New Nature Center

Story and Photos
by Graham Hadley
Architectural renderings
Courtesy of Stewart Knox
Centercut Creative

Springville’s old Rock School has always been a cornerstone for education and community activities in the region. So it should be no surprise future plans for the historic structure continue that tradition.

The Big Canoe Creek Preserve Partners will be developing parts of the building as an educational Nature Center – an immersive and interactive walk-through experience highlighting the natural wonders of the preserve and surrounding areas to help better educate people of all ages about the importance of the regional biome.

“The Nature Center will teach people about all the diverse animals and plants in the Big Canoe Creek Nature Preserve, all the biodiversity, the Big Canoe Creek watershed and what a watershed actually is,” said Preserve Manager Doug Morrison.

Concept designs from Centercut Creative on what the Nature Center will look like

The project will use between 1,200 to 1,900 square feet of space in the historic Springville building. Some of that space is already being put to use as office space for the Preserve staff, which was previously primarily operating out of a small building at the preserve.

The idea for the educational Nature Center came to Morrison a little over a year ago during a planning and zoning meeting.

“The Springville Preservation Society owns the building and has done a great job restoring it. They needed to rezone the property to properly make use of it. During one of the zoning meetings where that was being discussed, the idea for the center just came to me. The old school would be ideal for that,” Morrison said.

“It gives us room for the Nature Center, office space, handicapped parking and has a ramp for ADA compliance. It checks all the boxes. The Preservation Society remodeled it and were looking to lease it.” The Rock School has been a centerpiece of the community for decades. “My son used to do Scouts here years ago,” Morrison said.

Frank Waid, president of the Preservation Society, told Morrison they had the big room and some other space available for lease, and things started coming together.

Community support has been instrumental to the success of Big Canoe Creek Nature Preserve, and this latest project is no different.

Doug Morrison in front of the blackboard in the Rock School where organizers brainstormed ideas for the center

Morrison is quick to point out how much help he, Education Coordinator Lucy Cleaver, Maintenance Tech Jake Tucker and the others who work to make the preserve such an amazing place, receive from the non-profit Preserve Partners. It was organized to handle fundraising and similar activities for the preserve. From the Board of Directors to the individuals and businesses that donate, along with the City of Springville, none of what they are doing would be possible without that collective support.

Shortly after discussing the idea with Frank Waid, Morrison was sitting in Nichols Nook drinking coffee with Justen Burns when he shared the vision for the Nature Center. Burns immediately responded, “I might be interested in helping out with that.” His company, Peritus Wealth Management, quickly stepped up to cover a portion of the lease expenses.

Granger Waid and his company, Norris Paving, also jumped on board to cover the remaining portion of the lease, saying, “I believe in what they are doing here.”

“We have the first year of the lease taken care of thanks to these good folks in our community,” Morrison said. “And thanks to other donors in the community and the Alabama Power Foundation, we are already accumulating funds for next year’s lease. If anyone would like to contribute to the Nature Center and the Preserve, donations can be made through our website at bigcanoecreekpreserve.org. We are truly blessed to have such wonderful support in this community, and we are extremely grateful.”

Once they had the fundamental pieces in place, things started moving quickly. Morrison and Cleaver have already moved into their new offices, making use of much-needed space for managing the preserve and planning for its future.

Morrison, Cleaver, Granger and Jessica Waid sat down after discussing the project and, using one of the old blackboards in the school’s big room, Granger mapped out exactly what their vision was.

What they have come up with is something very special for the city and the region.

“We have a guy, Stewart Knox with Centercut Creative, doing the master plan for the Nature Center,” Morrison said.

“He was involved in parts of the Natureplex at the Alabama Nature Center in Millbrook. I really like their 3D and interactive displays, especially this giant beehive you can go into. I want to have displays like that here.”

The walk-in behive display at the Natureplex in Millbrook designed by Stewart Knox

Knox, an Auburn graduate with a degree in industrial design, said it is “all concept-based design.” His work has focused on special projects – like the beehive at the Natureplex. “I am very hands-on; you have to be with this. I am good at coming up with complex plans.”

According to the design proposal Knox has put together, “The design will highlight the mission of Big Canoe Creek through storytelling, visual engagement and hands-on learning, while maintaining flexibility for future growth and programming.”

It incorporates free-standing and wall-mounted displays, interactive 3D installations and more. Knox refers to it as “nature’s classroom.”

Morrison said that they would also like to possibly have live animals at the center – “fish and turtles, maybe snakes. People have already started donating fish tanks that I need to go pick up.”

