DeLoach Farms

Bringing good food
right to your door

Story by Roxann Edsall
Photos by Mackenzie Free
Submitted photos courtesy of DeLoach Farms

“Being married to a farmer is like being married to a professional gambler,” Kate DeLoach says. “There is so much investment to get a crop in the field.”

With variables like weather, labor shortages and the trade environment over which they have no control, keeping up their 840-acre farm is hard work. Kate and John DeLoach own and operate DeLoach Farms in Vincent, just across the St. Clair County line.

They have survived by taking lessons learned from the past and from the current pandemic and turning them into new opportunities.

The past two years have seen tremendous change in the farm, going from primarily producing soybean, cotton, wheat, hay and corn, to serving more of the needs of the local community.

John’s great grandfather used to deliver kids to school in this school bus, then load up vegetables to peddle on the courthouse square in Pell City.

Their decision to offer farmer’s choice food boxes came out of a desire to meet the needs of the community at the beginning of the COVID-19 pandemic. They would put together a variety of fruits and vegetables in each box and meet customers for pickup. They now offer a full farm-to-table food box option with deliveries around St. Clair and Shelby counties. 

Kate says their son, Jess, developed the farm-to-table food box program. He is an accounting major at Troy University. He came home just a few months into college when the pandemic shut things down. He dreamed it up and started selling the boxes while he was home.

It has been wildly popular, and Kate says they are hoping to include meat and eggs in addition to the fruits and vegetables this year. There are several options offered and include things grown on the DeLoach farm and by other nearby farms.

The U-Pick strawberry patch was also inspired by Jess. They have nine acres dedicated to strawberries and grow several different varieties. Unable to keep up with the demand last year, they have more than doubled their number of plants from 35,000 to 75,000 this year.

Dozens of people are scattered throughout the fields on a sunny Wednesday enjoying the strawberry picking experience. A grandma holds the hand of a giggly little girl with strawberry-stained fingers and mouth.

Another customer checks out with her five gallons of strawberries. She’s making strawberry jam today.

Still another is from Michigan, visiting her cousin, who brought her here to enrich her Southern experience. They’re planning to make strawberry shortcake later in the day.

These are the people John works so hard for. “People and strawberries are my favorite,” he says. “Getting to see the people enjoy the fruits (literally) of your labor is pretty great.”

“We so appreciate people who support the local farmer,” adds Kate. “The local buyers help to insulate us from the global supply chain issues. We kind of support each other.”

Serving his community is a labor of love for John, whose ancestors bought the land on the banks of Kelly Creek back in 1820. For him, it’s also about respecting the land and his heritage.

The land is traced back to John’s great-great-great-grandfather, John Martin, Sr., who moved from South Carolina to what was St. Clair County (before the county lines were redrawn) and bought the land to start his life with his new wife, Sarah. His son, John Martin, Jr., returned to the farm from the Civil War after having his arm amputated due to injuries sustained in the war.

Fast forward to 1915, and Frank Harrison Lowe, John DeLoach’s grandfather, was born in the two-room house on the farm. The farm thrived for more than a decade, then fell into decay and neglect during the Depression. Frank returned to the farm after World War II and began working to bring it back to its former glory.

Kate feeds catfish at their fishing cabin

Tremendous progress had been made by the time John was born. John remembers being a young boy and working alongside his grandfather on the farm. Watching his grandfather help a cow struggle to deliver her calf is one of his earliest memories. When his grandfather died in 1988, John promised his grandmother that if she kept the farm, he would take care of it. He worked the farm every day after school. When he graduated from high school at 16, he took over the daily operations.

Over 30 years later, running the farm keeps him very busy. He’s up each morning by 4:30 and falls back into bed exhausted by 7:30 most evenings. While he has a handful of people who work for him, he does a lion’s share of the work himself.

Beyond the planting and harvesting work, he even finds time to make furniture, like the picnic tables in the strawberry patch, with materials sourced on the farm. He runs fallen trees through the planer in his sawmill to be able to use what would be wasted. 

He built a small fishing cabin with salvaged wood from former structures on the land and with cedar harvested there. The ceiling beams are from an old barn on the property that used to house a live nativity during Christmas.

Being a good steward of the land is one of the reasons he was honored as Alabama Farmer of the Year in 2018. That same year, DeLoach Farms was named the 2018 Alabama Farm of Distinction. For that award, farms are judged on sustainability, success as a business and conservation mindedness.

John credits his grandfather with instilling in him the need to responsibly care for the land and the creatures that use it. “We do a lot of conservation on the land,” he says. “We have beehives and plant things like clover and partridge peas for the wildlife. We have deer, fox, bobcats and lots of birds.”

Twenty acres of property is set aside as wetlands.  The area is filled with stately tupelo trees, an important food source and shelter for migratory birds. It is also equipped with a special pump system that fills and empties the wetlands seasonally to support the health and sustainability of the habitat.

They live in the 10-room farmhouse built by John’s great-grandfather in 1918. “My granddad’s name in still written on a shelf in one of the bedrooms,” John says. It identified his grandfather’s personal storage space in a house full of children. The house was lovingly dubbed the “Halfway House,” because people said it was “halfway between where you were and where you needed to go.” And, according to family legend, it was a great place to stop for supper.

The house was also home to the first telephone line that connected local townspeople with doctors in nearby towns. It was installed in 1915 to give residents a way to connect people to the doctor in Vincent or the one in Easonville, the St. Clair County town now under water when Logan Martin Lake was created in 1965. They just had to make their way to the house and John’s great great-grandmother, Eva, would patch them through.

John’s great-grandfather, John Marion Lowe, also served the area by buying a school bus in 1925 to take rural children to school. After dropping them off at school, he’d come back to the farm, load up fresh produce and take it in to Pell City to sell.

