Category: St. Clair Entertainment

Springville Community Theater

Still getting rave reviews after 47 years

Story by Paul South
Submitted photos

For 47 years, the story of the Springville Community Theater has been stagecraft by “the seat of the pants,” according to founder June Mack.

Think a line from something like one of the classic Mickey Rooney-Judy Garland movies: “Hey gang, let’s put on a show.”

Everybody contributes. Everybody performs.

SCT is a small volunteer army of amateur actors, singers, dancers, set builders and ticket takers. The company has few rules: Check your ego at the stage door, no divas allowed and get ready to have fun and work hard.

That’s been the story of the theater troupe since Mack started it in 1976 after graduating from Hollins College, and her summer job fell through.

Archie Jones, a neighbor at a nearby farm, suggested that Mack put on a show in Springville. She spent a month writing a children’s fantasy, filled with song, dance and dialogue.

“I put the word out that I needed help to put this thing on, and about 20 people – lifelong friends of all ages – stepped in to be a part of it. We had a blast,” Mack says.

The next year saw another original production that drew 70 cast and crew, including The Shake, Rattle and Roll Senior Citizens Band from Odenville.

“I didn›t exactly know what to do with them so I created a scene with a birthday party so the band (about 25 senior citizens) became the entertainment at the party in the play. They were a real hit.”

Since those initial offerings, Mack, with degrees from Florida State and Harvard, has directed the SCT in a mix of original works and Broadway classics, like Oklahoma!, South Pacific, Beauty and the Beast and Peter Pan.

Mack describes the growing troupe with a single word – brave.

“They’re not afraid to take a risk. Especially if it’s funny or unusual – something that would delight a crowd,” Mack says. “When you describe something to them that you’re thinking of them doing, and it could be embarrassing or even dangerous, they get a glint in their eye like ‘bring it on.’”

Risks, it seems, are part of life on the stage, from New York to community playhouses. But in Springville, the theater has no set script for success.

“No formula, just trying to see if we can do it,” Mack says. “It’s not that we decided we’re going renegade and not have a safety net. We just don’t have a net, or we’d definitely use it. We’ve done things that we knew could turn out catastrophic, but we just had to try — and it always turned out.”

For example, “we did an outdoor performance of Annie Get Your Gun at Homestead Hollow. One of our leads, Madison Forman, decided at age 80 that he’d like to try acting. He was great. To do this show, we braved mosquitoes, record temperatures and humidity plus horses, lots of kids, gunshots, fireworks and longhorn steers. Plus, we moved the audience from scene to scene instead of changing the scenery, which meant relocating sound, lights and orchestra as we moved to the settings around Homestead Hollow. Just had to try it.”

One of the foundations at Springville Community Theater is that everyone who auditions is cast. Locals from ages 4 to 85 have basked in the applause of joyful audiences. “It’s amazing what people can do when you tell them they can,” Mack says.

“We’ve had 100 (exactly) people audition for several of our shows, and since we cast every person, that meant a cast of… yep, 100. We’re not trying to grow a theater program. We just want to do fun, creative things in front of our families and friends.

“Recently, we gathered old cast and crew lists to create a spreadsheet of everyone who had worked on our shows, and the number was 970 in 47 years. We were amazed because it’s a small town.”

Mack says that having a community theater isn’t really the important thing – it could be any kind of project that involves a lot of people working together.“The fact that it was theater just means there are a lot of different types of jobs for different kinds of people. So, it’s a very practical device for a community project. And then you present it to the community, and you’ve got participation on every level.”

The seeds for what would become Springville Community Theater were planted in the 1970s at Springville United Methodist Church, where Mack, her mother and siblings created and performed church programs along with other members of the congregation. “It was the time of the hit musical, Godspell, and youth programs everywhere were experimenting with drama, music and movement. I was fortunate to work with a lot of really talented people, and this was the norm all over Springville — not just at the Methodist Church. It’s still true today. It’s a very unusual place.”

What do they think are the secrets behind keeping it going for almost five decades?

In the beginning – for about 10 years – we did a show every year. Now, with the size of our shows, the volunteer staff and crew need a longer break. Spacing the shows is our remedy for burn out. We go off and live our lives, and when we get the itch to do a show, we bring that life energy back to the next play.”

She explains it like this: “The stage really isn’t our lives — it comes out of our lives. We just pretend it’s about the show (these characters, their stories), but it’s really about community, about our stories as we do this other thing called a show.”

From the beginning, she adds, it was a teaching group. “We teach anyone to act, build, paint, run a box office, operate lighting and sound equipment, make costumes, find the right props, be a stagehand. Since nobody gets paid, anyone can volunteer to do anything. We’re sort of the “no rules” theater troupe.”

As for its staying power, she notes, “Incredibly talented people just keep showing up for sets, art, props, costumes, sound and lights. We couldn’t afford these people if we were paying them. But they’ll work for free because the creative atmosphere is super, and they are so appreciated – it just feels good to be a part of these shows.

“It’s incredibly hard work, but these people know that hard work and long hours come with quality art, and they pour themselves into it, teaching others along the way. That continuity of expertise sprinkled through all of the committees has been key to our ability to handle the hundreds of people who head our way now for every show.”

