Key to the City

peanut-bill-sealesCommunity pays tribute to ‘Peanut’ Bill Seales

Story by Leigh Pritchett
Photography by Michael Callahan

Aug. 11, 2014, was a run-of-the-mill Monday for probably most people in St. Clair County.

But that was not the case for Bill Seales.

The man lovingly known as “Peanut Bill” had been summoned to the City Council meeting that was to take place that morning.

After the opening prayer and Pledge of Allegiance, Seales was called to the front of the Council chambers, where Mayor Joe Funderburg read a proclamation to “hereby honor a most gallant, courageous son.”

The proclamation calls Seales “a glowing example of determination” and “a model of courage for many Pell Citians.” It notes that he “has demonstrated a strength and desire to overcome many physical restrictions that did not prohibit his willingness and determination to be an independent, productive citizen. … (He) is, and shall always be a respected part of the Pell City family.”

The proclamation further declares Aug. 11, 2014, as “Bill Seales Day” in Pell City.

As Funderburg finished reading the proclamation, thunderous applause and a shout of “We love you, Bill!” erupted, quickly giving way to a standing ovation.

Then, Funderburg presented Seales with a golden key to the city.

Seales flashed his familiar, broad smile and there was another standing ovation.

Though speechless for a moment, Seales graciously responded, “Thank you. Thank you all.”

Cameras from two Birmingham television stations caught the action as an entourage of relatives, friends and well-wishers gathered around Seales outside the Council chambers. Tina Ailor, who is manager of Food Outlet and Seales’ special friend, held his hand.

“We were very honored that Pell City went to this length to recognize him,” said Alice Kennedy, Seales’ cousin.

Through the years, the citizens “were very excited to see Bill” whenever he was selling peanuts “and he was always welcomed with open arms,” Kennedy said.

Seales, who is 66, peddled peanuts around Pell City for nearly 50 years. He started at 17 years of age.

He became part of Pell City’s fabric as he logged thousands of miles on foot or on his three-wheeled cycle, selling his signature items about town. He also had a peanut stand, first at Food World until it permanently closed and then at Food Outlet.

When TV news anchor Mike Royer issued an open forum for anyone to speak, Kathy Phillips of Southside came from the back of the gathering and said she could be silent no longer.

She wiped tears from her eyes as she clipped on a microphone.

Phillips, a cousin, said she and Seales lived in the same house when she was a child.

“Bill has always been an inspiration to me and my family,” Phillips said. “He is one of my lifelong heroes.”

Daily, Seales would go five miles from where they lived on Florida Road into town, walk all around Pell City selling his peanuts and then return home. “That’s how he supported himself,” Phillips said.

Each day, he would bring Phillips a box of Cracker Jacks.

Seales’ independent spirit gave him determination to support himself and his wife, Karen (now deceased). Generously, he has given to his family, the community and the city, Phillips said.

The way Seales has lived is proof that anyone can do anything if the individual tries hard enough, regardless of the adversity he faces, Phillips said.

Shortly after Seales’ birth, a medical situation left him with physical challenges.

Yet, Seales resolved as a child not to allow the challenges to hold him back.

In an article in the February & March 2014 issue of Discover magazine, Seales says he decided early in life to work and support himself.

“I’m going to go forward, if it kills me,” Seales is quoted as saying. “I’ve always wanted to work. The Bible says, ‘Work.’ It never hurt me! … If I hadn’t been peddling peanuts and going and doing, I’d be dead. If you don’t get busy doing something, you won’t make it.”

Seales’ aunt, Geneva Bannister of Pell City, said she could not talk about him without crying. “I love him more than anybody else in the world.”

Funderburg described Seales as “one of the most popular citizens in Pell City” and “an example of courage to a lot of people.”

Because of Seales’ exemplary life, there had been much public support for him to be formally recognized, Funderburg explained. “I felt like (recognition) was something that was overdue.”

When the Council meeting adjourned that morning, the accolades did not end, however.

That afternoon, there was quite a shindig at Golden Living Center in Pell City, which is Seales’ current residence.

The music of Elvis, Bobby Darrin and Chubby Checker created such an upbeat atmosphere that Seales and Gerry Stallworth, the center’s director of rehabilitation, danced together.

After Jamie Lancaster, executive director of Golden Living Center, announced the honor the city had bestowed on Seales, the residents and staff members who filled the dining area applauded heartily.

When Seales got a glimpse of the peanut-shaped cake that awaited him and the bowls of peanuts surrounding it, his big, broad smile flashed once more.

Howard Hill

howard-hill-archerWorld’s Greatest Archer

Story by Jerry C. Smith
Photography by Wallace Bromberg Jr.
Submitted photos

Schoolboys often dream of marrying a favorite teacher, but Howard Hill of Shelby County actually pulled it off and, with her help and support, became a true legend in his own time, the World’s Greatest Archer.

Ashville’s Elizabeth Hodges had taught high school English in Wilsonville, Alabama, where Howard attended. Apparently their attraction was mutual, as he married her a few years later. They had a long, storybook life together, and now lie in final rest beside each other in Ashville’s New Cemetery.

Born in 1899 on a cotton plantation in Shelby County, Howard’s father made archery equipment for him and his four brothers and taught the boys how to use them. Howard grew up using weapons of all kinds, but his bow was always his favorite.

According to Craig Ekin in his book, Howard Hill, The Man And The Legend, Howard killed his first rabbit at age five and, in his excitement to show his folks the game he’d brought home for supper, left his bow in a cotton field. It took three days to find it.

Howard entered Auburn’s veterinary school at age 19, but did so well in sports that animal medicine was soon sidelined. A tall, powerful young man who excelled at anything athletic, he lettered in baseball, basketball and football, earning the nickname of Wild Cat.

Howard didn’t neglect his archery interests while at school, often slipping away on weekends for long target practice sessions which, according to Ekin, usually involved shooting some 700 to 800 arrows. Howard was so appreciative of his years at Auburn that he created a college archery program at the school after his retirement. Many of his artifacts are now displayed on campus.