The farm is one of eight in the state to be recognized as a Bicentennial Farm, a program that honors families who have owned and operated their farm for 200 years or more. “That’s quite a big deal,” explains Kate. “It gets harder and harder each year to stay open. There’s a lot of pressure to sell as the city creeps closer and closer.

“We’d love for someone to be here 200 years from now talking about the family farm.” But Kate adds, “It’s a hard way to make a living. We’ve never placed any expectations of farming on Jess.” His business and marketing sense in directing the food box deliveries and strawberry U-Pick operation seem to support that possibility.

DeLoach Farms seems to be playing the long game. When the chips were down, they adjusted to meet the changing needs in the community. And they are growing again.

They have purchased adjacent property with plans to add a blackberry U-Pick operation in a year or two. There are also tentative plans for an apple orchard. This summer they look forward to opening a new area for picking sunflowers.

They will also have vegetables for sale all summer. If you are interested in the farm-to-table food boxes, contact them via Facebook, on Instagram or at www.deloachfarms.com. l

Grave Dowsing

Finding where the bones are buried

Story by Elaine Hobson Miller
Photos by Wallace Bromberg Jr.

About 50 people gathered inside Reeves Grove Baptist Church on a fall Saturday, listening attentively as The Backwood Boys sang Ain’t No Grave (Gonna Hold This Body Down), Swing Low, Sweet Chariot and other old spirituals.

They heard a brief history of the church and received apples from the apron pockets of several women dressed in the fashion of the late 1800s, when the church was established.

But the main attraction was outside, after these presentations, when two grave dowsers approached the old church cemetery, dowsing rods made of wire in their hands. Dowsing has been used for centuries to locate water, graves, pipelines and other underground objects by watching the motion of a pointer – usually a forked stick or paired bent wire. At Reeves Grove, the group was locating graves as part of its ongoing restoration project at the historic church.

Backwood Boys Mark Willingham, Marlin Galloway and Adron Willingham play at grave dowsing event.

It didn’t take long for Wayne Gregg’s rods to cross, indicating a grave. According to the marker, that grave belonged to Elizabeth McCorkle, wife of the original owner of the McCorkle Plantation upon which Reeves Grove now stands. Something wasn’t quite right, though. The markers weren’t where they were supposed to be. His rods indicated the presence of a second body that wasn’t represented on the grave marker. “We think it might have been Elizabeth’s husband,” says Linda Moyer, chairperson of the Reeves Grove Historical Committee.

The group soon moved on to the slave section of the cemetery, where the graves have no stones. The committee wants to mark those graves and give the folks buried there the recognition they are due, even if their names are unknown.

Gregg, who is from DeKalb County, wasn’t the first dowser to notice the anomaly of an extra person in a grave, however. “I went up there one afternoon with some members a week before they had the official event,” says Frank Waid, a Springville grave dowser who studied under Gregg. “We laid out the McCorkle Cemetery and marked a bunch of graves with flags. (Moyer says they put ribbons on the graves of the church founders.) One kept giving all kinds of problems. I was getting readings of male and female bodies. I said, ‘Something’s wrong here. I think there’s two people in this grave, but I’m not sure, because I’m not as experienced as Wayne Gregg.’ So, when they had the special day and demonstrated dowsing for the people, Wayne started walking in the spot where I had been walking and said, ‘There are two people buried here!’”

The dowsing event was another effort to raise awareness and money for the restoration of the original church building. The church historical committee is restoring the sanctuary and its attached fellowship hall to be used as an event venue.

But restoration wasn’t uppermost in the minds of those in attendance on dowsing day. People were so interested in Gregg’s presentation on grave dowsing that their questions and his answers pushed his allotted 30-45 minutes on the program to an hour. “They were fascinated,” says Moyer. “They also enjoyed Macki Branham’s brief history of the church and Glenda Tucker showing off a fashionable dress from the McCorkle era.” The dress was once worn by Eliza Elizabeth (Moore) Keith, (December 16, 1827-January 8, 1891), the great-great-grandmother of Glenda’s husband, Harry Tucker.

The Backwood Boys – Gallant musicians Adron and Mark Willingham on guitars, Marlin Galloway on mandolin – continued to play as the audience filed outside behind Gregg and Waid for the actual grave dowsing. Gregg narrated while Waid demonstrated dowsing techniques.

“I use two wires I got from Wayne,” Waid says. “If they cross high, it’s a female; if low, it’s a male. Lots of times (during the 1800s) women died in childbirth and they buried mom with her baby on her chest. Wayne can tell that, but I don’t have that experience yet.”

Waid noticed that all the graves in the slave section were small and wondered whether they might be buried in a fetal position. “They wouldn’t have had the resources for caskets, so they probably wrapped the bodies in blankets,” he said. “Most of these slaves came from South Carolina, and they were Caribbean slaves, so some of their beliefs determined how they were buried.”

Waid took a grave-dowsing class from Gregg about three years ago at his wife’s urging. She is a member of area historical and genealogical societies and thought grave dowsing might add depth (no pun intended) to that type of research.

“He gave a long, interesting class that morning, we had lunch, then went to an old cemetery,” Waid says. “We started practicing dowsing. Somehow it seemed to work for myself and Joseph Williams, also from Springville and part of the Springville Preservation Society. It was amazing! There were some people there who couldn’t get the hang of it, or it didn’t work for them, but for Joseph and me and one other lady, it did.”

In a self-published booklet titled, Dowsing for Fun and Profit, Gregg writes, “In Peru, a rock carving more than 9,000 years old depicts a man holding a forked dowsing stick,” he writes. Modern dowsing begins to appear in records around the 15th century in Europe.

Members of the Reeves Grove Historical Committee placed white ribbons on the graves of the church’s founders.