Mack points to other keys to their success. “We have no overhead because we don’t own a building or have a payroll, and this makes it possible for us to have a lot of freedom to do shows when we want to and take risks – risks that come with doing really big shows and a lot of crazy stunts.

“We keep ticket prices as low as we can to make the shows accessible to everyone. We just want to break even – we’re not interested in socking away any money. With donations from the City of Springville, St. Clair County and a few special friends, we’re able to mount extravagant shows with very low ticket prices.

They keep the spotlight trained where it should be, she says. “With less focus on money and sustaining a large organization, we’re able to keep our main goal in sight: process is more important than product. The cool part is that, by focusing on the process, the quality of the product is always amazing.

“We focus on the experience of the people who work on the shows. We want everyone to be proud of themselves, and this expands to the pride and love their families and friends feel for them when they see them on the stage. It’s a beautiful thing.”

Mack taught at UAB from 2001 to 2019, where she led the university’s film program. Before that, she taught at Ohio University, The Ringling School of Art and Design and at Florida State.

For the former college faculty member, Springville Community Theater teaches a powerful lesson. “Doing something that’s fun and wanting to give back to friends, family and community really works out in the long run.”

And after 47 years, how does Mack see the future Springville Community Theater? “More of the same, only, it’s never the same.”

One day of love and music

Lovestock Festival Promotes Unity and Love

Story by Roxann Edsall
Photos by Mackenzie Free

In August of 1969, there was a music festival of some note, held on a dairy farm a few hours outside of New York City. Attended by over 400,000 people, that music festival, known as Woodstock, was promoted with the slogan, “Three Days of Peace and Music.” The country was in the middle of turbulent times, and organizers thought music could bring some inner peace to festival goers.

Fast-forward 54 years to a farm in the heart of Pell City, Alabama. Hundreds of people have gathered to enjoy a free music festival. The festival is called Lovestock, a nod to the intent of the historic 1969 music mega-festival. As you walk from the parking area toward the stage, you enjoy the serene beauty of this farm, with its expansive views of gently sloping green hills and fields.

As you approach the stage, you hear the master of ceremonies tell the crowd that today there are no races, no black, no white, just love. “Today,” the voice explains, “will be all about the collective experiences of cultural and ethnic backgrounds and their expressions of love in music.” Throughout the day, the shared joy and community among the participants creates a truly palpable sense of love and unity.

Spectators fill the fields in front of the stage

During breaks in the music, squeals of joy can be heard from the children’s inflatables play area. Groups of festival goers wander about to visit the food truck and vendor area as they wait to hear their favorite group sing. Unlike the rainy, muddy conditions that characterized the Woodstock festival site, the weather on this October day is sunny and warm, with a breeze that hints of the changing seasons.

Individuals and bands from five states share the stage at various times throughout this day-long music festival. The 17 acts will later be edited into four shows for Alabama Gospel Roots, a popular television show which airs on Saturday nights at 8 p.m. on Alabama Public TV (APT).

Al Lewis has been playing saxophone for 64 years. He’s playing with two different bands on this day. “I was around at the time of Woodstock,” he says. “Lovestock is different and so much better. No alcohol, no chemicals, just totally Christian love.” He joins the band, Lite Brigade, in the morning set and Healed by the Blood in the closing act of the day.

Rev. Dr. Renita Allen-Dixon is a popular gospel recording artist from Tallahassee, Florida, and has just finished her set on stage. She agrees with Lewis about the festival and its location. “You can feel life and the presence of God here,” she adds. “It’s an opportunity for God to bring serenity and peace and for faith to be renewed.”

The idea for Lovestock began two years ago as the brainchild of four men working on various projects in the entertainment industry in Alabama. George W. Stewart, host of the Alabama Gospel Roots television show pitched to his friend, Charlie Beavers, the idea of putting on an outdoor music festival. Beavers, a Birmingham attorney and frequent guest musician on the gospel show, agreed to help, and the idea took flight. Beavers suggested including Rodney Burrow, a friend he had worked with previously on a charity music event. Michael Sutton, who manages Iron City Collective, a pop-up worship event group which produces worship events at places like Railroad Park in downtown Birmingham, rounded out the group.

APT had been taping Alabama Gospel Roots at venues all around the state since the COVID pandemic shut down their studio in Montgomery. As they continued to talk about it, the plan began to take shape as a Christian Woodstock equivalent, with back-to-back groups playing throughout the day, but without the negative connotations and volatility that became associated with the iconic ‘60s festival.

Lovestock organizers added to their event promotion the tagline, “What the World Needs Now Is Love,” a reference to a popular 1965 song recorded by Jackie DeShannon. “That’s truly what the world needs now,” said Stewart. “There’s a lot of hurt in the world today. We’re going to show a pure expression of love for each other and love for God. We hope people leave empowered to share this example of unity with the world.”

Organizers booked Lovestock at Rodney Burrow’s 123-acre farm. Its green, rolling hills and water features project a decidedly golf course feel, with good reason. Burrow purchased the land from the estate of Charles Carter, owner of Carter Golf Company, a world-renowned company that built many famous golf courses, including the Robert Trent Jones courses in Alabama.

“Carter used his company equipment and sculpted it, I’m told, from basically swampland to the tranquil and beautiful hills and lush greenways that it is now,” tells Burrow.