In 1922, Howard moved into Southern League semi-pro baseball, often playing pro golf in off-season. It was about this time that he married Elizabeth, which Ekin describes as the best move Howard ever made. “Libba,” as he called her, realized from the start that archery was Howard’s destiny, and she encouraged him at every opportunity.

howard-hill-errol-flynnNiece Margaret Hodges McLain describes her Aunt Elizabeth as a perfect southern belle whose petite stature only made Uncle Howard seem that much larger. Mrs. McLain recalls the Hills visiting Ashville during breaks from movie work.

Howard often cooked meat entrees for family gatherings by the same method used on safari in Africa. He would dig a pit in the ground, build a big fire in it, then place meat wrapped in wet cheesecloth among the coals, cover it up, and let it cook all day, a process similar to Hawaii’s imu pits used at luaus.

While waiting for dinner, Howard would set up hay bales for targets, and demonstrated his many archery skills and trick shots. Margaret recalls seeing him shoot tossed dimes from the air, as well as helping the youngsters learn archery. Howard was well-respected in Elizabeth’s home town, where the local theater showed many of his films and short subjects.

Three years after their marriage, the Hills moved to Opa Locka, Florida, where Howard worked as a machinist at Hughes Tool Company, founded by the father of aviation pioneer Howard Hughes. While there, he read a book called The Witchery Of Archery, by Maurice Thompson, that inspired Howard to set forth on a path that would bring him worldwide fame and set new records, many of them unbroken to this day.

Howard made his first bow while working at Hughes. It wasn’t a very good one, but it signaled the start of a new career direction in archery. He continued making bows and arrows and working in the machine shop until 1932, when their California experience actually began.

Ekin relates that Howard was approached by famed newspaper editorial writer Arthur Brisbane, who wanted the Hills to move to his desert ranch near Barstow, California. Howard was to coach his sons in physical sports, while Elizabeth would tutor them in academics.

After Howard’s one-year contract ended on the Brisbane ranch, he went to Hollywood, intent on making a documentary film he had written, called The Last Wilderness. It emphasized hunting America’s big game rather than spending fortunes on jungle safaris.

The film was a quick success, made entirely outdoors without using a single studio set. Howard’s amazing archery skills were featured as he brought down every kind of large game animal in the American wild country. For the next year or so, he tirelessly promoted this movie by making personal appearances at each showing, dazzling his audiences during intermissions with incredible demonstrations of pinpoint accuracy.

Among Howard’s amazing feats were shooting dozens of arrows, rapid fire, into the exact center of a target from 45 feet, not only from a standing stance, but also lying on his back, side, belly, and from between his legs. His arrows often got damaged in these stunts because they were grouped so tightly there was scarcely room for them all in the target’s tiny center spot.

Howard also appealed physically to his audiences. At more than 6 feet tall, his muscular build and dashing good looks would have easily qualified him for leading roles in movies. He was immensely strong, able to pull any bow with ease. In fact, some of his bows were so powerful they took two men to string them unless he did it himself.

howard-hill-elizabethOne of Howard’s first major records was a long arrow flight of more than 391 yards, set in 1928 using a bow with a draw weight of 172 pounds that he built for the feat. He could keep seven arrows in the air at one time, and split a falling arrow with another.

Some favorite stunts were shooting at small objects in midair such as coins, rings, wasps, etc, shooting cigarettes out of some brave soul’s mouth, rolling a barrel down a hill and firing an arrow into its bunghole, splitting narrow sticks with arrows, shooting birds from high in the air, striking a match with one arrow, then extinguishing it with the next, shooting two arrows at once to burst two separate balloons, ricocheting arrows off wooden boards to hit a target, and breaking several balloons consecutively that had been blown up inside each other.

When asked how he hit moving targets so easily, Howard replied, “You have to train your eye to look at a single spot. If it’s a man, you look at a shirt button; if it’s a Coca Cola sign, you look at the center of an O. You have to look at infinite spots.”

Ekin remarks that when Howard was “looking at a spot,” his eye would appear as if it were literally going to pop right out of its socket. One thing that caught your writer’s notice in Hill documentaries was the way he laughed and joked with bystanders, but the minute his bow came into full draw, a dead-serious look would suddenly appear on his face. As soon as the arrow was loosed, however, he immediately became jovial again. It’s like he was two different people.

Howard’s hunting skills were legendary. He killed more than 2,000 large-game animals with his bow, including a rogue bull elephant. Taught to hunt by a Seminole Indian, he could track any kind of creature, often dispatching it with one arrow from a distance that would have challenged a gun hunter. Elizabeth often accompanied him on safaris and other big game hunts.

But despite his predatory skills, the man was not without a sense of humor. According to Ekin, on one western hunting trip he fooled his comrades into thinking they were eating veal brought from home when it was actually a wild burro he had shot the previous day and cooked in his signature fire pit.

Another time, Howard slipped a fox into a huge kettle of rabbit stew. On yet another trip, Howard and his companions were perturbed by a fellow hunter’s thunderous snoring, which continued despite all attempts to gently waken him. Finally, Howard simply rolled him, sleeping bag and all, into an icy creek.

His skills and uncanny accuracy soon caught the eye of Hollywood producers in 1937, when Warner Brothers was shooting The Adventures of Robin Hood. This high-dollar movie starred Basil Rathbone and Errol Flynn (for our younger readers, Flynn was sort of like today’s Kevin Costner, but far more macho). Facing a select group of some 50 accomplished archers who tested for the movie’s arrow shots, Howard easily topped them all in accuracy.

According to Ekin, director William Keighley told Howard, “You’re hired. Tell the head property man what equipment you want and report Monday to teach 22 actors and six principals how to shoot.”

Howard made many shots with the camera looking over his shoulder from behind, substituting himself for an actor who had just been filmed from the front while pulling the same bow. He performed many dangerous precision shots, such as knocking a war club from Basil Rathbone’s hand and shooting at running spear throwers.

By his own estimate, Howard “killed” 11 men while shooting Robin Hood. Some were shot while on galloping horses, falling to the ground with an arrow sticking out of their backs or chests. In reality, his blunted arrows had imbedded themselves into a thick block of balsa wood backed up by a steel plate, worn under their tunics. Had Howard’s aim been off by just a few inches, it could have been fatal.

Actors complained that a powerful bow he used to insure accuracy packed such an impact force that they didn’t have to fake falling from their horses; he literally knocked them off. He did all the bow shots for Errol Flynn, as well as numerous Indian battle scenes for movies like They Died With Their Boots On, Buffalo Bill, and several other films involving archery.