Although most scientists are skeptics, Gregg says dowsing has been proven many times. “I recently read a German government 10-year report recorded by a physicist at the University of Munich,” he says in his booklet, which he published several years ago. “He described how dowsing was used to locate water sources in arid regions of Sri Lanka, Zaire, Kenya, Namibia, Yemen and other countries. The success rates by dowsers in 691 drillings was an amazing 96%, where a success rate of only 30% would be expected from conventional techniques.”

Gregg got interested in dowsing when he went to work for Southern Bell telephone company in 1963. “The older guys who repaired underground cables taught me,” he says. “We didn’t have the modern devices we have now.”

Although dowsing is sometimes related to spirituality and witchcraft, Gregg says he doesn’t have any special powers, nor is he gifted in any way. It has nothing to do with witchcraft, because “it works for the majority of those who try it, and I know we are not all witches.” At times he has thought he discovered what makes it work, such as disturbance of the earth’s energy fields, only to find it was not true, particularly when it comes to determining the gender of a person in a grave. “Albert Einstein referred to dowsing as quantum physics, yet unexplained,” he says.

Still, people for whom the stick worked were called “water witches” by our ancestors, who hired them to locate underground water. “Rods work for a large percentage of first timers,” Gregg says. “Forked sticks work for only a very small percentage.”

For grave dowsing, he uses wire rods, which can be made of any stiff wire. The most common are coat hangers. The rods are made by bending the wire into an “L” shape, with the handle being the length of the dowser’s hand and the long part extending in front of him for 12-18 inches. “Rods will work for a large percentage of those who try for the first time,” he writes in his booklet. “They will never work for some, no matter how hard they try. Excessive jewelry, cellphones and other items worn on the body will sometimes make a difference.”

In his booklet, he explains how to hold the rods (elbows at waist, forearms parallel to the ground). He cautions NOT to place one’s thumbs over the bend of the handle, as this will restrict movement. Don’t grip too tightly, he cautions, only enough to keep the rods parallel. Approach the gravesite walking very slowly. “The rods will cross in front of you when you are over the grave. Once you step off the grave, they will uncross.”

He says the rods will respond the same to any burial, including stillborn infants through adults, even animals. “It makes no difference if the body was buried wrapped only in cloth, in a wood or metal coffin, or a coffin inside a vault,” he writes. “The age of the grave makes no difference. It can be recent or hundreds of years old.”

He says in order to more easily find unmarked graves and determine gender, it’s important to remember that most cemeteries in the United States bury their dead in a Christian manner. Their bodies are laid on their backs with their heads pointing west and their feet pointing east, as if they’re looking east for the second coming of Jesus Christ.

“You will discover that unmarked graves in an established cemetery will be buried in the same rows as marked graves,” he writes. “In a cemetery with no markers, it will be necessary to determine east and west directions to know the position of graves. Locate unmarked graves by walking slowly across the area you suspect. If graves are present your rods will cross and uncross as you move from one grave to the next.” Above all, he says, practice, practice, practice to get good at dowsing.

At 80 years of age, Gregg doesn’t dowse as much as he used to. He doesn’t have plans to conduct another workshop, either, but his booklet, which also discusses dowsing for water pipes and buried cables, is available, along with two wire dowsing rods, for $10.

Several folks at the Reeves Grove dowsing event bought the package, and just about everyone came away with a new perspective on the subject.

“Through the years, the McCorkle property gradually got sold bit by bit to various people, and we found out the day of the dowsing event that the original cemetery probably extends into what is now the Fant property,” Moyer said. “Now we know where the graves actually are in the old slave section.”

Editor’s note: For more about the restoration project, go to discoverstclair.com/back-issues and scroll down to April 2019, page 42.

Call Gregg at 256-706-3262 for information on how to obtain the booklet and rod set.

Rock House

Four generations, one unique home in Ashville

Story by Elaine Hobson Miller

Photos by Graham Hadley

Some call it the Rock House because of the building materials used for its walls. Others call it the Weaning House because several young newlyweds have lived in it. Historically, it is known as the R.E. Jones House, after its builder and original occupants.

Regardless of what you call it, this Craftsman-style house on U.S. 231 near downtown Ashville has been home to four generations of a local family with the fifth due in June. That’s a lot of love and laughter for a house that’s only 76 years old.

“My daddy started building the house right before WWII,” says Ross T. Jones, the current owner and a former transportation supervisor for the St. Clair County Board of Education. “He went to war before he could finish it and returned in 1945, then completed it in 1946.”

Ross’ daddy, Ross Earl (Buddy) Jones, was born in 1909. He was the son of Ashville businessman Green T. Jones, who co-owned the Jones and McBrayer General Store with A.L. McBrayer of Ashville.The store sold everything from milk to coffins.After graduating from high school, Buddy Jones worked for the county and for his father, delivering coal in the winter and ice in the summer to area customers.

 Buddy married Lorene Montgomery, whose father, Walter Montgomery, had purchased the land where the Rock House stands in the late 1800s for $500, a horse and a saddle. The 3.5 acres of land came with an existing house. Lorene’s parents lived in that house, which is next door to where the Rock House was built, until they died. Ross Jones’s nephew lives there today.

 By the time Buddy was drafted, he had finished the two back bedrooms, central hallway and kitchen of the Rock House. “My mom and brother, Jerry, lived there while dad was on active duty,” Ross says. When he returned from the war, Buddy finished a third bedroom, the breakfast nook, living room and dining room. The rooms were kept warm by a wood heater in the hallway. Its flue has since been removed and covered over.

Four generations: Ross T. Jones, Laura Norris, Gracie Merritt and daughter Hattie Grace

“There was an outhouse on the property back then, and we’re not sure when the indoor bathroom was added,” says Ross, who was raised in the Rock House. “It was probably about the time Ashville got a sewer system, because we’ve never had a septic tank here.”

