year of high school. “My family and the Lord are what got me through it,” Berritt said when he shared his testimony a few months later.

Although Berritt had to give up a lot of things he loved, he discovered some new joys, as well. Right after the diagnosis, his parents started him in competitive BB gun shooting events so he could still compete in an outdoor activity. He won a number of awards in competitions all over the South, including a gold medal in the Alabama State Games. In 2013, he was named the ASF Foundation’s Male Athlete of the Year. “My dream is to one day compete in the Olympics,” Berritt said at the time.

Berritt credits family and faith in getting through open heart surgery.

It was music, though, that truly captured his heart. Both of his parents sing in the church choir, and even as a toddler, “Berritt would sit in our laps during practice,” Monica said. “He would sit there and sing his little heart out.”

That’s why they also enrolled him in guitar lessons after he had to give up sports. “We told him, ‘You can still be playing this when you’re 70, but you wouldn’t be playing baseball at 70,’” Monica said. In addition, Berritt started singing and playing with the praise band at his family’s church, Seddon Baptist Church, and he played the alto sax and tenor sax with the Pell City High School Jazz Band.

“I just love music,” said Berritt, who was singing with the praise band again two weeks after his surgery. “I really love singing worship songs.”

In full voice

Following his surgery, Make-a-Wish, a nonprofit that fulfills wishes of kids with critical illnesses, arranged for Berritt to be in the audience during a taping of The Voice and to meet the judges. COVID-19 derailed the plans, though, and Make-a-Wish refurbished Berritt’s pickup truck instead.

Berritt’s mom knew about her son’s dreams, though, so she took matters into her own hands and submitted a video of Berritt singing Eric Clapton’s Tears in Heaven to The Voice. He had auditioned twice before – once in middle school, once in high school – but the third time was the charm.

The initial call from the talent recruiter came during a family movie night. Monica saw a California number on her screen, thought it was spam, and let it go to voicemail. “Y’all are going to want to pause the movie for this,” she told her family after listening to the message.

When word finally came months later that Berritt had officially made the cut, he packed two suitcases, his guitar and a backpack and headed for Los Angeles. The shows were pre-recorded with audiences of about 150 screaming fans. “Sometimes you can’t hear what you’re doing,” he said.

The first time he took the stage during the “Blind Auditions” and sang Brett Young’s Mercy, Berritt tried not to think about the more than 7 million viewers who would eventually be watching the show’s premiere. “At that point, I was just singing for my coaches,” he said of celebrity judges Kelly Clarkson, John Legend, Ariana Grande and Shelton. “When Blake turned around (to signify he wanted the singer on his team) all those nerves I had went away.”

Although Berritt, who graduated from Pell City in 2020, didn’t get a lot of air time during the show, the judges were quick to praise his talents. “I think you’re just a damn good singer,” Shelton told him following his first performance. In other shows, Clarkson said “his tone was cool” and told Berritt, “I was just captivated by you.”

During the two and a half months he was in Los Angeles, Berritt got to work with a vocal coach for the first time and enjoyed hanging out, singing and playing games with his fellow contestants. He also added a few new pieces to his wardrobe.

“There was nothing they gave me that didn’t fit me tight,” he said with a laugh. Although he got to keep a leather jacket, shirts and a few pair of jeans, he said the best thing he got from the experience was the feedback and encouragement from the coaches.

“Blake always had nothing but good things to say about what I was doing, what I was singing,” Berritt said. “They really build up your confidence. They want you to do good; they want you to be successful.”

Since he’s been home, Berritt has worked some as a substitute teacher to earn some extra money while continuing to do what he loves most – make music. He released a new single, Sidewalks of Birmingham, on all streaming platforms in January, served as grand marshal of the Pell City Christmas Parade and is performing as often as he can. In addition to playing Lakeside Live and other venues, he recently opened for Girl Named Tom, the Season 21 winner, at Iron City in Birmingham.

“The whole experience was amazing,” Berritt said. “With all the stuff I’ve been through, I just didn’t think I’d ever make it that far or amount to anything. It’s been a dream come true.” l

Editor’s Note: Want to keep up with Berritt’s career? Follow him on Instagram @berritt.haynes or on Facebook at Berritt Haynes Music.

Features

Step into the ring

Professional boxing finds new arena in Pell City

Story by Loyd McIntosh
Photos by Wallace Bromberg Jr.

On a sweltering hot Friday afternoon in late July, the parking lot of Total Body Fitness is so full, many cars have parked in the grass and mud in the vacant lot next door. Inside, the gym is just as packed as dozens of athletes, trainers and others mill about.