In a foreword to Howard’s book, Wild Adventure, Errol Flynn said, “When you meet Howard Hill you know darn well you’ve met him before, but you can’t remember where or when.“ The two became friends while on the Robin Hood set and spent many pleasant days afterward hunting, partying and fishing from Flynn’s yacht, the Sirocco, where he made one of the most incredible shots of his career.

He dropped a wooden barrel over the side, then threw the barrel’s cork after it. Quoting Ekin’s 1982 book: “While the boat and barrel were bobbing up and down on the waves, Howard proceeded to shoot the cork with an arrow that had a line attached to it. After retrieving the cork, he then shot the arrow again (with the cork still on the end of it), perfectly plugging the hole with the cork! This was made into a movie short, and can still be seen today.”

In 1940, Howard set up an archery shop in Hollywood, where he turned out some of the world’s finest bows and arrows. He made them for superstars like Gary Cooper, Roy Rogers, Iron Eyes Cody, Errol Flynn and Shirley Temple — complete with archery lessons.

By 1945, Howard had mostly given up on competitive shooting, since no one could beat him. In fact, he won 196 Field Archery tournaments in a row. His attention turned to hunting and exhibition work. He and Elizabeth built a fine, Southern-style colonial home in the middle of 10 acres in Pacoima, California, using marble imported from Sylacauga.

By the 1950s, Howard was making his own hunting movies, such as Tembo, released by RKO in 1952, which is still a film classic. In all, he produced 23 short subject films for Warner Brothers. He wrote several authoritative books on archery and big-game hunting, like Wild Adventure and Hunting The Hard Way, and has been featured in several other archery books.

In 1971, Howard was inducted into the Alabama Sports Hall of Fame. Birmingham sports editor Zipp Newman wrote, “Never has one man so completely dominated his sport as Howard Hill.”

His signature bows and arrows are still being manufactured and sold at Howard Hill Archery in Hamilton, Montana, operated by longtime friends Craig & Evie Ekin. For those interested in watching Howard’s demo films, Youtube offers more than a dozen, mostly filmed in the quaint, gender-patronizing style of the 1940-50s.

After an unparalleled lifetime of making bows, movies, and unbroken records, Howard and Elizabeth retired to a large, colonial style home they built in Vincent, which still stands today. Howard passed away in 1975 after a bout with cancer, and Elizabeth, always at his side, joined him in eternal peace less than a year later.

They now lie in repose in the Hodges’ family plot at the New Ashville Cemetery, just inside the fork of its service road. Their headstone is framed with two drawn bows, but nothing else at the site commemorates his world fame. Always the dedicated wife, Elizabeth’s marker does not show her birth date, only a final one, so as to not draw attention to the difference in their ages.

Margaret McLain describes Howard and Elizabeth’s life together as “a very long love story. She was his greatest fan.”

For a story on how Howard Hill touched the author’s life, read the print or digital version of Discover The Essence of St. Clair October & November 2014 edition.

C.A.S.P.I.R.

CASPIR-1Working to explain  the unexplainable

“From ghoulies and ghosties and
long-leggedy beasties
And things that go bump in the night
Good Lord, deliver us!”
— Traditional Scottish prayer

Story by Elaine Hobson Miller
Photography by Michael Callahan

A 4-year-old Moody boy sees a stranger in his house during the wee hours of the morning. A grown man hears footsteps from above when he’s in the basement of his Pell City business and noises from below when he’s upstairs alone.

Who do you call when you think you’ve encountered visitors from the spirit world? Priest? Psychiatrist? Ghost Hunters? How about the St. Clair County-based Central Alabama Society for Paranormal Investigation and Research (C.A.S.P.I.R.)?

“The Moody boy’s mother called me at 3 a.m. in a panic,” says Frank Lee, former Army National Guard military logistics technician and the founder and lead investigator for C.A.S.P.I.R. “The boy’s sighting wasn’t the only paranormal activity going on at their house. Cabinet doors were opening, they were hearing voices from empty rooms, and they saw a little girl.”

Lee didn’t rush over in the middle of the night. “They were Christians, so I worked with them through some prayers and scriptures, and things settled down.” When he did investigate, he found quite a lot of residual and intelligent activity. “A lot of paranormal activity that people encounter is residual energy,” Lee continues. “The popular explanation of this is the Stone Tape Theory, which says that certain materials like stone can hold energies, like an emotional or psychic imprint, whether happy, sad or whatever. A perfect example is churches, which tend to be one of the most reported haunted places we’ve encountered. Those are not evil hauntings, but emotional imprints.”

Intelligent activity, Lee says, is where the spirit answers the questions that people proffer. “In the case of the Moody home, they were sitting on the perfect storm, because they lived next door to a church, where emotions often run high.”

As for the Pell City businessman who hears footsteps, the investigation continues. On a warm Friday night in August, the C.A.S.P.I.R. team set up its instruments on the main floor of his business. The shop is in an old, one-story house, with a main level used as offices and a basement used for storage. With its piles of boxes, stud framing for rooms that no longer exist, and dark corners, the basement has the atmosphere of a Hammer Studios horror flick. The man has seen shadows and odd lights on the main level, and one day, a mist abruptly formed in an office, then just as abruptly disappeared. Most of these incidents have occurred during broad daylight.

A motley crew consisting of two blue-jeaned, 30-something men, two teenagers, a pink-haired and a punk-haired woman and a third with long blonde hair, the C.A.S.P.I.R. team looks like it would be more at home in a hard-rock band than at a paranormal investigation. Lee opened a cache of scientific and quasi-scientific instruments that included a motion-activated infrared camera, a camcorder, night-vision and infrared lights, a laser-grid projector, and something called an SB-7, or Spirit Box, that scans radio frequencies every quarter of a second. The SB-7 generates white noise, which investigators believe spirits can use to communicate with this world.

They also set out a thermobarometer to measure atmospheric conditions, because they believe that when ghosts are trying to manifest themselves, they draw energy that can create temperature fluctuations. Their EMF meter, normally used to find leaks in electrical wiring, measures any electro-magnetic field generated by spirits that might be present.