He has the original blueprints for the house, which was patterned after a rock home in Albertville. His father gathered the rocks for the foundation and outside walls in the afternoons after he got off work. He and a co-worker took the company truck after making coal or ice deliveries and picked up rocks in various fields around Ashville. He dumped them into a big pile in what is now the backyard.

 “Folks were glad to get them out of their fields so they could grow crops,” says Ross. When Forney Coker started laying the stones, he soon announced to Buddy Jones, “You don’t have half enough.” So, Buddy continued his rock gathering until he had the amount needed.

Some of those rocks support the house from underneath. Two 20-foot-long rock columns, each about 2.5-3 feet in height and two feet wide, start at the back and end where the hallway stops and the dining room begins. The front porch wraps around half of the right side of the house and uses six rock columns that measure 2.5 feet on each side. Each column is topped with a concrete banister. The columns and walls were formed by building wood frames, stacking rocks in them and pouring concrete into the frames. After the concrete set, builders moved the frame higher, added more rocks and concrete, then repeated the process until the columns and walls reached the desired heights.

There are two ways to enter from the front porch. An arched entryway rises above French doors at the main entrance, which takes you in through the dining room. To the left of the dining room is the living room, which can be entered through a single outside door. “Grandmother used that door, but hardly anybody else has since her,” says Laura Norris, Ross Jones’s daughter. “Most use the French doors into the dining room.”

Behind the dining room is a breakfast nook that leads into the kitchen. The hallway runs from the dining room to the house’s only bathroom at the back. The breakfast nook, kitchen and back bedroom are off the right side of the hall, while two bedrooms and a small closet between them are off the left side. The back bedroom on the right is being used by the current residents, Laura’s daughter, Gracie, and her husband, Stoney Merritt, as a laundry room, storage room and extra closet. A side door enters a tiny area that used to house Ross’ mother’s washing machine, and that area leads into the breakfast nook.

“There are only three closets in the house, including the utility closet in the hallway,” Laura says. “There’s a brick fireplace in the back bedroom and another one in the living room that are original. They are so shallow, we think more coal than wood was burned in them.”

Front door still uses the original key to lock

Several newlyweds rented the house after Buddy and Lorene’s death. Laura didn’t live there until she married Michael Norris in late 1999. They lived there until 2001. Jonathan Jones, Laura’s brother, moved in when he returned from college, staying until he moved to Huntsville in 2005. In 2006, Laura and Michael returned to the Rock House, this time turning it into the offices of their startup company, Laboratory Resources and Solutions (LRS). When LRS moved into their current office in downtown Ashville in 2017, Laura turned the cottage into an Airbnb for a couple of years.

“We had a lot more business than I thought this area would have,” Laura says of that enterprise. “Roses & Lace Bed-and-Breakfast next door had closed, and we got a lot of guests from wedding venues and Talladega race fans.” That incarnation ended in August of 2020 when Gracie and Stoney moved in as newlyweds. When their daughter, Hattie Grace,was recently born, she became the fifth generation of the same local family to live in the Rock House.

“Mom and dad helped us do a few renovations before we lived there in 1999, and Michael and I have done all of the renovations that have taken place since 2006,” Laura says.

She and Michael kept the original hardwood floors in the living room, dining room and front bedroom, had the dirty carpet ripped up from the hallway and back rooms, then replaced the pine that was under that with more hardwood, and had all hardwood floors stained to match. All doors and windows are original, but the roof is fairly new and so is the wiring and plumbing. Plaster walls were patched and painted throughout the house. They also added heating and air.

 “I wanted to maintain the original character of the house,” Laura says. “I tried to save the original sink in the kitchen, but it was rusted through.” The bathtub is original to the house. Ross tiled parts of the plaster walls alongside the bathtub during the 1990s to create a shower.

While re-wiring the house, their electrician fell through the plaster ceiling in the hallway. “We had to call in a plaster guy to fix it,” Michael Norris says. It wasn’t the first time that had happened, though. “I did the same thing when Laura and I lived here,” Michael says. “We were putting insulation in the attic, and you have to walk on the wooden beams, and there’s still bark on them. The bark came off and I fell through.”

 Two outbuildings are original to the property, one a barn, the other a shed. The barn was built by Ross Jones’ maternal grandfather, Walter Montgomery, and the white shed by his father, Buddy. “The third door of that white outbuilding on the right was the outhouse,” says Laura. “My grandfather moved grandmother’s washing machine out there after it caused the floor at the side entrance of the house to rot. He covered the hole where the outhouse had been with a slab of concrete and put a drain in it for her wash house.”

Laura had the kitchen remodeled for Gracie. She replaced brown appliances from the 1960s with stainless-steel editions, added a dishwasher and replaced the flooring with gray, interlocking tiles. She kept the cabinets that were built by Wilson Construction of Ashville in the 1960s. “We put new doors on them and painted them white,” she says. “The old ones were stained from years of cooking.” She put in quartz countertops, with white subway tiles for the backsplashes, a gray under-mount sink of a composite material, and added modern light fixtures. “We had to special-order the wall oven to fit the 30-inch space,” Michael says. “The standard is 36 inches.”

The Hoosier cabinet in the breakfast nook belonged to Laura’s grandmother on her mother’s side. “She made lots of biscuits on it,” says Laura’s mother, Beth Jones. “The marble countertop in the breakfast room is from the soda fountain in the original Ashville Drugs, when it was next door to Teague Mercantile.”

This is Gracie’ssecond time to live in the Rock House. “I wasn’t even two when we moved,” she says. “I learned to walk in the hallway. I had grid marks on my feet as a child from walking on the floor furnace (now a cold air return for the HVAC system). I’m using a dresser and vanity that belonged to the original owner, my great-grandmother, and she used them in the same bedroom.”