They also want to include displays about how the local native people lived in the area and others about community involvement in the Preserve and the conservation process.

This display case was originally in Laster Sundries

“It goes to our core ideals: Preserve, Explore, Discover,” Morrison said. “When you educate people about everything that makes up the biome here, those are going to be the people who want to help preserve it.”

Morrison sees other parts of Springville and the county working with the center. “Lucy is already putting together plans with the Springville Library to collaborate on educational programs. And we have two other businesses leasing space in the school – a photographer and an artist. I can see both of those being very much resources we can collaborate with.”

The Nature Center and the Preserve are the sort of big-picture projects that benefit the area by attracting people to Springville from all across the region and the state, he said.

The Big Canoe Creek Nature Preserve is already doing just that. This past Christmas, more than 1,200 people came through the preserve to see the holiday light display called “Christmas in the Pines,” an event that Morrison expects to grow next year. 

“This was a great idea from Lucy and working with Jake, myself and our many volunteers, it turned out to be a huge success. People loved it!” And the Nature Center is only one of several projects attached to the Big Canoe Creek Nature Preserve that is in the works, including an education and multi-use pavilion. All of which, Morrison reiterated, are made possible through the support they receive from the city, Preserve Partners, grantors and many others who are working to make the preserve and center successful regional destination points.

Woodworking Masterpieces

Story by Roxann Edsall
Photos by Mackenzie Free

Eric Knepper doesn’t take credit for the beauty in his work. A profoundly spiritual man, he says he’s simply revealing the beauty that is already within the wood when he carves his one-of-a-kind pieces.

“You just get inside the piece of wood and see what God made,” says the artisan. “That’s what you want to show, all the beauty in the grains.”

Eric Knepper shows off some of his work

For nearly three decades, Knepper has been unveiling the natural beauty in the wood around him and crafting hundreds of pieces of original wood treasures. An old rotten maple tree found new life as a beautiful bowl. A red oak tree that had to be cut on his property was transformed into a rolltop desk, a credenza and a file cabinet.

His wife, Pat, smiles across the table as she talks about different items he has created over the years. The house is filled with them, from the dining room’s exquisitely carved grandfather clock with cabriole legs to the stunning freestanding cabinet in the living room made from pieces of an old fireplace screen. “He is so talented. I can’t think of anything I’ve asked Eric to do that he hasn’t been able to do,” she adds, her eyes filled with pride. “He will find a way to do anything.”

The son of a carpenter, and a very determined man himself, Knepper made furniture early in his marriage to meet the needs of his family. “When you get started, you have nothing. We built things then because you couldn’t afford them,” he explains. He even did all the millwork in the home that they built in 1997. But it wasn’t until after retirement at age 60 that his woodworking expanded into a new passion – wood carving.

On a camping trip the couple took to Florida, his interest in carving came alive. “People in the campsite next to us carved, and he took me to a carving club in Fort Myers.” When Knepper returned to Pell City, he met with Tom Goodwin, a carver from a local carving club, and the two became great friends.

Goodwin took Knepper under his wing, showing him how to work with different woods and specific tools. His friend has since passed, but Knepper still has the carving equipment that once belonged to Goodwin. After revealing that he was terminally ill, Goodwin asked Knepper to buy his carving tools so he could pass them on to someone with a passion for the art.

Creations on display at the Museum of Pell City

Those specialty tools, Knepper explains, are mostly different chisels and knives, with some power carving tools. “On a given project, you might use two or three tools primarily, or for furniture, (you might use) your whole shop,” Knepper says. He has a wood carving room within the house for smaller projects. Larger pieces are handled in his wood shop in the barn.

As any wood carver would tell you, keeping your tools sharp is essential. Keeping them sharp is important for precise cuts, but it can also create the need for some emergency care, as was the case for Knepper seven years ago. “I cut the end of my thumb off about 6 years ago,” he admits. “You don’t even notice it now. I don’t even remember what I was working on, but I did a dumb thing.”

“He just came in and said he needed a band aid,” tells Pat. He needed a bit more than that. “It was hard to get it to fit back together,” she adds, giving credit to “a wonderful nurse practitioner at Dr. Helms’ office.”

Eric and Pat Knepper

The Kneppers handled the crisis with the same grace and perseverance that has defined their 63 years of marriage. The two met while Eric was in the Navy in Virginia. Moves to Connecticut, Pennsylvania, Illinois and Indiana preceded their final landing in Pell City where he came to work at National Cement. He later left that company and bought Pell City Fabrication, which provided maintenance and support for steel fabrication and other industries.

