Cecil’s Music

Mandolin maker’s special creations

Story by Jerry C. Smith
Photos by Wallace Bromberg Jr.

Cecil-Blount-mandolinBreakfast time at Jack’s Family Restaurant in Pell City is a busy, noisy affair, as dozens of loquacious locals begin their day with tater tots, sausage biscuits, cinnamon buns, and currently relevant chitchat. But 85-year-old Cecil Blount of New London can easily squelch the din with a few strokes of his fingertips.

Recently, he sat down among friends at one of the large center round tables, which are notoriously noisy, and unobtrusively began picking out a simple tune he calls “Spanish Two-Step,” on a mandolin he’d made for himself.

At first, only those around his table piped down to listen, but by the time he was halfway through his number, the quietness had spread in expanding circles until the whole room was mostly silent save for Cecil’s music. When the number ended, he was treated to a round of applause as various folks marveled at Cecil’s skills, as both musician and craftsman.

He’s made at least a dozen instruments, including several mandolins, a dobro, fiddle, steel guitar, and will occasionally build one to order.

Cecil doesn’t work in an elaborate shop like some of those craftsmen you see on TV, but rather uses simple hand and power tools and homemade wood-bending forms while working in fresh air under an outdoor lean-to shed he built himself. Rather than relying upon complex formulas and a fancy shop full of exotic tools, his emphasis is on skill, a feel for carefully-selected materials and a natural ear for music.

All his instruments have that certain home-crafted look about them, but also a precision that’s readily apparent to the eyes of other craftsmen. Each piece is unique, as only Cecil can make them.

A lifelong native of Delta, Mississippi, he moved to St. Clair County about two years ago to be near his kinfolks. Cecil lives in a house he and his son, Mike, designed and built on a lot near Coosa Island Marina. Mike lives next door.

It’s the perfect man cave, built for the needs and pleasures of a single man who claims that, “five wives was enough.” The decor is simple and easy to maintain, with certain masculine touches many women would not tolerate, such as a corrugated steel ceiling and polished concrete floor. The walls are hung with stringed instruments, many of which he made.

Cecil admits his home is a bit on the small side, but adds with a wink, “there’s always room for an occasional visitor.”

A painter by trade but musician by avocation since age 15, he’s played with several local and regional bands and stars, including Big River and Jack Curtis in Mississippi. He also plays in monthly sessions at a local senior center, the State Veterans Home, various nursing facilities and his church, Friendship Freewill Baptist in Pell City, where he sometimes jams with Mayor Joe Funderburg, Judge Alan Furr and the church’s pastor, Dr. Michael Barber.

Cecil-Blount-merle-Haggard-dobroCecil’s most prized possession is a dobro he made that bears Merle Haggard’s autograph. Merle was playing a concert in Sturgis, Mississippi, when Cecil handed his dobro over the fence to a secretary, who asked the country and western superstar to autograph it during a session break.

If confused by all the various stringed instruments, and what makes each one unique to its type, Cecil helped cut the fog. For instance, a dobro and a regular guitar have the same number and size of strings, but they are tuned to different scale notes.

Also, a dobro has a special sound box, usually a circular affair of metal or wood, that produces the twangy, shrill notes peculiar to that instrument, whereas an acoustic guitar relies on the body of the instrument itself to develop its deeper, richer sound.

Mandolins have four pairs of strings, with both strings of each pair tuned to precisely the same note. The pick hits both strings in a pair with every stroke, giving a characteristic mandolin “pli-plink” sound.

What’s the difference between a fiddle and a violin? Cecil said that a violin might be a bit larger than a fiddle, but if someone asked him to make either, his product would be the same.

Discover photographer Wally Bromberg, who is no slouch on stringed instruments himself and jammed a bit with Cecil during the interview session, added, “You carry a violin in a case, and tote a fiddle in a sack.”

Cecil loves fishing, and lives within rock-throwing distance of Logan Martin Lake. In fact, he discovered his bit of heaven while visiting his son, liked the lake and neighborhood, and quickly settled in.