Burrow had been looking for land to buy outside of Birmingham in 2012 when the property became available. He recalls the story of how he knew it was the right land for him. “A friend came out with me to look at the land. He got down on one knee and scooped up some dirt in his hand, let it sift through his fingers and told me that one day I would be able to call this land my own,” says Burrow, choking back tears.

“I came back a few days later and promised God that if he gave me this property, I would give it back to him.” Thirty days later, Burrow closed on the property, which he now calls Willow Tree Ranch.

His journey to fulfill that promise includes offering sections of the property for use for events like Lovestock and for use in his work with area youth and families. “When I bought it, I really didn’t know what that would look like. What began as a youth camp idea has expanded into something far beyond my expectations,” adds Burrow.

He has plans to develop the land further and build a conference center with lodging, and fishing and recreation areas, along with barns with horses for guests to ride.

Burrow introduces one of his volunteers at the festival. Joseph Carrion smiles as he tells his story of gratitude and the reason he is happy to help. He had been serving two life sentences plus 13 years at Donaldson Correctional Facility as a repeat offender convicted on a charge of drug possession.

After participating in a prison ministry event called Kairos in 2003, he turned his life around. Charlie Beavers was working with that ministry on that April weekend at Donaldson. “I asked him if God could really save me,” said Carrion.

“A year later, I was released on parole. The next year, Charlie and some others went with me to Montgomery to receive a full pardon. Helping with these kinds of events helps me to give back for the gift of love and salvation I didn’t deserve.”

Breaking down barriers and offering life-changing love is what has fueled the efforts of all who worked on this music festival. “Lovestock crosses all boundaries,” says Stewart. “It’s a collective of cultural and ethnic backgrounds and their expressions of love in music. It’s unfacilitated peace through all walks of life.”

Plans are already underway for Lovestock 2024.

Fall on the Farm

Pumpkins and peanuts and handcrafts, oh my!

Story by Elaine Hobson Miller
Photos by Richard Rybka

The smell of caramel popcorn, the sounds of children laughing, the sea of tents filled with handmade crafts. There’s nothing like a fall festival to entertain you on a cool, crisp Saturday, especially one like Fall on the Farm on Chandler Mountain.

Held at Smith’s Tomato Farm, this year’s event — the seventh — featured all of the above plus good, old-fashioned guitar and banjo picking for entertainment. It doesn’t get much better than this!

“We just wanna do something for the community, where families can come out and enjoy the day with no admission charge,” said Kista Lowe, manager of Smith Tomato Farm. “We just want families to come have a good time.”

At the entrance to the festival, fall displays such as a rusty Farmall tractor with pumpkins and a scarecrow beside it provided the perfect place for a family photo shoot. Two giant John Deere 200 h.p.+ tractors normally used in the tomato fields were parked nearby.

Esther Smith mans her booth at the event

Carrying the farm theme even further, a “tractor track” allowedtots to ride old toy tractors within the confines of a pumpkin “patch.” A bench at one end provided another photo op, with its backdrop of a slatted wood fence piece bearing a sign reading, “Hello Pumpkins.” Squeals and giggles of delight came from the two inflatable slides nearby.

Kristin Simpson painted smiling faces in her Starshine Faces booth near rows of potted mums in garnet, yellow and white, for sale at $30 a pot. Turning the corner, the familiar smells of festival foods made you hungry, no matter when you last ate breakfast. And the sight of all those crafts made you wish you had left your wallet at home, because you knew you weren’t going to get away without spending some money.

As you turned the corner, the hum of a portable generator provided a backdrop against a cacophony of bargaining voices, squeals of delight, and questions of, “How much does that cost?” Aromas of caramel popcorn and grilled meat filled the air, and the longest line was at the big booth serving tamales, asada (strips of grilled beef) and grilled chicken on quesadillas, tacos and more.

“Our (farm) crew leader’s wife did the asada booth to benefit the family of a little girl hit and killed while waiting on a school bus in Oneonta recently,” said Kista Lowe. “Her family worked on another farm in Blount County. Our crew chief is Pepe Gonzales, and his wife is Estella.”

Although Lowe said the number of vendors was down slightly this year, you couldn’t tell it from gazing at the rows of tents lined up. Some 2,000-3,000 people shopped with vendors selling jewelry, T-shirts and hoodies, water color art, pottery, candles and hand-woven dish towels. The latter sold for $15 each, with several woven on-the-spot by Marcia Wells of Springville. She brought along her loom to demonstrate her craft. “I have several more looms at home, including four I inherited from my mother,” Wells said.

Other booths sold “Welcome” signs for porches, sarapes and ponchos with western art in their designs and brightly-colored Mexican ceramics. Brown Hat Bakery, a north Gadsden establishment, contributed to the sweet aromas of baked goods at another booth.

Fall and Christmas wreaths, handmade stuffed animals, hand-decorated tumblers, caramel and chocolate-covered apples, T’s Nuts (key lime, Cajun, garlic, Parmesan, coconut rum flavors) and Woodcraft30 of Fosters, AL, with its signs, and Christmas ornaments, were lined up nearby.

Moon’s Resin Designsoffered trinket trays, tarot boards, charcuterie boards, plus birdhouses made of gourds. Jessica Wade of Bee Leaf of Springville sold candles of beeswax and soaps made with honey. Beau Blossom Blowof Springville had skull-shaped flicker lights. Run by Amethyst Blow and Jeremy Varden, who are raising money for their wedding, the business got its name from the nickname Amethyst’s grandfather used for her.