The couple have three grown children (Shawn, Scott, and Ericka), eight grandchildren, and five great grandchildren. Knepper says he sees talent in each of them and potentially at least one future wood carver. Several family members were among the guests at a recent art exhibit at the Pell City Museum of Art featuring his wood carvings.

Knepper’s most challenging piece was among that collection of works. He describes it as a “gold spiral thing,” for lack of a more technical term. “I just saw a picture of it and decided to give it a try,” he says. “It was very difficult because it’s hollow. I had to work from the inside out.”

The art of carving is an ongoing lesson in patience and finesse. Knepper also stresses the importance of listening to the wood. “The wood will tell you what to do, basically.”  He considers himself less of a designer and more of a collaborator, with each knot, grain and imperfection guiding his hands. The character of the wood, with its texture and color, add to the direction the project takes.

Knepper has done much of his work from wood that has fallen on his property or that others have brought to him. Oak and Cherry woods are favorites, but he also has done many projects with Cottonwood and other bark woods. “I really like the color and grain of cherry,” he adds. “Sometimes people bring me roots they’ve dug up. It looks terrible, but I cut it up and look inside and it’s beautiful. You just never know.”

Though he finds it difficult to choose a favorite, some pieces – like a beer bottle complete with a bear in a Paul “Bear” Bryant houndstooth hat – clearly delight Knepper. Throughout his home, bowls, spiral works, vases and boxes crafted by this modest woodcarver are on display.

His faith is evidenced in another of his masterpieces which sits on the table – an intricate chapel featuring a lectern with an open Bible. Knepper’s craftsmanship extends beyond his home and into the heart of the local faith community. Over the years, he has used his talent to create kneeling rails for the altars of three area churches.

Template for a design of a kneeler at New Life Church in Pell City

The first kneeler was crafted for the Episcopal Church of the Resurrection in Rainbow City, designed specifically to complement an altar the church had received.

This careful attention to detail highlights Knepper’s ability to harmonize his work with existing elements, ensuring each piece feels at home in its setting. Later, he constructed a pair of kneelers for Pell City First Methodist, further demonstrating his commitment to supporting his community through his artistry.

Most recently, Knepper designed a folding, movable kneeler for New Life Church, which gathers at the Municipal Complex in Pell City while a new church is being built. This innovative design reflects his adaptability and practical approach, ensuring the kneeler could be easily moved and stored as needed. Form, function and beauty are hallmarks of Knepper’s work.

A quiet, serious man, Knepper is uncomfortable with attention. He shrugs off accolades, dismissing his own talent. “I’m always using other people’s design, not mine,” he says. “I just put my own spin on someone else’s design.”  It gives him something to do, he says, adding that it keeps him from watching TV.

Knepper’s keen eye and ability to see what rough wood can become is what has defined him as an artist and wood carver. Hearing how a discarded root was crafted into a beautiful bowl certainly makes one pause for thought. Each gnarled root or discarded branch may still have a story to tell.

With patience, perseverance and careful listening, the wood carver reveals the beauty within.

Museum on the move

As Museum of Pell City approaches its third birthday, it’s hard to imagine a ‘down time’ for this quickly growing museum.

On Feb. 5, the museum will present its third edition of the Breaking Barriers series focusing on the Black community and its place in the city’s history. Headed by Museum Board Member Tonya Forman, its popularity has grown right along with the program itself.

This year’s theme is Education: Foundation for Success and pays tribute to the early Black educators whose guidance and compassion transformed the lives of Pell City students.

St. Clair District Attorney Lyle Harmon takes inaugural flight on simulator at opening

The day’s program, which begins at 11 a.m. features a reception and a film premiere of family and former students of these educators on the legacy of their impact. It will also mark the opening of an expanded Breaking Barriers exhibit.

Opening the next day, Feb. 6, and extending for two weeks until Feb. 21 is an art show by Sundi Hawkins. The show is a continuing series of the museum, giving the art community a home to display their works.

The museum board invested in a hanging system, and the exterior walls of the atrium just outside the museum have already displayed the creations of artist Nettie Bean and her students, a spectacular quilt show and Duran Jr. High’s art show. The quilt show will return in 2026, and more art shows are scheduled.

In December, the museum’s art gallery hosted the wood carvings of Eric Knepper, intricate, creative pieces of artwork crafted by the local artisan.

Upcoming are shows by Penny Arnold, Williams Intermediate students, a return of Nettie Bean and her students and the Helen Keller Foundation Art Show of Alabama.