There is excitement and even a little tension in the air. All of this activity isn’t for a hot, new exercise class. No, excitement builds for the weigh-in for a boxing event taking place in a little over 24 hours at, of all places, the CEPA Building in Pell City.

Organized by the Alabama-based boxing promotion company, One One Six Boxing, Saturday’s event, Logan Martin Rumble 2, is the second boxing “show” One One Six has held in Pell City, the first coming in December 2020. One One Six is also notable for being the state’s first and only boxing promotion owned and operated by a woman and St. Clair County native Brandi McClain.

Anthony Stewart (right) stares down Jayvone Dafney (left) as referee Keith Hughes goes over the rules.

Since launching, One One Six has held close to 10 boxing events showcasing fighters from all over the country but with a concentration on boxers from the Southeast. Operating out of Gadsden, One One Six has hosted Money Powell IV, James De La Rosa and Michael Williams Jr., the undefeated prospect of Roy Jones Jr. This weekend, her focus is on a boxer named Anthony Stewart, who at age 40 is competing for the Alabama State Cruiserweight Title.

“Anthony has a lot riding on him this weekend, but he’s a very talented fighter. He’s ready for this moment,” McCain says. “I think he has an opportunity to fight on TV, and I’m doing everything I can to make that happen for him. It’s my job to make my fighters’ dreams come true.”

At the weigh-in, Stewart is sitting at a table with his trainer, Dave Godber, a boxing lifer with extensive experience as a fighter and trainer. Currently, Gober owns Round 1 Boxing For Health, a gym in Vestavia where Stewart trains while he’s not busy with his full-time job as a welder for Ox Bodies in Tuscaloosa.

Since his last sparring session a little over a week ago, Stewart has geared down his activity to give his body the rest it needs for his title fight on Saturday. “My last week, really what I’m doing is I’m trying to focus my mind on rest, relaxation, how I can make my body 100 percent when I step in the ring,” says Stewart.

His opponent is a little-known boxer named Jayvone Dafney, a 34-year-old cruiserweight fighting out of Los Angeles with a record of 2-3. Anthony and Godber have spent much of their preparation watching film and studying Gafney’s strengths and, more importantly, weaknesses. “Everybody has habits, and that’s what we want him to do. We want him to fight in his bad habits,” Godber says. “That’s what I’m really good at. In the first 30 seconds, I can tell you exactly how this man’s fighting.”

Godber is of the mindset that boxing is a 50-50 sport – 50 percent physical, 50 percent psychological. He’s been working tirelessly on Stewart’s mental approach to boxing, helping his protégé to think on his feet and react to whatever his opponent does in the ring. “Everybody’s got skill,” Godber says. “You can be the best fighter in the world, but you have to have the mental attitude to know how to survive and how to make good decisions.

“Everybody looks like a champion on the heavy bag,” he adds, “but when you get in that ring and the pressure’s on you, you have to overwhelm yourself with the mental aspect.”

“When I’m in there, I don’t just react,” adds Stewart. “I’m thinking to myself, ‘when I do this, what does he do? When I throw this punch, where does he move? When I throw this punch, where does he drop his hand? If he drops that hand, we’ll I’m going to come here.’”

Like many of today’s professional boxers, Stewart honed his fighting skills in the crazy world of ultimate fighting in what he calls “loosely organized” underground events in bars and joints in places like Jasper and Cullman. Stewart turned pro in June 2018, defeating a boxer named Andre Brewer. Leading into his title bout in Pell City, Stewart’s record stands at a healthy 5-1-2, four wins by knockout. Fit, mentally acute, and rested, Stewart is brimming with confidence just 24 hours before the bell rings in the biggest fight of his career in the heart of Pell City, the Main Event for Logan Martin Rumble 2.

“I don’t like to say anything derogatory about anybody that I’m about to fight but …” he stops himself before finishing the statement and collects his thoughts before continuing. “It’s like this right here. I’m coming to handle business. Anybody that’s in my way of that title is going to get broken down. I want to see what kind of man he is. This is mano a mano. I want to see how he faces adversity because I’m going to touch him.”

Still, at the age of 40, one question Stewart is asked often is how much longer can he continue boxing? How will he know when it’s time to hang up the gloves? “Through all my amateur fights and most of my pro fights, I didn’t take many punches. There will be a time when I got to hang it up, but right now I’ve got a five-year plan, which takes me to 45,” explains Stewart. “We’re going to stay in shape and keep this going.”

Fight Night

It’s now Saturday evening and the gymnasium at the CEPA Building has been transformed for professional boxing. The ring sits at the center of the court with professional lights placed in opposite corners. There are 11 fights on the card with the Stewart-Dafney fight bringing the night to a close.