If one word could describe Cecil, it’s “imaginative.” His keen perception and active mind is reflected in everything around him. He has a small metal fishing boat that he converted to inboard style by mounting a five-horsepower lawn mower engine amidships, connected through a go-kart clutch and waterproof housing to a propeller underneath. It also has a yard tractor seat and steering wheel. It’s a poor man’s Chris-Craft.

Additionally, he’s built and sold several bicycles which he had converted to gasoline engine power, almost identical to the old Whizzer bikes familiar to any boy over 70.

Everything in sight is absolutely Cecil Blount. l

Hiram Premiere

Hank-Williams-Hiram-1

Young Hank Williams world premiere coming to CEPA

Story by Carol Pappas
Photos by Wallace Bromberg Jr.

At age 29, it hardly seemed enough time to become a legend. But Hiram King Williams, known to most as Hank, possessed an innate musical genius that propelled him to superstardom by the time he was 25.

For the man who garnered number one hits, Grammy Awards and the Pulitzer Prize, it was plenty of time to set the music world on fire, melt more than a few cold, cold hearts along the way and set the standard for country music to this day.

While much has been written about his life as a young man and celebrity, little has been penned about the boy born in Mt. Olive, Alabama, who grew up in Georgianna and Montgomery. Until now.

Nationally syndicated columnist Rheta Grimsley Johnson and playwright John M. Williams collaborated to bring Williams to life on stage once again, but not as the country music legend he would become. It’s simply Hiram, the boy from rural Alabama who grew up during the Depression, picked up a guitar at the age of 8 and created music and lyrics that still touch the soul 60 years after his death in 1953.

The world premiere of Hiram, Becoming Hank Williams, comes to center stage at Pell City Center for Education and the Performing Arts, CEPA, Feb. 26-28. Its arrival in St. Clair County perhaps has as many twists and turns as Williams’ life.

Hank-Williams-Hiram-3The play was first going to be booked at a theatre in Georgianna, home of Hank Williams’ Birthplace Museum and where a festival takes place every year. Johnson, who wrote the book, Hank Hung the Moon and Warmed Our Cold, Cold, Hearts, had a book signing there. Museum Director Margaret Gaston wanted to take it further. “She envisioned a short play at the theatre in Georgianna,” Johnson said, and Johnson was encouraged to write it.

Johnson called her playwright friend, John M. Williams, and they agreed to collaborate. “I knew Hank lore, and he knew playwrights.”

But, the theatre closed, and Gaston mentioned CEPA Artistic Director Kathy McCoy, who had been a director in nearby Monroeville. “I give her (Gaston) a lot of credit for the idea – “What was the genius? Where did it come from? I am disappointed that Georgianna fell through for her.”

Georgianna’s loss became Pell City’s gain. McCoy agreed to direct, and CEPA’s board of directors welcomed the world premiere to its theatre.

Along the way, there has been a lot of work to craft the final version. “It went back and forth,” writing and rewriting, said Williams. “We spent lots of time listening to good music,” he noted, adding how that music had influenced Hank – Hillbilly, Blues, country.

“We wanted to recreate the South he was in,” Williams said.

“Adapting the original play to stage was a challenge,” McCoy added. “Music was involved, so we had to bring it all together.”

Jett Williams no longer in the wings

Jett Williams, Hank’s daughter, co-wrote a song especially for the play. Appropriately called, Hiram, the song will make its debut opening night – and Williams will be there. In a telephone interview from her Green Grove, Tennessee, home, Williams talked about the song, Johnson, her father’s life and his influence that is still felt decades after his death.

She co-wrote the song with friend Kelly Zumwalt, and Corey Kirby, who plays Hiram, will be premiering the song.

Hank-Williams-Hiram-2Jet Williams has a longtime friendship with Johnson, who first began writing in her syndicated newspaper columns about Williams’ years-long battle to be recognized as Hank Williams’ daughter. She devotes a chapter in her book about Hank to Jett Williams.

Jett was born to Bobbie Jett, with whom Williams had a relationship. Hank died months before her birth, but he had made arrangements for his own mother to adopt her. She did, but she died two years after the adoption. Jett went into a foster home and then was adopted again by a couple from Mobile and grew up as Cathy Deupree.