In November, the museum opened an expansion of its military section and added a flight simulator, which is already drawing crowds of young and old alike. Designed by Jeremy Gossett, the simulator resembles the cockpit of a Boeing aircraft with a curved monitor that displays various flight patterns including Pell City and Logan Martin, Mosul and the French countryside.

The software is highly sophisticated and gives museum visitors a real feel of flight – from takeoff to landing. It was made possible by a special fundraiser providing nearly $7,000 to build and equip it.

In April, just a few days past its third anniversary, the museum is celebrating with the official opening of its long-anticipated model train exhibit – Where It All Began. Headed by retired architect Malcolm Sokol with a team of volunteers – David Smith, Max Jolley, Erik Grieve and Winston Greaves – it took a year to build.

The museum hosted artist Nettie Bean and her students

The 16-foot train runs through a replica of 1920s-30s Pell City and will be surrounded by artifacts, narratives and photos depicting the train’s history in Pell City. After all, that is where it all began – when founder Sumter Cogswell missed his train to Talladega in 1890 and spent the night in what is now Pell City.

Nationally known artist Dirk Walker has donated an original painting of a Pell City train depot that will be used as a fundraiser for the museum.

An evening reception is planned along with tributes to the museum’s volunteers and naming “Volunteer of the Year.”

“We are so humbled by the community support we have been given since our opening,” said President Carol Pappas. Our docents give their time every week to guide visitors through our museum. We could not operate without them, and we are so appreciative of their work.”

Pappas lauded the dedication of the team who built the train, which now will be a centerpiece of the museum’s exhibits. “They met every Monday night for an entire year to assemble each rail of the track, recreate historic buildings from scratch, hand paint and place miniature figures throughout the town and so much more. It is so realistic. It is a must see. We cannot thank them enough.”

She noted that the museum is in the midst of a capital campaign, and businesses and individuals have stepped forward with multi-year sustaining funds. “They are the very foundation of our museum,” Pappas said.

“Recognizing the importance of cultural arts in our community as educational, historical, an enhancement to quality of life and a boost to tourism, the City of Pell City and St. Clair County have been supportive with appropriations over the past three years. Without their support, we could not have come this far.”

When the museum opened in a 4,000 square foot space provided by the City of Pell City, its mission was to preserve and promote the rich history of the city. Billing itself as the “small city museum that thinks big,” in less than three years it has attracted over 5,000 visitors from all over the state, country and points around the world.

It has created innovative, interactive exhibits highlighting the people, places and events that have shaped the city’s history, and the momentum shows no signs of slowing down anytime soon.

In October, the museum will reach back to the city’s real roots – Avondale Mills – with an impressive, interactive exhibition to celebrate and pay tribute to its first industry. Never-before-displayed artifacts, photographs and exhibits will tell the story of those early days along with a special film of oral histories premiering at the opening.

“As they say, we’ve come a long way since then,” Pappas said, “and Museum of Pell City is honored to be able to share that story along with countless others.”

Piecing together a story

Story by Roxann Edsall
Photos by Mackenzie Free

It was 1863, and America was imploding, ravaged by the effects of the Civil War. Brother met brother in battle, homes were burned and cities destroyed.

In Bennington County, Vermont, 46-year-old Jane A. Stickle channeled her energy, creativity and wartime grief into creating what is now one of the most famous quilts in the world. She stitched into one corner of her masterpiece the simple, yet haunting words – “In War Time 1863.”

Stickle’s quilt, now called the “Dear Jane” quilt, is a sampler, meaning that each of the squares is unique. Unlike most sampler quilts which typically use blocks created by different quilters, Stickle created each of the elements herself. She created most of the patterns for the blocks herself, utilizing established patterns for less than a third of her quilt. She also did not repeat a patterned fabric in any of the blocks.

The Dear Jane quilt has been housed in the Bennington Museum in Bennington, Vermont, for nearly seven decades. To protect the integrity of the fragile fabrics, the quilt is only displayed for one month each year, with thousands of quilters making the pilgrimage from as far away as Europe and Australia to view the piece.

County historian Joe Whitten talks history of quilts in special presentation

Rhonda Humphries has not yet been to see Stickle’s Dear Jane quilt but has spent thousands of hours on her own replica. Humphries, a member of the Friendship Quilters Guild of St. Clair County, was encouraged in the project by other guild members and her friend and mentor, Brenda Franklin.