Tiffany Tibbs of Odenville manned the booth called His Grace Creations, which featured embroidered gifts and apparel such as baby bibs, tees and home decor. This was Tibbs’ third year at the festival. Embroidering, she said, is “a hobby that pays me a little bit.”

Dorrie’s Salvage Art, fromTalladega County, featured decorative signs such as smiling pumpkins, prancing roosters and a cabin in the woods painted on wood planks, not to mention banana gourds, egg gourds and birdhouse gourds transformed into Christmas ornaments and, guess what? Birdhouses!

“This is our first time here,“ said Dorrie, whose husband helps in the business. “A fellow vendor from the Rustic Bucket (another festival) in Odenville told me about it.” Fall on the Farm was well worth her time. “I’m a hoarder of wood,” she said. “My husband was a saw-miller before his stroke.”

Stephanie Abernathy of Steph’s Hand-Stamped Jewelry had a booth that sold her own creations as well as bracelets made by her daughter, Sophie. It was their second year at the festival. “I like supporting local fairs by selling something locally made, and I like seeing my students come through,” said Abernathy, who teaches second grade at Ashville Elementary.

She makes jewelry by using a hammer to stamp pre-cut designs onto aluminum, brass and copper. “I’ve been doing this for 12 years,” she said. Sophie, 13 and an eighth-grader at Ashville Middle School, makes Sophie’s Handmade Bracelets from glass and plastic beads.

Music for the day was furnished by Phillip Mulkey and Friends, an old-time bluegrass group that featured Phillip on banjo, Rick Morton on upright bass, Wes Phillips on mandolin, Mark and Adron Willingham on guitars, and Robbie Lawson, female vocalist singing harmony and playing guitar.

“We always hold this on the first Saturday in October, and there’s no charge for parking or admission,” said Kista Lowe. “Come out and join us next year!”

Features

Springville Preservation Society

A labor of love for the past

Story by Paul South
Photos by Richard Rybka

Love comes in many forms.
A dozen roses.
A whispered lullaby
A perfumed letter.
Driving a nail or sweating over a grant application.

But the love the Springville Preservation Society holds for its historic hometown can be seen in preserving the iconic Rock School, restoring the Presbyterian Church, the Springville Museum and historic homes dotting the city’s landscape.

It can even be seen in celebrating the life of Springville natives Hank Patterson and St. Clair County native Pat Buttram, stars of the zany 1960s sitcom, Green Acres.

Patterson and Buttram have passed on, but their lives and the TV show are celebrated in Springville with “Green Acres Day”, featuring a doppelganger of the precocious porker pet Arnold Ziffel, the “son” of Patterson’s character.

The society, about 100 members strong, raises money for its all-volunteer labor through grants and membership fees, ice cream socials and appropriate for this season, a festival of Christmas trees.

For Carol Waid, the reason for the tireless work is simple. She serves on the society board, and her husband Frank, an Air Force veteran, is its chairman.

After his military service ended, the couple came home.

Clay Allison and others take part in the skit

“We were born and raised here,” Carol Waid says. “We love this little town. It’s just a wonderful community.”

The Preservation Society has poured its heart into restoring the Old Rock School. Built in 1902 as a general store, it became a center of learning for generations of Springville children. The Preservation Society’s efforts to restore the school have earned recognition from the State of Alabama. The building was added to the National Register of Historic Places in 1983.

The Preservation Society started in 1992. Carol’s father, Marcus Pearson, was among its founders.

The school, the preserved church and other projects are far more than bricks and mortar, sweat and maybe a few tears for members of the organization. They speak volumes about the people who call Springville home, whether those folks are newcomers, or part of a long lineage of local families.

“It’s a real hometown feel,” she says. “Neighbors helping neighbors. You always have a friend.”

While it works to preserve the city’s cherished heritage, the society also strives to help Springville strike a balance between growth and preserving the past.

“That’s one of the appeals of Springville is its history,” she adds. “People love the history of the town, and the old buildings are just full of history. We want to preserve that.”

Frank Waid says that while growth is inevitable, they want residents – old and new – to celebrate and preserve the past.

“You can’t stop growth,” he says. “But we want people coming into the town to know about the town and its history. That’s why we have things like the home tour. We have tour guides who tell the stories of the old homes.

“As people come into town, we want them to know about the town so that they feel like they’re a part of it, and they’re not just moving in. They feel right at home.”

Not only is the society restoring buildings, but it’s building relationships. Ice Cream Sundays at the Rock School are popular events where friendships form.

Organizers Carol Waid, Brad Waid and Kathy Burttram

It’s easy to think that only older people are in love with the older buildings in town. But when Frank Waid strolls downtown to grab a cup of coffee at Nichols Nook, he sees a different, diverse demographic.

“It’s full of people and it’s full of people of all ages,” Waid says. “There are a lot of young people and families – mothers pushing strollers coming in, and you just feel at home right off the bat.”

And younger people are embracing the Springville Preservation Society’s efforts. In October, local fourth graders from Springville Elementary flocked to the museum – some with their parents in tow – to explore and find joy in small things, like pecking on an antique manual typewriter.

By the way, the school was designated a “School of Excellence” by the state of Alabama in the state’s bicentennial year.