Laura used the same pieces of furniture as a teenager, then Gracie used them as a child where her parents live now on County Road 33. “They came back home,” Gracie says.

Her favorite spots in the house are the kitchen and front porch. “There’s always a breeze on the porch,” she says. Her grandfather, Ross, adds, “In the summers it doesn’t get hot in here.”

Laura still has the original key to the front door, although she thought she had lost it when the child of an Airbnb tenant took it out of the door when his family traveled back to Texas. “I couldn’t open the front doors without it, so I called the family, and they found it in their child’s belongings and sent it back to me,” she says.

Gracie has many fond memories of playing in the backyard with her younger brother, John-Michael, and exploring the woods behind the backyard. “There used to be a big crabapple tree that we climbed a lot,” she says.

 The limitations of just one bathroom and few closets will eventually propel Gracie, Stoney and little Hattie to find a larger home, but in the meantime, there’s no place that she had rather be, she says. “I like the idea of living around so much family history.”

Museum of Pell City

Communitywide project finds new
home in municipal complex

Story by Eryn Ellard
Submitted Photos

When the doors opened six years ago to a Museum on Main Street exhibition from the Smithsonian Institution and Alabama Humanities Alliance, the Pell City and St. Clair County community didn’t know quite what to expect.

The Smithsonian component, The Way We Worked, was intriguing and compelling and drew an inquiring audience. But it was the local exhibit, Pell City Works, that pulled it all together to form a vision that is now becoming reality.

Actual Pell City Works
exhibit section

In coming months, Pell City will have its own historical museum – Museum of Pell City – featuring the original Pell City Works exhibit, the Making Alabama bicentennial exhibit and countless other features and additions all under one roof in a 4,000-square-foot suite at the Pell City Municipal Complex.

The Way We Worked and Pell City Works debuted in 2014 and drew over 7,000 visitors from multiple states during its first five weeks of exhibition. The primary focus of the professionally designed Pell City Works exhibit was on the city’s local history and how Pell City came of its unique footing. It tells a story of growth, family and hard work through photographs, stories and local artifacts. 

After seeing its popularity and success, project co-chairs at the time – Pam Foote, Deanna Lawley and Carol Pappas – began to research ways that it would eventually become more permanent or perhaps grow into something even more special for the community. The exhibit was preserved intact and stored in the basement of the Municipal Complex while they worked off and on over the years trying to find and fund a permanent home.

That grassroots movement evolved into a partnership with the Heart of Pell City, a local nonprofit, and the city council. The effort has led to the founding by Foote, Lawley and Pappas of a separate nonprofit dedicated solely to the museum and its operation in the future.

Fundraising so far is over the $15,000 mark with a goal of $100,000 initially. The city is providing the 4,000-square-foot suite as a permanent home for the museum, and the Making Alabama exhibit, worth about $100,000, has been awarded to the group as a permanent exhibit. Pell City is one of only five communities in the state to be so honored.

Making Alabama focuses on the 200-year history of the state, its working class, families and complexities of its heritage. Making Alabama will be the perfect complement to Pell City Works, valued at more than $40,000, and is a project that organizers are proud to make a part of the community permanently, Pappas said.

“These will be an ideal centerpiece for the museum – the making of Pell City and the making of Alabama together under one roof,” Pappas said. “We have been waiting on this moment for a long time.”

“Every year that passes, more history is lost about our town, especially the years before the lake and I-20 so drastically changed it,” Lawley explained. The local exhibit from 2014 generated all kinds of interest in those early years. “Emphasis was put on the primary industry, Avondale Mills. People would stay for hours looking at pictures, often shedding tears or laughter.”

Without such a movement for a museum to preserve and protect those moments in history, “there will soon be just a void as those who experienced them leave this earth,” she said.

Artwork and digital storytelling come together in state exhibit.

Foote, who served as the actual project manager, agreed. “There were so many people who thanked us for telling ‘their’ history. They had a father, a brother, an aunt who worked at the mill. They grew up in the mill village. Everyone seemed to connect.”

Even though upwards of 7,000 people saw the exhibit, “others to this day come up to me and tell me they were so sorry they missed it – that they had heard about it and wished they could see it now. Now, they can.”

The museum space has been prepared by the city, and museum organizers are preparing to open within the year. The new museum is being designed by Jeremy Gossett, a professional designer who helped create the Pell City Works exhibit, as well as others across the state. The museum showcases a hearty collection of local and state historical exhibits, as well as interactive learning tools for students and history buffs of all ages.

“Traveling exhibits and cultural programming also are part of the vision for this new museum, engaging audiences from near and far,” Pappas said.

Pell City Manager Brian Muenger said the space above the library is the perfect home for the new exhibit – thanks to its open concept and three separate offices, and he is excited to see the project come to fruition.

“My hope is that the museum will become a bridge between generations and a means for newcomers to Pell City to gain an appreciation for the fascinating history of how the city was formed, has grown and how it has evolved,” Muenger said. “The preservation and presentation of this information, specifically to the youth of the community, will ensure that the contributions of the generations before are not soon forgotten.”

Pappas said the museum will feature a children’s area with STEM skills featured for students. Upon completion, the museum also could be a regional, multi-county field trip destination for fourth grade students learning about state history.

Planned is an oral history recording studio, which will help preserve the community’s history even more as the years go by. There is space for presentations, lectures and the showing of documentaries.

Its location above the Pell City Library, which features a genealogy section, enables a solid partnership between the two entities for joint programming and other projects.

Several unusual artifacts have already been donated to the project, including an 1890s player piano and a 1926 Victrola console in mint condition, both of which will be used to showcase state and local music history. In addition, the project will also be home to many traveling exhibits to keep the museum fresh and compelling for visitors for years to come, Pappas noted.