Undaunted by the 5,602 individual pieces it takes to make the project, Humphries worked for two and a half years until the 169 five-inch blocks, 52 triangles, and four corner kites came together in her own finished masterpiece.

Humphries used Civil War era reproduction fabric and followed patterns created by Brenda Manges Papadakis, who viewed Jane’s original quilt in the museum in 1992 and meticulously traced each piece.

Papadakis so admired Stickle’s work that she was inspired to write a book published four years later called The Two Hundred Twenty-Five Patterns from the 1863 Jane A. Stickle Quilt, which included the patterns quilters could use to reproduce the quilt. Many quilters are inspired by the Dear Jane Quilt, and many bring their finished pieces when they make the trip to the Bennington Museum to view the original.

Like the Dear Jane Quilt, Humphries’ quilt is hand-pieced and hand-stitched, an effort that took incredible patience, perseverance and precision. “The most difficult part,” says Humphries, “was one block with a star inside. It’s made up of 30 pieces and, by itself, took three days to complete.” She has been quilting for eight years and has made 40-50 quilts but hadn’t done many quilts at the time she took on this challenge.

“Most people who start this quilt do not finish. It’s pretty involved,” admits Humphries. The blue ribbon and people’s choice awards from her recent entry in a quilt show pinned to the top say the effort has been well appreciated.

Humphries’ quilt was on display recently in a special exhibit at the Museum of Pell City, along with dozens of other quilts made by members of the Friendship Quilters Guild. Looking at each quilt is like looking at fine art in a gallery. Each quilt tells a story, whether one of whimsey or of more important historical matters.

Naomi Kircus is the creator of The Underground Railroad quilt. Its blocks relate the story of the freedom seekers during abolition. Created with Civil War replica fabric, the quilt is made up of 16 blocks, each a reproduction of one that would hang in the windows of safe houses. “When the slaves were running for their freedom, people would have safe places for them to stay,” explained Kircus. “They would display quilts [in the windows] where each of the squares was a message they were communicating to those they were helping.”

The personal narratives and messages communicated through quilting continue to be a source of pride and precious history for families and communities today. Quilts are handed down from generation to generation, becoming treasured heirlooms.

The Friendship Quilters Guild occasionally offers classes in quilting for those wanting to learn the skills and process. The guild has been together for more than 25 years and meets on the second Saturday of each month at Mt. Moriah Baptist Church in Pell City.

Rhonda Humphries and her Dear Jane Quilt

Organizer of the quilt exhibit and guild member Deb Cearley adds that the group has a passion for service. They make covers for cancer ports, fidget quilts, hospital bedrail bags and full-size quilts that they donate to area hospitals, cancer centers and hospice groups. 

“Service is the main thing we do,” said Cearley. “I came to a program here for Veterans and saw many of them come in with their blankets on their laps in their wheelchairs, and that just inspired us to make more.” They also provide placemats for Meals on Wheels and pet beds for Pell City’s animal shelter.

Florence Kerr, one of the oldest standing members of the organization, adds one more benefit to quilting, beyond its artistic and storytelling value. “Quilting is therapy,” she says. “It’s therapy because you have to be in a quiet place and really focus on the process.”

Perhaps the process really is the heart of the matter for the quilt’s creator, though it is the product that inspires the rest of us.

Bella Vista Winery

Story by Paul South
Photos by Mackenzie Free
Submitted Photos

At James and Margie Sanford’s winery, nature’s bounty is on full display. While seven varieties of native bronze and black Alabama muscadines ripen on the vine as they ready in the rich soil for future harvests, eagles soar overhead.

Red foxes prowl the 21-acre property, where the breathtaking scenery, like a perpetual postcard, changes daily.

So, the name of their vineyard fits – Bella Vista Winery – Italian for “beautiful view.”

During the holiday season, indeed all year long, Bella Vista is open to serve an array of wines and to host celebrations of every kind, from small weddings and events to everyday visitors who want to raise a glass at one of St. Clair County’s most breathtaking spots.

As a way to realize return on investment until they were ready and approved by the state for the winery, the idea for an event space took root. A pavilion was built in early 2024.

Customers enjoy the atmosphere

 “We knew (the winery) was a little bit down the road (timewise), so we invested our time and money into building this nice, covered pavilion,” she said.

So far, Bella Vista has hosted several weddings, with more on the calendar in the future. To be clear, the business markets itself as a winery that can also host small events – micro-weddings, baby showers, birthdays and the like.

“If it can be done with 50 people max, (the winery) is a good fit for that,” Margie said. “In the pavilion, we can handle 80 people or more. But if it’s rainy on the day of your event, we have to have a backup space to bring it inside and be comfortable.”