Students from Springville Elementary restored a first-grade classroom at the Rock School, where teacher Nina Crandall taught for generations.

Board member Tami Spires, a counselor at Springville Elementary and a member of the society board, spearheaded the school’s efforts, not only at the Rock School, but in other winning efforts, like the Blue-Ribbon designation.

The society is also converting the manse at the old Presbyterian Church into a city archive, known as the Springville Heritage Center, where genealogy and family histories can be researched. The society also hopes to create a digital oral history archive.

As committed as it is to history, the Springville Preservation Society also makes new memories for this and future generations. Remember Arnold, Jr., the star of Green Acres Day?

“We had a huge crowd, and it was a lot of fun,” Frank Waid says. “People are going to say, ‘I saw Arnold run wild.’”

Fittingly, Spires looked back to the construction of the Rock School when early 20^th century residents hauled wagonloads of rock to the top of the city’s highest point to build a beacon of learning for future generations. Their ethic survives in Springville to this day.

“They spent a lot of their own money so that the town could have something that they were proud of,” Spires says. “We need to keep that to teach people that this is the way we do things. Friends help friends.

“That’s what a community does,” she adds. “We come together for a common good and do what needs to be done for one another.”

But at the end of the day, the Preservation Society’s driving force hasn’t changed from that of their forbearers, who mined rocks to build a school for future generations. Spires put it simply:

“We just love Springville.”

Editor’s Note: Individual memberships for the Springville Preservation Society are $10 and $15 for families. Contributions can be sent to P.O. Box 92, Springville, AL 35146. The society meets on the fourth Thursday of each month at 6:30 p.m. on the second floor of the Masonic Lodge on Main Street. For more information, write info@springvillepreservation.org.

Features

Stars fell on Pell City

Kurt Russell latest actor to film in St. Clair

By Scottie Vickery
Submitted photos

For most folks in Pell City, 2023 will be remembered as the year Hollywood came to town.

Stars fell on Alabama – or at least converged upon the state – for several weeks last summer during filming of The Rivals of Amziah King, a crime thriller written and directed by Andrew Patterson and produced by Black Bear Pictures. By the time filming wrapped, St. Clair County residents were among the many in the state who’d had the chance to rub elbows with the rich and famous.

Oscar winner Matthew McConaughey, who stars in the movie, and fellow A-lister Kurt Russell, who has a supporting role, both shot scenes in the area. “It was an experience I wouldn’t have gotten to have anywhere else,” said Lena Parris, of Ragland, who was among the many who waited for hours to catch a glimpse of McConaughey. “I’m not planning on going to California anytime soon, so I figure this was the closest I was going to get to seeing a celebrity.”

Kurt Russell with the Town and Country Texaco crew

If recent years are any indication, Alabamians will likely have more opportunities for star-gazing and all things show biz, according to Brian Jones, media and location coordinator for the Alabama Film Office. It provides economic incentives to attract film and television projects, and Sweet Home Alabama is serving as a backdrop for a growing number of movies, he said. Each movie filmed in the state often leads to more.

“A lot of times, after doing one movie here, producers and production teams come back and do another one,” Jones said, adding that one reason is the welcome they receive. In larger cities, where filming is a much more frequent occurrence, people get tired of closed streets and other hassles.

“It’s generally the direct opposite in Alabama,” he said. “People are excited, and they’re turning out to see what’s happening. They’re taking photos and having fun. It’s a much more welcoming kind of feeling.”

That’s exactly what happened when McConaughey came to town to film scenes at Pell City Steakhouse and a farm in Cropwell. A crowd of fans endured rain and the summer heat in hopes of meeting the Oscar winner, who starred in blockbusters such as Dallas Buyer’s Club, The Lincoln Lawyer and How to Lose a Guy in 10 Days.

There already had been plenty of Matthew sightings in the state since filming locations included Birmingham, Bessemer, Jasper, Calera and Columbiana. That didn’t take away from the thrill, though, when the cast and crew made their way to St. Clair County.

McConaughey didn’t sign autographs at the Pell City Steakhouse, but the crowd was eventually rewarded with some great photo ops. The star, a graduate of the University of Texas and a huge Longhorns fan, also flashed a big smile and the “Hook ‘em Horns” sign to those gathered.

Behind the scenes

A few weeks after Matthew Mania started to subside, those Crazy for Kurt got their chance to swoon. Russell’s career started in 1963 when the 12-year-old landed a lead role in a Western television series, The Travels of Jaimie McPheeters. Since then, he’s starred in many films, including Escape from L.A.,

Big Trouble in Little China, and Backdraft. He also played Santa in the Netflix productions Christmas Chronicles and Christmas Chronicles: Part Two, and his real-life longtime partner Goldie Hawn portrayed Mrs. Claus.

Ashley Morton, manager of Town &Country Texaco in Cropwell, has long been a fan of Russell’s so she couldn’t have been more thrilled when she learned he would be filming some scenes for the movie at the convenience store in July. He also shot scenes at a home in the Forrest Hills neighborhood.

Morton said a location scout came by one day when she was away from the store, and one of the cashiers called her to say they wanted to film there. “I didn’t believe her,” Morton said with a laugh. “I accused her of messing with me and hung up on her.”

