House of Treasures

Frank-Phillips-collectionInside a collector’s collection

Story by Leigh Pritchett
Photos by Michael Callahan
and Wallace Bromberg Jr.

It has long been said that a man’s home is his castle.

While that surely is true for Frank Phillips of Pell City, his dwelling is also a cache of artistic, literary and photographic treasures.

Surrounding him everyday are hundreds of volumes and artwork in various media, as well as photographs of historical figures and moments in life.

“I don’t just collect this stuff,” Phillips said. “I live with it. … I look at it everyday. You might see something new in it.”

Much of the artwork is considered “outsider art,” having been produced by individuals with no formal training. Mose Tolliver, known as Mose T, was one of those.

In fact, Phillips’ collection started in 1986 with a Mose T watermelon painting he purchased directly from the artist.

“I gave him every dime I had in my pocket that day,” Phillips said.

Phillips’ art collection now boasts about 20 names. Among them are Dr. Art Bacon, Charles Lucas, Lonnie B. Holley, Fred Nall Hollis, David Driskell, Bernice Sims and Jimmy Lee Sudduth.

A few acquisitions in the Phillips coffer were rare, thrift-store finds. A sculpture by Frank Fleming was one of those, as was a pottery piece by Bill Gordy.

Phillips added to his pottery collection numerous “jug faces” by Burlon B. Craig and items from the Meaders family of artisans. One of Phillips’ favorite pieces is a 1938 Gordy bowl adorned with the state flower.

The expansive inventory of books Phillips has amassed includes many first editions signed by such noted authors as Truman Capote, James Dickey and Harper Lee.

Phillips’ assemblage also features a handmade quilt from Gee’s Bend and memorabilia marking historical and special events. One piece of memorabilia is a paper fan autographed by Phillip Alford and Mary Badham, the child actors who played “Jem” and “Scout” in the 1962 movie, To Kill a Mockingbird.

Phillips said several pieces in his trove are rather valuable.

Yet, that is not why he acquired them.

“I’d like it even if it didn’t have value,” he said. “… You don’t have to have a reason to collect.”

Selected pieces from his collection have been on display in the past at Gadsden Museum of Art, Heritage Hall Museum in Talladega and, most recently, Pell City Library.

The exhibit at the library generated much interest and conversation among visitors, said Susan Mann, assistant library director.

“Frank’s collection was very well received at the library,” Mrs. Mann said. “… It was a great opportunity for people to see Southern folk art at its best. Frank graciously shared a pleasing mix of paintings, pottery, photographs and a primitive, handcrafted stringed instrument from his extensive and diverse collection. Most patrons were fascinated by the exhibit and were drawn to it, opting for an ‘up close’ view.”

Early influences

Phillips grew up in St. Clair County in a family of nine children. When he earned his English degree from Jacksonville State University, he became the first in his family to graduate from college.

He is drawn to magnolia paintings and Southern cuisine and says that putting sugar in cornbread “is a sin.” He prefers to read the works of authors Rick Bragg, Eudora Welty and Robert Penn Warren, who all have Southern roots.

Frank-Phillips-pottery-collectionHe listens to the blues, likes to travel, and serves on the executive committee of St. Clair Democratic Party.

Nonetheless, he feels an attraction to New York, Chicago, London and Paris.

“I rode a Greyhound to New York just to see a (Picasso) painting,” Phillips said.

As a young man, he went to Paris to view the gravesite of poet Gertrude Stein. “I was 20 years old in Paris by myself,” Phillips said.

Once, he saw artist Andy Warhol in Manhattan at the Museum of Modern Art. Warhol asked to autograph Phillips’ shirt, and Phillips said, “Sure!”

Even so, Phillips does not own a piece of Warhol’s art. “Who could afford that?” questions Phillips.

His recounting of that meeting with Warhol is one representation of the final piece in Phillips’ treasury. That piece is not tangible, however. It consists of details and memories about places, events and encounters with noted figures.

His conversation flows easily from one recollection to another and is peppered with observations about talents and personality traits.

With the certainty that comes from first-hand knowledge, Phillips speaks of Capote’s flamboyance and gives an account of Watergate figure G. Gordon Liddy. Phillips tells of attending JSU at the same time as Jim Folsom, Jr., who would later become Alabama’s governor; seeing Gov. Lurleen Wallace in Ragland, where she was accompanied by Hank Williams Jr. before he was a famous singer; meeting President Jimmy Carter; attending the funerals of author Kathryn Tucker Windham and civil rights leader Fred Shuttlesworth, and getting an autograph from actress Butterfly McQueen.

“I’m writing my memoirs now,” Phillips said.

If the opportunity arises, Phillips wants to add to his collection of memories – seeing the Hope Diamond and the painting, Whistler’s Mother, and attending a snake-handling service at a church. “Not to handle (a snake),” he said with a chuckle. “Just to observe. My faith is not that strong.”

D-Day Veteran

veteran-dulaneyMemories of the War

Story and photos by Jim Smothers
Submitted Photos

For a half century, Howell Dulaney would not talk about World War II. He tried to shut it out. He didn’t want to think about the horrors he experienced in the war, and he wanted the nightmares to stop.

“It just gets so real. It leaves you with an uncomfortable feeling,” he said.

“It was 50 years after the war before I thought about talking about it,” he said.

That happened after he joined the George S. Patton, Jr., Chapter of the Battle of the Bulge in Birmingham, an exclusive group of veterans of that battle.

Besides their monthly meetings, there was an annual Christmas party. At one of those events, the chapter president went to each veteran and asked him to tell an experience he had during the war.