She added, “We’re not going to advertise ourselves as a venue going forward. We’re going to advertise as a winery with space for small events.”

For Margie, who spent more than 20 years as an event planner in the Birmingham area, and James, who worked in sales, the winery is a dream come true.

“Margie and I enjoy traveling, and we enjoy going to wineries,”  James said. “(Opening a winery) is something we’ve talked about for a long time. It’s something we decided to dive into with both feet.”

 In their winery wanderings, they learned lessons they now apply at Bella Vista. The laid-back vineyard vibe is different from the volume-driven restaurant business.

“One of the things that we found when we were going to all these wineries was a synergy in the kind of people that come to these places,” Margie said. “And it’s people who are looking for a place to meet their friends and get away and enjoy an afternoon and not feel like they are having a meal and being rushed away so the table can be flipped for somebody else.”

Charcuterie board a hit

Here, “we want people to come hang out with their friends,” she added. “We encourage people to bring a board game or something that they enjoy doing.”

The Sanfords are candid: This is not a kid-friendly place. “It’s a place for adults to come chill out, have a glass of wine and get things off their minds for a little while,” James said.

The Sanfords have obtained a license to sell wines obtained through distributors. Bella Vista sells wine from Georgia’s Chateau Elan Winery & Resort and from Childress Vineyards, a Lexington, N.C., winery owned by famed NASCAR team owner Richard Childress. But Bella Vista’s inventory also has a global perspective, carrying wines from all over the world.

Bella Vista Winery has an eye on the future. “We named it a winery for marketing purposes, with the hopes to have a local producer/distributor that could sell us wine made with our own fruit under a private Bella Vista Winery label.”

Along with the Muscadines, the winery property is home to peach, pear and apple trees that are still maturing, awaiting harvest time a year or two down the road.

The Sanfords are also considering planting other varieties of grapes.

While wine, fruit and fauna are the stars of the picturesque property, vineyards are a human endeavor. What have the Sanfords learned about themselves? It seems they are perfectly paired, like a nice cabernet with gruyere cheese. Thirty-three years of marriage and 40 years together can build that kind of pairing. You could call it a classic vintage. They met in high school.

“I’ve learned that my wife is the backbone of this whole thing.  As far as dealing with the bureaucracy and the paperwork and that kind of thing, she is the backbone,” James said. “She studies and makes sure all the I’s are dotted and T’s are crossed.”

Margie agrees. But also trumpets her husband’s building skills. The pavilion is his handiwork.

“I’m the business end. But James has been in construction. He has the ability to take something that’s not working and figure out a workaround,” Margie said. “We’re very much doers ourselves, and I’ve always thought he can do anything. If I can dream it, he can do it.”

She added, “We’ve learned that where one doesn’t necessarily have a strength, the other can kind of lift up. We balance each other.”

The vineyard regularly hosts “Sip, Paint, & Repeat” nights that have been a big hit. The nights can involve painting on wine glasses or other media with the help of local artists.

Toasting another fun experience

The vineyard, in cooperation with the St. Clair County Health Department, serves flatbread pizzas and charcuterie. The winery is also open for small groups  and businesses to host holiday celebrations.  A photographer was onsite in late November for Santa pictures or Christmas family portraits.

As winter closes in, the low-maintenance native Muscadines bide their time. They seem to pair perfectly with Bella Vista’s chilled out atmosphere that Margie and James Sanford have created, perfect for small events and gatherings, all enjoying great wine.

“We’re not a party place,” Margie said. “It’s just more laid back.”d someone would come in and not love it the way we do and tear it down,” Tami said. “It doesn’t need to be torn down; it needs to be loved.”

New life for historic home

Story by Scottie Vickery
Photos by Mackenzie Free

After leaving a career on Broadway during the Great Depression, Margaret Byers took center stage in the hearts of Springville residents. She was a little person – not much bigger than the first-graders she taught for decades – but she made a tremendous impact on everyone she met.

That’s a big part of the reason why Nancy Tucker and her daughter, Tami Spires, have taken such care while renovating the home where “Miss Margaret,” as she was affectionately known, lived most of her life. “We just felt like we needed to honor her,” Tami said.

Tami and Nancy take a break on Miss Margaret’s porch swing

The home, which Miss Margaret’s parents built in 1891, has some unique features, including doorknobs that are much lower than typical to accommodate their daughter’s small stature. “She just quit growing as a child,” Tami said. “No one really knows why.”