Jett said she met Johnson many years ago when her legal battles began. “She’s a fabulous writer. She included me in one of her columns. From the first time I talked to her, she made no secret that she was a huge fan in love with Hank Williams. Other than loving Auburn (Johnson is an AU graduate), that would be it.”

Jett talked about Johnson’s book and how she was “always a champion for my dad – his music and his memory.”

“We started out as reporter and subject. Now, we’re friends,” Johnson said.

Jett likes the angle of the story for this play, she said. “This is a different approach to Hank Williams,” she said. “It’s his childhood, discovering his talents and setting forth to live his dream.”

So much has been written about his death or the Grand Ole Opry. “More has been written about that time of life,” Jett explained. “This goes back to the beginning.” Someone of his stature and genius “doesn’t just wake up at 21 and say this is something I want to do.”

After reading the script, she said, “I am proud of Rheta and Johnny. They did a great job. But reading the play and actually seeing it come to life – that’s why I’m coming to Pell City. I want to see it jump off the paper and come to life. I am excited to see it on stage.”

Johnson and Williams share the excitement of being able to tell this story. “He was born with this great gift, but there were influences,” Johnson said. There was a blues influence, a spiritual influence and a honky tonk influence.

The blues influence on him was “enormous,” Williams said. “He had this air all around him, a lot of influences on him.”

“He put it all together,” Johnson said, citing lyrics from Your Cheatin’ Heart. “That’s not unlike what the bluesman wrote about: ‘Another mule kicking in my stall.’ Nothing requires a footnote to explain what was happening in 1952” in his life.

Jett, who is a country music entertainer on her own and a producer of Unreleased Recordings of Hank Williams, earned a Grammy nomination for it.

She accepted the Pulitzer Prize for him. Take the lines from her favorite song, I’m so Lonesome I could Cry, and the genius is evident:

The silence of a falling star
Lights up a purple sky
And as I wonder where you are
I’m so lonesome I could cry

“Even with no melody,” Jett said, “it shows you genius. The highest journalist award shows the greatness of the man from Alabama.”

“Good music is good music,” Johnson said. “The lyrics are so poetic, it’s going to last. He’s lasted. It’s Alabama’s best story.”


Ticket information

Feb. 26 at 7 p.m.
Tickets, $22.50
$15, Students and Seniors

Feb. 27 at 7 p.m.
Tickets, $22.50
$15, Students and Seniors

Feb. 28 at 2 p.m.
Tickets, $22.50
$15, Students and Seniors (62+)

Buy online @ pellcitycenter.com.
Or call to reserve @205-338-1974

Feb. 25 at noon at CEPA
Book signing, program by Jett Williams and Rheta Grimsley Johnson
Reception to follow

Making Beautiful Music

musician-teachers-1St. Clair teachers’ latest
recording topping charts

Story by Jim Smothers
Photos by Jim Smothers,
Wallace Bromberg Jr.
and Graham Hadley

Their students may have noticed Shannon and Heather Slaughter were in an especially happy mood in mid-May, and it wasn’t just because the last day of school was approaching. This bluegrass performing couple just got word that their independent CD, Never Just a Song, had reached No. 1 on the National Roots Music Report for the week of May 13.

In their Facebook message to fans, the Slaughters said, “It’s our first number 1 on any chart, and we are really excited and feel really blessed.”

The traditional bluegrass song, Moonshiner, was the first single to be released after the album’s January release, and it’s gotten a lot of attention and airplay in the genre. But they’ll tell you quickly their favorite song on the disc is one they wrote together, The Best Thing We Ever Did.

It’s about their daughter, 2-year-old Rae Carroll Slaughter, who has changed their outlook on life and what’s really important in this world.

And it’s easy to see why. The adorable little girl inspired the lyric “She makes my day without saying a word,” and she is the center of their life together and their plans for the future.

About her

Shannon Slaughter was already a veteran performer and songwriter in traditional country and bluegrass music while Heather Sanders was playing electric bass with the youth band at her church in Argo in western St. Clair County.