“When he got around to me, I was about the last one, and I didn’t know what I was going to say. But when it was my turn, I asked, ‘Do you know about Bear Bryant, that they claim he could walk on water?’ He said, ‘Yeah, I’ve heard that.’ I said, ‘Well, I walked on water.’ ”

Then he told how he almost drowned, but was saved by a German soldier.

Part of his engineering group was assigned to ferry infantry soldiers across the Moselle River to prepare for an assault on a German division. The other engineers were to replace a span in the bridge for the rest of the army to cross, but that couldn’t be accomplished if the Germans were there to stop them. So, an attack was planned.

His battalion was split into three parts, two to get the infantry across the river to attack, and one to fix the bridge. Two engineers would be in each boat to ferry six infantry soldiers at a time across the river on a dark, moonless night. The soldiers were instructed to paddle without raising the paddles from the water to maintain silence during the crossing.

“We gave them wooden pegs and told them to use those to plug holes in the boats in case we were fired upon,” he said. “That really got their attention.”

On one of the crossings, they found the infantry had taken some German POWs, and the engineers were tasked with taking them back to the other side.

“On that crossing, our boat capsized. We learned later that we had tipped over on an old ferry cable,” he said. “I had all my uniform on, my helmet and my rifle, and I was not a good swimmer.”

He dog paddled, trying to stay afloat, growing more desperate by the second until, just at the point of giving up, a hand reached down and lifted him up.

“When that happened, my feet hit bottom, and I realized I was only in about four feet of water. We were almost at the bank, but it was so dark I didn’t know that. I looked up and it was one of the POWs we had just brought across. He was taken away with the others, and I never even found out his name.”

Dulaney hasn’t liked the water ever since.

But after telling his story to his fellow veterans, he decided it was OK to talk about the war. He developed an outline for sharing his memories, and gave speeches to a number of schools and church youth groups.

He shared many of his memories with them, but tended to leave out some details—like the bloody water at Utah Beach. He didn’t tell them about young soldiers, his age, who were injured and crying for their mothers, or the horrible injuries some of them suffered.

But he did begin sharing his story with other people.

veteran-building-bridgeDulaney grew up in Eastaboga as one of 15 children in the family. He never finished grammar school because farm life was so demanding. They raised cotton and row crops on an 80-acre farm, as well as animals for slaughter. His mother made dresses for the girls from flour sacks, and shirts for the boys from fertilizer bags. Shoes were a luxury and mostly worn about six months out of the year.

“It was hard work, but it was a good life,” he said.

He joined the Army at 17 and trained at Fort McCain in Mississippi, where he and his fellow engineers practiced bridge-making methods on the Yazoo River. He made bus trips home to see his family, and on one fateful trip he sat next to telephone company operator Robbie Reynolds from Columbus, Mississippi. They wrote to each other during the rest of his training and throughout the war.

After completing training in Mississippi, his group went by train to Boston where they boarded a ship for Great Britain. They sailed around Ireland, up the River Clyde into Glasgow, Scotland, and then traveled by train to Dorchester near the English Channel. About a week later, they loaded their supplies and themselves into a Higgins Boat (made in Mobile, Ala.) and spent the night crossing the Channel for the invasion.

“In Dorchester, we received our combat equipment and began to attend classes, learning what to do if wounded or captured and what information to give the enemy if captured,” he said.

“Once aboard the landing craft, we were told we would be crossing the English Channel into enemy territory within hours, and our destination would be Utah Beach…we knew this was D-Day. Some thought it might be their last day. As the boat was moving out everybody was real nervous. Some of us were trigger happy and ready to fight. Some were praying. And some were crying.”

They landed less than half an hour after the infantry and Marines first landed.

“As we approached the beach, as soon as our craft landed we began to leave any way we could, out the front or over the sides. It was really frightening with all the noise from big guns, rifle fire and mortars exploding all around. The water was waist deep, and it was bloody. There were dead bodies floating everywhere and wounded soldiers crying for help. The only thing we could do was help them out of the water and help them get to a medic.”

Shortly after Dulaney’s battalion arrived in Europe, Eisenhower brought in Patton to be the “fighting general” the Third Army needed, and Dulaney’s battalion was part of that army.

“Patton was an amazing general. He was a great leader, always in the battlefield with his men. He had proved he was a leader on the battlefield in World War I,” he said. “Patton’s theory was once you the get enemy running, don’t give them time to stop and fire back, and it worked.”

Patton moved so quickly Eisenhower told Patton’s commander, General Bradley, to slow him down before he got so deep into enemy territory he would be surrounded and cut off from the other armies. Bradley started rationing Patton’s gasoline to limit how far he could go.

Patton responded by taking his supply trucks to find a gasoline storage depot. “Now, when a four star general pulls up in his Jeep with his supply trucks and says ‘fill ‘em up boys,’ do you think he’s getting his gasoline?”

Patton’s speed helped rescue the 101st Airborne Division when they were surrounded early in the Battle of the Bulge. Eisenhower called Patton to see how long it would take him to get his army to Bastogne, Belgium, to help, and Patton told him 24 hours. He then moved his army without a break, except for refueling, pushing through Germany and Luxembourg to get there.

Dulaney earned his Purple Heart during the Battle of the Bulge when he was hit by a piece of shrapnel from a “Screaming Mimi” artillery round. It was a minor wound, treated by a medic on site, and he returned to duty without being sent away for additional treatment.

His battalion’s last action under fire came at Regensburg, Germany, where a bridge was needed across the Danube. It was built under fire, but not without the loss of four men killed and seven wounded.