The Law of Conservation of Energy states: “Energy cannot be created or destroyed, it can only be changed from one form to another.” That would explain the presence of spirits in our world, says Lee. It also explains the theory behind the use of most of these instruments. The cameras sometimes pick up images that can’t be seen by the naked eye and simple voice recorders pick up electronic voice phenomena (EVP) from frequencies outside the range of the human ear.

Lee and his team came prepared with more than instruments, though. They had researched the building’s history and the geological properties of the land on which it sits. When they left, they would spend many hours poring over the data they had gathered, examining the photos closely and listening with practiced ears for any hint of other-worldly sounds.

“There are many aspects to properly handling a paranormal case, and the investigation is just the diagnostic part,” says Lee, an admitted science geek who sees himself as a serious researcher helping people rather than as a ghost hunter. “We follow up after the investigation, too, because the person involved may need counseling or to get back into church.”

This was Lee’s first trip to the Pell City business, but Donald Davis had been there several times. He says the house is inhabited by the spirit of an elderly woman named Anna, the former owner. He says her husband died in the basement, and that same man may have shot Anna’s brother to death in the back yard.

On previous trips, Donald had captured small moans, a voice saying, “Hey, I’m here,” and one complete sentence, “Do you want to go?” The latter, he says, was in response to his statement that if Anna didn’t want the team present, she should say so. He keeps going back, hoping to hear more.

Three other team members, Pink Floyd (real name), Dee Harper and Christine Grace, were present because they are mediums. Sometimes, Pink sees images or hears voices of entities inside her head, which caused her parents to send her to a psychiatrist when she was 5 years old. “I get memories of entities, like snapshots or watching a short film,” Pink says. “Some things trigger it, like certain smells that no one else can smell.”

Harper says she has always been able to see, hear and talk to spirits. “I saw a ‘real’ person in my mom’s closet as a child, but I was told it was my imagination. So I would block them (the spirit images) out. Last year, someone came into my life who helped me not to fear them, so now I tune in.”

Grace says names and numbers sometimes come to her, and she can see things others in the group can’t, like shadows, footprints or a face. “I can feel their touches, too,” she says.

While the team was setting up, their flashlight and camera batteries kept going dead, despite replenishing them with new ones. Lee had to run the instruments straight from the AC adapters, which can be common in haunted locations, he says.

Once the instruments were in place, the lights went off, and the chatter slowly faded as the team watched and listened. Donald turned on a digital recorder. The group eyed the green net light pattern on the wall, made by the laser grid projector. Street noises filtered in from outside and appliances hummed in the kitchen.

“Anna, are you still here?” Donald asked. He paused briefly, waiting for a response. “Is your husband here?” (pause) “Your brother?” (pause) “Can you tell us his name?” (pause) “Do you want us here?”

Suddenly, the laser lights flickered and dimmed. “Is that you tampering with our laser?” Lee asked. The grid stopped moving and came back to full brightness. “That was quite phenomenal, because we rarely see tampering with equipment to that level,” Lee says.

“Anna, do you know that you’ve passed away?” Donald continued. “Can you tell us how?” (pause) “Pink is here with us, do you have something to say to her?” (pause) “You said her name one time.”

Something touched Christine on the leg, causing her to jump. “I don’t know why they (spirits) like to touch me,” she says.

Later in the evening, after a curious reporter and skeptical photographer left, Brittany, Lee’s 13-year-old daughter, complained of a burning sensation on her back during an EVP session in the front office. When Lee checked her, he saw a large scratch mark that couldn’t be explained.

“She was sitting right in front of us when it happened, and there was nothing she could have leaned against in the chair to scratch her,” he says. Moments later, Brittany heard her name coming from the Echo Box, an instrument that takes random audio samples, then echoes and amplifies them, thus enabling the spirits to form words.

Other manifestations went on while the team was there, according to Lee. With everyone gathered in the same room, footsteps echoed from other parts of the house that were unoccupied. They felt knocking on the floor beneath them, as if someone were in the basement trying to make contact. Lee heard his name and Pink’s name from the Echo Box.

“When we asked, ‘How did you die?’ we heard a female voice come through the speaker that said, ‘Cancer,’” Lee claims. “We asked, ‘Who is in the basement?’ and the same female voice said, ‘My brother.’ We asked, ‘Is your brother angry?’ and received a ‘yes’ response over the system. When we asked, ‘How did your brother die?’ we received a response that said, ‘He was shot,’ which is historically accurate. We asked for names of the brother and others related to the case and the correct names came through as well. It was very compelling!”

This isn’t the scariest place Lee has encountered, however. That dubious distinction goes to a 17th-century Virginia home with a very dark past. “Me and three other investigators from a previous team were scratched and shoved there by something we couldn’t see,” he says. “We also had a case a few months ago here in Alabama where we saw a 25-pound end table thrown across the room. The people who live there had been clawed, pushed down the steps and held down and nearly suffocated. That type of activity is rare, but if you do encounter that degree of negativity and violence, you could be dealing with something demonic.”

Like the Pell City business, the end-table case remains open. “We’re working with a demonologist and the Catholic church to arrange a house blessing there,” Lee says. “If necessary, we’ll escalate the case to a full exorcism, which is also rare.”

Some investigations reveal normal causes to what people perceive as paranormal. While with a former team, Lee investigated a woman in Michigan who was having headaches, hallucinations and sleepless nights. The team found black mold and faulty electrical wiring in her rental house. When the landlord fixed those problems, the woman’s life returned to normal.

“There was no paranormal activity involved,” Lee says.

Contrary to popular opinion, paranormal activity doesn’t heighten around Halloween, according to Davis. “We see more activity in winter than summer, though, because the air is so dry and there is more static electricity,” he says. “Spirits use our energy and the energy that’s in the air to communicate with us.”

He believes that when people die tragically, they don’t always “depart” this world. “Some don’t know they’re dead and will deny it when asked,” he says.

So, where are these spirits, and why haven’t they passed on to heaven, hell or whatever Great Beyond awaits them?

“That’s what we’re trying to find out,” he says.

Celebrating CEPA

EDUCATION & PERFORMING ARTS
‘What If’ played big role for CEPA

2014+CEPA+Drama+Camp-125-3347103446-OStory by Leigh Pritchett
Photography by Wallace Bromberg
Submitted photos

Once there was a city that needed an auditorium.

Once there was a school that needed a better gymnasium.

The city and the school system decided to join together to do what neither could do alone.