The interest was real, though, and after the scout returned to take some measurements and photos, they eventually signed a contract. Filming was scheduled for late at night, “so we didn’t have to close the store down,” she said. “We were happy about that. The only thing we had to cancel was a Thursday night fishing tournament.” Town and Country is a popular launch site on Logan Martin Lake.

They ended up cancelling it twice after the original filming date was postponed a week. “We had to cancel again, and we couldn’t tell them why,” Morton said. “That kind of had the fishermen’s feathers a bit in a ruffle.”

It was all worth it, though, when filming began. Morton wasn’t sure at first which actor would be in the scenes, but she delighted to find out it was Russell. “I was more excited about him than Matthew McConaughey,” she said.

“He was all business when they were filming, very professional,” she said. “You could tell he’d been doing it a long time and took it very seriously. In between shooting, he was very nice and normal. He said he had enjoyed his time in Alabama.”

The actors and crew didn’t arrive until about 11:30 p.m. and filming wrapped up about 2:30 a.m., said Morton, who enjoyed watching the whole process. “It’s impressive to me how fast everything goes,” she said. “Everyone shows up, and in 30 to 40 minutes, they’re ready to film.”

The number of takes required for scenes was surprising, as well. “The mics pick up so much background noise,” Morton said. “If a car road by on (U.S. Highway) 231, they would have to re-film it.”

In addition to the photos she took, Morton almost ended up with a souvenir from the evening. “They had this old truck pull up to the gas pumps for a scene,” she said. “At the end of the night, everybody leaves, and this truck’s still sitting there. The windows were down, and the keys were in it. I knew there was no way it was supposed to be sitting there like that.”

After she made a quick call to the location scout, some of the crew returned to pick up the truck. “One of them said they would have been missing it on the next day’s shoot,” Morton recalled.

Although she truly enjoyed the experience, Morton said it seemed odd that a movie set in Oklahoma would be filmed in Alabama. That’s part of the magic of Hollywood, Jones said.

Made in Alabama

Film crews can make almost any setting look like another. “Birmingham is a pretty big city, but it’s no Chicago,” Jones said, adding that movies set in the Windy City can still be filmed in the Magic City. “All they’re looking for is an urban setting. They’re just catching the actors on the street with big buildings all around. They’re not going to pan up and show that some of the buildings are only 10 or 12 stories.”

Kurt Russell filming near the pumps at Town and Country

Jones said much of the Jesus Revolution movie, which starred Kelsey Grammar and is set in Southern California, was filmed in Fairhope and Mobile last year. “They filmed three weeks in Alabama and three days in California just to get some of the iconic shots you have to have,” he said.

“We’re blessed, fortunately in Alabama, because we’re a very geographically diverse state,” Jones added. In addition to urban areas like Birmingham, Mobile and Huntsville, there are plenty of rural areas and beautiful countryside.

“In North Alabama, you start getting into the mountains and that kind of look,” he said. “Heading back down toward Mobile, it can look like Savannah, it can look like New Orleans, it can look like the Florida Everglades. We can find a location that matches pretty much any setting unless it’s the North Pole, Antarctica, or the desert. We can’t do that.”

The Rivals of Amziah King, which doesn’t have a release date yet, joins a long list of movies made in Alabama. The first movie filmed in the state, according to the Alabama Film Index maintained by the Alabama Film Office, was the 1949 war film Twelve O’Clock High, with scenes shot at Fort Rucker.

The Phenix City Story was filmed in 1955, followed by four movies in the 1960s. The number of movies filmed in Alabama grew steadily the next few decades, and more than 130 movies or television shows have been totally or partially filmed in the state since 2000.

The lineup includes blockbusters like Norma Rae, Close Encounters of the Third Kind, Big Fish, Selma, Woodlawn and 42. In addition, many St. Clair County residents remember when The Ark, a restaurant in Riverside, was transformed into the White Cow Diner for The Devil All the Time, a 2020 Neflix film.

Big movies often feature big stars, and Alabama has welcomed its share of famous actors and actresses. Bruce Willis was in at least three movies filmed in Alabama (Wrong Place, Wire Room and Assassin). Nicholas Cage, Sally Field, Beau Bridges, Robert DeNiro, Chadwick Boseman and Harrison Ford are also on the list.

The Rivals of Amziah King, in fact, wasn’t the first movie McConaughey filmed in Alabama. He shot part of 2006’s Failure to Launch in the state, including rock-climbing scenes at Cherokee Rock Village in Leesburg.

Show me the money

Having movies made in Alabama is good for the state as well as filmmakers, Jones said. The Alabama Film Office is a division of the Alabama Department of Commerce, and its mission is boosting the state’s economy and creating jobs for Alabamians by attracting film and television productions to the state.

A movie production “pumps a lot of money into the local economy,” Jones said. “The crews stay several weeks, they’re renting equipment and vans and trucks, and they’re eating in restaurants.” In addition, Alabamians are often hired as part of the cast or crew.

Producers benefit because filming in Alabama can be easier, faster and less expensive than filming in other places, Jones said. Movies that cost more than $500,000 to produce and are approved by the Alabama Film Office can earn 25 percent of the production costs back in tax incentives, he said. The percentage jumps to 35 percent when Alabamians are part of the cast or crew.

In addition, the process of getting permits and cooperation from city officials is generally shorter in Alabama, compared to big cities like Los Angeles, San Francisco or New York. That can mean significant savings in an industry where time is money.