After that, Patton moved toward Prague, but was called back to Regensburg when the war ended. Their new orders were to build barracks for a prison camp.

While in Regensburg, Dulaney’s older brother “Doc” from the 7th Army, stationed in Munich, paid him a surprise visit on a three-day pass.

“What a happy three days that was,” he said. “We received a big write-up in the Stars and Stripes magazine. After World War II, my younger brother was in the Korean War. Thank God we all came home safe and whole.”

He said the Germans had superior equipment, but the Americans were better fighters

“I’m proud I was a soldier in Patton’s army, and I thank God every day for sparing my life. I think Gen. Patton was the greatest general ever. He also had the ‘Greatest Generation’ fighting with him and for him…his 3rd Army fought across France, Belgium, Luxembourg, Germany, Austria and into Czechoslovakia. His army crossed 24 major rivers, liberated more than 82,000 square miles of territory, more than 1,800 cities and villages and captured 956,000 enemy soldiers. His army destroyed 3,000 tanks, 500 artillery pieces, 15,000 miscellaneous vehicles and 2,000 German aircraft.

“I’m not proud of the things I had to do in the war, but war is war. It’s kill or be killed, and we must win all our wars, at all costs, in order to continue to keep and enjoy our freedoms.”

He is a contributor to the National WWII museum in New Orleans, and he encourages everyone to go see it to gain a better appreciation of what it was about.

“I want people to understand what war really means,” he said. “I just want the young people to know what our freedoms mean to us, and we are slowly losing our freedoms.”

Upon his return home from the war, his first destination was to see his family in Eastaboga. But Robbie was on his mind, too, and it wasn’t long before he traveled to Columbus, Mississippi, to see her.

They married within weeks and built a life together. After a 40-year career with Alabama Power, he retired as a district superintendent. They built their “dream home” at Rock Mountain Lake below Bessemer and lived there for 10 years before moving to Memphis to be near their daughter, Eugenia Bostic and her husband, Gary. They were in real estate, and after the real estate crash, they relocated to Florida, and the Dulaneys moved to Pell City, splitting the distance between family in the Eastaboga area and friends in the Bessemer area.

Robbie passed away six years later. Then Eugenia developed inoperable cancer and moved in with her dad to live out the rest of her life. Dulaney was 90 when she died, and decided to sell his home and move to the Robert L. Howard State Veterans Home in Pell City, where he lives today.

Light Flight

ultralight-flight-1Daring men and their flying machines

Story and photos by Jerry C. Smith

A stand-up comic once joked, “If God had meant for people to fly, He would have given them a lot more money.” He got pained laughs from several private pilots in his audience who knew what it costs to get a license, buy a plane, fly it, hangar it and keep it in safe condition.

Whether you’re rich or poor, the sky shamelessly seduces those who envy the freedom of birds. Prior to the late 1970s, aviation was well out of reach to most folks who did not fly for a living, but a few entrepreneurs found a way to bring powered flight to practically anyone with the courage to try it.

Imagine a huge kite made of ripstop Dacron sailcloth, a frame and pilot seat resembling an elaborate lawn chair, a couple of lawn-mower wheels and a tiny engine scrounged from a snowmobile. Lace it all together with a maze of steel cables and, voila, you have an ultralight airplane – a true bird of ‘pray.’

Ultralights quickly became a poor man’s magic flying carpet, a dream come true for those without the means or desire to own a “regular” airplane. If you could afford a decent fishing boat and were fairly adept with hand tools, you could build your own plane in a few dozen hours from a mail-order kit, then fly it from a nearby pasture.

Best of all, you didn’t need a license to fly one, and still don’t even to this day, as long as the plane meets certain federal guidelines of construction and operation. Flight training, if any, was given in two-seater variants by licensed local dealers, but many were flown entirely on guts alone.

Since a true ultralight has only one seat, that first test flight was also the pilot’s first solo in that type of plane, which can intimidate even a trained private pilot.

Odenville resident Hoke Graham was one of the first to fly and sell such machines in the area. He tells of trying to foot-launch his Easy Riser, one of the first ultralights, which originally had no wheels. It was actually an Icarus biplane hang glider which had been fitted with a tiny, 10 horsepower, two-cycle motor made by Chrysler.

Hoke relates, “When we test-ran the engine in my motorcycle shop, the propeller blast blew papers all over the place and slung oil everywhere before we could get it shut off. We like to have never got it all cleaned up.”

Ultralights became so popular so fast that the Federal Aviation Administration (FAA) created a whole new category for them, outlined in Part 103 of Federal Aviation Regulations. In essence, ultralights were designed for a single pilot, flown locally for daytime recreational use only, and according to some stringent rules.

The plane could weigh no more than 254 pounds empty, carry a maximum of 5 gallons of fuel, and fly no faster than 55 knots at full power. It is illegal to fly an ultralight over an assemblage of people or settled area, after dark, or within controlled airspace where the big boys fly.

Because of weight and performance restrictions, ultralights have few if any spare parts. They’re shy on horsepower, creature comforts and redundant safety features found on more conventional aircraft.

It’s as minimalist as powered flight can possibly be, but for many, including your writer, they were the fulfillment of a boyhood dream. The Wright brothers would have loved them; indeed, their first Flyer would have qualified had it been made of lighter materials.

While there are still a few single-seaters around, sport aviation has shifted in more recent years to a two-seated variety, many of which look and handle almost identically to the standard version but aren’t true ultralights. You need a private pilot or light sport pilot license to fly one.