When even the combined efforts were not quite enough, the citizens, businesses, industries and other government entities pooled their resources to make it happen.

And thus, our tale comes to its happy beginning eight years ago with the opening of the Center for Education and Performing Arts (CEPA).

Since then, CEPA has been the site of community theater productions, recitals, conferences, symposiums, private events, a host of school functions, concerts and performances by nationally known artists, basketball games, high school wrestling matches, archery tournaments, JROTC competitions, graduations, church services, and – right now – a Smithsonian exhibit with local flavor.

“CEPA has brought a whole new dimension to Pell City,” said Kathy McCoy, who was executive director for seven years and is the current artistic director. “We are the gathering place for Pell City.”

Also called Pell City Center, CEPA features a 399-seat theater-concert hall and a 2,100-seat sports arena.

Plus, it boasts the only movie theater in the area, McCoy said.

CEPA, however, does not sit silently, waiting for a concert here and a theatrical performance there. Rather, activity at the building is nearly constant.

During the school year, for example, the theater is used daily for drama classes, said Kelly Wilkerson, CEPA’s executive director.

Much of the time, especially during December, the center is in use every day of the week, Wilkerson said. Sometimes, two events are happening simultaneously.

“It definitely gets a lot of use,” he said.

That is part of the beauty of a performing arts center, said Barbara Reed, public information officer of Alabama State Council on the Arts in Montgomery.

“Community arts centers provide access to a wide range of art and performance opportunities, which bring many people together,” Reed said. “These centers are often the heartbeat of smaller cities. Its programming inspires children, adults and families alike, creating a vibrant and connected community.”

Reed said any community is blessed to have a performing arts center.

“It put us on the cultural map of Alabama,” said Bill Hereford, who was mayor from 2008 to 2012.

Dr. Michael Barber, superintendent of Pell City Schools, said the center has had a significant impact on the school system.

“It has transformed our school system in several ways,” Barber said.

Having the center has helped to revive the high school drama department; provided a venue to bring shows to the students instead of having to transport them elsewhere to see productions; has given students stage performance opportunities; has accommodated the entire high school student body for assemblies, and has offered space for teacher training during in-service meetings, Barber said.

The school system, he continued, even got to host a State Board of Education meeting at CEPA, “which was a great honor.”

2014+CEPA+Drama+Camp-105-3347097399-OBesides benefiting the students and residents, programs and functions at the center stand to boost the local economy, said McCoy.

A significant percentage of audience members come from outside Pell City, she said. While in Pell City, those patrons dine, refuel and maybe even stay in a hotel.

The chance to seek out and promote local talent is yet another advantage of the center, McCoy said. A group of 30 or so actors and actresses have been brought together to form the community theater group, Pell City Players.

“I can’t say enough about Pell City Players. We have some really good actors here. I’ve kind of been amazed,” McCoy said of the award-winning group. McCoy came to CEPA from Monroeville, where she led the Mockingbird Players, who performed both nationally and internationally.

In 2007, Pell City Players presented their first production, which was Cat on a Hot Tin Roof. Since then, they have done two or three productions a year – some comedy, some drama, some musicals. Among the group’s list of presentations in the past seven years are Dearly Departed, To Kill a Mockingbird, Crimes of the Heart and It’s a Wonderful Life.

At the opening of the Smithsonian exhibit, The Way We Worked, the players used performing arts to augment visual arts. The thespians dressed as figures in Pell City’s history to tell their stories, said McCoy.

Having a community theater has naturally led to summer drama camps for children, preening them to take a future place in Pell City Players, said McCoy.

Ginger McCurry of Pell City is the instructor. During the camps, students learn the crafts of acting and staging a production. A show at the end of the two weeks allows them to demonstrate what they have learned.

This summer, their production was Snow White and the Seven Dwarfs, said Wilkerson.

McCurry has staged shows at the center since it opened. She presented students in concerts when she was music teacher at Coosa Valley Elementary and choir teacher at Duran Junior High North and Duran Junior High South and has staged productions as theater teacher at Pell City High School.

“I’m very pleased with this theater,” she said. “It was designed for everyone to be able to hear and to see. The setup is excellent, in my opinion.”

Wilkerson said the “flying system” of stage rigging lets scenes be lowered into place or lifted out of sight when not needed. He noted there is also an orchestra pit for live accompaniment.

When the orchestra pit is not in use, a safety covering makes it part of the stage, Hereford added.

McCurry is just as complimentary of the potential of the area’s residents.

“Pell City is covered up with talent,” McCurry continued. There is more of it represented in the schools and in the community “than I can imagine.”

She would like to see the formation of a civic chorale to showcase some of those abilities.

This summer, the center also worked to groom another kind of artist – those gifted in visual arts. The center hosted an art camp for the first time.

Act I, Scene I
The center’s beginning dates back more than 14 years.

Former Mayor Guin Robinson said that after he moved to Pell City in 1989, he heard time and again about the need for an arts center. After he was elected mayor some 10 years later, the city government conducted a needs assessment and found the desire for such a facility.

In May 2000, the mayor and Council appointed an “auditorium feasibility committee.” The group consisted of Elizabeth Parsons, Ronnie White, Harold Williams, Jason Goodgame, Terry Wilson, Brenda Fields, Gaston Williamson, Suellen Brown, Carol Pappas and Bob Barnett, who would serve as chairman.

Along the way, Dr. Bobby Hathcock, then-superintendent of Pell City Schools, expressed the need for a new gymnasium for Pell City High School, Robinson said.

By March 2003, the City Council and school system were considering combining efforts to build an auditorium and gymnasium, Council records show.

In November of that year, Robinson’s state-of-the-city address referenced the venture as being a $4.5 million project, with the city’s portion coming from a multipurpose bond issue. The State of Alabama and the St. Clair County Commission also provided some funding. Yet, still more was needed.

Robinson asked Hereford, who was presiding circuit judge at the time, to head a committee to raise funds from local individuals, businesses and industry.

Hereford said approximately $350,000 was given through that fundraising campaign.

“That’s a lot of money to come in from a community our size,” Hereford said. “(The center) wasn’t that hard to sell. People were ready for it. If you’ve got a good project and a real need, the people of this city will step up.”

Groundbreaking for the center occurred in 2004 before Robinson’s administration ended. The center opened in 2006.