Fundraising efforts for the museum have been fruitful and many local businesses and citizens have donated time and money to the cause.

Urainah Glidewell, president of the Heart of Pell City, said the outpouring of support has been graciously received thus far, and there are many opportunities to get involved along the way. For instance, any business or person wishing to donate $100 or more will be recognized as a founding member of the museum, known as Museum 100.

“Plans are to have a donors wall to honor those who helped make the museum a reality,” Glidewell said. “Of course, once the museum is open, we will continue to need donations for operating costs, bringing in new exhibits, etc. As of now, the plan is to have free admission for visitors, but donations will always be welcome.”

“We are so excited that this dream is finally coming to fruition,” Pappas said. “We’ve had a lot of help along the way, and we’ll continue to need that support. But the end result is going to be an impressive museum that preserves, honors and treasures our history. This is truly a community effort and will benefit generations to come.”

Editor’s Note: To donate or volunteer or simply to learn more, go to museumofpellcity.org or follow on Facebook, at museumofpellcity

Vegetables for Sale

Former Pell City Schools Superintendent Michael Barber pens uplifting book

Story by Scottie Vickery
Submitted photos

Michael Barber was 10 years old the day he took his daddy’s prized Pontiac Catalina for a joyride. After returning it safely to its covered parking spot, he thought he’d gotten away with his grave sin. But a twist of fate and a dog named Whiskers caused things to take a terrible turn. Let’s just say a dog mistakenly left overnight in a car is capable of causing a whole lot of damage. 

That’s not the only lesson young Michael learned that day. He realized his father loved him far more than his most prized possession. “My father never stood behind a pulpit and preached a sermon, but he taught me the most important spiritual lesson I carry in my heart to this day,” Barber recalled. “Total forgiveness is just that, it is total.”

A former teacher and retired superintendent of Pell City Schools, Barber has spent his adult life educating children, but the “eternal lessons” of his childhood were learned outside of a classroom. They often took place on front porches and came in the form of joyrides, dogs, shotguns and a cheap necklace.

Barber shares seven stories from his childhood – including the story of his father’s Catalina – in his new book, Vegetables for Sale: A Child’s Discovery of Redemption in the American South, published in November. “It’s a simple book for a complicated time,” Barber said. “These are stories of redemption, unconditional love, forgiveness and mercy.”

The title comes from a sign 5-year-old Michael helped his grandmother make, a testament of his grandmother’s wisdom. She was tired of him asking for candy money, so she set up a vegetable stand on the side of the highway and put young Michael in charge. “My grandfather had a third-grade education, and my grandmother only finished sixth grade, but they knew we needed to know the value of certain things, and one was the value of money,” he said.

“I didn’t make much money, but the lesson I learned was worth millions,” he wrote in the book’s introduction. “It is better to earn than to be given, with the exception of God’s love.” As a reminder, Barber framed the sign he made with his grandmother (“She wrote the letters and I painted it”) and hung it alongside his diplomas in every office he has ever had.

A preacher, public speaker, and bluegrass musician, Barber didn’t set out to write a great work of literature or theology. He intended the book to be a ministry tool, one he could leave behind when he spoke at prisons, jails, nursing homes or revivals. “These are stories I’ve used from the pulpit,” said Barber, the pastor of Mt. Zion Baptist Church. “I knew some had the ability to move people because I’d seen how God had used them during sermons.”

The book is a small one, measuring 5 inches by 7 inches with fewer than 100 pages, and that was Barber’s intention. “It’s designed to be a book you could put in a purse, in a glove box, in a tacklebox,” he said, adding that his hope was to make the book more inviting by writing something that could be read in one sitting. “It’s written by a preacher, but it’s not preaching. Whatever God wants to do with it, it’s out there. He’ll put it in the right hands.”

A special place

Barber, 55, grew up in Pell City with his brother and sister in a time when life was simpler. “The American South has changed in the past half century of my life, much for the good, but I admit sometimes I find myself missing a place I never left,” he wrote.

His days were filled with bike rides, fishing, baseball, watermelon, peach cobbler and lessons he didn’t realize he was learning. “I’ve always had people invest in the right things in my life – my parents, my grandparents, church folks,” Barber said. “They made sure we learned the right things. We were held accountable if we did something wrong, and they didn’t always come to our aid bailing us out.”

They also served as wonderful role models. His father, who was the first in his family to go to college, was a certified registered nurse anesthetist and owned an anesthesia corporation. “I think he put everyone in the county to sleep at some time,” Barber said. His mother was a registered nurse, and Barber thought he would follow in his parents’ footsteps and enter the medical field. His plans changed, though, when he got a feeling he just couldn’t shake. “The Lord kept leading me to education,” Barber said.

Mother Pearl, Cobbler Cook Extraordinaire

His Sunday school teacher, Andrew Wright, was the principal of Iola Roberts Elementary School at the time, and his pastors were teachers, as well. “To have three men in your life who were elementary school teachers and in ministry showed me how God could use you in education,” Barber said. “God has always put the right people around me.”

Although he retired from the school system in 2019, Barber performs contract work for the Alabama Association of School Boards. “I’ve had a great experience in public education,” he said. “To me, education is ministry,” he said.

Barber was an assistant principal in 1995 when God called him to preach, as well. He had a guitar and his Bible, and he traveled around ministering at nursing homes and “wherever God placed me.” He landed at Mt. Zion as a deacon and has been preaching for about 25 years.

One ministry he particularly enjoys is Cake Walk, the bluegrass band he helped form that earned its name from the early days of playing at cake walks and fall festivals. “Mt. Zion is a musically blessed haven,” he said. “Anyone you pick out of a pew can pick something, play something or sing something.”