Besides all the various quasi-ultralight designs, the relatively-new light sport category includes home-builts, most experimentals and other small aircraft, such as Taylorcraft, Piper Cub and Breezy, which fall within a fully-loaded weight limit of 1,320 pounds.

Many two-seated derivatives use engines of as much as 100 hp, more than triple the power of older single-seaters, and can easily fly 90 mph. Because of a higher weight allowance, they can be outfitted with all kinds of instruments, safety equipment, redundant controls, etc that a Part 103 machine could never carry.

ultralight-flight-2Pell City’s Joe West owns such a plane. It’s a larger version of a Challenger ultralight, made in Moline, Ill., by Quad City Aircraft Ultralight Aircraft Corp. It has a much more powerful engine, two seats, larger fuel tank and is about double the weight of its ultralight sisters.

Joe spent more than two years building it and holds one of the first light sport licenses issued in the area. His superbly crafted plane sports a dazzling green and white paint job and mounts a 52-hp engine designed especially for light aircraft by an Austrian firm, Rotax, which also builds snow machine engines for Bombardier of Canada. It allows him to cruise smoothly at 60 to 70 mph.

Joe is a real craftsman who is not averse to improvisation. In fact, the sheet metal for his instrument panel was salvaged from an old octagonal city stop sign. Everything on his plane is neat, precise and by-the-book, including an emergency parachute that can be instantly activated from both seats.

The plane’s nose art reads TINKER TOY, a moniker inspired by a fellow firefighter in Birmingham who liked to tease him about all the small airplane parts he fiddled with while not on duty, saying the intricate components looked like Tinker Toys.

He’s a frequent flyer around Pell City and has flown his Challenger for about 15 years. But Joe doesn’t limit his range of operations to local “patch-flying.” He and several other Challenger owners once flew from Pell City to a sponsored aviation meet in the Great Lakes region, near the Quad City factory.

Another local light-flyer, Cropwell contractor Tommy Thompson, is also a highly skilled artisan, both on the job and as an experimental aircraft hobbyist. He has built and flown four kit planes over the years, each a finely crafted work of flying art.

His Loehle P5151 Mustang was a 3/4 scale replica of one of the world’s finest warplanes. Tommy painted it blue, white and orange; named it Miss War Eagle; and was granted a tail number ending in WE. It was always a hit at air shows and fly-in events held by the Experimental Aircraft Association, of which Tommy was president of local Chapter 1320 until its dissolution in recent years.

So what’s it like to fly an ultralight or experimental? Depends on the design. Back in the 1980’s, your writer owned an American Aerolights Eagle. It had a smaller wing, called a canard, mounted in front of the main airfoil. This made it nearly stall proof and very easy to fly, even for a novice pilot. The Eagle took off, flew, climbed, descended and landed at about the same speed, 25-30 mph. We joked that, like a Piper Cub, it flew just fast enough to kill you.

I flew mine while suspended in a child’s swing seat which hung by a slender strap from a main body tube. Below this seat was nothing but open sky, all the way to the ground. Needless to say, that strap was rigorously inspected before every flight, as were all other vital parts which, in reality, included EVERY part of the plane.

Other models look and handle more like conventional aircraft, with true three-axis controls and the familiar T-shaped fuselage. Most ultralight aircraft can virtually leap off a runway in 200 feet or less and land in almost any clearing. Indeed, on occasion, these pilots would take off across the old bomber runway at Talladega.

But there is a penalty for this feather-like agility. You should not fly unless the air is mostly calm. Flights are usually made in early morning or near sunset. Planes stayed in the hangar if treetops were spotted moving.

I’ve encountered sudden gusts in advance of unseen weather fronts that actually left me flying backwards, despite running full throttle. My only recourse was to drop behind a treeline at almost ground level and quickly land before the wind shifted.

An unwritten rule was observed by practically everyone: Never fly over anything you can’t land on. With no redundant parts and an engine that could fail at any time without notice, keeping a landing spot underneath was mandatory.

But all such hazards aside, the flight itself was exhilarating, possibly the most fun a dauntless bird-man could have in public. We usually flew lower than 500 feet, enjoying the sights, even the smells, as rural Alabama drifted leisurely beneath our dangling rumps.

Our flying grounds included the environs of Talladega Speedway in our earlier days and Washington Valley and Chandler Mountain after we moved to Cool Springs near Ashville. It’s one of the most scenic parts of St. Clair — even more so from the air.

The good people of Cool Springs and Caldwell gracefully tolerated our weekend noise, so we always invited them to our airfield cookouts and watermelon cuttings. Livestock in Washington Valley became so accustomed to our presence that they no longer stampeded or looked up in fear of a giant, raucous hawk passing overhead.

The group I flew with in the early 1980s was known as Four Seasons Aviation, a three-man corporation operated by Hoke Graham, Jack Porter and Mike Pair. They sold Eagle ultralights and provided flight training, first at Talladega Airport, later at the Cool Springs site.

Cool Springs Airdrome was laid out on an old horse farm on CR 31, between Ashville and Springville, near Canoe Creek at AL 23. A former stable was modified to serve as a hangar and business office. The airstrip was simply 1,500 feet of closely-mown pasture.

Because of the Eagle’s unique configuration, we were able to store all five resident planes in a hangar that would have barely contained one “regular” plane. We simply tilted them upright and stood them on their tail feathers.

Four Seasons was a beehive of activity on nice weekends, often hosting fly-in visitors and curious kibitzers. Because of the capricious nature of these aircraft, we had a map mounted on a steel panel, with little colored magnets for each pilot to indicate where he intended to fly. We often flew in pairs, for the same reason.