She had a musical tradition in her family going back at least three generations. Her grandmother Ramona Carroll was part of a female vocal group that performed locally, and she hosted regular music nights in the basement of her store, Buckeye Grocery, near Argo.

Heather’s mom Robin was also a singer and bass player. She met Heather’s dad, Terry Sanders, when he came with his guitar to make some music with the people at the Carroll family store.

So it was no surprise that Heather could sing, but performing didn’t come naturally to her at first.

“My grandmother used to make me get up and sing at church,” she said, “and I was the shyest human being of all time.”

Her dad taught her to play guitar and mandolin, and she eventually conquered her shyness.

She made connections with Mike Toppins in Nashville and began work on her solo CD, I Meant It, and that’s what led to her first contact with Shannon.

A moderator with an Internet music site, Worldwide Bluegrass, knew Heather was ready to record, and wanted to help her along. The station had a message board, and the moderator sent Shannon a private message asking him if he had written any songs that would be good for a female singer, and he told him a little about Heather.

As any modern male would do, he looked her up on the Internet and found her photos on MySpace.

“She was really good-looking, so I replied, ‘Yeah, I think I have some songs for her,’ ” he said.

Heather recorded two of his songs on that CD, In My Heart, and Dying to Live Again.

The two communicated by email and telephone and really hit it off, but didn’t meet face-to-face at the time. Shannon was based in North Carolina where he was networked with a number of professionals in the industry. But Heather’s dad wasn’t sold on the idea of letting his daughter go out of state to meet a guitar-playing singer. The Internet station moderator didn’t like the idea, either. “She’s too young and innocent for the likes of you,” the moderator told Shannon when he asked for Heather’s phone number.

They didn’t have any more contact for two years.

“He left me high and dry,” Heather said. “Then I got home from a vacation, and there was an email waiting saying he wanted to see me.”

Meanwhile she joined the Gadsden-based band, Acoustic Rain, and played a number of shows across central Alabama. Shannon came down for a weekend to see her perform at Moonsong near Noccalula Falls in Gadsden.

“By the time I heard her sing five notes, I knew she was as good as anyone I had ever heard,” Shannon said. He sat in with the group for a couple of songs that night and stayed up all night singing with Heather. They hit it off so well in person, he extended his stay to spend more time with her, and they’ve been together ever since.

They swap lead vocals and support each other with silky smooth harmonies sure to please.

About him

Shannon is one of the better-known performers in bluegrass and classic country music today. Fans are quick to say he is “the real deal,” with his solid songwriting and guitar playing and friendly, soothing voice. He was raised in Chiefland, Fla., where he started performing while he was still in grade school. He started playing guitar when he was 8, and within two or three years he was singing at churches and livestock fairs and anywhere else people would listen.

As a teenager he met professional player Booie Beach at a Tony Rice concert and asked him if he would help him improve his playing. Beach taught Slaughter a lot of techniques and guitar licks that helped him on his way.

“We became lifelong friends,” Shannon said. He had played professionally already five to 10 years by that time.

“Two years later, Beach left the Larry Stephenson Band, and I took his place. Since he was my teacher, I already knew his licks, and I played my first two gigs with them without a rehearsal, and they told me, ‘You’ve got the job.’

During more than two decades of performing and recording, Shannon also played with Lost and Found, and for two years, he was the lead vocalist and guitarist for The Lonesome River Band. He was part of the Lou Reid and Caroline band, performed with Grasstowne and with Melonie Cannon, and he is also an award-winning songwriter.

But with all his experience and stature in the music industry, Shannon has kept his feet on the ground.

“There aren’t really any stars in this kind of music,” he said. “We’re just regular people.”

And they don’t have any intentions of quitting their day jobs. Both are school teachers. Heather is a special education teacher at Walter M. Kennedy Elementary School in Pell City and Shannon, a history teacher at St. Clair County High School in Odenville. He recently resigned from his additional duties as a football coach to be able to spend more time with his family.

“We want to keep on doing music, and we would like to have about 15 gigs a year,” he said.

Together

Alabama influences are making their way into the couple’s music, as reflected on their newest CD, Never Just a Song.