One of Nancy’s favorite features of the home, which boasts 14-foot ceilings, is an old phone nook that’s built into a wall and is only about 2 feet off the ground. “She had a little chair that sat next to it,” Nancy said. “It’s such a unique house, and we’re so happy to have it.”

Neither of the women was in the market for a new home when Nancy first saw the “For Sale” sign while walking with a friend one morning last summer. In fact, they both live right down the street from the Byers home, with Nancy’s house directly behind Tami’s.

Still, Nancy had a feeling she just couldn’t shake. “When I saw it that morning, I thought, ‘That’s going to be ours,’” she said. “I wanted it the minute I found out it was for sale, before I even went in it.” 

Nancy immediately called Tami, who contacted the real estate agent and scheduled a tour. A few hours after the walk-through, Nancy had a contract on the yellow house that stands directly across the street from Springville Middle School.

“We walked across the threshold, and she said, ‘I’m buying it,’” Tami said. Nancy wanted it so badly, in fact, that she didn’t even get an inspection on the house before signing the papers.

“I bought it like it was a loaf of bread,” Nancy said with a laugh. “I didn’t even think about the structure of the house or anything like that. I just loved it.”

Fortunately, they’ve since learned that, despite being more than 130 years old, the house is in pretty good condition. “There was no mold, no leaks, nothing wrong with the foundation,” Tami said. “We got lucky.”

They replaced the knob and tube wiring that is common in historic homes and can pose safety concerns, as well as some rotten porch boards. They covered up the fireplace in the dining room, one of four that were in the original house, and had the chimney removed because it was in bad shape. They also had new kitchen cabinets, which were not original to the home, and new countertops installed.

Everything else has been done by the mother/daughter duo. “Mom and I have singlehandedly done 95 percent of everything inside the house that’s been done,” Tami said. “Every weekend, we’re either here working on the house or shopping for things to furnish it. The shopping is more fun.”

While they love the history of old houses – Tami’s home was built in 1885, and Nancy’s was built in 1926 – they are especially intrigued with this one just because it belonged to Miss Margaret.

She was a beloved first-grade teacher for decades, and Nancy, Tami and Tami’s daughter, Rebekah Wester, are all teachers, as well.

Nancy taught Business at Springville High School for 26 years before retiring in 2000. A former English teacher at Moody Middle School, Tami is currently the counselor at Springville Elementary School. And Rebekah, who will live in the home once renovations are complete, teaches English at Ragland High School.

“We kind of feel a kinship with Miss Margaret because she was a teacher, and we are three generations of teachers,” Tami said. A member of the Springville Preservation Society, she leads walking tours of Springville for the fourth-grade students each year and for the public each spring. “This has always been my favorite house to talk about,” she said. “I love telling everyone about Miss Margaret.”

Small stature, tremendous impact

As a young woman, Miss Margaret dreamed of a career on the stage. Born into one of Springville’s pioneer families, she went to Huntingdon College in Montgomery after graduating from high school. A singer and dancer, she also attended an arts school in Chicago, according to an article on the “Tiny Teacher” that appeared in The Birmingham News in 1953.

Margaret Byers teaching reading

She moved to New York as a young woman and appeared in several Broadway productions in the late 1920s and early 1930s. “We’ve always been told she was a munchkin in the Broadway production of The Wizard of Oz, but we have not confirmed that to be true,” Tami said.

She did, however, play children’s roles in several productions. According to Broadway databases and other sources, she was cast in Merry-Go-Round, which played in 1927 at the Klaw Theatre, and in Her Unborn Child, which played in 1928 at the 48th Street Theatre. In 1929, 1930 and 1931, she played Bo-Peep in Babes in Toyland at the Imperial Theatre. She also was in a traveling theater troupe at some point, according to The Birmingham News article.

“She got to play a lot of the children’s roles on Broadway,” Tami said. Child labor laws were strictly enforced at the time, and at one theater, child welfare officials came after the director because they thought she was working too late at night. “She had to show them her ID to prove she was a grown woman,” Tami said.

A few years into the Depression, Miss Margaret returned home to Springville. “She was told to find another career because people just weren’t going to the theater anymore,” Tami explained.

Miss Margaret enrolled at Jacksonville State University and earned an education degree. She started teaching first grade at the Old Rock School, now an historic landmark. “If you got Miss Margaret, you were somebody,” said Nancy, whose son, Jamey, was in her last first-grade class. “I was so excited when I heard she would be his teacher. I thought I would absolutely die if he didn’t get Miss Margaret.”