Barber, who plays mandolin, guitar, banjo and bass, said the size of the group fluctuates and the members range from 8-year-olds to 90-year-olds. “We’re not the best musicians in the world, but for some reason when you put us all together, it sounds pretty good,” he said. “It’s a joyful noise, I know that.”

The group plays live every Sunday morning on WFHK 94.1 The River, and before the coronavirus pandemic, the members regularly shared their music at nursing homes and other places. “I’ve seen people who were really sick wiggle a toe under the cover when they hear the banjo,” Barber said. “It’s a wonderful ministry, and members of the band have said they had no idea that service could be so much fun. For me, that’s when you really hit the mark.”

A tool for ministry

Barber’s outreach ministry was the impetus for Vegetables for Sale, and the idea had been in the back of his mind for a while. “I had a bunch of stories I wrote years ago, and I’d always planned on doing something with them, but I didn’t know what that would look like,” he said. Once the pandemic hit last March, Barber finally had time, so “I went to the attic and started gathering stories I’d written in old spiral notebooks.”

Although he’d planned to leave them behind at speaking engagements, COVID-19 changed those plans, so Barber started to give them away. “My idea of promoting it is leaving a copy on the table at Starbucks,” he said with a laugh.

After his wife, Legay, posted about the book on social media, it started taking off. “We accidentally, I guess, launched it,” Barber said. “The potential to reach people through the internet is mind boggling.” The book, which features a childhood photo of his father on the cover, is available through Amazon, Walmart.com, Barnes & Noble and Kindle. It will soon be available on Audible, an audiobook book service from Amazon.

Barber said he read the book for the Audible recording because the subject was so close to his heart. “This is a book about my mom, my daddy, my sister and brother and my grandparents,” he said. “I sure didn’t want someone reading it and having it be just a book to them. Besides, I hate when people try to fake a Southern accent.”

Although he never expected to sell a single copy, Barber said he’s heard from people from all over the country who have shared how the book has touched them. A hospice nurse shared how a family read it together during the last hours of their mother’s life, and it gave them a chance to laugh and cry together. Another woman wrote to say the book helped her after receiving a cancer diagnosis.

“If God doesn’t use it for anything other than that, it was worth writing it and putting it out there,” Barber said. “I’m definitely not a writer, and I’ll never be a best-selling author, but this was a labor of love. Whatever voice we have, whether it’s a guitar or an ink pen, as long as we’re giving God the glory, He’ll use it.”

Preserving History

Cannonball Man holds our past in his hands and heart

Story by Buddy Eiland
Photos by Graham Hadley
Submitted Photos

Searching for history can become a lifetime obsession. Just ask Steve Phillips. Although the guns of the American Civil War fell silent in 1865, Phillips has spent more than 50 years searching for the cannonballs and artillery shells, along with other artifacts left behind from that great conflict. In the process, he has become a knowledgeable student of Civil War history and has built one of the most extensive private collections of its artifacts in existence. 

 Phillips is a retired professional diver, having owned and operated Southern Skin Diver Supply Company in Birmingham for many years. His sons, Spencer and Forrest, still operate the business, and both are expert professional divers.

After leaving the Air Force and before he became involved in the dive business, Phillips was in the office machine business in Birmingham. He and his wife, Susan, live on a comfortable acreage straddling the St. Clair/Shelby County line. Their property has a lake, a creek and a secret mountain waterfall. Long ago, Native Americans lived there, and he and his family have found thousands of stone points over the years that they left behind. 

 Phillips has spent years reading, researching and learning where to look and how to find Civil War relics and artifacts. Searching by metal detecting on private land permissions and diving in public waters, he has found about half of his collection.

Cannister shot, made up of small balls, and other shells

The rest he has bought from other collectors, dealers and museums selling surplus items from their collections. Although his collection contains an unbelievable variety of artifacts, Phillips says, “I’m really all about cannonballs and artillery projectiles.” Learning from an early mentor, Tom Dickey of Atlanta, Phillips became an expert at disarming and preserving artillery projectiles. (Dickey is the brother of Deliverance author James Dickey). Over the years, he has disarmed and preserved over 2,000 cannonballs and artillery shells, developing his own methods from trial and error along the way.

The preservation is necessary because the iron will deteriorate from exposure to the air after being in the ground or water for so many years. The disarming process is extremely dangerous, as, even after over 150 years, the black powder sealed inside can still be viable and can explode if improperly handled.

He has designed a way to disarm projectiles safely and remotely, using a shed about a hundred yards behind his house and barn with a drilling apparatus controlled by ropes and pulleys to allow him to maintain a safe distance from the operation. “I don’t recommend people try this,” he says. “I’ve never had one to explode, but I treat every one like it might.” 

 After drilling into a shell, the black powder can then be safely washed out. Phillips uses a process of electrolysis to remove rust and scale that results from many years in water or in the ground. Then he boils the shell, usually several times, to remove salt and sulphites from the iron and help stabilize it. Finally comes a coat of preservative to complete the process. 

 Interesting among Phillips’ extensive and quite varied collection is probably the greatest number of “war logs” in any private collection. These are tree trunks from the Battle of Chickamauga, Georgia, that have artillery shells embedded in them. They speak to the intensity of the battle and were obtained from Tom Dickey’s collection after his death and from a museum in Atlanta. 

The Enfield and the Coal Torpedo 

What does he consider the most valuable item in his entire collection? Phillips is quick with an answer. “Monetarily, or to me personally?” he asks. “Probably money-wise would be the coal torpedo because it’s so rare. To me, personally, it would be my great-grandfather’s Enfield rifle that was left for me on the battlefield at Gettysburg. Of all the hundreds of items in my collection, it would be my favorite. It’s not the rarest, but it’s my favorite,” which leads us to two of Phillips’ most intriguing stories about his collection. 