On one such junket, a friend and I were flying over Washington Valley when he spotted some lovely young women lounging beside their swimming pool. He landed in a nearby field, but I decided it was no place for a married man and flew back to the airport.

Apparently he had chosen wisely, as we didn’t see him again until a bit after sunset. In a scenario reminiscent of an old flying movie, we lit the runway with car headlights to allow our resident Romeo to land safely.

A couple of areas were off-limits. One of our flyers was a deputy sheriff who warned us to avoid flying anywhere near the new St. Clair Correctional Facility as well as a certain area called Sodom and Gomorrah because of various activities that the law preferred to contain in that one place rather than having to pursue them all over the county.

Were there accidents among our ultralight community? Yes, even a few fatalities. But like real flyers everywhere, we studied and discussed each case, resolving to never become an object lesson ourselves.

For many, the incident rate became too high for comfort, so they moved on to earn a private pilot license and bought “real” airplanes. No doubt some wives added input to these decisions. However, many have since admitted that they became much better pilots as a result of things they’d learned from light flight.

Joe and I recently flew his Challenger on a photo shoot around the Pell City locality. We flitted along at a leisurely 65 mph, snapping photos of Logan Martin, downtown Pell City and certain areas north of town.

While a pure ultralight must not fly over settled areas, a rated experimental like Joe’s can be operated under more lenient standards. The visibility is spectacular to say the least, making them an ideal photo platform equaled only by glass-pod styled helicopters, and they’re exponentially cheaper to own and operate.

Another endearing quality is its real feel for flight, like you are actually involved in a natural process rather than riding an armchair in a giant flying bus. You sense every rising thermal, every wind shift and “air bump,” and enjoy a fast-acting, sensitive control response that makes you feel like part of the plane itself – a true mechanical bird-man connection. There’s no autopilot. You fly them every second from takeoff through landing.

Joe quipped that his plane is so well-balanced and control-sensitive that he can actually make it turn by sticking his hand out one side, like giving a turn signal. To a true light flight enthusiast, a 20-minute ride is often more satisfying, and physically tiring, than a couple of hours in a “real” airplane.

Born in Haleyville and a long-time resident of Birmingham, Joe once advised folks to never allow a hobby to dictate where you live, but reneged on his own tenet while flying and hangaring his craft at Pell City Airport.

“After hanging out around the airport, I found out what a nice place Pell City was, and decided to live here,” he said. Indeed, his home is within easy walking distance of the main entrance at KPLR.

At age 67, Joe has seen a lot of light aircraft makers come and go. Dozens of companies jumped into the market when the category was first created, but most are long since expired, usually with good reason.

Those early years were fraught with accidents, mostly due to design faults and pilot error. He advises those interested in light sport aviation to research FAA files and thoroughly check out the accident records of any aircraft they plan to purchase or build from a kit.

“Look for companies like Quad City that have been in business the longest, preferably under original ownership,” he says. He also advises to seek skilled, licensed training before attempting any solo flight in any aircraft, whether ultralight or otherwise. Even though they fly relatively slowly, irreversible things can happen very quickly.

He remarked that the handling characteristics of his Challenger makes him feel connected to early pioneers such as the Wright brothers. Having flown several such machines myself, I heartily agree. It’s the real thing – a natural high.

Though he’s a quiet, unassuming man to casual acquaintances, Joe’s sincere enthusiasm for this genre of aviation becomes obvious once you get to know him, fly with him, and check out the workmanship and safety record of his plane. Retired from the Birmingham Fire Department, he now works part-time at a local hardware big-box to, in his words, “make some flying and eating-out money.”

Joe says, “Sport aviation is sort of winding down as a hobby because the ones who started it are getting old, and nobody is replacing them. We need for more kids to get involved with groups like Civil Air Patrol and the EAA.”

He adds a sentimental note: “If someone ever gets a chance to go flying, especially someone who has never gone up, I strongly urge them to go up and see the sights that are restricted to a fortunate few people and to be mesmerized by the wonders that they have missed all their life.”

The late Glenn Messer, world’s oldest living pilot, who passed away just days short of his 100th birthday in 1995, expressed to me that one of his biggest regrets was that he never flew an ultralight. He had been blinded by a failed eye surgery a few years before these aircraft became popular.

Mr. Messer used to sit in the lobby at Birmingham’s Southern Museum of Flight and chat with visitors about his long, colorful flying career, which included giving Charles Lindberg a check ride in his new Curtiss Jenny back in the 1920s.

He should know of what he spoke. The pilot license he proudly showed to visitors was signed by Orville Wright.

Wrestler and more

wrestler-chief-thunderhorse

Wrestler, sawmill operator, Dad – Answering the call

Story by Elaine Hobson Miller
Photos by Michael Callahan

Cliff Horsley waits behind the curtain while the ring announcer pumps up the audience. He thinks about the wrestling matches he watched on television and at Birmingham’s Boutwell Auditorium when he was growing up. He thinks about his Mohawk/Cherokee heritage, and starts slipping into character as Chief Thunderhorse, the Silent Giant with the Hands of Stone, who stands for what’s right and good.

Wearing a headdress, arm bands and coordinating black-and-yellow tights, he listens to the fans chanting, “Chief! Chief! Chief!” and hears their whoops and war cries. He holds his head up high, stiffens his back, and slips into the role he will play tonight. Once the introductory music starts, and Horsley walks into the spotlight and crawls under the ring ropes, the transformation is complete. He is no longer Cliff Horsley, Springville resident, sawmill operator, single father of four. He is Chief Thunderhorse, Oklahoma native, representative of the Cherokee Nation, the Real American.