“Every day they’re filming is money, money, money,” Jones said. “If you can cut down on the hassles and the delays of getting permits or the delays from waiting on the police to put up barricades, you can cut down on costs.”

That’s not the only way producers can save money. “The cost of filming, like everything else, is lower in Alabama than California,” Jones said. “The cost of gas and meals and everything else is lower. When you’re in Alabama, you’re spending less on all of these other things. Instead of going over budget, they can come in on budget or even under budget.”

That’s why Jones is optimistic that the Alabama Film Index list will continue to grow. “In addition to regular movies, you’ve got all these streaming services doing their own original content,” he said. “We’ve been fortunate to have some really good projects and some cool movies filmed here.”

The Rivals of Amziah King isn’t even the most recent one. Filming for The Life of Chuck, a movie based on a novel by Steven King, recently took place in Fairhope, Mobile and Bay Minette. Chances are, more will follow.

“They all make a difference moving forward,” Jones said. “Even if it’s a year, two years or three years later, someone will say, ‘Remember that Matthew McConaughey movie? That was filmed there.’”

Features

A class act

McConaughey shows Pell City
why he is a fan favorite

Story by Scottie Vickery
Submitted Photos

Lena Parris went through hail to see Matthew McConaughey. And by the time the time the Ragland woman caught a glimpse of the actor, whose upcoming movie recently called for filming at the Pell City Steak House, she’d also survived five hours in the summer heat, gotten drenched from several rain showers, and acquired a sunburn to boot.

So was it worth it? “Yeah, I’d say it was,” Lena replied. “I’m not planning on going to California anytime soon, so I figured this was the closest I was going to get to seeing a celebrity. It was an experience for sure, and it was true Alabama weather. You ride out the rain and a hailstorm, it gets bright and sunny, and then you get burned.”

She also got some good photos of McConaughey, who has been in the Birmingham area since early June filming scenes for The Rivals of Amziah King, which is written and directed by Andrew Patterson and produced by Black Bear Pictures.

The award-winning actor, who earned a Best Actor Oscar for this role in Dallas Buyer’s Club and has also starred in blockbusters such as The Lincoln Lawyer and How to Lose a Guy in 10 Days, will star in the movie, a crime thriller set in rural Oklahoma.

Since arriving in Alabama, the actor and crew have been spotted at a variety of places in at least three different counties. In Jefferson County, they’ve eaten at Birmingham restaurants and filmed at J&J Grocery and Deli in Bessemer in addition to a Hoover church and home. Shelby County’s Elvin Hill Elementary School in Columbiana was recently transformed into Bill Waugh Elementary School for filming, and McConaughey’s trip to St. Clair County took him to the Steak House as well as a farm in Cropwell owned by Kathy and Bill Carleton.

All Abuzz

Kathy had no idea just how appropriate the name of their farm – Bin Swindled – would turn out to be. She didn’t find out that McConaughey had spent a morning there until hours after he’d left, and she felt as if she’d, well, “been swindled” out of her chance to meet one of her favorite actors.

An avid Texas fan, McConaughey gives his fans the “Hook ‘em, Horns” sign. Photo credit: Anna Turner

“I was so ticked off,” she said with a laugh. “I would have at least enjoyed getting his autograph or getting my picture with him while he was in my pasture. I’d have loved to have taken him a glass of tea.”

The Carletons allow a relative, a beekeeper, to keep his bee colony on their property, and he showed the actor and crew some of the finer points of beekeeping. “I guess Matthew plays a beekeeper in the movie,” Kathy said. “He was showing them how to act and react around bees.”

The fact that McConaughey was long gone by the time she found out he’d been there still stings, Kathy admitted. “How would you feel if he was on your property, and no one told you? My husband still doesn’t get why I was mad,” she said. Now that some time has passed, however, the irritation has faded. “What can you do but laugh? It’s a good story to tell.”

That morning, she noticed several people in their driveway, so she sent Bill, who apparently hasn’t pored over many issues of People magazine, out to check. He came back and said the relative was showing some people the bees. Later, when the crowd had grown, Bill headed down for another look.

He talked with some of the folks and came back and told her a few had gotten stung and added that “one of them looked familiar.” When the beekeeper told them later who the A-list guest had been, “Bill said, ‘I guess if it had been John Wayne or someone like that, I would have recognized him,’” Kathy explained. “Can you imagine?”

Kathy, a concierge travel professional, said she was working from home that morning and not dressed in her finest since she didn’t know company was coming. “What if I had wandered out in the driveway? I would have absolutely flipped,” she said.

The farm, however, looked great. “The grass had just been cut, thank goodness,” she said. “Everything looked really pretty.”

Steaking claim

Bruce Spann, manager of the Pell City Steak House, said the crew started scouting the location a few months before the filming. “They just came in one day out of the blue,” he said. “They came in several times after that, just looking around, and then we sat down to do a contract.”

Although they weren’t told at the time which movie it was and who the star was, “we kind of figured it out since we knew they were shooting in Birmingham,” he said. They got official confirmation on Monday afternoon and learned that filming would be Wednesday, so they announced on Facebook that the restaurant would be closed. Bruce said he and his mother, Janice Spann, were the only employees allowed to be there the day of filming. “They were very strict, but they were very professional, every one of them,” he said. “It was a great experience.”