Rifle returns ‘home’

Some years ago, Phillips was attending the Nashville Relics Show, displaying some of his cannonballs and other items from his collection. “I subscribed to a magazine for The Horse Soldier, an antiques dealer in Gettysburg that sells relics and other artifacts from the Civil War. I was looking at a copy of the magazine, and, normally, I would just look at the cannonball and artillery section, but I was bored, and I began to look at other sections.

Phillips with the Enfield rifle that belonged to his great-grandfather, Private/Corporal John C. Deason, that was recovered from Devil’s Den, part of the battle of Gettysburg

“I saw a listing for a British-made Enfield rifle, a very well-made rifle, better than most people had. On one side of the stock were carved the initials “JCD,” and on the other side was carved, “Co B 44th Ala Infantry.” It was identified to a Private/Corporal John C. Deason of Company B, of the 44th Alabama Infantry. John C. Deason was John Columbus Deason, my great-grandfather on my mother’s side of my family.”

 Deason fought in the battle of Gettysburg in the Civil War as a member of Company B of the 44th Alabama Infantry. They were involved in the part of the battle known as Devil’s Den. The fighting took place in close quarters among some large rocks. The rifle was picked up by the owner of the Slyder farm, which was part of the battlefield. It was missing the ramrod, and because of the close quarters of the fighting, the ramrod was likely bent, rendering the rifle useless. Without the ramrod, it couldn’t be reloaded, so he probably dropped it, picked up another rifle and continued to fight.” About 130 years later, Slyder family descendants sold their collection of relics collected after the battle. 

 Phillips contacted The Horse Soldier, expressing an interest in buying the rifle. Told that the rifle had been sold, he said he would like to contact the buyer and try to purchase it. “Don’t let him know,” he was told, “because he is a Yankee, and if he finds out you want it, you’re not going to get it.”  He backed away from trying to buy the gun, and about five years later, he received a call from The Horse Soldier, asking if he was still interested in buying it. “I told them I was, so I bought it and brought it home.” This special rifle now occupies a place of honor, hanging over the mantle in his den. 

Rare find

The coal torpedo Phillips found on an underwater dive. “I picked it up and thought it was just trash, but I kept it because I didn’t want to keep hearing it on my metal detector. I had found a 12-pound ball that day, and when I began to start cleaning it up, I threw the ‘trash’ into the tumbler with it to help knock some of the rust off.”

The tumbling cleaned rust from the odd piece he had found as well, and he noticed what looked like copper in the side of it. Comparing it with several artillery fuses from his collection, he determined that it was, indeed, a fuse plug. Taking the object to his veterinarian, who X-rayed it for him, he determined that it was hollow. Further research determined that what he had found was a coal torpedo, used by Confederate spies in the Civil War.

The coal torpedo – one of only four known to exist

It was cast from iron in the form of a lump of coal, filled with four or five ounces of powder, and, when covered with pitch and coal dust, disguised it so it could be placed in the coal bunker of a ship. Shoveled into the firebox of the ship, it would blow up the firebox. That would rupture the boiler, which, essentially blew up the ship.

Coal torpedoes were credited with destroying several ships during the war, and many, including Phillips, believe one was used to destroy the Sultana on the Mississippi River, resulting in the largest loss of life from a single ship in U.S. maritime history. Over 1,800 people died in the explosion and fire. 

 Phillips has the only coal torpedo known to have been found since the Civil War, and one of only four known to still exist. One was found on Jefferson Davis’ desk when Richmond surrendered, being used as a paperweight. Two were found at the Confederate spy headquarters, which was located in Canada during the war. According to Phillips, it is likely one of the rarest and most valuable relics of the war. “I thought I had found trash,” he said, “but what I had found was just wonderful. We don’t really know what its value to a collector might be because it will never be sold.” 

The Alaska connection 

 If you are paying close attention, you might notice that Phillips quite often wears a solid, 14-carat-gold belt buckle. It was cast from a mold made from a Confederate belt buckle. In addition to being a Civil War relic collector, Phillips is also a gold prospector. For more than 25 years, he has spent about two months in Alaska, mining for gold. Diving and dredging in the Bering Sea at Nome, on claims he and his son, Spencer own, he has very successfully found gold over the years. He also has working claims further inland from Nome. Although he no longer dives, his son, Spencer does, joining him in Alaska during the summer.  

 According to Phillips, gold mining there is not as productive as it once was, but he continues to find gold. Inland, most of their pursuit involves dredging in the river there. The inland claim is extremely remote, so much so that, when they leave for the summer, the cabin there is left unlocked, providing refuge and shelter in case a hunter might become stranded there in the harsh winter. The greatest winter threat to the cabin is bears, who sometimes do damage to the property while they are away. 

 The remoteness of the area presents its own problems, according to Phillips, and resourcefulness and self-sufficiency become virtues. Failures to vehicles and equipment left to the elements over the harsh winters, along with poor access to spare parts, present their own challenges, and major repairs are especially diffiuclt … and frequent. 

 Phillips has made a hobby-business of fashioning jewelry from gold “pickers” he has found gold mining. These are gold particles larger than gold dust, but not large enough to be considered nuggets. 

 Phillips has generously shared his Civil War collection, placing many items on permanent loan to be displayed for the interest and enjoyment of the public. The museum at Tannehill State Park is furnished with items from his collection. 

 In keeping with that practice and with a personal desire that his collection will always be accessible for enjoyment and study by the public, Phillips’ collection will soon be moving to a new home. It will be placed on permanent loan at the Sons of Confederate Veterans’ headquarters and museum in Columbia, Tenn. 

 A number of videos Phillips has made to share his stories about collection are available on YouTube. Videos include the John Columbus Deason rifle, the confederate coal torpedo, artillery projectiles from Selma, Confederate mines, disarming and preserving artillery shells, and more. Also posted are videos about his gold prospecting adventures in Alaska. l