“In the ring, you get to step out and be the character you dreamed of being as a kid,” says Horsley. “It’s the satisfaction of knowing you’ve accomplished what you’ve always dreamed about growing up and watching it, saying, ‘One day I’ll do that.’ It’s knowing you’ve accomplished that, with a lot of hard work and perseverance.”

Being a wrestler was all Cliff Horsley ever wanted. He wrestled at Pinson High School, where he also played football, then turned professional at the age of 22. For the first few years, he used his own name as he wrestled for various entities at the Pell City Civic Center and other Southeastern venues. One day, the head of Global Championship Wrestling told him he needed an Indian and dubbed him Chief Thunderhorse, a part ready-made for Horsley, who fashions arrowhead necklaces for friends. So for the next 10 years, he played the part, while living a gypsy life in a motorhome that he could move any time he wanted to.

wrestler-chief-thunderhorse-2He pushed through his injuries, like the wrist that was broken twice and never healed, the ribs he popped out of his sternum, and the hernia he developed in his lower belly. “The match has to go on,” he says. But it wasn’t the body slams, the scorpion leg locks, the bad-guy punches or the cross-body drops as his opponents fell on him that finally took their toll and pulled him away from the wrestling ring. It was the kids he had never really known.

“In 1996, when they were one-and-a-half years old and newborn, their mom left with them,” he says of his oldest son and daughter. “For 15 years, I did not know their whereabouts. I had no money for a private detective.” To add insult to injury, the man their mother married took on Cliff’s identity, with the aid of one of Cliff’s old driver’s licenses that she had kept.

Then one day, out of the blue, the Chilton County Department of Human Resources (DHR) called. “They said here’s your kids, now you need a stable income,” Horsley says. “They started demanding structure and order.”

He didn’t have to think twice.

“My kids were teenagers, they demanded my time,” he says.

He was already supplementing his income with a portable sawmill, but he had to sell it to keep his head above water for a while. “I had to make child support payments, which went to DHR because the kids had been in their custody for two years.”

His grandfather had been a sawyer and cabinet maker, so working with wood was in his blood. It was something he knew he could do without his children having “a broke-up daddy and no paycheck,” he explains.

He admits that it was tough making the transition from his bachelor lifestyle and the role of Chief Thunderhorse to the role of Daddy and the restrictions that came with it. “But I knew what it was gonna take, me walking away from that business to focus on them, that’d I’d have to give my children the 110% I was giving to wrestling.”

For the past five years, Cliff has spent his time cutting lumber and raising four children — he adopted his biological offsprings’ half-brother and later, a friend’s daughter. He started Cliff’s Mill, buying a 100-year-old sawmill from a retired teacher whose husband had built it, then died before using it. He moved it from Wattsville to its present site in Pell City one piece at a time. It took him about a year. The engine and other parts had rusted out, so he converted a 1968 Ford engine and gas tank to power the mill. “I hand-built everything down to the drive shaft,” he says. “I always was a jack-of-all-trades.”

It was a gasoline-powered mill, and as fuel costs rose, it became too expensive to operate. So he bought a more modern mill. “It got to the point that $20 would not have cut five logs, and the belts were expensive, too,” he says of the antique mill. “But $40 will last a week on the newer one.”

He still uses the old mill when someone wants a time-period cut, because it makes old-fashioned kerfs in the wood. People who are restoring an old house, for example, might prefer those circular grooves to the straight-line kerfs of modern saws. He turns pine and hardwood trees into 2x4s, 2x6s, framing lumber, siding, wood shingles, trailer blocks for mobile homes and occasionally flooring. In the winter, when business is normally slow, he sells firewood.

He will cut to any size, but believes in a true cut. “My 2x4s are 2x4s and not 1-5/8 x 3-1/2s,” he says. He charges by the board foot, averages 200,000 feet a year, and no job is too big or too small. “It’s a small, entry-level sawmill,” he says. “But it’s not a hobby mill. There’s lots of maintenance involved, too.” It’s a physically demanding job, wrestling 1,300-pound trees onto the mill’s conveyor belt. He has one helper, a man named Roy Odom.

Raising teenagers hasn’t been easy either, but Cliff doesn’t regret a minute of it. For the first few years after he got his kids back, he would take a match four or five times a year. That’s a far cry from the two or three per weekend he was accustomed to. His two oldest children grew up and moved out, but he still has a daughter and son at home. While he enjoys being a dad, he also looks forward to getting back into the ring on a regular basis.

“I miss the lifestyle, the physicality of it,” he says. “There’s more to it than just jumping out there and wrestling. You have to watch what you eat, work out between matches. I don’t watch what I eat as much and don’t get the cardio I used to, but I still work out.”

It has been two years since he last heard that intro music and the chanting of the crowds. He recently started eating right again, trying to lose some of the weight he gained during his time out of the ring, itching to get back to the business. But it’s tough.

Yet when asked what he finds tougher, wrestling 300-pound men, 1,300-pound logs or 100-pound teenagers, Cliff doesn’t miss a beat. “Wrestling children,” he shoots back.

The smile in his voice says they’re worth it.

 

Pell City’s Rachel Baribeau

rachel-baribeau-nashville

A legendary, lasting legacy, making her mark on air, world

Story by Paul South
Photos by Eric Adkins
Submitted photos

NASHVILLE, Tenn. — Not so long ago, Rachel Baribeau connected with a long-time friend from St. Clair County, the place Baribeau has called home since sixth grade.