Back to Birmingham most obviously touches on Shannon’s new home state. Co-written with Heather and Dale Felts, they sing, “When I need to find out who I am, I go back to Birmingham.”

Less obvious is the Alabama connection in the song, Company Town. It’s about the lifestyle of a coal mining community in Margaret, where Heather’s grandfather once lived, the poverty the people endured, and how they lived together.

The sight of a farmer in bib overalls on Sanie Road between Argo and Odenville inspired the song, That’s What’s Good in America. It’s about “doing honest work for honest pay,” football, God and family.

The CD has 14 tracks, half of them written or co-written by Shannon.

You can find more about their music and CD online at shannonandheatherslaughter.com

Dancing With Our Stars 2015

dancing-candy-crushPell City charity event raises $10,000

Photos by Michael Callahan

You might call a ticket to it a hot commodity if you looked around the room with a capacity crowd of more than 500 to see the 2015 version of Dancing With Our Stars.

And you would be right.

Thirteen groups and couples danced their way into raising more than $10,000 for the American Cancer Society, an evening that featured ordinary citizens who stepped onto the dance floor and wowed the crowd with an array of moves, shimmies and surprises.

An insurance salesman donned a polka dot dress and wig to keep up with “the girls.” Police officers showed their moves to the tune of Bad Boys, and what better song for firefighters than Disco Inferno? It was all in fun and all for a good cause.

When the evening concluded and trophies awarded, the real winner was evident — the American Cancer Society — and the real hero was Pell City Line Dancers, who started the event a year ago.

Doris Munkus, who heads the group, called it “great entertainment.” The money will go toward helping cancer patients with gasoline for trips to treatments, wigs, prostheses, makeup, lodging at Hope Lodge in Birmingham and research at UAB Cancer Research.

Munkus had high praise for all the dancers who donated “time and talent” to the event, making it yet another success story for the Pell City Line Dancers’ fundraising effort for the American Cancer Society.

The support of the community has made it one of the top events of the year. “I love Pell City,” she said. “It is a great place to raise a family.”

Luring the big ones

fishing-BASS-logan-martin-2Sport fishing big on Logan Martin

Story by Jim Smothers
Photography by Michael Callahan
Submitted Photos

Ever since the Bass Anglers Sportsman Society (B.A.S.S.) put Lake Logan Martin on the map as a great place for sport fishing, its popularity has soared.

The 1992 Bassmaster Classic wasn’t the first fishing tournament to be held on the lake, but the B.A.S.S. imprimatur bestowed on the lake by that event certified what local fishermen already knew — it’s a great place to go fishing. It didn’t hurt that the winning angler that year, Robert Hamilton, Jr., caught 21 bass weighing a total of 59 pounds, 6 ounces — the third highest creel ever in a Classic tournament.

B.A.S.S. returned to Logan Martin after 1992 for two more Classics, the 1998 Alabama Bassmaster Top 150, the 2007 junior tournament and the 2013 Bass Pro Shops Southern Open. The lake continues to be the site of tournaments hosted by a number of other organizations.

Among the Pell City-based tournaments held or planned for this year are those organized by Mark’s Outdoor Sports Open, American Bass Anglers Weekend Bass Series, Birmingham Engineers, Bremen Marine, U.S. Steel, Buck’s Marine, Joseph Harrison, Alabama Bass Trail, the McSweeney Foundation and Casting for the Cure.

“They just like coming here,” said Nancy Crow, Civic Center Coordinator for the Pell City Parks and Recreation Department. Most of the tournaments operate out of Lakeside Park, and Crow helps work out the details with organizers to make sure they have what they need.

“Our lake is beautiful, and it’s a great place for them to launch. We have a 65-acre park there. They like our boat ramp, and they have interstate access nearby. They (tournament organizers) call from everywhere, and it’s increasing.”

Crow said she has 30 tournaments on the schedule this year, including one group that will host a tournament every Wednesday until the water goes down to winter pool.

fishing-BASS-logan-martin-3So far this year, the McSweeney Foundation had about 200 boats; the Bass Weekend Series about 300; the Alabama Bass Trail about 400; and Mark’s Outdoors weighed in with more than 500 boats, including about 200 in the parent-and-child division.