Sandra Jones, a Springville native who now lives in Pell City, was another one of the lucky students. In 1994, she wrote a column about her former teacher for the St. Clair News Aegis and included a memory of the first time she met the woman who “was practically a living legend in Springville.”

“Margaret Byers wasn’t much taller than I – even in her tiny high-heeled shoes,” she wrote. “I studied the pert, pixieish woman as she darted about, smiling and chatting. Her face reflected warmth and there was a pleasant lilt in her voice. As I watched her, my fears suddenly melted away. In an instant, I came under the spell of ‘Miss Margaret’ – a spell that still lingers even after all these years.”

Even though she left the stage, Miss Margaret still loved to perform. She had an upright piano in her classroom and would often sing songs for her students. “She knew all the latest tunes: ‘Sugartime,’ ‘Catch a Falling Star,’ and ‘Mr. Sandman’ – and we sang them all,” Sandra wrote.

One of her fondest memories is of the day Miss Margaret let Sandra wear her shoes. “I had a pair of those play high heeled shoes that I had carried to school for Show and Tell. She traded shoes with me and let me wear her tiny high heels all day,” Sandra said. “They fit perfectly.”

Although she was well-prepared for second-grade, Sandra said the life lessons she learned from Miss Margaret were as important as the curriculum.

“Though she was small in stature, she was big on life; a buoyant bundle of boundless energy,” she wrote in her column. “And though she taught me ‘reading, writing, and arithmetic,’ I think the most valuable lesson I learned from her was the importance of blending work and play. She taught me that life is held in balance with the right portion of each.”

It needs to be loved

Those are the kinds of stories Nancy and Tami love hearing now that they’ve bought the house, which has had several owners since Miss Margaret passed away in 1987.  Since taking possession of the house on Aug. 1, they’ve spent all their free time renovating it together.

“We have probably spent more time together in the past few months than we have in the last year, and she lives right next door,” Tami said with a laugh. “We’re not afraid to tackle anything. We’ll try anything once, and we’ve learned a lot.”

Margaret Byers with her class in front of old rock school in Springville

They’ve painted every room in the house, which was no small feat with the tall ceilings. “I was here by myself one day on top of a ladder, and I thought, ‘That’s kind of stupid, being 88 and being up on top of a 14-foot ladder,” Nancy said. “We decided after that neither of us would get on a ladder unless someone else was here,” Tami added.

They hung new wallpaper in the bathroom, which still has the original cast iron tub. When they pulled off the previous owner’s, some of the sheetrock came with it, so they decided to paint over the wallpaper hanging in the living room. “It’s not professionally done at all, but everything we’ve done has been done with love,” Tami said.

She replaced the kitchen backsplash, and she and Nancy have spent countless days painstakingly scraping linoleum off the kitchen floor and trying to save the hardwood floors in that room. When they needed a break, Tami set up her sewing machine in the sitting room and made all the curtains, which are 108 inches in length.

Through the years, previous owners made some changes to the house. The kitchen was originally located in the back of the house, with an attached butler’s pantry. A maid’s room was just across the back porch. Now, the kitchen is in the center of the home, and the back room has been turned into a bedroom. Tami and Nancy hope to eventually turn the pantry into a second full bath.

 “The layout is not ideal for modern living, but it is what it is,” Tami said. “That’s kind of the charm.”

Now that the inside is nearing completion, the focus will soon turn to the outside. They want to clear the brush off the side lot and restore the yard to its former glory. They also plan to paint the outside of the house, and Nancy has decided that’s a job for someone else.

“We talked about doing it ourselves and just taking a section at a time,” Tami said. Nancy wasn’t convinced. “She talked about it, not me,” she said with a grin. “We’ve still got a lot of work to do, and you have to wait on one thing to finish another. We don’t want to get new gutters until we paint the house, and we don’t want to paint the house until we get some of these limbs cut.”

Once the renovations are finally complete, Nancy and Tami want to host an Open House for all of Miss Margaret’s former students. “Ever since we bought the house, people have been sharing so many wonderful stories about her, and we want to get everyone together and get those stories written down,” Tami said.

“Miss Margaret was loved by the whole community,” Nancy added. “She was loved by the other teachers, she was loved by the students, she was just loved by everyone.”

And that’s why they feel honored to be the next caretakers of the house that shaped the little woman with the big heart. “We were so afraid someone would come in and not love it the way we do and tear it down,” Tami said. “It doesn’t need to be torn down; it needs to be loved.”