Most of the bouts are scheduled for four rounds, with three scheduled for six rounds, including the main event. The first three fights of the night ended in knockouts – two in the first round, one in the second round. However, one of the best fights of the night was the fourth on the card, the stunning debut of a young fighter named Nicholas Adams.

A native of Pell City, Adams initially attended Pell City High School, transferred to Ashville High School, before eventually earning his GED. He worked as a corrections officer before recently devoting himself to boxing full time after deciding against pursuing mixed martial arts.

He signed on with One One Six Boxing but found himself in need of a new trainer and coach less than a week before his professional debut. He hooked up with Martin Juarez, owner and operator of Juarez Boxing in Irondale, who has been impressed with Nick in the short time he’s worked with him.

“I met Nick four days ago. He called me over the weekend and said he was without a trainer and needed some help,” Juarez explains. “Just the time we’ve spent in the gym, we’ve been able to build a rapport with one another, and I’ve taught him some stuff that he’s never known, this being his first professional fight.

“Nick shows a lot of great attitude and great effort and has come a long way in four days,” he adds. “I’m expecting only great things from him.”

Adams has a lot riding on this fight as well. He and his wife, Morganne, have a preschool-age daughter, Sophie. Not only is this Nick’s pro debut, but his primary source of income for his young family. At the weigh-in on Friday, Morganne was both excited and apprehensive about her husband’s bout. “I keep thinking I am ready for this, and we keep getting closer, and I don’t know. My stomach’s in a knot,” Morganne says. “I’m very nervous, but I know he’s going to win.”

Adams’ opponent Saturday evening is 32-year-old Keith Criddell, boxing out of Atlanta in a Super Middleweight bout scheduled for four rounds. Despite his record of 0-3, Criddell has almost a year of experience as a pro boxer, having made his debut in August 2020. Adams’ path to victory is clearly uphill.

From the opening bell brought through the end of the third round, the action was exciting and, to the general boxing fan, evenly matched. In reality, Adams was winded, having come out too hot in the first round throwing a flurry of punches and expending a lot of energy. By the end of the third round, Adams was in danger of losing the fight should it go the distance. Adams’ new trainer and cornerman, Juarez, was there to encourage his fighter, but also to give him the unvarnished truth.

“I was tired. He got in my face and told me ‘you can’t forget everything that we’ve done these last four days. You’ve been amazing. Don’t forget everything you’ve learned, and, oh, by the way, you’re losing this fight,’” Adams says. “That wasn’t something he didn’t have to tell me, I could tell. I was falling behind. But when he got up in my face, all the numbness that I had in my legs went away. I don’t know what that man said to me, but it was the way he said it. I knew I was going to lose the fight if I didn’t put him out in the fourth round.”

Adams regained his stamina and focus in the fourth round, connecting on a vicious right hook that sent Criddell to the canvas once and for all. “I took everything (Juarez) gave me and applied it as best I could. It took me four rounds, but I did it,” Adams says. “I put him down and pulled out the win for my debut.”

Back to the Main Event

After 10 fights, all but one ending in a knockouts or technical knockout, the crowd is ready for the main event. Dafney makes his entrance into the ring first to little more than polite applause.

It’s clear this crowd is here to see Stewart. He doesn’t disappoint. Following a light show and a short but loud pump-up performance by a Tuscaloosa-based hip-hop artist, Stewart makes his way into the arena. Wearing red and black trunks with his last name emblazoned across the front, Stewart enters the ring, his tattooed chest and arms already glistening with sweat, his jaw clenched, eyes staring straight at his opponent. Referee Keith Hughes goes over the rules and sends each man back to his corner to wait for the opening bell.

One day prior at the weigh-in the question was posed to Godber, where does Stewart have the advantage over Dafney? “Anthony throws more punches,” says Godber.

“We’ve been working weight on six and seven punch combinations. I don’t think that young man’s ready for Anthony because he doesn’t throw much more than three,” Godber continues. “You won’t see Anthony on the ropes. You’ll see him in the center of the ring. It’s hard to fight going backward, and if (Dafney) goes to the ropes, he’s going down.”

The bell rings and the fight plays out exactly as Godber described. Stewart began the bout measured, even taking a couple of shots from the taller Dafney, before exploding into a fury of punches.

As Round 1 progressed, Stewart continued his onslaught of punches, pushing Dafney back on his heels and into the ropes. Finally, Stewart broke down his opponent’s defenses before connecting with a fierce right hook and sending Dafney to the canvas. No 10-count. Hughes jumps in and immediately stops the fight at 2:55 in the first round. It’s over. Hughes lifts Stewart’s arm in the air. McCain enters the ring to place the belt around the victor’s waist.

Anthony Stewart is the new Alabama State Cruiserweight Champion.