After hosting its annual tournament on Lay Lake for 19 years, Mark’s Outdoor Sports moved it to Logan Martin this summer.

“They wanted to come try it here,” Crow said. “They can have the whole park, and we already have them down for next year.”

Pell City Mayor Joe Funderburg said he was “tickled to death” the city was able to host the tournament, the biggest one on the lake. The ability to host these tournaments is an asset to the community, bringing in plenty of people connected with the tournaments. That means increased business for area motels, restaurants and other businesses.

“We feel really good about it. We strive to bring them in, and they just keep increasing the reputation of Logan Martin as a great lake to fish in,” he said.

Pell City Chamber of Commerce Director Erica Grieve said Lakeside Park is a beautiful place and commended the city’s Parks and Recreation Department for all it does in helping organizers with the tournaments.

“They love to fish on Logan Martin Lake,” she said. “It has a lot to do with the people involved getting things set up and the openness in the community.”

Grieve said the Chamber works to make sure organizers get the information and maps they need to plan their events.

“We try to get them whatever they need,” she said. “I believe the tournaments have a huge impact. They fill up our hotels, they have to eat somewhere and get gas. … There’s a definite impact. They have been great to work with, and it just makes you want to do more.”

Mark’s tourney a big catch
The move of Mark’s Outdoors’ tournament to Pell City appears to be permanent.

“It was a great success and seemed to be very well received by the city, the homeowners, and we were pleased with the exposure it got,” said Blake Harlow, tournament director and fishing manager at the Vestavia Hills sporting goods store.

Involved in fishing tournaments since he was 10 years old, Harlow was also a founding member of the University of Alabama’s fishing team. He is proud to see the tournament continue, and the vision of tournament founder Mark Whitlock keep going. Whitlock lost his battle with cancer two years ago. Whitlock insisted the tournament have a division for parent/child teams, with their participation underwritten by sponsors. This year there were 200 parent/child teams among the more than 500 in the tournament.

“People from all over the Southeast came, and we see Pell City as the permanent home for it now,” Harlow said.

With two main launches at Lakeside Park and two others near the baseball and softball fields, organizers had an easier time getting all those boats in the water. He said the park also gave participants and spectators plenty of room.

“There was enough room for everybody not to be bunched-up at the weigh-in and a lot more family fun in the park for kids. We were apprehensive about moving — we were afraid the lake would fish small and everyone would be bunched up and on top of each other, but it was just the opposite. And people caught fish all day.”

He said he has also noticed a growing trend of girls joining in the fun.

“We’re seeing more people getting active in fishing. There are more kids now, more parents, more moms and daughters, and more girls fishing now than I’ve ever seen.”

He thinks the growth of fishing as a team sport at high schools and colleges is helping to get more people involved.

“Fishing is a full-fledged sport at Auburn, Alabama, AUM, Montevallo, South Alabama, Troy and UNA. Some of them are actually giving scholarships.”

Organizers for most tournaments observe a strict catch-and-release policy to help minimize pressure on fisheries, and Mark’s takes conservation a step further at its annual tournament. Each team is given a bag of bass fingerlings before they launch, with instructions to release them when they stop to fish. Harlow estimates there are 75 fingerlings in each bag, a total of more than 37,000 fish released to help make fishing in the future even better than it was before.

Harlow also expressed appreciation to B.A.S.S. for helping with the weigh-in and release and for the organization’s work in establishing procedures for catch-and-release to keep fish populations strong.

But bass weren’t the only attraction at this year’s tournament. The 2014 Bassmaster Classic Champion Randy Howell of Springville appeared at the competition. He has made his mark as a top competitor on the circuit, and he won his first Classic earlier this year.

He has spent a lot of time on Logan Martin, and has written Pro Tips articles for the Alabama Bass Trail website with advice for both summer and winter fishing on the lake.

B.A.S.S likes Logan Martin
B.A.S.S. Director of Event and Tourism Partnership Michael Mulone said catch-and-release fishing was instituted in the early ‘70s. The organization worked with state agencies on water quality and fish-care measures and cleanup efforts.