By 2008 when Hereford became mayor, the center was taking on a larger and larger role in the life of the community, and Pell City Players had come into existence. The community theater and the high school drama department were “doing absolutely amazing things,” Hereford said.

During Hereford’s tenure as mayor, a governing board for the center was created. Charter members were Ed Gardner, the late Carole Barnett, Don Perry, Carol Pappas and Judge Charles Robinson, president. Matthew Pope and Henry Fisher replaced Perry and Robinson on the board, and Pappas is president. New members are expected to replace Gardner and Barnett in the next few weeks.

Managing the facility and programming events is now done by CEPA Management Corp., which operates independently of the city and school system, McCoy and Wilkerson said. It is a 501(c)3 entity.

Recently, the center added a movie screen and projector system, giving the community another outlet for entertainment. The theater-concert hall easily transforms into a movie theater as the movie screen is lowered into place by the “flying” stage rigging.

The movie theater comes courtesy of allocations in the amount of $6,200 from the city for the projector and electronics upgrades at the building; $7,500 from the Arthur Smith Estate for the movie screen and sound reinforcement upgrades and $1,000 from Congressman Mike Rogers for a new popcorn popper and concession supplies, Wilkerson said.

Already, the center has presented the movies Frozen and Steel Magnolias.

Wilkerson noted that special showings are possible for people with particular needs, such as sensory challenges. Private screenings are available, too.

The goal for the movies is the same as it is with the other presentations at the center – to provide quality entertainment at an affordable price, said McCoy and Wilkerson.

The center continues to receive funds through “Support the Arts” specialty vehicle tags; from businesses, industry and state arts council grants to bring certain groups or performances to Pell City, to decrease the price of student tickets for school-related productions or to provide tickets for students who cannot afford to pay, said Wilkerson.

Robinson said the story of Pell City Center is that “some things just come together at the right time. I think that project was worth waiting on.”

A lot of work and dedication from all involved and much support from the citizens went into this project, said Robinson, who now lives in Birmingham.

“It was definitely a labor of love,” he said.

Additional assistance with this story was provided by Penny Isbell
and Anna Hardy of the City of Pell City.

Department Store Days

mays-and-jones-store-1When Mays & Jones was the place to shop

Story by Jerry C. Smith
Photos by Wallace
Bromberg Jr.

Submitted photos

Its motto might well have been MOUNTAIN BROOK GOODS AT PELL CITY PRICES. The owners of Mays & Jones Department Store spared no effort to bring the finest merchandise to their establishment.

From 1923 until its closing in the mid 1970s, Mays & Jones was the premier clothing and linens emporium in Pell City, and according to many who worked and traded there, the store’s business personality mirrored the quality of its goods.

Originally built in 1905 as Pell City Bank & Trust by the town’s founder, Sumter Cogswell, the building was remodeled in 1923 as Mays & Jones Department Store. Its construction was of brick made at Ragland Brick Company. Although solely owned by local retailer Blair Jones, he added his wife’s maiden name to the store’s façade to show that it was indeed a family business.

Pell City resident Florence Compton, now 89 years of age but looking 60, relates that she loved every minute of her 31 years as their bookkeeper. Her career began in 1943, just after she graduated from Pell City High School. “It was a wonderful place to work,” she says. “Mr. Jones had a heart of gold and would bend over backward to see that every customer was able to find exactly what they wanted.”

Mays & Jones was not without competition. Downtown Pell City hosted other stores that carried similar inventory, such as Mitnick’s, Cohen’s and Roberson’s. Lorene Smith, who started her long career in Ladies’ and Childrens’ Shoes in 1946, often accompanied Mr. Jones on buying expeditions to ensure the store carried only the best medium-range goods. Jones also had buyers who went to dealerships in New York and elsewhere. He wanted his store to be the destination of choice for local folks who wanted uptown quality at an affordable price.

Garland Davis of Mineral Springs Road tells that he and twin brother, Harland, often picked blackberries at 50 cents per gallon to pay for their school clothes and would never think of buying them anywhere other than Mays & Jones.

Former store manager Mack Taylor, who served from 1968 until 1971, advanced their trade even further by arranging for advertising fliers, originally printed for Bob Cornett’s local newspaper, St. Clair Observer, to also be inserted in the Birmingham News. Soon customers were coming in from all over. Taylor says there were often 40-50 people waiting for the doors to open on sale days, many of them from Birmingham, Ragland and Ashville.

Most store employees had long tenure and displayed a strong loyalty to Mr. Jones. Florence and co-worker Lorene recall working with Jones’ wife Dixie Ann; Virginia Nelson; Linda & Etha May Haynes; Carolyn Robertson; June Tillery; twin sisters Clara & Mary Mays; Warner Hammett; Tommy Davis; Mildred Hardwick; Thurman Henninger; Nettie & Mary Cornett; Dixie Ann’s brother “Buddy” Mays; Peggy Pruett; Louella Starnes; Helen Hutton; Florence’s sister Clara May Compton; and Thurman Burnham. They also recall Tom and Essie Lovell, who worked together. He was in floor sales, and she handled clothing alterations.

Thurman “Red” Henninger created eye-catching window displays. He later set up his own Red’s Menswear store on Martin Street, next to the old Jack’s location. “Bunny” Beavers was janitor and also managed the stock room, which stayed very busy due to their ample stocks and liberal layaway plan.

Customers first
The store’s normal complement was eight to 10 workers, mostly in floor sales. As with many firms in those days, there were few of the benefits people take for granted today. Workers were paid a flat monthly salary. They worked six full days a week, except Wednesdays, when everything in town closed at noon. All hands were expected to be there promptly at opening time, formally dressed and ready to work. Everyone stayed until the last customer had been served.

This policy sometimes became irksome as last-minute customers dropped in, particularly on Fridays, shopped at great leisure, then left without buying anything. Employees were not allowed to clean up or shut down any department as long as a customer was in the store.

Many part-time extras, usually teenagers, were hired during big sales and the holiday season. Their layaway system saw heavy use during these times. Large numbers of paychecks were cashed on Fridays, some from the ordnance works at Bynum, but mostly from Avondale Mills. And you did not have to be a regular customer. Mr. Jones felt that, if he cashed enough checks, you would soon shop there because of their thoughtful service.

mays-and-jones-store-2Among Mays & Jones’ product offerings were shoes for the whole family; women’s coats, dresses, stockings, lingerie and sportswear; men’s suits and haberdashery items; some house linens; and other soft goods.