“You’re a legend around here, you know,” the friend said.

“I was like, ‘Whaaat?,” Baribeau said. “It blew my mind.”

The 36-year-old broadcast journalist’s reaction may come as a bit of a surprise. After all, Baribeau hosts a sports talk show and has a regular gig on Sirius XM radio’s College Sports Nation and a weekly column on GridironNow.com, covering big-time college football for a national audience. She’s a Heisman voter. She was the first woman to fully participate in a professional football training camp, suiting up for the Columbus (Ga.) Lions of the American Indoor Football Association. She has a clothing line. She’s a life coach and a motivational speaker. In the temporal world, that’s heady stuff indeed.

Miss-Pell-High-1997But in the tapestry that is Baribeau’s life, the real currency, the anchors of her life, are grounded in timeless values – a devout faith, hard work, putting others first and serving them and measuring life by the hearts she’s touched. As she tells it, she’s just “a grain in the hourglass.

“As I’ve gotten older, it’s really come full circle for me that people are my currency, and people are my richness,” the Auburn University alumnus said. “In that sense, I’m a millionaire because I’ve come to know so many wonderful people.”

To understand why Rachel Baribeau sees people, not material fame and fortune, as her source of wealth, it helps to know her family, especially her grandmother, Ophelia Maria Sifuentes Snow. For 60 years, “Opie” Snow served up cocktails and cold beer to unknown enlisted men and women and the world famous, like John Wayne, Paul “Bear” Bryant and Truman Capote at a watering hole on Victory Drive in Columbus, Ga.

Ophelia was a mix of humanity – a wondrous cocktail of Spanish, Mexican, Jewish and Mayan blood flowed through her veins. Today, that diverse DNA is visible in Baribeau’s dark hair and eyes and olive complexion.

“She really loved people and loved all sorts of people. She loved the soldier in Columbus and the politician and the movie star and the prostitute all the same. She just taught me that people matter and that life is about people.”

In Baribeau’s professional life, she sees stories of people that the herd of journalists may miss.

“I had a writing instructor tell me, ‘Rachel, when other people are looking one way, you look the other,’ ” Baribeau recalled.

One of her earliest broadcast partners, Max Howell, knows well Baribeau’s knack at finding stories off the beaten path. Howell has been a fixture in sports talk in the South, working in Atlanta, Memphis, Birmingham and other major markets. He recalled Baribeau’s concern over football-related concussions long before the NFL and the rest of the world took notice.

Baribeau offers a “unique voice” in covering the college football landscape, Howell said.

“She’s very compassionate and has a lot of empathy for the kids,” he added. “She was more concerned about the long-range people problems that evolved. To me, that was her strength. That’s what sets her apart from the other co-hosts I had.”

Lyn Scarbrough, a columnist and marketing director for Lindy’s Sports Annuals, has been a guest on Baribeau’s show over the years. Versatility is one of Baribeau’s strengths, Scarbrough said, both in her professional life and in her faith and charitable work.

“She can do radio. She can do television. She can do print. She is knowledgeable. She’s made journalism a passion. She’s willing to take a risk. She cares that it be right, and that it be professional,” he said. “In today’s culture, it’s not an everyday thing to find someone who has that combination of traits and beliefs and experiences. Not everyone has that combination.”

rachel-baribeau-saban-studioBaribeau, who has a deep religious faith, believes sweat, preparation and divine intervention help her find the stories she reports.

“My penchant for people has made people open up to me and to tell me these stories. I think there is a measure of divine intervention in that. The dots had to connect in a supernatural way,” she said.

One of those supernatural connections occurred two football seasons back, when Baribeau convinced her editors at Bleacher Report that Mississippi State University and its quarterback, Dak Prescott, were forces to watch in the 2014 season.

She traveled to Starkville a week after losing her father to cancer. Dak Prescott’s mother was waging her own battle with the disease. Before the interview, as Prescott opened up about his Mom’s condition, Baribeau began to cry, sharing her own story of her Dad’s passing. The two bonded, and Baribeau crafted a story larger than sport.

In January, Prescott was the MVP of the Senior Bowl. And Baribeau works with Prescott’s family to promote a foundation that helps cancer-stricken family members of student athletes travel to see their loved ones play, covering travel and medical costs associated with the trips

“Other than with Tom Rinaldi (of ESPN), Dak had never opened up like that before,” Baribeau said. “God really worked to orchestrate this meeting.”

There are so many layers to the Rachel Baribeau story. She was adopted at 18 months old by David Baribeau, a veteran of the first Gulf War. With her platform as a sports journalist, she is an advocate for adoption. She works with numerous charities, raising $90,000 for ALS research in the wake of her story on former University of Alabama great Kevin Turner, who now battles the disease. She climbed Mount Kilimanjaro for ALS research. The climb is the subject of a documentary, narrated by NFL Hall of Fame player and coach Mike Ditka.

And along with her work as a journalist, she and her mother partnered in early 2016 to form a clothing business. The Joyful Fashionista is crafting fashions for women, ages pre-teen to 85 and of every body type, sizes two to 26. A bricks and mortar shop – Pine Mountain Loft and Gallery in Pine Mountain, Ga., — and websites on Facebook and Instagram, feature the fashion line.

“What better thing than to be a partner with your Mom — your best friend — and help women feel beautiful and do it at a very reasonable cost. We’re not trying to break the bank for women who want to feel good about themselves.”