“It’s kind of a 360 approach, making sure fisheries are healthy,” he said. “Bass fishing is not about tournaments, it’s about lifestyle. It does us no good if we have a tournament and don’t leave it in the same condition we found it.”

Mulone added that while B.A.S.S. did not have an event on Logan Martin this year, they will definitely be back.

“When we pick our venues, it has to be a body of water with a healthy bass fishery that can host 200 boats. They can be hard to find,” he said. “Thankfully, there’s a whole lot of lakes in Alabama that can host. Logan Martin is one of them, with ramp facilities and hotels nearby, and it helps being close to the interstate. Pell City is a great town as well, and that’s part of why we like going there.”

B.A.S.S. organized its first fishing tournament in 1967 in Arkansas, an event that spawned a revolution in the sport. Pro fishermen have become as well known as movie stars to those who follow the sport, and when B.A.S.S. chooses a lake as a tournament site, it’s a seal of approval that carries a lot of weight.

“Any lake we suggest that’s tournament quality is a fantastic fishery. Though we have a top 100 list we put out every year, any lake we choose is one of the best of the best,” Mulone said. “In every destination, you take it for granted how good it is. These are fantastic destinations for families and anglers to visit. I definitely would put Logan Martin in the top tier. As far as the quality of the fishery and the people around there, it’s top notch.”

Leverton Brothers

Band topping the charts

Story by Carolyn Stern
Photos by Michael Callahan

The Leverton Brothers Band hardly had time to pack up their instruments between shows in the past few months. This local group is gaining recognition all over the county and beyond, and Benny (Benjammin) and Randy Leverton are realizing a lifetime dream.

More proof of “breaking out,” comes from the popularity of their single, “Polecat Holler.” It recently hit Number 1 on the Indie World Country Chart. The “holler” is an actual spot located between Gadsden and Guntersville. Bill Moon, who knows a lot about that area, wrote the lyrics, and band members came up with the music.

This recognition builds on the popularity of last year’s hit, “Take Me Back to Alabam’” written by Randy and Letha Leverton.

Brothers Benny and Randy are the founders of the band. Both have been musicians most of their lives. “I started playing guitar when I was 10 years old,” Benny says, “and I’ve been playing and writing songs for more than 30 years.”

Randy, who mans the drums and sings, has taken very much the same course. “Each of us played with different groups for a while,” he says, “then we got together and picked up other members along the way.”

Managing to keep their day jobs, the brothers grew their audience by performing as much as possible. Randy has owned RTL Printing and Signs in Pell City for 20 years, coincidentally, the band’s direct source for its t-shirts and CD covers. Benny is retired from CenturyLink Telecommunications. They split the band’s business between Randy’s Studio 1 in Cropwell, where the recording is done on Benny’s Benjammin’ label.

The band’s song list covers blues, country, rock and soul. Much of the music they play is written by one or more of the band members.

Talent binds the present crew. Benny’s wife, Paula, says, “Sometimes we sit in the studio and toss stuff back and forth. Somebody comes up with a tune, somebody else throws in some words.” She joined the band in 1990, plays percussion, sings and writes songs. She also has a day job as Executive Assistant-Nursing Administration at St. Vincent’s St. Clair.

Barry McNair, a classically-trained pianist is on keyboard. He began playing piano when he was five. His day job is teaching electronics for the Etowah County Board of Education. Barry moves between electronics and music with the ease of a man who enjoys both.

J.J. Jackson says he “hit the road in his teen years and has been wandering ever since.” He’s played bass guitar in a number of bands. “My favorite was the Crimson Tide band in the ‘70s.” It had nothing to do with the University of Alabama, he adds.

Phil Harris, acoustic rhythm guitar, is a seasoned songwriter who’s been performing for 20 years. Recently, he recorded “11 o’clock” and “Where Have All the Heroes Gone” at Studio 1.

Whether performing in front of a crowd or jammin’ together, there’s no stopping the music from flowing. As Benny puts it, “We just write about life, and we just love music.”