They also ordered custom uniforms for local banks and other firms with staff who served the public.

At one time the store sold toys and other home items, but its inventory eventually centered around clothing and personal items. Brands included Jarman, Sewell, Connie and Red Goose shoes, and Arrow and Van Heusen shirts.

Levi jeans were a best seller. Made from local Avondale Mills denim, these were not pre-shrunk. Many fashion-conscious buyers would put them on wet, then let them shrink-dry to conform to their body shape.

The shoe department sported an X-Ray machine, common in those days before we became aware of the dangers of radiation. Most often used on growing children, these devices displayed a live image of the bones of both feet inside a shadow image of the shoes. Youngsters gleefully wiggled their toes while Mom and the sales clerk studied a green screen inside the darkened cabinet to determine toe-room for growth. Thankfully, these well-intentioned hazards went away in the middle 1950s.

Lorene adds, “You wouldn’t believe how many people tried on shoes on the wrong feet. And one lady said she needed a larger size because her feet “expired real bad.”

Gerald Ensley related a story about buying shoes during World War II. In those days, leather was a strategic material needed for the war effort, so purchases were made using ration stamps, with only one pair a year allowed. Gerald’s mother had given him a stamp, and told him to buy some school shoes for the coming term on their charge account.

Gerald was told to buy brogans, a simple, inexpensive, rugged shoe whose un-cured war-time leather often wrinkled and discolored when wet. Upon reaching the store, however, Gerald first did a little window shopping, and noticed a fine-looking pair of patent leather shoes on a mannequin. Mom or not, he decided that’s what he wanted.

Mr. Jones told Gerald that he knew his mother had not sent him there to buy those, as such shoes often came apart from the rigors of being on a young boy’s feet. But Gerald insisted, and left the store sporting snazzy, shiny patent leather shoes.

Unfortunately, it had been raining that day, and the way back was sodden with mud holes and puddles. By the time Gerald got home, his fine new shoes had loose, flapping soles and had long since lost their glassy sheen.

A helping hand
Mays & Jones had a long-standing reputation for helping those in need. Florence relates that they had more than a thousand credit customers. Taylor tells of an unemployed truck driver who came there looking for work clothes but had no money. He was given clothes on credit, and as soon as the man got his first paycheck, returned with a payment. Further, he brought Taylor 5 pounds of shrimp from his new job of transporting seafood from Florida, and thence used the store for all his family’s clothing needs.

Taylor says that Mr. Jones customarily spoke to everyone, even people walking by on the sidewalk. Lorene adds, “He didn’t spend his day sitting back there in his office; he was out front greeting customers.” He was known for commiserating with townsfolk in needy circumstances, offering kindly advice as well as goods. A dedicated community man who never refused to make a charitable donation, Jones served as an officer in the Chamber of Commerce and Lions Club and was a devout Methodist.

The building’s second floor was reserved for rentals to business clients, among them the Pell City DHR office. Current building trustee, attorney Ted Van Dall, says that during the building’s hundred-year-plus history there has always been at least one lawyer upstairs. Attorney/judge Edwin Holladay was once a tenant. Dr. R.A. Martin’s brother, Claude, had a dental office there.

Another one-time tenant, Bill Hereford, was a former attorney, judge and mayor of Pell City. He says the front windows were helpful to lawyers because they could see who was walking with whom from the courthouse to Rexall for lunch and who visited other law firms on the square.

Hereford purchased the Jones’ family home on 3rd Avenue North in 1987 and still lives there today. It’s a magnificent old dwelling, faithfully preserved except the old steam radiators and attic fan have been upgraded to central heat and air.

He tells that the Jones family had the first television set in Pell City in the early 1950s and that Jones delighted in inviting neighborhood kids in to watch the Saturday shows. Jones’ daughter, Dixie Ann Newman, was a former legal client of Hereford’s.

After Jones’ passing in 1968, the business was owned for a few years by Dixie Ann’s family, the Newmans, before the main store was shut down in the early 1970s. Some remaining inventory was moved to another short-lived location in the present Ben M. Jacobs Masonic Lodge building. Established by Mack Taylor, this new store was called Mays & Jones Home Goods.

In 1975, the original building suffered major damage in a tornado that struck downtown. Various other firms have since occupied its repaired premises, which now hosts Farmer’s Insurance Company. The old bank safe and vault still exist, far back in a rear corner. It’s always left open and unused because the combination is long-forgotten. It’s only been robbed once, by someone who chiseled a hole through the second floor, then blasted the safe with dynamite. The yegg was never caught.

Both Florence and Lorene speak highly of their days at Mays & Jones, naming it an ideal place to work and shop. Most anyone over age 60 in Pell City will attest to its quality, fairness, and genuine concern for customers that brought them back year after year.

Fore more images of Mays & Jones Department Store, read the full digital or print edition of the August & September 2014 edition of Discover The Essence of St. Clair Magazine.

Luring the big ones

fishing-BASS-logan-martin-2Sport fishing big on Logan Martin

Story by Jim Smothers
Photography by Michael Callahan
Submitted Photos

Ever since the Bass Anglers Sportsman Society (B.A.S.S.) put Lake Logan Martin on the map as a great place for sport fishing, its popularity has soared.

The 1992 Bassmaster Classic wasn’t the first fishing tournament to be held on the lake, but the B.A.S.S. imprimatur bestowed on the lake by that event certified what local fishermen already knew — it’s a great place to go fishing. It didn’t hurt that the winning angler that year, Robert Hamilton, Jr., caught 21 bass weighing a total of 59 pounds, 6 ounces — the third highest creel ever in a Classic tournament.

B.A.S.S. returned to Logan Martin after 1992 for two more Classics, the 1998 Alabama Bassmaster Top 150, the 2007 junior tournament and the 2013 Bass Pro Shops Southern Open. The lake continues to be the site of tournaments hosted by a number of other organizations.

Among the Pell City-based tournaments held or planned for this year are those organized by Mark’s Outdoor Sports Open, American Bass Anglers Weekend Bass Series, Birmingham Engineers, Bremen Marine, U.S. Steel, Buck’s Marine, Joseph Harrison, Alabama Bass Trail, the McSweeney Foundation and Casting for the Cure.