Tuesday night, “they came in and took everything down from the walls and redecorated,” he said. “It’s supposed to be a restaurant in Oklahoma, so they took down the business license and anything to do with Pell City.”

Bruce said the filming process was fascinating. In addition to the action happening in the main part of the restaurant, “my downstairs was slap full of people watching it on big screens,” he said. “They were looking at every little thing, and I don’t know how many times they would reshoot things. They worked very hard, and I have a whole different respect for what they do. They were busy people.”

He also learned that filming a movie requires a lot of silence. “You can’t have any noise whatsoever because their mikes are so sensitive,” he said. “I had to cut the ice machine and air conditioner off. We couldn’t cook anything because we couldn’t run the exhaust fans.”

As a result, he and Janice got an inside glimpse of Hollywood magic. Although McConaughey was only having a cup of coffee in the scene, the extras who portrayed the diners at tables around him had full plates. “It was plastic food,” Bruce said. “It looked so real.”

Although they got to see the whole experience unfold, they only had a brief encounter with McConaughey. “He was a super nice guy,” Bruce said. “He came back about 3 o’clock and asked if we wanted a picture with him and said he might not get another chance. He shook my hand and said, ‘Thank you very much,’ and went back to work.”

The next morning, the crew returned and put everything back just like they’d found it. “They had taken pictures of how we had everything, and they took their stuff down and put ours back up. We opened up that morning at 10:30, just like we always do,” Bruce said. “It was a cool experience and we enjoyed it.”

Braving the elements

Although things were nice and dry inside the restaurant, that wasn’t the case outside where a group of fans gathered, hoping to meet – or at least see – McConaughey.

Throughout the day, there was rain, heat, and even a few minutes of hail, but the storms are what led Sundi Hawkins to the Steak House, which is not far from her home. “Our power went out, so I looked at my youngest and said, ‘Hey we need to go get some exercise. Let’s go for a walk.’ He knew exactly where I was going,” she said. “I just couldn’t be this close to him and not try to see him.”

Throughout the day, fellow stargazers came and went as their schedules allowed. “I wasn’t planning on going at all and was just going to let them do their thing,” Lena said. “Turned out I had an hour to kill, so I decided to go by and see what was going on. That hour turned into a five-hour adventure. I almost left, but then I thought, “I’ve invested so much time here I may as well stay.’ ”

She also sacrificed a good bit of comfort – and her pride. “After the rain and hailstorm, I was soaked. And when I say soaked, I mean I was drenched,” Lena said. “I had on slides, and my socks were soaked, so I took them off, wringed them out, and put them in the pocket of my raincoat.”

A crew member later told her that McConaughey happened to look out the restaurant window and saw the whole thing. “He sees me out there wringing out my dadgum socks,” she said and laughed. “Could I have had a more Alabamian moment than that right there?”

Wet feet aside, Lena said she enjoyed watching everything unfold. “It was actually pretty neat to see how films are made,” she said. “The crew was going in and out and they all had walkie talkies. They were all labeled – one said ‘props.’ You could see all the different jobs because of the walkie talkies.”

Although the wait was long, the crowd was finally rewarded with a Matthew sighting and a little interaction. After filming, the actor went to the trailers parked across the street at First Baptist Church at Pell City. He emerged late afternoon and waved to the onlookers before driving off in a Lincoln Aviator and driving away, a chorus of squeals following him.

“When he was filming, he was very focused,” Lena said. “He came outside and went to the trailers, but he never waved or looked up or anything. When he was leaving, he was a little more friendly and talkative, and he interacted a little with the crowd.”

Although he didn’t sign autographs, the actor rolled down his window before leaving. “Can I get a ‘Roll Tide,’ Matthew?” someone shouted. “Not a chance,” the actor said with a grin. McConaughey, a graduate of the University of Texas and a huge Longhorns fan, flashed the “Hook ‘em Horns” sign at the crowd as he drove past.

It was a bittersweet moment for Sundi. “One of my favorite actors of all time is right here. He drove right in front of us, and I got so excited I forgot my camera was on zoom, so I missed the picture,” she said.

Likeability factor

Although the lure of Hollywood is strong, it seems that Matthew Mania was fueled in part because so many people like the man behind the persona. McConaughey was named Philanthropist of the Year by The Hollywood Reporter in 2022 in part for his efforts in organizing the We’re Texas concert that raised $7.7 million for victims of Winter Storm Uri.

He was also recognized for the impact of the just keep livin’ Foundation, which he and his wife, Camila Alves McConaughey, started in 2008 to provide after-school fitness and wellness program in inner city high schools.

“I’m a big fan,” Kathy said. “I just love him, and I love his way. He seems like a kind person.”

Sundi agreed. “He’s always been one of my favorite actors and it’s not just because he’s good-looking,” she said of the star, who was named People magazine’s Sexiest Man Alive in 2005. After hearing some podcasts he’s been on and listening to part of his audio books, she’s become a bigger fan. “He’s down to earth and very spiritual. He just seems like a cool guy,” she said.

Lena, who said she was a fan long before McConaughey came to town, said she hoped his experience in Pell City was a good one. “It was an experience I wouldn’t have gotten to have anywhere else,” she said. “Hopefully we didn’t annoy the man too much.”