What shines through in Baribeau’s life is a boundless energy. Spencer Tillman, an analyst for Fox Sports, said Baribeau is “hardwired” for journalism.

“She pursues ‘the story’ because of her raw passion to win,” Tillman wrote on Baribeau’s web page. “She gets it right because she cares. She’s like that proverbial drip that can wear a hole in a rock. I’d want her on my team.”

That water of life has been passed across the years, from her grandmother to her Mom and adopted Dad. Powered by faith, the water is constantly flowing, methodically wearing away at the challenges of work and life.

And in an industry often driven by massive egos and major money, Baribeau’s life is defined by a desire to help others, a fire stoked by those who shaped her life from its earliest days.

Female sportscasters like Phyllis George, Jayne Kennedy, Linda Cohn and Lesley Visser may have shattered the glass ceiling. A new generation, including Baribeau, have followed in their path. And while like a gifted architect on a Starbucks bender, Baribeau has crafted a diverse portfolio in journalism, fashion and life coaching. And it appears she’s just getting warmed up.

But mileposts of accomplishment are secondary. Baribeau’s faith-based priorities are different.

“To move to act, to love, to forgive and to give. That’s what it’s all about,” Baribeau said. “You can have all the money in the world, all the accomplishments in the world. But at the end of the day, my eulogy is not going to be about the things I accomplished, but about the people I touched.”

 

Coyote Drive-In

Coming attractions: Drive-in, miniature golf heading to Leeds area

Story by Graham Hadley and Carol Pappas
Photos by Wallace Bromberg Jr.
Artwork from Coyote Drive-In

coyote-drive-in-leeds-2If you’re old enough to remember movie nights under the stars with plenty of popcorn devoured in the backseat of your parents’ car, prepare to reimagine those times as the Shops of Grand River in Leeds recreates the classic drive-in with plenty of new twists.

The four-screen theater complex aims its sights on being a recreational experience the entire family can enjoy — from the moment the gates open to the end credits of the last double-feature movie.

“We have been working with Christine Szalay, general manager for the Shops of Grand River, for about a year and a half — all the stars aligned and we are going to make it happen,” said Steve Wynn, chief operating officer for Coyote Drive-Ins. Wynn notes the company already has a successful, five-screen version in Forth Worth, Texas, which has been in operation since 2013.

The Leeds edition will have a restaurant with a full kitchen, a pizza bar where patrons can watch the pizza-making process from beginning to end, and a bar that serves beer, wine and margaritas. The restaurant will have air-conditioned indoor and outdoor seating and sits next to a controlled-entry, fenced playground. Parents can keep an eye on kids playing while dining with family and friends.

The restaurant’s pavilion will occupy about a 10,000 square-foot building that was part of the original Shops of Grand River complex but had never been occupied.

“It will be directly adjacent to the north end of the Shops,” Szalay said.

Along with the restaurant and playground, there will also be an 18-hole miniature golf course in the theater area.

As for the drive-in, there are four screens, with movies shown in high definition from top-of-the-line special projectors that are brighter and designed to throw high-quality images farther onto bigger screens. And, Coyote Drive-In shows are double features.

coyote-drive-in-leeds“There is a 30 minute intermission, then you can watch a second movie,” Wynn said.

Directly in front of the screens is a no-car, grassy park-like green space where families can have picnics, play football with friends or even walk with their dog. The drive-in is a pet-friendly theater. There is also outdoor seating for those who want to sit outside their cars and enjoy the movies out in the open.

“A lot of it is about the freedom. You can walk your dog, throw a Frisbee, and nobody is going to tell you to turn off your smart phone,” Wynn said.

Also planned on Fridays and Saturdays are musicians performing live music.

In Fort Worth, “people are coming about 90 minutes before the shows start,” Wynn said. “You can sit out in a lawn chair and watch the movie on a giant screen. It feels like an event – like movies in the park.

“I think it is a social element. This is what we see in Ft. Worth: People are reaching out on social media, saying, ‘We are all going out to a movie at Coyote.’ They come in large groups, bring the dog, move some picnic tables together, run and play, eat, then watch the movies. People like the social aspect,” Wynn said.

“The family crowd is our biggest pizza business. When a family film opens, it always outperforms our other genres, like more adult action-themed movies,” Wynn said. The drive-in is more open than a multiplex theater, but screens are set up to prevent line of sight from one viewing area to another. Even so, some movies will not be shown or will be shown later in the night.

“Some of the movies that are too risqué we will not play because a 5-year-old watching movies on one screen might see a movie on another screen. … In Ft. Worth, we did not play 50 Shades of Grey. It was a very popular movie, but the family-friendly environment is paramount,” Wynn said.

The theater will have room for a total of 1,100 cars.

The $6 million-plus project is expected to draw people to the Leeds area from possibly as far away as other states like Georgia and Tennessee, not to mention the surrounding Leeds community, Birmingham, Trussville, Pell City, Talladega, Anniston and the rest of north and central Alabama.

With the Shops of Grand River right next door, with stores generally open until 9 p.m., already drawing large crowds daily, the two ventures expect there to be lots of crossover business.

“Coyote Drive-Ins have thought of everything. It was one of the reasons when the discussions started we were enamored with their plan. It made such good sense for the Shops of Grand River,” Szalay said.

For the region, it means a recreation and tourism destination point, generating 100 new jobs.

“This makes the Shops of Grand River and Leeds more of a regional destination. People come from a large distance to shop here, and this works on a number of different levels, Szalay said. “We want that close connection to our customers from within the community, and this adds another reason for people who live farther away to come, shop and stay longer.”