“They just like coming here,” said Nancy Crow, Civic Center Coordinator for the Pell City Parks and Recreation Department. Most of the tournaments operate out of Lakeside Park, and Crow helps work out the details with organizers to make sure they have what they need.

“Our lake is beautiful, and it’s a great place for them to launch. We have a 65-acre park there. They like our boat ramp, and they have interstate access nearby. They (tournament organizers) call from everywhere, and it’s increasing.”

Crow said she has 30 tournaments on the schedule this year, including one group that will host a tournament every Wednesday until the water goes down to winter pool.

fishing-BASS-logan-martin-3So far this year, the McSweeney Foundation had about 200 boats; the Bass Weekend Series about 300; the Alabama Bass Trail about 400; and Mark’s Outdoors weighed in with more than 500 boats, including about 200 in the parent-and-child division.

After hosting its annual tournament on Lay Lake for 19 years, Mark’s Outdoor Sports moved it to Logan Martin this summer.

“They wanted to come try it here,” Crow said. “They can have the whole park, and we already have them down for next year.”

Pell City Mayor Joe Funderburg said he was “tickled to death” the city was able to host the tournament, the biggest one on the lake. The ability to host these tournaments is an asset to the community, bringing in plenty of people connected with the tournaments. That means increased business for area motels, restaurants and other businesses.

“We feel really good about it. We strive to bring them in, and they just keep increasing the reputation of Logan Martin as a great lake to fish in,” he said.

Pell City Chamber of Commerce Director Erica Grieve said Lakeside Park is a beautiful place and commended the city’s Parks and Recreation Department for all it does in helping organizers with the tournaments.

“They love to fish on Logan Martin Lake,” she said. “It has a lot to do with the people involved getting things set up and the openness in the community.”

Grieve said the Chamber works to make sure organizers get the information and maps they need to plan their events.

“We try to get them whatever they need,” she said. “I believe the tournaments have a huge impact. They fill up our hotels, they have to eat somewhere and get gas. … There’s a definite impact. They have been great to work with, and it just makes you want to do more.”

Mark’s tourney a big catch
The move of Mark’s Outdoors’ tournament to Pell City appears to be permanent.

“It was a great success and seemed to be very well received by the city, the homeowners, and we were pleased with the exposure it got,” said Blake Harlow, tournament director and fishing manager at the Vestavia Hills sporting goods store.

Involved in fishing tournaments since he was 10 years old, Harlow was also a founding member of the University of Alabama’s fishing team. He is proud to see the tournament continue, and the vision of tournament founder Mark Whitlock keep going. Whitlock lost his battle with cancer two years ago. Whitlock insisted the tournament have a division for parent/child teams, with their participation underwritten by sponsors. This year there were 200 parent/child teams among the more than 500 in the tournament.

“People from all over the Southeast came, and we see Pell City as the permanent home for it now,” Harlow said.

With two main launches at Lakeside Park and two others near the baseball and softball fields, organizers had an easier time getting all those boats in the water. He said the park also gave participants and spectators plenty of room.

“There was enough room for everybody not to be bunched-up at the weigh-in and a lot more family fun in the park for kids. We were apprehensive about moving — we were afraid the lake would fish small and everyone would be bunched up and on top of each other, but it was just the opposite. And people caught fish all day.”

He said he has also noticed a growing trend of girls joining in the fun.

“We’re seeing more people getting active in fishing. There are more kids now, more parents, more moms and daughters, and more girls fishing now than I’ve ever seen.”

He thinks the growth of fishing as a team sport at high schools and colleges is helping to get more people involved.

“Fishing is a full-fledged sport at Auburn, Alabama, AUM, Montevallo, South Alabama, Troy and UNA. Some of them are actually giving scholarships.”

Organizers for most tournaments observe a strict catch-and-release policy to help minimize pressure on fisheries, and Mark’s takes conservation a step further at its annual tournament. Each team is given a bag of bass fingerlings before they launch, with instructions to release them when they stop to fish. Harlow estimates there are 75 fingerlings in each bag, a total of more than 37,000 fish released to help make fishing in the future even better than it was before.

Harlow also expressed appreciation to B.A.S.S. for helping with the weigh-in and release and for the organization’s work in establishing procedures for catch-and-release to keep fish populations strong.

But bass weren’t the only attraction at this year’s tournament. The 2014 Bassmaster Classic Champion Randy Howell of Springville appeared at the competition. He has made his mark as a top competitor on the circuit, and he won his first Classic earlier this year.

He has spent a lot of time on Logan Martin, and has written Pro Tips articles for the Alabama Bass Trail website with advice for both summer and winter fishing on the lake.

B.A.S.S likes Logan Martin
B.A.S.S. Director of Event and Tourism Partnership Michael Mulone said catch-and-release fishing was instituted in the early ‘70s. The organization worked with state agencies on water quality and fish-care measures and cleanup efforts.

“It’s kind of a 360 approach, making sure fisheries are healthy,” he said. “Bass fishing is not about tournaments, it’s about lifestyle. It does us no good if we have a tournament and don’t leave it in the same condition we found it.”

Mulone added that while B.A.S.S. did not have an event on Logan Martin this year, they will definitely be back.

“When we pick our venues, it has to be a body of water with a healthy bass fishery that can host 200 boats. They can be hard to find,” he said. “Thankfully, there’s a whole lot of lakes in Alabama that can host. Logan Martin is one of them, with ramp facilities and hotels nearby, and it helps being close to the interstate. Pell City is a great town as well, and that’s part of why we like going there.”

B.A.S.S. organized its first fishing tournament in 1967 in Arkansas, an event that spawned a revolution in the sport. Pro fishermen have become as well known as movie stars to those who follow the sport, and when B.A.S.S. chooses a lake as a tournament site, it’s a seal of approval that carries a lot of weight.

“Any lake we suggest that’s tournament quality is a fantastic fishery. Though we have a top 100 list we put out every year, any lake we choose is one of the best of the best,” Mulone said. “In every destination, you take it for granted how good it is. These are fantastic destinations for families and anglers to visit. I definitely would put Logan Martin in the top tier. As far as the quality of the fishery and the people around there, it’s top notch.”